Top 1200 Pitch Black Quotes & Sayings - Page 6

Every now and then you get a nice Jewish kid who likes black people and they would come in, and it would be a stream of them, and have black friends and really feel the black struggle on the acting tip and it's a reason why all of us are not dying in the movie.

I was adopted my black Americans, I feel that I'm a 'Hybrid'. When I'm around Africans'I suddenly feel very black American. And when I'm around black Americans'I feel very North African. North Africa and black America are both the creators of Kola Boof.

At screenings for 'Black in America,' I've heard people say, 'Well you know, I never thought you were black until you did Katrina, and then I thought you were black.'

I don't see myself as a 'black actor,' I'm just Shemar Moore the actor. I'm very proud to be black, but I'm just as much black as I am white.

As a black person, I'm used to going to places in which I might be the only black person that shows up there. This experience has an effect on the way you see yourself in the world and what it means to be black in the world.

Unfortunately, as I tell my white friends, we, as black people, we're never going to be successful - not because of you white people but because of other black people. When you're black, you have to deal with so much crap in your life from other black people.

What I say about myself, black footballers or black pop stars is that we have been 'elevated out of blackness.' Because when people see us, they don't see us as being black. These are the issues that we should address.

Black Lives Matter was born out of our unwavering love for black people and our undeniable rage over a system that has historically dehumanized black people.

Bob Marley performed the 'One Love Peace' concert in Jamaica with the two different warring political sides. There's always been that in black music and culture in general. It's no surprise because black music is such a reflection of what's going on in black life. It's not unusual for hip-hop.

I am a black American, I say, and thus announce my atavistic connection to all others who live as black Americans, to all who ever lived as black Americans. Religion, caste, class, gender and race can all be atavisms, and they are inherently anti-democratic because they exclude all outside the atavism.

We had this terrible thing, this awful thing with 'Black and White' happened, where the design of 'Black and White' was actually... was hijacked by the fan sites. Because what happened is, there were so many fan sites on 'Black and White,' the hype on 'Black and White' was just ridiculously huge. It was completely out of our control.

What keeps this industry alive is creators doing their own work. Once you change a costume or origin enough times, it's a dead body - you're just electrocuting it and keeping it sort of shambling on. There is a lot more creator-owned stuff now, and some of it I look at and go, 'Oh, that's his pitch for a TV show. That's his pitch for a movie. That's him saying oh, this kind of thing sells.' I didn't do that.

When the charge first came up, I hated black women. Then, going to trial, I started seeing the black women that was helping me. It's mostly black female guards. They treat me with human respect.

The welfare state has done to Black Americans what slavery (and Jim Crow and racism) could not have done. . .break up the black family. Today, just slightly over 30 percent of black kids live in two-parent families. Historically, from the 1870s on. . . 75-90 percent of black kids lived in two-parent families.

There are more than 100 million African women who go topless at some point in the day, each and every day, to honor both God and our ancestors. So being in a country like America where nothing is hated more than the image of the black woman, even by black people'because her womb produces the black man and makes us black'I find it of grave importance to implement African images, and especially to produce media images that acknowledge the sexual power and fertility of black women.

Black Lives Matter was created as a response to state violence and anti-black racism and a call to action for those who want to fight it and build a world where black lives do, in fact, matter.

I never thought about being the first black actor to win, even though everybody else talked about that. If I stop to think as a black actor, people will see me differently. If I play as a black actor, people will only see that. I think my key was to perform as an actor, not as a black actor. And after winning the Cesar, I was an actor with a Cesar. there are many more adjectives to describe who I am. I'm not only black.

As black Americans continue to be insulted and dismissed by protected white liberals, the Black Talented Tenth will continue to benefit from political donations, speaking engagements, national media presence, accolades as the official black leaders, and perpetual gigs on MSNBC and CNN.

Normally, 'black responsibility' is a forbidden phrase for a black leader -- not because blacks reject responsibility, but because even the idea of black responsibility weakens moral leverage over whites.

You can wear black in any moment of the day, no matter your age. You can wear black with almost any occasion. A black dress is essential for every woman.

