Top 1200 Pictures Quotes & Sayings - Page 2

Of course I have an iPhone and I use that, interestingly enough, mostly for my calendar because it synchronizes with my calendar. I take pictures with it and I show people pictures of my grandchildren.

We try never to have pictures of our children in the magazines, because there are strange people out there. But the paparazzi try to steal pictures.

Most women's pictures are as boring and as formulaic as men's pictures. In place of a car chase or a battle scene, what you get is an extreme closeup of a woman breaking down.

What I am interested in now is the landscape. Pictures without people. I wouldn't be surprised if eventually there are no people in my pictures. It is so emotional.

Yes, I sold buttons to earn living. But I took pictures to keep on living. Pictures are my life – as necessary as eating or breathing.

That's why I never took this business too seriously, thinking I was something special, when I knew the truly great performers in motion pictures. pictures.

My first wedding was 15 people at our condo. The second was maybe about a hundred people at this fabulous casino. And you know what? I have almost no pictures of the second one, because I put disposable cameras on the tables, because everyone said, "The best pictures are the most candid! The best pictures are the ones people just take!" So, I put disposable cameras on the tables, and guess what? There were so many kids there that those cameras were stomped on. I had so many pictures of the floor, of people's eyes, of someone's finger.

TV depends very much on the pictures that you see on your television, and all the other things that come up on the screen, whether it be GFX, the studio or the pictures of the game.

Theory has nothing to do with a work of art. Pictures which are interpretable, and which contain a meaning, are bad pictures. A picture presents itself as the Unmanageable, the Illogical, the Meaningless.

It?s very easy to capture pictures of jubilant people in the street after the nuclear bomb. But there were no pictures of morose people sitting in their kitchens and living rooms.

The decision-makers should communicate the customer pictures and the logic of the strategies and actions. That communication allows employees throughout the organization to implement the strategies and actions, tweaking them appropriately in response to variations in the marketplace. It also allows employees to recognize information in the marketplace that contradicts the customer pictures, either because the pictures were not entirely correct or because customers have changed.

When you walk in the front of the White House, the pictures on the walls, they change out pretty frequently. They're all very cool and historical, with pictures from the current term and past terms.

Is passion what we are? Is that what we are in pictures? Is what we are in pictures almost real? Maybe it's become the most real thing.

Life is like a film screen: pictures come, make an impression, go, and then make a place for new pictures with new impressions which obscure the previous ones. Some of those old pictures fade, but the impressions they leave will never pass away. Such an impression is the image of Hein Sietsma -- a joyful Christian who loved life so much but was still willing to give it to the great, good, and holy cause.

I have been heavily criticized in the past at magazines for my black-and-white photography and the aggressive punch - I prefer to call it strong emotion - to the pictures. When everything is virtually disposable I feel these pictures really stand out.

You know, I put my little brother in the movies and he's still in the pictures. My mother makes me put him in the pictures.

I love looking back at my old pictures and pictures of my grandma and my mom and see how they expressed themselves at different parts of their lives, and it just tells an interesting story, so why not play around?

You can do bad parts in good pictures or good parts in bad pictures and maybe get a little personal satisfaction. But the key to it all is good parts in good pictures.

We demand that people should be true to the pictures we have of them, no matter how repulsive those pictures may be: we prefer the true portrait in all its homogeneity, to one with a detail added which refuses to fit in.

Even as a little kid, I was fascinated by newspapers and magazines. They were my TV. I'd be the first one up to grab the morning paper, mainly to look at the sports pictures, the war pictures.

If you see everything through the lens, you are constantly composing pictures. I think in pictures; I don't think in text.

We demand that people should be true to the pictures we have of them, no matter how repulsive those pictures may be: we prefer the true portrait (as we have conceived it), in all its homogeneity, to one with a detail added which refuses to fit in.

Even in pictures, people think that I'm over five feet, and when they meet me in person, they're like, 'Oh, you're so short. I didn't expect that because you look so tall in pictures!'

When I get off a flight, I'm not trying to sit there and let them take pictures of me. I'm tired. I'm scratching my eyes. I just don't like taking pictures in general.

Nature is more subtle, more deeply intertwined and more strangely integrated than any of our pictures of her than any of our errors. It is not merely that our pictures are not full enough; each of our pictures in the end turns out to be so basically mistaken that the marvel is that it worked at all.

All the pictures I do are contemporary. I've sort of discovered I haven't really been into science fiction or period pictures. And so, in that vein, psychological thrillers play a big part.

I like taking pictures of other people more than I like to take pictures of myself.

I had an agent. When [Edward] Steichen was doing "The Family of Man", I went up to the office one day. I think Wayne Miller, who assisted Steichen with "The Family of Man," was up there and pulled out a bunch of pictures. So I got a message: "Take these pictures, call Steichen, make an appointment and take these pictures up there." And that's how I met him.

