Top 1200 Picture Frames Quotes & Sayings - Page 2

I feel that whatever picture an artist makes it is in part a picture of himself - a matter of identity.

You are not just a big-picture girl for me, Brooke Parker. You’re the only picture.

Round, cat-eye frames, wayfarers, and aviators are my go-tos.

Picture all the money that I've gotten off tours. Now picture me plotting for more.

The process for writing a picture book is completely different from the process of writing a chapter book or novel. For one thing, most of my picture books rhyme. Also, when I write a picture book I'm always thinking about the role the pictures will play in the telling of the story. It can take me several months to write a picture book, but it takes me several years to write a novel.

Bridges become frames for looking at the world around us.

I guess I can picture things once they're done - I just can't picture actually doing them.

We are similar to a museum. My function is to present old masterpieces in modern frames.

If you desire a thing, picture it clearly and hold the picture steadily in mid until it becomes a definite thought-form.

I think the way kids create is so inspiring. They're drawing a picture? They love the picture they drew; they're not tortured about it.

I am pessimistic about a picture's power to be the emissary of just one thing. What I hope is that the picture says, "Here I am, this is what I am like," and the person seeing the picture says in return, 'You know a lot but you don't know half of what I know.'

I have no opinion on 48 frames a second at all. I'd be completely unsuitable to talk about that.

Death comes in a flash, and that's the truth of it, the person's gone in less than 24 frames of film.

By giving our students practice in talking with others, we give them frames for thinking on their own.

A picture was a motionless record of motion. An arrested representation of life. A picture was the kiss of death pretending to possess immutability.

It's always been my weakness that my concentration tends to go when I get into scrappy frames.

I always go for centuries at the end of frames because it gives the fans a chance to celebrate.

Anyone who makes time frames beyond tomorrow probably isn't pushing himself hard enough.

An artist painting a picture should have at his side a man with a club to hit him over the head when the picture is finished.

I've gone on Twitter, and I've seen a picture of me walking through the airport, or some random picture, and the person's like, 'Oh my God. I just saw Chilli.' They just take a picture, and it lets people know where you are. It's just crazy to me even when people do that.

I've always been somebody who, when I started a picture, never knew what the next picture would be.

If I was painting a picture, I wouldn't want to take a picture of a single paint stroke. I'd rather show people what it looks like when it's done.

The prudent man really frames his own fortunes for himself.

Formerly pictures used to move towards completion in progressive stages. Each day would bring something new. A picture was a sum of additions. With me, picture is a sum of destructions. I do a picture, then I destroy it. But in the long run nothing is lost; the red that I took away from one place turns up somewhere else.

If you do two versions of a film, they should be identical. With the same frames and settings.

It's very difficult to know when you're crossing the boundary. I hate the word boundary because I never think about it when taking a picture. Very often it doesn't mean anything because it depends on who's looking at the picture more than the content of the picture itself.

It's one thing to ask for a picture, but to just take a picture of me is kinda weird, guys.

We know photographers make frames, but we deeply believe they can also create frameworks.

The art galleries of Paris contain the finest collection of frames I ever saw.

I remember when I was in school, they would ask, 'What are you going to be when you grow up?' and then you'd have to draw a picture of it. I drew a picture of myself as a bride.

Trust is always a factor. You've just got to look at the big picture, and you've got to look at the small picture - the small picture in the sense that you've got to make every scene work and you've got to deal with what people are presenting you with, too.

Frame in terms of what you want to have in the picture, not about making a nice picture, that anybody can do.

None of us see the world as it is but as we are, as our frames of reference, or maps, define the territory.

For me, the subject of the picture is always more important than the picture.

The attitude of silent observation is the very foundation of yoga. You see the picture, but you are not the picture.

The picture of the free market is necessarily one of harmony and mutual benefit; the picture of State intervention is one of caste conflict, coercion, and exploitation.

I am a bigger-picture manager because I've lived through something that's a big picture.

As a general truth, it is safe to say that any picture that produces a moral impression is a bad picture.

Any picture that needs a caption is a weak picture.

A good picture, any picture, has to be bristling with razor blades.

I didn't want people to sit there and watch 10 minutes of film,and all they write about is 48 frames.

My last picture for Warners was Romance on the High Seas. It was Doris Day's first picture; that was before she became a virgin.

Wickedness frames the engines of her own torment. She is a wonderful artisan of a miserable life.

Comics are essentially films with fewer frames per second.

There's always a time in any series of work where you get to a certain point and your work is going steadily and each picture is better than the next, and then you sort of level off and that's when you realize that it's not that each picture is better then the next, it's that each picture up's the ante. And that every time you take one good picture, the next one has got to be better.

One paradox I have found is that, the more you use computers in picture-making, the more hand-made the picture becomes. Oddly, then, digital technology is leading, in my work at least, toward a greater reliance on handmaking because the assembly and montage of the various parts of the picture is done very carefully by hand.

My drawing was not a picture of a hat. It was a picture of a boa constrictor digesting an elephant.

Here then - the after math of meaning. A liftime finished between the space of two frames.

The picture that approaches sculpture nearest Is the best picture.

Some people look at a picture for thirty seconds, some for years. It doesn't really matter because a picture is like life. You take out of life as much as you are able to take out of life, just as you take out of a picture as much as you can take out of a picture.

Once you subscribe to an ideological dogma as a solution to certain grievances, it then frames your mindset.

The arrangement of the words matters, and the arrangement you want can be found in the picture in your mind. The picture dictates the arrangement. The picture dictates whether this will be a sentence with or without clauses, a sentence that ends hard or a dying-fall sentence, long or short, active or passive.

People don't realize what they have when they own a picture by me. Each picture is a phial with my blood. That is what has gone into it.

If you think you are the entire picture, you will never see the big picture.

Imagination frames events unknown, In wild, fantastic shapes of hideous ruin, And what it fears creates.

He's very alive in a scene. He's a very good actor to act with. Even though through most of the picture he's blind, there are many places early in the picture I got to be with him before he was blind. Like convincing him in the office to do the picture.

We may worship a picture as God, but not God as the picture. God in the picture is right, but the picture as God is wrong. God in the image is perfectly right. There is no danger there. This is the real worship of God. But the image-God is a mere Pratika.

How short is human life! the very breath Which frames my words accelerates my death.

The job is trying to create movie shots that have depth, that have the meanings you need them to have, and then good enough so that they will add something to the final picture. They will make the picture; they'll get into the picture, and give them what they need. It's an interesting job.

Audiences hardly recognize me from picture to picture.