Top 1200 Playing Music Quotes & Sayings - Page 5

In my career, there have been three things that were challenging: playing gay; playing a Jewish woman; and playing Anton Chekhov. The scariest part was playing Chekhov!

When I'm writing music, I'm not playing a character. I'm not Alice Cooper or Gene Simmons or someone like that, who has acknowledged that they are writing music for a character.

You know, I like playing music and playing guitar, and I like to draw, so I thought I would end up just probably barely making a living, or probably having to have some other job, but being involved in one of those things that I really like to do. But that didn't work out like that.

I think it all comes from the same source, really, the writing of music, the writing of words, the playing of music. It's what drives anyone to be interested in the arts. I think it's a poetic gene; it's a wanting to go beyond.

I love playing with form. I love playing with sounds... I love music, and I love writing that has a musicality to it.

The chamber music repertoire is so vast that if one is genuinely curious about music, the art of listening, understanding and responding to a score, the elementary skills and requirements of chamber works are easily applicable to that of any solo playing.

As there are more online archives of improvised music, it becomes more like the daily practice of playing it. It lessens the idea of there being masterpieces of improvised music through benchmark recordings.

Music is my life. Music runs through my veins. Music inspires me. Music is a part of me. Music is all around us. Music soothes me. Music gives me hope when I lose faith. Music comforts me. Music is my refuge.

I hear it still. As I lay down my pen and take to my bed, I am aware of the bow being drawn across the bridge and the music rises into the night sky. It is far away and barely audible - but there it is! A pizzicato. Then a tremelo. The style is unmistakable. It is Sherlock Holmes who is playing. It must be. I hope with all my heart that he is playing for me . . .

No one imagines that a symphony is supposed to improve as it goes along, or that the whole object of playing is to reach the finale. The point of music is discovered in every moment of playing and listening to it. It is the same, I feel, with the greater part of our lives, and if we are unduly absorbed in improving them we may forget altogether to live them.

My hope is to continue to make new music and go with the flow. I think I'll always be creative. I want to keep making good music, put myself into positions where I need to rise to the occasion of playing in front of an audience, and continually get better at what I'm doing.

I play only classical music. My pianos are my only big indulgence, but they're a necessity. When I'm playing the piano is literally the only time I can be completely abstract and disconnected from the regular world and yet be connected - to my music.

I'm from the school of putting a lot of hours of practice into playing. But at the same time you have to write original music - that's really important, because that's the things that's going to separate you from everybody else, that's going to give you your unique voice as a music that you create.

The people have no ear, either for rhythm or music, and their unnatural passion for pianoforte playing and singing is thus all the more repulsive. There is nothing on earth more terrible than English music, except English painting.

I've been playing music for over 20 years now. I started playing when I was 14 years old. To everyone who has said I was an overnight success... where have you been the last 20 years?

When I was playing piano, it was like, 'I'm going to write a song using all the white keys.' My music director, who knew my jazz background, suggested I try big-band music, so we spent a year experimenting with it in concert, and the audience reaction was really good.

Collaboration has become really integral to my process. I play music so that I can spend time with my friends and communicate in that way. I experience so much joy in that process, because, you know, it's those times of getting together and playing music and all that comes with it that are the best for me.

David Lee Roth had the idea that if you covered a successful song, you were half way home. C'mon - Van Halen doing 'Dancing in the Streets'? It was stupid. I started feeling like I would rather bomb playing my own songs than be successful playing someone else's music.

I love music, I make films with music, I eat with music, I sleep with music, I think with music. Music makes me dream; it strengthens my creativity.

Many musicians are fabulously skilled at playing the black dots on the printed page, but mystified by how the dots got there in the first place and apprehensive of playing without dots. Music theory does not help here; it teaches rules of the grammar, but not what to say. When people ask me how to improvise, only a little of what I can say is about music. The real story is about spontaneous expression, and it is therefore a spiritual and a psychological story rather than a story about the technique of one art form or another.

In my career, there have been three things that were challenging: playing gay; playing a Jewish woman; and playing Chekhov. The scariest part was playing Chekhov!

I was addicted to playing music.

In terms of exploring an identity in the country music world, what I realized very quickly was that there are people who have been performing country music since they were kids. It's very much a part of who they are; very much that jazz and blues are a part of who I am, because I grew up listening to and playing that kind of music.

Writing more and more to the sound of music, writing more and more like music. Sitting in my studio tonight, playing record after record, writing, music a stimulant of the highest order, far more potent than wine.

Music. I could not go without that. My mind would not let me be without music. I hiked the trail in 1995 - before there were iPods or music on our cell phones or even cell phones. So I was truly out there with just my thoughts. After a few days there was a continuous loop of songs playing silently in my mind.

Dirty martinis and music - that's the big motto in our family. We get the booze going, and the music starts playing. Always old-school hip-hop. Jay-Z. Tribe Called Quest. The Pharcyde. My parents love that stuff.