I say it in the writers' room all the time: My black is not your black. What's terrifying is that, just the same way we've all accepted that normal is white, everybody seems to buy into the idea that there's only one way to be black or one way to be Hispanic. That's as damaging as anything else.

Black Lives Matter has become what black communities all over the world have needed it to become. At times, it is a hashtag; at other moments, it is a declaration, a cry of rage, a sharing of light. It has become a movement that is international, worldwide in its scope of liberation for black and oppressed people everywhere.

I did this whole series on the buffalo soldiers-on black soldiers-I did another series on black cowboys, and I presented myself to the gallery system, and all these people with these massive collections didn't know there were black cowboys or black soldiers. I ended up hitting a niche I didn't know was there.

Some black filmmakers will say, "I don't want to be considered a black filmmaker, I'm a filmmaker." I don't think that. I'm a black woman filmmaker.

It's so important to create roles and characters and projects that feature black people in a way that's not specifically targeted towards the niche market, which is, like, a black movie is created, and it's produced and pitched so that only black people will watch it.

For a lot of comics who aren't as silly or physical but more intellectual, we get looked at as 'alt comics.' No, I'm still a black comic, and there are black people who want to hear my type of black comedy, but that space hasn't been built out for us.

I started as a black-and-white teenage photographer, and I'm still there decades after. In some ways, the genre is almost gone. I am thinking of true, stubborn, lifetime black-and-white photographers, as opposed to black-and-white as a photographic commodity.

Feminism as a theoretical enterprise is approached differently by Black women depending on where we are. There are more reformist Black women who tend to use the phrase "Black feminism".

As a strong and proud and intelligent Black man I have no problem expressing my respect for and adoration of the Black woman. Simply put, I love you. I love the Black woman.

For me, I think it's important to spread Black queer joy and acknowledge Black queer excellence and the achievements that have been made by my people, specifically meaning Black queer people.

I love going to black churches, and I love some of these black preachers. The best preacher I ever saw in my life was a 93-year-old in a black church in Hamilton, Virginia. What a preacher!

People say I'm into black women. Robert De Niro is into black women. I'm just into women who are real, and they happen to be black.

At some point, all black movies became biopics. All the good, serious ones became biopics. 'Ray,' 'Ali'... those types of movies, those are the opportunities available for mostly men. Those are the opportunities for a black actor to transcend 'black' movies. They have to play a black icon.

I have black friends, but I don't just hang out with black kids. I might pull up with Indian kids, white kids, black kids, whatever.

It's very lonely being a prominent black intellectual at an institution where you're the only prominent black intellectual. That was the model that was followed in the late 60s when black studies started. You'd get one here and one there and one here, like Johnny Appleseed.

Curiosity provoked me to lay a lot of our country stuff on our predominantly black audience and some of our black audience began whispering "who is that black hillbilly at the Cosmo?"

There are black men who are madly in love with white women. God bless them, if that's what works for them. I just hope that we can strike a balance that portrays black folks and the black family in a light that's not extreme. Those are the types of characters that I find myself attracted to.

You decide you'll wait for your pitch. As the ball starts toward the plate, you think about your stance. And then you think about your swing. Then you realize that the ball that went by you for a strike was your pitch.

We [black actors] are more respected in Europe, because in Europe, I'm not a black actor - I'm an action star. In America, I'm a black actor.

One of the facets of growing up the way I did, I never had the experience of being solely in the black community. Even my family, my mother is what they call Creole, so she's part French, part black, and grew up in Louisiana. It's a very specific kind of blackness that is different than what is traditionally thought of as the black community and black culture. So, I never felt a part of whatever that was.

America's most dangerous and threatening black man is the one who has been kept sealed up by the Northerner in the black ghettos - the Northern white power structure's system to keep talking democracy while keeping the black man out of sight somewhere, around the corner.

Outside of the oppressive nature that the South offered to the black people, black gay people, black gay people who happened to be Christian, who wouldn't want to leave? I couldn't wait to get out of there.