Successful publication is all about the mix. What Buzzfeed discovered was that people like cat pictures. We can pretend to be embarrassed about that as a species, but it is actually a truth. So Buzzfeed publishes a lot of cat pictures. But they use the money from cat pictures to build an exceptional newsroom that publishes stories that far fewer people want to read, but it is very important journalism.

The pictures present an improvised view of life as normal. Life is shown as we think we see it but in fact never do. The pictures imitate life to find a way out.

I've made somewhere around 150 pictures, and a lot of them are B-pictures, I can tell you that. I'd say there's about one hundred of them I don't remember.

A lot of people... are afraid of pictures which have visible emotions in them. They feel calmer in front of pictures which are placid.

We like to keep Mehr's pictures little private because everyone's pictures start coming on social media and then there is so much pressure on the kids, the paps flash in their eyes and I am not comfortable with it.

I'm pretty solitary when I take pictures. Even when I take pictures of people, I just go about my own way of doing it.

Stop them damn pictures! I don’t care what the papers write about me. My constituents can’t read. But, damn it, they can see the pictures!

When I got into the second half of 'Dragon Ball,' I had already become more interested in thinking up the story then in drawing the pictures. Then I started to not place much emphasis on the pictures.

When I started making films, I wanted to make Frank Capra pictures. But I`ve never been able to make anything but these crazy, tough pictures. You are what you are.

My mind works like Google for images. You put in a key word; it brings up pictures. See language for me narrates the pictures in my mind.

You don’t have to go looking for pictures. The material is generous. You go out and the pictures are staring at YOU.

The essential fact is that all the pictures which science now draws of nature, and which alone seem capable of according with observational facts, are mathematical pictures.

I have this awareness that the more dynamic the situation is, the more on guard I need to be that the dynamic isn't controlling the situation. I found that myself in the Galapagos. For the first time in my life I was around very exotic animals, colorful, beautiful, and immediately present, all around. Birds, turtles, iguanas, seals. I was being seduced by their exoticism, I was taking pictures.The pictures weren't well lit, there was no moment in play, there was no depth to the pictures. I was just gawking with my camera at something I'd never seen before.

I remember when an editor at the National Geographic promised to run about a dozen of my landscape pictures from a story on the John Muir trail as an essay, but when the group of editors got together, someone said that my pictures looked like postcards.

So when I looked at pictures and produced my calendar and edited the pictures, it wasn't just about looking at myself and thinking I'm attractive. I try to take myself out of it and get into the whole process of putting it all together.

I suddenly had to chase after my pictures... Pictures are like taxis during rush hour - if you're not fast enough, someone else will get there first.

I used to look at these pictures of trumpeters pointing their instrument to the ceiling. Stunning pictures, but if you play the trumpet and point it upwards, all the spit comes back into your mouth!

I think there are a lot of pictures to make. I sometimes question whether I'm even an artist or just a painter. To me, the making of the pictures is the most important thing.

When I'm doing TV, it's more of a choreographed dance, in a way. So I've got to follow the pictures, or the pictures have to follow me.

I confess I prefer to engage with pictures which I've chosen myself out of the welter of unidentified pictures, without the intrusion of too much personal context - Ilike to be a detective, and dislike being an impresario.

And you can look up just about anything, even dirty pictures. Every now and again, the dirtiest pictures you ever saw would pop up on the screen. Imagine!

You have to take a lot of bad pictures. Dont' be afraid to take bad pictures... You have to take a lot of bad pictures in order to know when you've got a good one.

My aim in life is to make pictures and drawings, as many and as well as I can; then, at the end of my life... looking back with love and tender regret, and thinking, 'Oh, the pictures I might have made!'

It was 1966 by the time I started taking pictures seriously and books, newspapers and magazines of the time were full of great pictures that helped to inspire me.

Not all pictures but some pictures you're like, "Wow, I wish I could be there" or you feel like you are there. I don't know what it is about cinematography.

Regular women carry pictures of their babies, their husbands, their summer houses. Fat ladies carry pictures of themselves at their skinniest.

One of the walls of my bedroom was a collage of about 15 years of baseball photos. I would cut out the baseball pictures from every issue and I had this huge montage of thousands of pictures.

I was not out to paint beautiful pictures; even painting good pictures was not important to me. I wanted only to help the truth burst forth.

On the personal side, I was rock climbing and taking pictures with my friends. We took all sorts of portrait and action pictures, and I was thinking at the time that these are inherently difficult to focus correctly.

When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.

Small pictures since the Renaissance are like novels; large pictures are like dramas in which one participates in a direct way.

My taking pictures means I'm taking a series of pictures which become an essay and then get extended into a book. That's what's exciting, to take an idea and work it through to completion.