Top 1200 Pictures Of Yourself Quotes & Sayings - Page 3

The pictures present an improvised view of life as normal. Life is shown as we think we see it but in fact never do. The pictures imitate life to find a way out.

My aim in life is to make pictures and drawings, as many and as well as I can; then, at the end of my life... looking back with love and tender regret, and thinking, 'Oh, the pictures I might have made!'

You can do bad parts in good pictures or good parts in bad pictures and maybe get a little personal satisfaction. But the key to it all is good parts in good pictures.

So when I looked at pictures and produced my calendar and edited the pictures, it wasn't just about looking at myself and thinking I'm attractive. I try to take myself out of it and get into the whole process of putting it all together.

You don’t have to go looking for pictures. The material is generous. You go out and the pictures are staring at YOU.

The decision-makers should communicate the customer pictures and the logic of the strategies and actions. That communication allows employees throughout the organization to implement the strategies and actions, tweaking them appropriately in response to variations in the marketplace. It also allows employees to recognize information in the marketplace that contradicts the customer pictures, either because the pictures were not entirely correct or because customers have changed.

We demand that people should be true to the pictures we have of them, no matter how repulsive those pictures may be: we prefer the true portrait in all its homogeneity, to one with a detail added which refuses to fit in.

I confess I prefer to engage with pictures which I've chosen myself out of the welter of unidentified pictures, without the intrusion of too much personal context - Ilike to be a detective, and dislike being an impresario.

I thought that from the moment someone else could do the same as myself, there was no difference between the pictures and they should not be signed. Afterwards I realized it was not so and began to sign my pictures again. Picasso had begun again anyhow.

In practically every film you experience, you can see the director following the text. Illustrating the words first, making the pictures after, and, alas, so often not making pictures at all, but holding up the camera to do its mimetic worst.

We demand that people should be true to the pictures we have of them, no matter how repulsive those pictures may be: we prefer the true portrait (as we have conceived it), in all its homogeneity, to one with a detail added which refuses to fit in.

I love looking back at my old pictures and pictures of my grandma and my mom and see how they expressed themselves at different parts of their lives, and it just tells an interesting story, so why not play around?

I considered that the painter's personality should be kept out of things, and therefore pictures should be anonymous. It was I who decided that pictures should not be signed, and for a time Picasso did the same.

I love the interplay between words and pictures. I love the fact that in comics, your pictures are acting like words, presenting themselves to be read.

I don't post pictures of my grandchildren unless I get permission. I'm really respectful about that. If I feel like anything is invasive of someone's privacy, I don't do that, either. Sometimes I have great pictures, but I'm like, 'Eh, maybe this is not right.'

I have been heavily criticized in the past at magazines for my black-and-white photography and the aggressive punch - I prefer to call it strong emotion - to the pictures. When everything is virtually disposable I feel these pictures really stand out.

But if you're talking about fine art work, then I think you have to ask yourself some pretty deep questions about why it is you want to take pictures and what it is you want to say.

I don't want pictures of my kids anywhere. I don't tweet pictures of my kids. I don't put them on any social media. I definitely do like to keep some privacy that way. And mostly, it's fear-based; people are crazy.

I love that vision-board thing where you cut out pictures that resonate with you so they'll manifest. I've done that since I was three; I cut out pictures of ladies from the JCPenney catalog.

It?s very easy to capture pictures of jubilant people in the street after the nuclear bomb. But there were no pictures of morose people sitting in their kitchens and living rooms.

Let's face it. I'm not a personality or the handsome actor type. When you have those God-given assets, you don't have to worry if your acting leaves something to be desired. You can just play yourself on the screen and the public comes flocking to your pictures.

We become very impressed when we get to look inside ourselves, into pictures. That's the relationship we have with pictures. Every picture is a piece of the inside of ourselves.

We like to keep Mehr's pictures little private because everyone's pictures start coming on social media and then there is so much pressure on the kids, the paps flash in their eyes and I am not comfortable with it.

The essential fact is that all the pictures which science now draws of nature, and which alone seem capable of according with observational facts, are mathematical pictures.

Actors and actresses who say they never go to see their own pictures are talking through their hats. You don't have to be a Freud to know that the most fascinating person in the world - actors or anybody - is yourself.

In a world where everything revolves around yourself-protec t yourself, promote yourself, comfort yourself, and take care of yourself-Jesus says, 'Crucify yourself. Put aside all self-preservati on in order to live for God's glorification, no matter what that means for you in the culture around you.'

When I finish a first draft, I often look back at first chapters I wrote and laugh at them. They're like pictures of yourself in middle school. You're embarrassed to see them.

Trust yourself. Think for yourself. Act for yourself. Speak for yourself. Be yourself. Imitation is suicide.

I think I'm rather young and sprightly, but then you see pictures of yourself and think, 'Who is that old man?' and I realise I'm not as young as I thought I was.

