Top 1200 Playing It Safe Quotes & Sayings - Page 16

Explore popular Playing It Safe quotes.
Last updated on April 21, 2025.
For me, there's always a huge attraction in playing real people. But with it comes an incredible sense of responsibility because you're playing a real person in a real event.
We feel the game industry is changing in some major ways. 'Fortnite' is a harbinger of things to come. It's a massive number of people all playing together, interacting together, not just playing but socializing.
Well, it's always, though, safer in politics to avoid risk, to just kind of go along with the status quo. But I didn't get into government to do the safe and easy things. A ship in harbor is safe, but that's not why the ship is built. Politics isn't just a game of competing interests and clashing parties. The people of America expect us to seek public office and to serve for the right reasons. And the right reason is to challenge the status quo and to serve the common good.
Since I was a kid, even in school I gave my best, playing with my friends, 100 per cent sweating, fighting. When I was playing any game, even video games, I wanted to win.
I suddenly realized that comedy, for me, was just being honest, and playing it for real. I've seen so many wonderful actors who turn into creatures from another planet when they're told they are supposed to be playing comedy.
Walk and touch peace every moment. Walk and touch happiness every moment. Each step brings a fresh breeze. Each step makes a flower bloom. Kiss the Earth with your feet. Bring the Earth your love and happiness. The Earth will be safe when we feel safe in ourselves.
All of us are playing roles, and there's nothing wrong with playing roles because we have to live in this world - the problem is only when we believe in those roles. — © Tenzin Palmo
All of us are playing roles, and there's nothing wrong with playing roles because we have to live in this world - the problem is only when we believe in those roles.
People "died" all the time. . . . Parts of them died when they made the wrong kinds of decisions-decisions against life. Sometimes they died bit by bit until finally they were just living corpses walking around. If you were perceptive you could see it in their eyes; the fire had gone out. . . you always knew when you made a decision against life. The door clicked and you were safe inside-safe and dead.
I had been playing since I was 2 years old, never remembering a life without music, always playing everything naturally and mostly by ear, and all the grownups wanted were more scales and drudgery out of me.
I was always singing but didn't plan on pursuing it seriously. When I got to New York City when I was 18, I started playing in clubs in Brooklyn - I have good friends and devoted fans on the underground scene, but we were playing for each other at that point - and that was it.
When you get offered the captaincy, you've got to have a go. In India, where it went well, I was playing well ,and anything that needed doing, I'd do it myself. When I wasn't playing well, it was tough.
Lukewarm people feel secure because they attend church, made a profession of faith at age twelve, were baptized, come from a Christian family, vote Republican, or live in America. Just as the prophets in the Old Testament warned Israel that they were not safe just because they lived in the land of Israel, so we are not safe just because we wear the label 'Christian' or because some people persist in calling us a 'Christian nation.
To love at all is to be vulnerable. Love anything and your heart will be wrung and possibly broken. If you want to make sure of keeping it intact you must give it to no one, not even an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements. Lock it up safe in the casket or coffin of your selfishness. But in that casket, safe, dark, motionless, airless, it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. To love is to be vulnerable.
'Badmaash Company' and 'Delhi Belly' was about friends, and I was part of the gang. And yes, they did have stars playing the lead! You do need a star to sell a film; and playing the second lead doesn't bother me.
For me, playing music while I write is important. Several of the romantic scenes in 'Paris' were written with Debussy's 'String Quartet,' his 'L'Apres-midi d'une Faune,' or Canteloube's 'Songs of the Auvergne' playing in the background.
I wasn't, you know, Mr. Popular. I was somewhere in the middle ground. I was quite alternative, the things I liked to do. Skateboarding, at the time. Playing in a band as opposed to playing in the rugby team. You know, that kind of thing.
Some of the roots of role-playing games (RPGs) are grounded in clinical and academic role assumption and role-playing exercises.
I was playing video games LONG before I ever thought about playing football. If it wasn't for my parents making sure that I got outside every now and then as a child, I probably would've pursued some sort of tech path.
Everyone playing in the NBA likes to have pressure. If you didn't like pressure, you wouldn't be playing.
Because I put in so much time and preparation, when I'm in the booth during a game, I see X's and O's. I just see football, and I remove my emotion from anything I ever do, whether it's my kids playing, Ohio State playing.
I love playing football. I love being happy. I love playing games. I think that's going to be the ultimate deciding factor in where I go.
You start out playing in kitchens, and you end up playing in kitchens.
I love playing basketball because you could be having a rough day in your life, and while you're on the court it gives you a clear mind. I'm not worried about anything. I'm there just playing freely and I go out there all and I have fun.
It's always so nerve-wracking being up there on stage. It's even harder playing in your hometown - and I have a couple of home towns - but, you're playing for all the people you knew in high school, so it causes no small degree of panic in my mind.
I've thoroughly enjoyed my life since I stopped playing. Of course you miss playing now and then, but I've travelled, I still work with Manchester United, I spent more time with my family and watched my kids grow up.
I had quite a bit of experience doing things that had been adapted from a book and playing real-life characters and playing the younger version of actors. That's kind of my thing.
We have fun, we listen to one another, we challenge one another, we trust one another. We're doing what we enjoy, and we're not just playing for each other, we're playing for the people.
I know my dad would have loved me to have played rugby. He was a No. 8. I started off playing centre and ended up playing at the back of the scrum, No. 8 as well, just picking it up and running with it.