The potential significance of Black feminist thought goes far beyond demonstrating that African-American women can be theorists. Like Black feminist practice, which it reflects and which it seeks to foster, Black feminist thought can create a collective identity among African-American women about the dimensions of a Black women's standpoint. Through the process of rearticulating, Black feminist thought can offer African-American women a different view of ourselves and our worlds

Rigging is like Zen meditation. You must bend over the boat until your back is breaking, until your brain is filled with numbers and fractions of numbers, until you can accurately measure an oarlock's pitch without bothering to use the pitch meter. Only then will you see the way of eternal rigging happiness.

As a black woman trying different products and figuring out what works best for me, the one thing that I realized is that hair brands lump us together as having 'black hair,' but all black hair is not alike.

Black women are some of the most colorful women in the world. We come in all shadeshave so many hair textures..eye colors..body types. In this generation, it's sad to see so many black girls claiming ethnicities that they know nothing about in hopes of impressing a man or appearing 'exotic'. So many people act as if being black and beautiful is impossible. It's not. If we wanna get technical and look at our history, almost every black American is mixed. But we must stop implying that a woman's beauty comes from a part of her that is not black.

Michael Brown happened to be black. Trayvon Martin happened to be black. Eric Garner was a black man. So this pattern continues over and over.

If the churches don't move, much of the community won't move. We've got a situation in which a black church is still a major institution in the black community where 55 percent of the black folk attend and over 75 pass through its doors.

The Organization of Afro-American Unity was an organization that was a secular group. It largely consisted of people that we would later call several years later Black Powerites, Black nationalists, progressives coming out of the Black freedom struggle, the northern students' movement, people - students, young people, professionals, workers, who were dedicated to Black activism and militancy, but outside of the context of Islam.

A lot of black women still carry a lot of pain when they see black men with women who aren't black, and that's really unfortunate that that could make us so upset. It has to do with self esteem.

There isn't only one way that black art or entertainment is represented, and that's the most important thing. We're permeating every style. We're claiming and, when necessary, appropriating all kinds of forms. Nothing is forbidden, because it's not what black people do: because it's not what we think of as black art.

Black women must help black men understand their full potential lies not in denying black women full access to their humanity and opportunity, but in working diligently to overcome the odds that hamper our progress. Yes, some of that is self-imposed, and we must confront it; and much of it comes from outside. But without courageous and brilliant black women, our communities are greatly diminished.

Without black, no color has any depth. But if you mix black with everything, suddenly there's shadow - no, not just shadow, but fullness. You've got to be willing to mix black into your palette if you want to create something that's real.

Black women's feelings of responsibility for nurturing the children in their own extended family networks have stimulated a more generalized ethic of care where black women feel accountable to all the black community's children.

Remember, we're talking [in The Black Power Mixtape] about 1967, the year before [Martin Luther] King's assassination. We're talking about the emergence of black power, which is a discussion King mentioned in his last book, Where Do We Go from Here: Chaos or Community? We're talking about the meaning of black power and the possibility that it alienated our supporters, both white and black.

Everything I do, I go to black people. If I have a problem at the airport, I'll go to the black ticket agent. I hope they notice me because I'll get better service. If I'm at a restaurant, I look for the black waiter. Rent-a-Car, give you the upgrade.

I think one of my first jokes - in the black community, there's people who have jokes about skin tone. People like, 'You so black, you purple.' 'You so black, you gotta smile so we can see you at night.'

Black Girl Magic is a radiant revolution against misogynoir - misogyny directed towards Black women and internalized hatred. Black women are subject to so many societal messages that tell them they are not beautiful, smart, or capable. Black Girl Magic is the conscious unraveling of those toxic concepts through self-love and acceptance. It preaches that despite the pressures I face, I glow more than ever before.

Among liberals and Democrats, there is this notion that the poor - especially the black poor - can do no wrong. If you criticize any poor and black person who displays inappropriate, boorish or egregiously bad conduct, you'll be dismissed as a racist if you're not black. And as an Uncle Tom or sellout if you are.

If you're black, you can't just be ordinary. All successful black people are extraordinary. If you are tremendously successful, and you're black, you are extraordinary, or you wouldn't stand out in this world.