Top 1200 Playing Bridge Quotes & Sayings - Page 3

It takes 10 years to get all the permits to build a bridge today. Ten years? What happened to the good old can-do America? Where is "We get it done, we work together"? We've become this bureaucratic, stifling environment. I'm not talking about violating environmental things - I'm talking about building a bridge, getting things going, getting people to work together.

Learning can be a bridge between doing and thinking. But then there is a danger that the person who uses learning as a bridge between doing and thinking may get stuck in learning and never get on to thinking.

Everything I do, I'm always playing music. When I wake up in the morning, I'm playing music. When I'm showering, I've got music playing. When I go to the field, music is playing.

Growing up I was a total movie-holic, but I always wanted to play the role that Clark Gable was playing or Spencer Tracy was playing. I was really never interested in the parts that women were playing. I found the parts that guys were playing were so much more interesting.

I've been teaching myself the fundamentals and being around some good players, but also been learning to play team games, playing 3-on-3s, playing 1-on-1s, playing 5-on-5s, playing 21. There are guys bigger than me on the court, but I've had numerous comparisons to Ty Lawson.

Over the great bridge, with the sunlight through the girders making a constant flicker upon the moving cars, with the city rising up across the river in white heaps and sugar lumps all built with a wish out of non-olfactory money. The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world.

Individuals interested in donating can call The Bridge. We do still need food, paper products, money, cleaning supplies - if people could call and coordinate donations. People loved donating clothing to The Bridge - it was an avenue; if they could put their focus on collecting cleaning supplies - toilet paper, food etc. - these items are a priority.

Crowds stand around all day long and criticise that bridge, and find fault with it, and tell with unlimited frankness how it ought to have been planned, and how they would have built it had the city granted them the $14,000 it cost. It is really refreshing to hang around these and listen to them. A foreigner would come to the conclusion that all America was composed of inspired professional bridge builders.

I remember playing in Union City, and we had crap games after we finished playing at night. We would go next door to the cab stand where they were playing gin rummy and betting $1,000 a hand.

By the rude bridge that arched the flood, Their flag to April's breeze unfurled, Here once the embattled farmers stood, And fired the shot heard round the world. The foe long since in silence slept; Alike the conqueror silent sleeps; And Time the ruined bridge has swept Down the dark stream which seaward creeps. On this green bank, by this soft stream, We set to-day a votive stone; That memory may their deed redeem, When, like our sires, our sons are gone.

The advantage of playing in Toronto is not playing for one city, you're playing for a country.

The bridge will only take you halfway there, to those mysterious lands you long to see. Through gypsy camps and swirling Arab fair, and moonlit woods where unicorns run free. So come and walk awhile with me and share the twisting trails and wondrous worlds I've known. But this bridge will only take you halfway there. The last few steps you have to take alone.

I've been playing the viola since I was 6 years old, and then I decided to switch it up a bit, so I've been playing the violin since I was 11. I started playing the piano when I was 11, and I started playing the guitar when I was 10.

It would be nice to abandon the verse-chorus-bridge structure completely, and make it so none of these things are definable. ... Make up new names for them. Instead of a bridge, you can call it a highway, or an overpass. ... Music should never be harmless. ... I remember from my earliest years, people speaking, you know, in a certain kind of rhythm and telling stories and sharing experiences in a way that was different in Indian country than it was other places. And I was really struck by this and obviously very affected by it, because it's always come out in my songs.

I remember I'd be playing in the streets with friends, sometimes barefooted. I'd come home with sore feet, but wanting to do the same the day after. That passion made us keep playing. Playing in the dirt was our daily joy.

Gratitude, as it were, is the moral memory of mankind. In this respect, it differs from faithfulness by being more practical and impulsive: although it may remain, of course, something purely internal, it may yet engender new actions. It is an ideal bridge which the soul comes across again and again, so to speak, and which, upon provocations too slight to throw a new bridge to the other person, it uses to come closer to him.

A plan is a bridge to your dreams. Your job is to make the plan or bridge real, so that your dreams will become real. If all you do is stand on the side of the bank and dream of the other side, your dreams will forever be just dreams.

The music has a better feeling when you're responding to what's going on. Music is like playing handball, playing catch with someone, not playing golf. Everywhere the ball bounces is where you respond to it.

Playing normal is hard; especially playing normal that's not you. The biggest challenge in playing Alicia is trying to make a teenage girl seem fully formed and not the quintessential moody teenager with a quippy, sassy line here and there.

My older sister has entire kingdoms inside of her, and some of them are only accessible at certain seasons, in certain kinds of weather. One such melting occurs in summer rain, at midnight, during the vine-green breathing time right before sleep. You have to ask the right question, throw the right rope bridge, to get there-and then bolt across the chasm between you, before your bridge collapses.

