Top 291 Picket Fences Quotes & Sayings - Page 4

Surely there is grandeur in knowing that in the realm of thought, at least, you are without a chain; that you have the right to explore all heights and depth; that there are no walls nor fences, nor prohibited places, nor sacred corners in all the vast expanse of thought.

I called Scott Rudin, and I told him I wanted to do the play [Fences], so that's how the ball got rolling. I never said, "I'll do the play, and the next year I'll do the film, I just wanted to do the play."

People have become inappropriate. People have pushed too far. People have climbed one too many fences. I'm just tired of it.

It was hard, that confrontation scene [in "Fences"], that was a hard one. I felt like it was relentless, I never felt like I could just drop the ball when the coverage was on him or anything else.

He is all pine and I am apple orchard. My apple trees will never get across And eat the cones under his pines, I tell him. He only says, "Good fences make good neighbors.

I am amused to see from my window here how busily a man has divided and staked off his domain. God must smile at his puny fences running hither and thither everywhere over the land.

Politicians and lawmakers are willing to watch us take us a knee, watch us march, watch us picket and protest - and wait us out. They are willing and prepared to outlast us - and, in most cases, to do absolutely nothing about the problems we highlight and amplify.

[Rose from "Fences"] couldn't just jump out there. Not just because of economic reasons but because how she was looked at in society at the time. There were a lot of factors that made you stay I guess.

I was first introduced to August Wilson in the 80s when Charles Dutton did Ma Rainey and James Earl Jones and Courtney Vance did Fences. I've long considered August Wilson to be one of the five greatest playwrights in American history.

I don't know a lot of show runners. I mean I met a lot of them in picket lines. I'm not part of a, like, secret society or pickup basketball game. As far as I'm concerned, pick-up basketball games are secret societies. They confuse me. I've never been a networker or I've never been very social.

Yeah, you got the family dog and the white picket fence, and you just think that's all there is. Some of us had to grow up in poverty-stricken urban neighborhoods, and we just had to adapt to our environment. I know that it's wrong. But people act like it's some crazy thing they never heard of. They don't know.

I am a big fan of music in general. I listen to all genres: hip-hop, R&B, whatever sounds good to me; it doesn't matter to me where it comes from - there are no boundaries, no fences. If I like it, then it will inspire me to create.

In 2009, Scott Rudin sent me August's [Wilson] original screenplay [Fences] and asked me what I wanted to do with it. He wanted to know if I wanted to act in it, direct it or produce it. I said, "Well, let me read it first."

These are human issues. These are human stories. I think that's why 'Fences' has been able to resonate and been able to hit so many people over the years because it is just that. You can't run away from the racial specifics of it, but that's just a part of it.

Big lots,' I said, seeing the eighty-year-old oaks and shady lawns. The houses were set way back and had iron fences and stone drives. The harder to hear your neighbors scream, my dear,' was David’s answer, and I sent my head up and down in agreement.

So it seems that because of every syndrome and disorder we've invented in the past twenty years, the Los Angeles Times reported that 63% of American families are now considered dysfunctional. My God! That means we're the majority. We're normal! It's the people who have the mommy, the daddy, the brother, the sister, the little white picket fence - those people are the freaks, man!

I really want my acting to be definitive a lot of times, but I must feel like in any given moment there is a lot of things going on with Rose. I kept telling Denzel [Washington] throughout filming [Fences] that the house is her joy and her tomb.

Every sport has its dangers. I've been pretty lucky, knock on wood. But I've had really confident, brave and smart horses growing up, which I think is important when you're young. You are working with massive animals over big fences, and especially at this top level, there is really no room for error.

I don't get into these petty things, Kentucky-Louisville. To me, it's nonsense... There will be people at Kentucky that will have a nervous breakdown if they lose to us... They've got to put the fences up on bridges. There will be people consumed by Louisville.

Some of the domestic evils of drunkenness are houses without windows, gardens without fences, fields without tillage, barns without roofs, children without clothing, principles, morals or manners.

I think that's why August [Wilson] named her Rose [in "Fences"]; I really do. She's a rose in her sweetness and her kindness and in everything else, even her anger towards the end.

