Top 143 Pinot Noir Quotes & Sayings - Page 3

Dastardly devious, cleverly conceived, and just a whole lot of fun to read, DEATH PERCEPTION is Lee Allen Howard on fire and at his finest. Rife with winsome weirdness, it's like the mutant stepchild of Carl Hiaasen and Stephen King, mixing a truly unique paranormal coming-of-age story with a quirky cast of offbeat noir characters into a novel that's simply unforgettable... and hilariously original. A supernatural crime story, blazing with creative intrigue... don't miss it.

I wouldn't care to speculate about what it is in Westlake's psyche that makes him so good at writing about Parker, much less what it is that makes me like the Parker novels so much. Suffice it to say that Stark/Westlake is the cleanest of all noir novelists, a styleless stylist who gets to the point with stupendous economy, hustling you down the path of plot so briskly that you have to read his books a second time to appreciate the elegance and sober wit with which they are written.

Sometimes it feels as if the artist hasn't done the real work of engaging with the material. Film noir can't just play off looks and attitudes. A thriller needs a dose of genuine suspense. It does not have to be literal, but it does have to feel genuine. Otherwise the artist is just leeching off the form.

I don't know anybody who doesn't hate being called alt.country. It just sounds like a website. I don't mind being called Americana, I don't mind being called country noir, or independent country is fine, but the words alt.country make me insane.

Yes, to me that's one of the most compelling fears in film noir and the psychological thriller genre - that fear of conspiracy. It's definitely something that I have a fear of - not being in control of your own life. I think that's something people can relate to, and those genres are most successful when they derive the material from genuine fears that people have.

We have certain demons who are motivated by the smell of food. They tend to get rather violent whenever they smell it. I personally wouldn’t be caught eating anything because I would end up dead. You might not. But you’d still have to fight them, and since some of them are rather ugly and really, really smelly, it might spoil your appetite. Then again, maybe not. Doesn’t spoil Noir’s. I think it makes him hungrier, especially when he guts them. Sick, but true. (Asmodeus)

I am grateful for what I call well-spent moments: Making a tuna fish sandwich with the works. Taking at least a half hour to eat it outside. Ironing my vintage tea towels while watching old black-and-white film noir movies and sipping one martini with extra olives - a quirky combination, but it works.

Horror hostess, bondage goddess, Charles Addams cartoon comes to life, Vampire was every first-generation fanboy's wet dream. Scott Poole takes us on an unforgettable ride through the overlapping underworlds of B&D magazines, Hollywood noir, and early political liberation movements that inspired actress Maila Nurmi to challenge a postwar culture bent on stifling women's choices, bodies, and desires. This book is a subversive masterpiece.

As the tall dark and handsome male star, Carey Grant always stands for male beauty and desirability, whether in a 30s screwball, a 40s film noir, or a 50s romantic comedy. He consequently turns around the orthodox gender between the one who looks and so desires, and the one who is looked at, and so is being desired.

I always find myself gravitating to the analogy of a maze. Think of film noir and if you picture the story as a maze, you don't want to be hanging above the maze watching the characters make the wrong choices because it's frustrating. You actually want to be in the maze with them, making the turns at their side, that keeps it more exciting...I quite like to be in that maze.

You would kill or enslave everyone? There is so much beauty in the world that they’d destroy. How do you not see it? (Delphine) Spoken like someone who has only lived in the cushioned world of dreams. You have no idea what the real world is like. What people will do to you when they know they can get away with it. People are absolutely cruel and I say more power to Noir for tearing it down. (Jericho)

Where are we? (Jericho) Noir’s happy place. It’s where he brings the beings he wants to play with. (Asmodeus) Punish. (Jericho) You say ta-mah-to. I say to-mah-to. (Asmodeus)

In alchemical treatises, the formula L'Oeuvre au Noir ... designates what is said to be the most difficult phase of the alchemist's process, the separation and dissolution of substance. It is still not clear whether the term applied to daring experiments on matter itself, or whether it was understood to symbolize trials of the mind in discarding all forms of routine and prejudice. Doubtless it signified one or the other meaning alternately, or perhaps both at the same time.

It's tucked away in a quiet corner, shadowed and obscured, no part of the Nightside's usual bright gaudy neon noir. It doesn't advertise and it doesn't care if you habitually pass by on the other side. It's just there for when you need it. Dedicated to the patron saint of lost causes, St. Jude's is an old old place... St. Jude's isn't a place for comfort for frills and fancies and the trappings of religion. just a place where you can talk to your god and sometimes get an answer.

In America, they have specialist mystery book stores with whole sections devoted to cat mysteries, golf mysteries, quilting mysteries. It's a hugely broad genre from the darkest noir to tales of a 19th-century vet who solves crimes, thanks to his talking cat.

I envied women with signature hair-dos, signature perfumes, signature sign-offs. Novelists who tell Vogue Magazine: “I can’t live without my Smythson notebook, Pomegranate Noir cologne by Jo Malone and Frette sheets”. In the grip of madness, materialism begins to look like an admirable belief system.

I think noir is an immensely powerful - and elastic - lens through which to look at narrative and character. It seems to access something dark and true in us that other modes of fiction are often a bit prissy about touching. But the key to making it work as time and culture moves on is to use the elasticity, not just the power.

Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.

I first saw Walter Hill's second film, 'The Driver,' as a teenager, late at night on the BBC, quite possibly sitting too close to the telly. Given that this 1978 slice of neo-noir takes place almost entirely in the dark streets of a deserted downtown L.A., it's really a perfect midnight movie.

I grew up on the crime stuff. Spillane, Chandler, Jim Thompson, and noir movies like Fuller, Orson Welles, Fritz Lang. When I first showed up in New York to write comics back in the late 1970s, I came with a bunch of crime stories but everybody just wanted men in tights.

CEREMONY OF FLIES hits the road like a nitrous-fueled GTO...and then pulls the ultimate stunt of getting better. What starts as a deceptively simple hard-boiled noir story twists on itself and adds layers and grows stranger and before you know it, BAM - it's the end of the world and all you can do is hang on by your fingernails. This really, truly is one of the best novellas I've read in years.

The thing I loved about the cartoons I grew up with is, to this day, I'm still just starting to get certain references from Bugs Bunny cartoons. I'll see some film noir movie and go, 'Wait, that's what Bugs Bunny was quoting!' I like the idea we made the unfolding fortune cookie for ten years from now.

Are you always this random? (Jericho) Mostly. It really irritates Noir. Which is just an added bonus for me. At least so long as I can outrun him. (Asmodeus) Add me to that list of people you annoy. (Jericho) Oh. You’re not going to singe my testicles over it, are you?! (Asmodeus) No plans to. (Jericho) Good. We can be friends, then. (Asmodeus)