Top 1200 Pictures Of Myself Quotes & Sayings - Page 2

Explore popular Pictures Of Myself quotes.
Last updated on April 20, 2025.
I made 60 motion pictures and only wore the sarong in about six pictures, but it did become a kind of trademark.
I wish I had never taken naked pictures of myself on a phone to send to a girl. It's the worst thing ever.
Little wonder that we. . .find the old pictures of openness - pictures usually without any blur, and made by what seems a ritual of patience - wonderful. They restore to us knowledge of a place we seek but lose in the rush of our search. Though to enjoy even the pictures, much less the space itself, requires that we be still longer than is our custom.
All the good pictures that came so easily now make the next set of pictures virtually impossible in your mind. — © Sally Mann
All the good pictures that came so easily now make the next set of pictures virtually impossible in your mind.
I'm a 'Power of Now' kind of guy, always have been. I don't really hang on to a lot of pictures. I have pictures of my daughters.
I came to terms with living mostly in a world of horror pictures or genre pictures.
I think fame and all that madness, people taking your pictures all the time, drives me insane. It's a catch 22...the more they take pictures of you, the more upset you get by it and the more crazy you look and the more pictures they take of you. I think it's disgusting what's happened with that kind of celebrity culture right now.
The pictures feel as essential to me as the text. I was always interested in including pictures with writing.
I look back at pictures of myself and I remember thinking, "I was so fat when I was growing up. I was 165 pounds when I graduated from high school. I was a mess".
I didn't hang any pictures in my office for a year because I thought that I would be jinxing myself and have to take them down the next day.
I hate all the old pictures of me before 2010 - and they are always the first ones to come up. That's why I don't Google myself, man.
When you work fast, what you put in your pictures is what your brought with yoiu - your own ideas and concepts. When you spend more time on a project, you learn to understand your subjects. There comes a time when it is not you who is taking the pictures. Something special happens between the photographer and the people he is photographing. He realizes that they are giving the pictures to him.
When I'm writing, I'm creating the story and its character with words. I'm thinking about what the pictures will be like, but I never begin to sketch. The pictures are all in my head.
It's very difficult when there are pictures taken on the red carpet. I find those things so terrifying that another persona just kicks in. I don't recognise myself.
I look back at pictures of myself in high school, and I was a cheerleader, and I had hair just as thick if not thicker and long - down to my hips. — © Jessie James Decker
I look back at pictures of myself in high school, and I was a cheerleader, and I had hair just as thick if not thicker and long - down to my hips.
I'm aware of other artists, but what I'm really most interested in is viewing individual pictures. I like dramatic pictures.
I'm the sort of person who takes a camera to dinner or a nightclub because I enjoy taking pictures of people. I tweet all my pictures, which is bad.
That's why I never took this business too seriously, thinking I was something special, when I knew the truly great performers in motion pictures. pictures.
I don't like doing pictures as myself. I like to be made into someone else.
I feel I'm anonymous in my work. When I look at the pictures, I never see myself; they aren't self-portraits. Sometimes I disappear.
Sometimes I think all my pictures are just pictures of me.
On the personal side, I was rock climbing and taking pictures with my friends. We took all sorts of portrait and action pictures, and I was thinking at the time that these are inherently difficult to focus correctly.
A painter paints pictures on canvas. But musicians paint their pictures on silence.
I think people remember pictures not dialogue. That's why I like pictures.
I always say I make pictures rather than take pictures.
With my pictures, what I hope is that it encourages the reader to imagine more pictures of his own.
Sometimes my fashion pictures can look a little bit like documentary style pictures. So having a camera in my hand was normal.
There are people with their iPads are taking pictures so much that they're not experiencing the moment. They go home and look at the pictures later.
Honestly, I don't really read about myself. I look at the pictures sometimes. Sometimes I'm looking at them, and I'm thinking, 'They could choose some better ones.' But I don't spend time reading about myself because I know what I'm up to. I prefer to read about other people.
Even in pictures, people think that I'm over five feet, and when they meet me in person, they're like, 'Oh, you're so short. I didn't expect that because you look so tall in pictures!'
I thought I was taking pictures of things that I hated. But there was something about these pictures. They were unexpectedly, disconcertingly glorious.
I go on the Internet and look at old pictures of myself, because it is the best reminder of how far I have come and where I do not want to be.