(Talks about her childhood) I grew up on a Christmas tree farm in Reading, PA. It was the most magical fun childhood. We had grape arbours and we would make jam with my mom. My dad would go to work and he'd come home. He'd clean out stalls and fix split-row fences.

When you have a young kid you can't go out much at night, so I spent a lot of time at home, watching movies and cooking dinner with my wife. It felt like what most people experience. White picket fence stuff.So there was some enjoyment of that normalcy, but I have to admit that part of me missed the chaos of touring. I think it's about balance.

As happy as we were in our backyard jumping on trampolines, it was the same general feeling, often euphoria, on the picket line, because we felt like the way our lives were falling on to us contorted with the people of God and the scriptures. It all felt very normal.

The Huffingtonpost.com does not pay its writers. Tina Brown's thedailybeast.com does pay its writers. You have to be paid because this is not a hobby. You have to keep that standard. You can't ask grandpa to loan you money because you have to go to Afghanistan. I walked the picket line for that to continue.

Powers Hapgood had just come from court because there was some kind of dust-up on a picket line. The judge was so curious about him - coming from a rich family - why he would choose to live as he had. I guess you know what his answer was ..."The Sermon on the Mount, sir." That's important.

It's high time something was done for the pitchers. They put up the stands and take down fences to make more home runs and plague the pitchers. Let them revive the spitter and help the pitchers make a living.

I was a blue-eyed, chubby-cheeked five-year-old when I joined my family on the picket line for the first time. My mom made me leave my dolls in the minivan. I'd stand on a street corner in the heavy Kansas humidity, surrounded by a few dozen relatives, with my tiny fists clutching a sign that I couldn't read yet: 'Gays are worthy of death.'

There seemed to be nothing to see; no fences, no creeks or trees, no hills or fields. If there was a road, I could not make it out in the faint starlight. There was nothing but land: not a country at all, but the material out of which countries are made.

It just happened that we did [Fences] seven years ago on Broadway. Scott Rudin brought me August Wilson's original screenplay for it, and I realized I hadn't read the play. So I read it. Then I realized that Troy (my character) was 53 - and I was 55 at the time. I realized I better hurry up! I might be too old!

When you look in one direction where Troy's chair was, you could see out through the yard across the street, there was an old cork bar advertisement for five cents. We wanted it to feel like this was real life [in Fences] and that it extended blocks and blocks.

What we did [shooting "Fences"] was we got young students from Carnegie Mellon, the acting and theater students, and we had them as our understudies. I told them, "You have to be off book and be ready. If Viola [Davis] has to leave you have to jump in."

My stories are of gas chambers, shootings, electrified fences, torture, scorching sun, mental abuse, and constant threat of death. But they are also stories of faith, hope, triumph, and love. They are stories of perseverance, loyalty, courage in the face of overwhelming odds, and of never giving up!

But along with all of that it was, "Oh, isn't he a great storyteller? Oh, it's that why I married him? Isn't he handsome? Oh, what am I going to make for dinner today?" I put all of that as a part of [Roses's from "Fences"] inner everyday monologue so, by the time he tells he that news and all of that I feel that it's there already.

Where will you drive your own picket stake? Where will you choose to make your stand? Give me a threshold, a specific point at which you will finally stop running, at which you will finally fight back.

History is instructive. And what it suggests to people is that even if they do little things, if they walk on the picket line, if they join a vigil, if they write a letter to their local newspaper. Anything they do, however small, becomes part of a much, much larger sort of flow of energy. And when enough people do enough things, however small they are, then change takes place.

If they want to come out and watch me paint or dig potatoes or mend fences, I don't care. I don't do interviews not because I have anything to hide, but when you retire, the word has a meaning to me. It's a place in life, a part of the journey. You just don't quit work. You develop an attitude where you can do what you please.

I did think of becoming a priest quite late on, when other boys were thinking of knocking over fences and going out with girls. I would have made a very good bishop: nice housekeeper, nice clothes - god, the clothes.

The thing that happens is that politicians run on tough-on-crime rhetoric. You appeal to the public and say, 'Let's put more money into taller fences, tougher laws, tougher sentencing, handcuffs,' and where does that money come from? Well, immediately, it comes out of all the money needed for corrections.