If you don't have a Facebook, like, you're nobody. There's all of these sort of requirements now, and if you don't have all of these things - Facebook, Twitter, etc. - you're made fun of. And Twitter for celebrities... everything is just getting so personal. Pictures of yourself, of what you're eating for breakfast.

My taking pictures means I'm taking a series of pictures which become an essay and then get extended into a book. That's what's exciting, to take an idea and work it through to completion.

And you can look up just about anything, even dirty pictures. Every now and again, the dirtiest pictures you ever saw would pop up on the screen. Imagine!

Don't let your imagination to be crushed by life as a whole. Don't try to pictures everything bad that could possibly happen. Stick with the situation at hand. ...Then remind yourself that past and present have no power over you. Only the present.

Life is like a film screen: pictures come, make an impression, go, and then make a place for new pictures with new impressions which obscure the previous ones. Some of those old pictures fade, but the impressions they leave will never pass away. Such an impression is the image of Hein Sietsma -- a joyful Christian who loved life so much but was still willing to give it to the great, good, and holy cause.

One of the walls of my bedroom was a collage of about 15 years of baseball photos. I would cut out the baseball pictures from every issue and I had this huge montage of thousands of pictures.

I want to make books. I want to take pictures and then write all over the pictures. And then I don't have to say a complete story, because I have the picture, and I have just a word.

I remember when an editor at the National Geographic promised to run about a dozen of my landscape pictures from a story on the John Muir trail as an essay, but when the group of editors got together, someone said that my pictures looked like postcards.

I was digging in the backyard to get my own clay and making pottery. And then I started taking pictures and built my own darkroom. I would go out at six in the morning and just take pictures.

Look, at the same time that I don't want to be a celebrity, I understand that when you make movies you put yourself out in the public eye. I'd be a baby and a fool to be like, 'Why are there cameras taking pictures of me?' when I'm on a billboard for a movie. I think that's a very absurd concept.

Remember the cliche: ... "Cameras don't take pictures, people take pictures."

Pictures of entire lives, of the choices that people make and how those choices work out for them, those pictures are almost impossible to get.

I was always trying to take art photographs, but the most interesting pictures were the snapshots. The artsy pictures were boring, always.

the grim, grand African forests are like a great library, in which, so far, I can do little more than look at the pictures, although I am now busily learning the alphabet of their language, so that I may some day read what these pictures mean.

It was 1966 by the time I started taking pictures seriously and books, newspapers and magazines of the time were full of great pictures that helped to inspire me.

My mind works like Google for images. You put in a key word; it brings up pictures. See language for me narrates the pictures in my mind.

Is passion what we are? Is that what we are in pictures? Is what we are in pictures almost real? Maybe it's become the most real thing.

I have this awareness that the more dynamic the situation is, the more on guard I need to be that the dynamic isn't controlling the situation. I found that myself in the Galapagos. For the first time in my life I was around very exotic animals, colorful, beautiful, and immediately present, all around. Birds, turtles, iguanas, seals. I was being seduced by their exoticism, I was taking pictures.The pictures weren't well lit, there was no moment in play, there was no depth to the pictures. I was just gawking with my camera at something I'd never seen before.

I'm making the art for me first. I'm making it because these are the pictures I want to see. I'm making pictures that don't yet exist.

When the people sat around on the porch and passed around the pictures of their thoughts for the others to look at and see, it was nice. The fact that the thought pictures were always crayon enlargements of life made it even nicer to listen to.

Theory has nothing to do with a work of art. Pictures which are interpretable, and which contain a meaning, are bad pictures. A picture presents itself as the Unmanageable, the Illogical, the Meaningless.

Everybody hates to edit my film. Back in the day, we called it film - now, my digital cards. But I shoot an awful lot of pictures. I don't want to hesitate, because I believe the moment is everything in a picture. So, I take the pictures.

I don't ever mean my pictures to be depressing - I don't believe in making depressing pictures.

When I got into the second half of 'Dragon Ball,' I had already become more interested in thinking up the story then in drawing the pictures. Then I started to not place much emphasis on the pictures.

When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.

And identity is funny being yourself is funny as you are never yourself to yourself except as you remember yourself and then of course you do not believe yourself.

When I started making films, I wanted to make Frank Capra pictures. But I`ve never been able to make anything but these crazy, tough pictures. You are what you are.

Begin to imagine what the desirable outcome would be like. Go over these mental pictures and delineate details and refinements. Play them over and over to yourself.

Sometimes I think all my pictures are just pictures of me. My concern is...the human predicament; only what I consider the human predicament may simply be my own.

The only person stopping you from doing something is yourself, and looking for excuses all the time just gets in the way of obtaining your own goals. It's like the writer who keeps getting up and straightening the pictures in the room.

You've got to push yourself harder. You've got to start looking for pictures nobody else could take. You've got to take the tools you have and probe deeper.