My earliest attempts at writing were when I was seven. I would sit at the piano and transcribe the songs I heard on the radio. I'd change little things in the music and write different lyrics.
I started playing the piano aged four in an effort to copy Grandpa, who was constantly showing off and entertaining us all, singing comic songs on his baby grand.
I didn't have bands that I was playing with growing up, so I learned to try to adapt and play these songs that were guitar songs on the piano, and sing them.
When I was 14 I came very close to becoming a gay teen suicide 'statistic' but I then turned to music, my piano, my loved ones, and discovered that it does in fact get better.
I don't want Jeremy Clarkson anywhere near my shed or my toolbox or my piano. He's interested in fashionable restaurants and celebrity gossip - I'm not interested in those.
You can never plan what a song will do. I wrote Mr Pitiful song on a piano I paid $200 for and I definitely got my money's worth.
When I'm playing live, I'll rip out a ballad from my album, and I'll play that solo on the piano, which feels really good because it kind of takes me back to when I was younger.
Life's piano can only produce melodies of brotherhood (and sisterhood) when it is recognized that the black keys are as basic, necessary and beautiful as the white keys.
The first dramatic experience I had of music was when I was five. The electricity had gone out in Georgia, and my mum played the 'Moonlight Sonata' on the piano.
Music was a central part of my childhood because my mother played organ and piano in the church, and that meant all us kids had to be in the church choir.
I had piano lessons when I was five or six years old, so my mom got me this little keyboard in my room. And then it progressed from that to classical guitar and drums and oboe.
I am learning something new everyday, be it learning piano or enrolling myself for online courses, reading, writing or doing yoga.
I consider the piano my 'main' instrument and have been playing for as long as I can remember. It seems to me that I might have come up with something resembling a song as early as 4 or 5 years old.
I write at the piano, so I write things that fit comfortably under my hands, and I'm not thinking in terms of any specific compositional methods. I'm just seeking sounds.
The piano sounds like a carnival and the microphone smells like a beer. And they sit at the bar and put bread in my jar and say, man, what are you doing here?
The piano by its black and white keys always attracted me, my father showed me how to use... and slowly I got into playing.
From my childhood, I never wanted to do anything else but create music. From my first piano to setting up my studio, all I ever wanted was to give it all my time.
I love music and I enjoy creating sounds. I got into making music when I was a child, starting with the spoons and the koto before moving onto the piano.
I'd been playing the piano since I was 6 and wanted to be a composer, but I also wanted to be an actor. I decided to just pursue both and see which won out.
At 13 I taught myself piano from an old song book, and Joni Mitchell's 'Both Sides Now' was the first song I learned.
Using a typewriter, at times, feels more like playing piano than jotting down notes, a percussive exercise in expressing thought that is both tortuous and rewarding.
I play the saxophone, and I used to play the piano.
All the things you put off, like learning to play the piano or leaning a different language? You're like, what's the point? I'm not really gonna do that, am I?
I'm not very good at playing piano, so I usually hit chords with my right hand. And those chords came, and I was just singing a little bit.
I sound like a crazy person... but I feel when a piano is happy, and I feel when they find that moment to be alive. I want them to remember me.
Some composers end up writing for the guitar as they would write piano music or, more often, harp music. It isn't the same.
Music for me is a bit more spiritual. There are moments when I'm sitting at my piano, and I don't realize that I've been playing for two hours - it feels like divine power. I know it's so cheesy.
Film music should have the same relationship to the film drama that somebody's piano playing in my living room has on the book I am reading.
I was very quiet until I got at the piano, and weekends, lunch breaks, after school, before school, I was just making music.
We decided to do some of Merle's things with modern instrumentation. We used a flute, a bass clarinet, a trumpet, a clarinet, drums, a guitar, vibes and a piano.
I studied voice and piano fairly seriously during my elementary and high school days, and as such, I became very attuned to rhythm and cadence and voice.