I wanted to live in the suburbs and have a white picket fence and my own bedroom. And a staircase - I thought having a staircase meant that you were a normal family. I thought somehow if you could transplant us to the suburbs, we would become a normal family. But in retrospect, I'm so grateful I grew up in the Chelsea.

I always approach every play based on the cast. When Denzel and I did 'Fences,' I didn't go to rehearsals and say, 'OK, James Earl Jones did a wonderful job in '87. Let me see if you can come close to James Earl Jones.'

And if these mountains had eyes, they would wake to find two strangers in their fences, standing in admiration as a breathing red pours its tinge upon earth's shore. These mountains, which have seen untold sunrises, long to thunder praise but stand reverent, silent so that man's weak praise should be given God's attention.

I had the kid [on "Fences" ] who understudied me so I could stand back and think about shots so he had to learn the blocking and everything. I'd come in early sometimes, and they 'd be in there rehearsing and working on their stuff. I didn't want them to feel like, "Oh these are people who can't be touched." We're all working actors; we're all trying to get better.

The country where he lives is haunted by the ghost of an old forest. In the cleared fields where he gardens and pastures his horses it stood once, and will return. There will be a resurrection of the wild. Already it stands in wait at the pasture fences.

Because of the dynamics on the picket line all my life, I had these expectations of people. It was all the things that I had learned about outsiders from the time I was tiny, that they were evil, that if they were being nice to me they were trying to seduce me away from the truth.

My dreams were always small and puny. All I ever needed was a little house with a little picket fence by the sea. Little did I know that I would live in Malacanang Palace for 20 years and visit all the major palaces of mankind. And then also meet ordinary citizens and the leaders of superpowers.

Metal, I love metal sounds. If I have a stick with me, I just drag it across a fence. And all fences make different sounds, just like people when they laugh.

After school the very next day, El Rey's mobile home was gone. I laid in bed and wondered what happens to people when they go, if they become like shadows, if they fade away when they disappear from your life. The only thing I could see was the broken picket fence. The only sound I could hear was the cry of birds being killed in the night.

When it comes to storytelling, not taking risks is riskier than swinging for the fences. I have very simple ambitions when it comes to taking risks in storytelling and programming. I try very hard to avoid the expected.

Hard comedy goes for the fences. It's also what you might call take-a-risk comedy because if you don't hit a home run, you might strike out. It's either a belly laugh or it's no go and no show.

Give these Indians little farms, survey them, let them put fences around them, let them have their own horses, cows, sheep, things that they can call their own, and it will do away with tribal Indians.

What have they done to the earth? What have they done to our fair sister? Ravaged and plundered and ripped her and bit her Stuck her with knives in the side of the dawn And tied her with fences and dragged her down

The 'environmental left' tells us that, though we have natural resources like natural gas and oil and coal, and though we can feed the world, we should keep those things in the ground, put up fences, and be about prohibition.

Getting up at four in the morning to tend the farm while the world is quiet - feeding animals, mucking stalls, gathering eggs, filling water troughs, checking fences, letting animals out into the field - is a high point to my day.

Everybody has barriers and obstacles. If you look at them as containing fences that don't allow you to advance, then you're going to be a failure. If you look at them as hurdles that strengthen you each time you go over one, then you're going to be a success.

Whenever people would speculate about the death of my grandfather it was always this very retributive thing. That they were going to picket his funeral after all the things that he had done to so many other people. That vindictiveness is obviously completely understandable. It would make perfect sense.

My suggestion to newspapers everywhere is to give the public a reason to read them again. So here's an idea: get on a big story with widespread public appeal, devote your best resources to it, say a quiet prayer, and swing for the fences.

Government usually doesn't work. It doesn't work because it is political. People who are wise, good, smart, skillful, or hardworking don't need politics, they have jobs. The difference between the political process and an honest life is the difference between parading around waving picket signs while hollering catcalls in front of the White House and getting up in the morning to go make a living.

The great thing about what we do at DTS, all the studios, but especially DTS, because we're talking about our film, is we swing for the fences. So that being said, we're out to tell the very best story we can with the highest quality that we're able to do.

The issue of migration has played a key role in all of our member states, wherever we are. Only we, as a European Union, can convince our citizens that we do have an answer to this - not deny migration, not pretend you can solve it by building fences and walls, not pretending we can solve it by letting everybody in.