I want to be the bridge. I embrace it. I don't mind being a leader. I don't mind opening the doors. I guess my prayer is that there will be other leaders behind me who will come in and do more than what I've done, and more than what I can do and that this serves as an opportunity to level the playing field in hip-hop. I just want to be able to say "Hey, there's way more going on in life than the club."

The bridge of grace will bear your weight, brother. Thousands of big sinners have gone across that bridge, yea, tens of thousands have gone over it. Some have been the chief of sinners and some have come at the very last of their days but the arch has never yielded beneath their weight. I will go with them trusting to the same support. It will bear me over as it has for them.

You can find your way across this country using burger joint the way a navigatior uses stars....We have munched Bridge burgers in the shadow of the Brooklyn Bridge and Cable burgers hard by the Golden Gate, Dixie burgers in the sunny South and Yankee Doodle burgers in the North....We had a Capitol Burger - guess where. And so help us, in the inner courtyard of the Pentagon, a Penta burger.

Dear Bill (O'Reilly)...I am concerned that you have been losing touch with reality recently. Did you really say you are more powerful than any politician? That reminds me of the famous story about Squeaky the Chicago Mouse. It seems that Squeaky was floating on his back along the Chicago River one day. Approaching the Michigan Avenue lift bridge, he called out: Raise the bridge! I have an erection!

I think playing solo is a second rate activity, really. For me, playing is about playing with other people.

I want the unobtainable. Other artists paint a bridge, a house, a boat, and that's the end. They are finished. I want to paint the air which surrounds the bridge, the house, the boat, the beauty of the air in which these objects are located, and that is nothing short of impossible.

When I was playing with synth players, I was still within a conceptual framework of playing music. When I started playing solo, I became much more aware of the acoustic phenomena that the instruments were producing.

We must be trained to clarify minds, heal broken hearts, and create homes where sunshine will make an environment in which mental and spiritual health may be nurtured. Our schooling must not only teach us how to bridge the Niagara River gorge, or the Golden Gate, but must teach us how to bridge the deep gaps of misunderstanding and hate and discord in the world.

But in the NFL, you know you're not playing for the 'T' on the side of the helmet. You're not playing for the color of the Steelers. You're playing more because they're paying you to play and you have a family to take care of.

In the beggining of I was getting all this feedback from people saying, "What are you doing? What is this?" But I thought to myself, "This is a great opportunity. This is a perfect bridge to help me achieve my dream and my vision of polo becoming a bigger, more visible sport." So I used the money that I was getting from modeling to buy better horses and to become a better player. So I really believed that if I could elevate my game and show that I was serious about it, then the work I was doing with Ralph Lauren would become that bridge that I was looking for to take the sport further.

First time I got arrested, I knew somehow and some way, we would succeed. To go on the Freedom Ride to be beaten and left bloody and unconscious, to be beaten on that bridge in Selma, have a concussion - I thought that I was going to die on that bridge. But somehow and some way, I lived to tell about what happened, and I've seen some of the fruits of the labor of so many people, and people must understand that.

When we do, when we're playing physical and we're playing tight, playing with emotion, we play well.

Old or young, healthy as a horse or a person with a disability that hasn't kept you down, man or woman, Native American, native born, immigrant, straight or gay - whatever; the test ought to be I believe in the Constitution, the Bill of Rights and the Declaration of Independence. I believe in religious liberty. I believe in freedom of speech. I believe in working hard and playing by the rules. I'm showing up for work tomorrow. I'm building that bridge to the 21st century. That ought to be the test.

There's a massive difference between playing Under-21 football and being on the bench at Chelsea, and playing every week in a league where you are playing for people's livelihoods and helping to pay their mortgages.

There is a lot of instinct that comes with playing hockey and playing a number of games and playing all the way up; you kind of get a feel for what's gonna happen and make plays off that.

I liken movies to playing a piano: Sometimes you're playing the chords and different notes with unresolved cadences and playing all major chords that are all over the place, and you're enjoying yourself with a great, simple melody.

You're playing or you're not playing. If you're playing, so just shut up and play.

I glance back in the mirror to the concrete bridge, the one I've boldly driven straight across without second thought, and I see truth reflecting back at me: Every time fear freezes and worry writhes, every time I surrender to stress, aren't I advertising the unreliability of God? That I really don't believe? But if I'm grateful to the Bridge Builder for the crossing of a million strong bridges, thankful for a million faithful moments, my life speaks my beliefs and I trust Him again.

I love playing anyone that does stuff that I don't do. The fun of playing an assassin is that I've never killed anybody. The fun of playing a brilliant musician is that I don't actually play any instruments.

There's a roller coaster effect when you're playing good. Everything seems to go your way. But once you start playing bad, you're playing bad.