Everything gleamed or glinted on TV in the '70s, from the 'flavor crystals' in Folgers coffee to the yellow dentures dipped in Polident and instantly restored to pristine, piano-key whiteness.
I feel like people are now praying for some authenticity and some human touch to music. There's no simpler outlet to that than guitar and piano.
Then I started listenin' a lot to classical composers. Piano works. Just to see what they were doin'. That sort of put me in a different groove to try to blend all that in.
I love listening to things like those wonderful piano pieces of Stockhausen. It's just not my thing as a composer or performer, and thank goodness we're not obliged to be Modernist any more.
The Goth character was a difficult thing to get my head round. I'm not really a fan of Goth music. I'm more a piano and guitar man - that's what I love.
The indefatigable pursuit of an unattainable perfection -even though nothing more than the pounding of an old piano -is what alone gives a meaning to our life on this unavailing star.
I don't let the children watch TV on weeknights. They practice playing musical instruments instead. Both my sons play piano, drums and guitar, so my husband and I listen to them in the evening.
People always think I was just playing in a piano bar, but I only did that for about six months. The rest of the time I was playing in bands.
Although I don't come from a musical background, I was given piano lessons along with my sisters, but I wasn't what you would call a good student. I tended to write songs rather than do scales.
If anyone can show me ... that there is any reason - other than fear - to believe in any version of an afterlife, I'll give you my piano, one of my legs, and my wife.
If you can play the piano, you can play any instrument.
I always stayed on before and after practice. I just think that if you want to excel at anything, be it basketball, dance or the piano, you need to practice a lot.
A piano in the house, when I came home from school and was able to play all these different notes with all theses different sounds, I really found that fascinating.
There's individual turntable setups devoted to piano, bass, drums and a set for soloing as well. We like to try and explore the gamut of what a turntable can do.
I play piano and that's my love. I read and I paint and I compose music, so I've got a pretty full creative life. And it's not because, I'm obsessively creative.
There weren't sidewalks to skateboard on and malls to hang out in. There wasn't anything to do. And I was too scrawny to play football, and so I decided I was just gonna sit at the piano, because it made more sense.
I tend to like the traditional sound: three-part harmonies, guitar, and piano. I mean, a well-played guitar is a joy forever... or something.
Football management is such a pressurised thing - horseracing is a release. I'm also learning to play the piano - I'm quite determined - it's another release from the pressure of my job.
All the same it is being said everywhere that I played too softly, or rather, too delicately for people used to the piano-pounding of the artists here.
I had studied piano since I was 13, but I was surrounded by students who'd been playing since they were 5. I realized I was never going to be anything but mediocre.
I grew up in rural Oregon in a log house with bark left on inside and out. We had no electricity, a massive stone fireplace, a grand piano, and tons of books.
I was a staff songwriter for Combine Music Publishing in Nashville for seven years. I'd sit around with a groups of friends with a Yamaha piano and a tape recorder and crank out songs.
Hard to say an absolute favorite, but some of my favorites are: 'Ryan's Daughter,' 'One Flew Over the Cuckoo's Nest,' 'The Piano,' Lina Wertmuller's 'Swept Away,' 'Blade Runner.'
It took great courage to ask a beautiful young woman to marry me. Believe me, it is easier to play the whole Petrushka on the piano.
It's a very different feeling just sitting around the side, playing piano, and dancing around as opposed to standing in front and singing.
I started playing the piano, pretty much on my own, when I was 5, and I started writing music when I was 7. In fact, I won a composition award. It was a crummy little piece, but I won with it.
Tony MacAlpine not only plays guitar, but is a stunning classical piano player, so he can show how that influence molded his guitar playing.
Never mind, put any book on the piano, and someone can turn from time to time, so I need not look as though I played by heart.
My father was always playing the piano. He played all kinds of music - Gershwin, all kinds of stuff. He was really a hugely encouraging force to me when I was little.
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