So I came home and I had a resume and everything, but the only job experience I had was just playing in bars and clubs on my summers off. So, I was temping and stuff during the day and playing music at night.
The danger with genre is playing genre instead of playing the honesty of what's going on.
I wasn’t, you know, Mr Popular. I was somewhere in the middle ground. I was quite alternative, the things I liked to do. Skateboarding, at the time. Playing in a band as opposed to playing in the rugby team. You know, that kind of thing.
Like so many of the players, I started at La Masia at the age of 11. I can't ever imagine not playing for Barcelona, let alone not playing soccer for a career. I don't ever want to play anywhere else.
I feel I'm most successful when I'm playing a concert, and it doesn't necessarily seem like I'm playing a saxophone but am coming off more like an orchestra or something like that.
I've been trying to take this journey over the last four years of getting away from playing manipulative and villainous characters and playing characters that are affected by what happens to them as opposed to unaffected.
I wasn't really that interested in playing. I had gone through some hard times not playing in high school, but my coach had it in his mind that basketball was the way I would get an education.
I love playing a curmudgeon. I just love playing a sour guy.
A lot of photographers like models to be blank canvases - but bland girls don't influence me. I don't like playing with dolls; I like playing with people.
I went over a year without playing baseball. At 39, not playing for a year, a year and a half, there were a lot of nights I was saying, 'This is going to be tough.'
Our job is to find players younger, where they are able to play from 11 years old and grow up playing the game. Rather than, you start playing when you are 17 or 18 and you don't get the opportunity to do anything with your career.
I bought one of the first Nintendo systems and brought that home, and we were playing 'Legend of Zelda' at the time, and it was addicting, and I was playing it for hours and hours and hours.
Playing music for as long as I had been playing music and then getting a shot at making a record and at having an audience and stuff, it's just like an untamed force... a different kind of energy.
I'm not playing for Wolves just so I can get in squads. I'm concentrated on playing for Wolves. — © Matt Doherty
I'm not playing for Wolves just so I can get in squads. I'm concentrated on playing for Wolves.
We say that if America has entered the war to make the world safe for democracy, she must first make democracy safe in America. How else is the world to take America seriously, when democracy at home is daily being outraged, free speech suppressed, peaceable assemblies broken up by overbearing and brutal gangsters in uniform; when free press is curtailed and every independent opinion gagged? Verily, poor as we are in democracy, how can we give of it to the world?
Ironically, I must admit that I have an easier time (myself) playing games that are really simple and non-realistic - like the games I grew up with in the 80's - I tend to get lost and confused when the games get too complex! But I enjoy watching people who are good at playing games. I really enjoy playing games like Guitar Hero, where you feel like you're a great musician even if you're not.
It was so strange, coming from Nashville, Tennessee, where I was playing to 15 people, to going to London and playing in this crowded little dive pub. I know Tom Petty had a similar thing - I realize, on a lot larger scale.
I come from a creative background, and everything I enjoy is entertaining or playing music for people, which is the exact thing the Community restricts and opposes. At least still playing games with the kids and being active, not completely awful.
If I am playing the game freely, and those opportunities come up to cross the line, then I get enjoy that a lot. But when I try to force things, I am not playing my best footy.
I love mythic stuff. I love playing with gods, I love playing with myths. A lot of it has to do with that they're the basic places stories come from. They're the clay that you make the bricks out of.
When you're used to playing with people, when you're in a band, then you're used to playing with each other. People nowadays aren't used to playing with each other because they don't have to.
If you read reviews of concerts, the word 'creative' comes up all the time. However, performers playing music usually aren't creative. Critics might say they are, but they're just playing another persons work. They didn't create it.
I would say playing doubles is great for, you know, just in general. For the singles game, as well. You're able to work on returns, serves, aggressive playing. Also able to practice pressure situations.
First of all, I never think of my characters as good or evil. I play them as honestly as I can. When you're playing a good character, you have an idea that you're playing the hero and the good guy.
I never worry about injury. When you go out there, you're playing football. And when you start worrying about those things, that's more when they happen, playing timid or keeping it in the back of your mind.
It's hard not to chase the money. You sit at home when guys are out playing for a $6 million purse, and you know you're going to drop back on the money list, so you end up playing when you don't really want to.
Nothing is like being out there and playing and performing and winning - nothing. But to have an interest in the player? The nerves and everything that goes with it? Seeing what he's learned and how he's done it? That's the second best thing to playing. I think.
Playing drums or music, being a musician, is inside of you. So you would always see me tapping on something, playing on tables... I never felt the need to pull out drums.
Indifference is the saddest state of being. It's like PTSD - you're not gonna fight, you're not gonna run, you're just frozen there, feeling nothing. It's very easy to have conversations when you're sitting there feeling nothing, to talk about the weather or what you had for lunch, to Instagram what you had for lunch. We're all suffering from trauma. This world is so crazy. How do we feel safe here? I think that's the question everybody's asking, "What do I need to do to feel safe? Like I'm okay?" I don't think there's anything wrong with that.
I really like Caravan Palace's electro swing stuff. They incorporate the electronic, but when you see them live, they're all on stage playing live music. They're all playing their instruments. They drop these beats with the DJs that are so incredible.
If I were to run around the world playing just the cello concertos - and believe me, I love playing them - I would be counting my entire repertoire from year to year on my two hands.
I know in college, a player is playing for something every year so it is constantly competitive while in residency although you're playing with the top players in your age, you don't have many competitions other than the U-17 or U-20 World Cups.
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