When I was playing good, nobody was saying I was playing good. When I was playing bad, I would be the first one on the front of the journal.

I didn't know how write a song, (verse, chorus, verse, chorus, bridge, chorus, bridge, verse), etc., and I didn't know how to write lyrics, so that's when I thought, well, I don't have to write a song with all those verses and choruses or lyrics. I can just sing everything the way I want to. So I sang all the instruments with my voice and just went with it.

Come on,” he droned, “I’ve been ordered to take you down to the bridge. Here I am, brain the size of a planet and they ask me to take you down to the bridge. Call that job satisfaction? ’Cos I don’t.” He turned and walked back to the hated door. “Er, excuse me,” said Ford following after him, “which government owns this ship?” Marvin ignored him. “You watch this door,” he muttered, “it’s about to open again. I can tell by the intolerable air of smugness it suddenly generates.

Notre Dame and Sydney - that was nothing. Notre Dame doesn't have a police station; it is not 1,000 or so feet high. It was a public structure, very easy to access. And Sydney Harbour Bridge was half-and-half: a bridge, in the middle of the night. The World Trade Center was the end of the world. Electronic devices, police dogs.

When I was playing, it was me playing both ends of the floor, playing offense, playing defense and I gave the ball up with assists. It wasn't like me doing one thing, scoring 25 and having three assists and one steal.

I think the more important thing for a player is to make sure that you're playing and you're playing well and playing consistently. If doesn't matter where you are.

Do you remember when we stood together on Blackfriars Bridge?” he asked softly, and his eyes were like that night had been, all black and silver. “Of course I remember.” “It was the moment I first knew I loved you,” Jem said. “I will make you a promise. Every year, Tessa, on one day, I will meet you on that bridge. I will come from the Silent City and I will meet you, and we will be together, if only for an hour. But you must tell no one.

You're just playing, playing, playing, and then an image or something will come into your mind, and basically you're just narrating it with music, letting it move along.

Bridge-players tell me that there must be some money on the game 'or else people won't take it seriously'. Apparently it's like that. Your bid - for God or no God, for a good God or the Cosmic Sadist, for eternal life or nonentity - will not be serious if nothing much is staked on it. And you will never discover how serious it was until the stakes are raised horribly high, until you find that you are playing not for counters or for sixpences but for every penny you have in the world.

So what will define greatness for your generation? I believe it is to use the knowledge that you have earned here to find ways, not only to connect to computers, but to connect to people; not only to bridge gaps in science, but to bridge gaps between cultures; not only to use numbers and formulas to create, but to use words to lead, and in the process, to close that canyon between ignorance and understanding.

I am so extremely busy with what I am doing myself. When I am not playing music, I am usually doing other things. Playing around with my Ferraris and playing tennis and things like that. What I understand, there is a new group of kids that are very serious about playing, which is great; I think that is a good thing.

Everything I did is because I wanted to do it. If I weren't playing this arena, if I were playing a club, I'd still be doing it because that's what I want to do. I love playing the guitar.

When people ask me what I think about when I'm playing, I picture myself as a 10-year-old girl, playing in the park, scoring a goal and then celebrating. That's when I'm playing best.

Thus I began my systematic though half-bewildered tour of Innsmouth's narrow, shadow-blighted ways. Crossing the bridge and turning toward the roar of the lower falls, I passed close to the Marsh refinery, which seemed to be oddly free from the noise of industry. The building stood on the steep river bluff near a bridge and an open confluence of streets which I took to be the earliest civic center, displaced after the Revolution by the present Town Square.

Basketball is a game and their primary reason for participating in the sport is simply for the pleasure they experience while playing. Don't be afraid to lose. Have fun while you're busy playing hard and playing smart.

I wouldn't say Pulisic is there to fill Hazard's boots. It's not fair to put that load on him. He's there to bring another way of playing for Chelsea and he will create his own footprints basically and build his own legacy there at the Bridge. He is definitely a player the fans will like. In America he is rated very, very highly.

February makes a bridge and March breakes it. [February makes a bridge, and March breaks it.]

It takes skill to bring something you've imagined into the world: to use words to create believable lives, to select the colors and textures of paint to represent a haystack at sunset, to combine ingredients to make a flavorful dish. No one is born with that skill. It is developed through exercise, through repitition, through a blend of learning and reflection that's both painstaking and rewarding. And it takes time. . . . If art is the bridge between what you see in your mind and what the world sees, then skill is how you build that bridge.

Not everyone gets to have one of the few super-dominant, all-pro, superstars in this league, and so playing with the pass and playing with space and playing quick is a really good backup.

If a player is playing IPL and earning money, it's not his fault that he's not playing for India. He is not quitting. He is playing first-class, one-day cricket and IPL. If selectors don't pick him, what can he do?