I was not out to paint beautiful pictures; even painting good pictures was not important to me. I wanted only to help the truth burst forth.
I'm often uncomfortable taking pictures, especially if people are grieving, or hurt, or hungry. At such times I have to remind myself that I'm a photographer and that this is my job.
I have pictures with Morimoto where I'm all embarrassed and he's so serious, it took me 30 minutes to get up the courage to introduce myself.
Nature is more subtle, more deeply intertwined and more strangely integrated than any of our pictures of her than any of our errors. It is not merely that our pictures are not full enough; each of our pictures in the end turns out to be so basically mistaken that the marvel is that it worked at all.
The element of discovery is very important. I don't repeat myself well. I want and need that stimulus of walking forward from one new world to another. There is something demoralizing about going back to a place to retake pictures. You can no longer see your subjects in a fresh eye; you keep comparing them with the pictures you hold in your memory. [The] world was full of discoveries waiting to be made...(as a photographer) I could share the things I saw and learned...you would react to something all others might walk by.
I think with pictures; I'm a very lousy writer. If I write without pictures, I become this pathetic chick sitting somewhere trying to be interesting.
I think there are a lot of pictures to make. I sometimes question whether I'm even an artist or just a painter. To me, the making of the pictures is the most important thing.
I remember that even my first impression of Italian cinema was pictures by paparazzi because my mom was reading all of these trash magazines with paparazzo pictures. — © Wim Wenders
I remember that even my first impression of Italian cinema was pictures by paparazzi because my mom was reading all of these trash magazines with paparazzo pictures.
With social media now, everybody's faceless, but I assume these kids sending me pictures of myself of Instagram are twelve, thirteen years old.
Most women's pictures are as boring and as formulaic as men's pictures. In place of a car chase or a battle scene, what you get is an extreme closeup of a woman breaking down.
I have tons of pictures of myself as a kid with my medals, and they were never gold medals.
Instagram. Pictures. Lots of pictures! I don't really care to read everyone's thoughts.
I don't remember taking pictures with eighty percent of the people that I have taken pictures with.
I trust pictures, but no pictures made in my world - because I know what goes on.
Artists are interested in pictures as sources of ideas for their work. Where the pictures come from and how they are made is of little concern to them.
All the pictures I do are contemporary. I've sort of discovered I haven't really been into science fiction or period pictures. And so, in that vein, psychological thrillers play a big part.
I used to look at these pictures of trumpeters pointing their instrument to the ceiling. Stunning pictures, but if you play the trumpet and point it upwards, all the spit comes back into your mouth!
I come at a subject from a profoundly photographic level. I am not interested in pictures that ultimately don't work as pictures. — © Michael Light
I come at a subject from a profoundly photographic level. I am not interested in pictures that ultimately don't work as pictures.
When I get off a flight, I'm not trying to sit there and let them take pictures of me. I'm tired. I'm scratching my eyes. I just don't like taking pictures in general.
Music, architecture and pictures have always been my passions, and all that material wealth has meant for me, is being able to have some of the pictures I liked.
When people talk to me about picture hunters, I very quietly laugh. I'm not a hunter of pictures, I'm a fisher of pictures.
I don't picture myself as a normal person when I play football, and I don't think anyone else pictures me that way as well.
I suddenly had to chase after my pictures... Pictures are like taxis during rush hour - if you're not fast enough, someone else will get there first.
We think of photography as pictures. And it is. But I think of photography as ideas. And do the pictures sustain your ideas or are they just good pictures? I want to have an experience in the world that is a deepening experience, that makes me feel alive and awake and conscious.
I've been trolled myself for adding on pounds and would dread the negative comments if I posted beach pictures.
If I had to compare myself to another artist, I wouldn't. I feel like my lyrics are really strong. I'm good at painting pictures and telling picture stories.
I'm somewhat overwhelmed by the microblogging that takes place in China, and the smartphones and all the people that want to take pictures of myself and my family.
Somehow Annie Flanders from the SoHo News heard I was doing pictures and was headed to Paris. She saw my worked, liked it, and asked me to take pictures for her paper while I was there, but told me I would first have to buy a real camera - 35-millimeter. I got a little book that taught me how to load film. I read it on the flight to Paris. Hours later, I found myself at the top of the Eiffel Tower with Yves Saint Laurent and Andy Warhol. It's all been downhill since then.
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