I love playing rock music, man. You give me a guitar in my hands, and I go out there, and, for me, it's like...you know, some dudes like hunting, fishing, going out and playing ball in the backyard with their buddies on a rainy day. I like being out with my buddies playing rock guitar. That's what I love to do.

For that reason you can't write with music playing, and anyone who says he can is either writing badly, or not listening to the music, or lying. You need to hear what you're writing, and for that you need silence

For that reason you can't write with music playing, and anyone who says he can is either writing badly, or not listening to the music, or lying. You need to hear what you're writing, and for that you need silence.

Anytime I'm playing music or getting ready to record, Duane Allman will enter my thoughts, and so will Berry Oakley. It's part of my musical makeup and mental process when it comes to music. We learned to play together and taught each other a lot.

We're not a band because we're trying to be the Mother Teresas of the music industry, out to serve everybody. We're a band first and foremost because we love playing pop music.

Music wasn't forced on me [in my childhood]. It was something I wanted to do. And ever since, I've never stopped, I've never stopped playing music.

I had wanted to play drums since the age of 9 when I saw a drum set in the window of a music store for the first time. We took lessons at a local music school and began playing together after about 6-9 months of lessons.

By the eighties, a lot of radio stations had started playing "Sixties" music. They called it "Classic Rock," because they knew we'd be upset if they came right out and called it what it is, namely "middle-aged-person nostalgia music.

It's the honesty you apply to your playing that makes music enjoyable. The style of the music has little to do with it. It's only honesty makes it beautiful.

I love music, I make films with music, I eat with music, I sleep with music, I think with music. Music makes me dream, it strengthens my creativity.

Music has been a huge passion of mine ever since I started playing the piano at age 3. Going to concerts, performing on my own, and listening to my favorite artists growing up confirmed that love for music and made me want to pursue it as a career.

There's a certain - there's a different pressure with playing in a Ryder Cup. You know, you're not just playing for yourself. You're playing for your teammates. You're playing for your country.

A lot of my work is about these moments you find, like when you're driving alone at night by yourself, or you sit at home and smoke a cigarette and all of a sudden there is beautiful music playing - for me it is sad piano music - and think, "I'm so in love and I don't even know with what." You want to freeze this moment.

Conducting is a natural way to participate in one's own music. Almost every 19th-century composer Mendelssohn, Mahler was conducting or playing his own music. Mozart did both.

I grew up in a house that was always happy, and my family was always music, music. I started playing percussion very young, because I had some uncles who were musicians and all my aunts were singers.

I started playing piano with a little band in high school. I was terrible. I thought I had absolutely no talent. I couldn't keep time. I only got into McGill, which was a lousy music school, because they were taking American music students.

Jesus, music has always been my first love. I use music in my work because it's the fastest way to an emotional place. You hear a song, and that memory comes right back-- you're there... Making music is immediate, and it's all about you. If you're playing guitar, the feeling comes through-- the way you bend the note, the intensity with which you hit the strings. With making films, although it's real emotion, it's false emotion. You're lying.

At home I have a mixing desk that I like playing around on. It's great fun making music myself. And music has always been a very good counterbalance to football for me. It allows me to switch off and relax.

When I'm playing with the band or playing with some projects or some of my own stuff it's about the musical approach. That would be the more turntablist approach to things of where it's strictly about music.

At a certain point, I started playing improvised music. After a couple of years of this, I did a little bit of analysis and found most improvised music the kind I was listening to at least, which was mainly European to be as, if not more, formulaic than any other kind of music. For example, improvised pieces would often begin and end in the same way.

When I was in Cardiff, playing with the National Orchestra of Wales, they said they get letters from people complaining if they're smiling during the concert. Nuts, isn't it? As if you have to respect the solemnity of the music by not smiling. Music is this joyful thing that enriches our lives, and you're not supposed to smile?

As I was sitting there, the deejay was playing music and talking over the music, and the kids were going crazy. All of a sudden, something said to me, 'Put something like that on a record, and it will be the biggest thing.' I didn't even know you called it rap.

It's been a struggle to get people to come eat for fun. You know, the way they listen to music. You can do all kinds of things with music. But food - it's something people need, and that changes everything. You start playing with it, people have all sorts of reactions.

From the very beginning, I had a lot of female role models in music. I would go to shows, and there were always women fronting bands and playing guitar or backing up and playing drums or bass in a band. That probably contributed to my belief in myself to go out and perform for people.

Music’s the soundtrack of my life and has been since I was a teenager. There’s always music. If I’m not playing it, I’m listening to it. With my writing... sometimes it inspires a story, sometimes it highlights something I’m working on, sometimes it simply helps me stay in the narrative mood.

It was fun playing a horrible, snotty kid in 'Harry Potter', and then playing Prince Charming where I was also singing and playing guitar, and then playing a completely different character.

I just don't like looking at the crowd and seeing them just staring and listening to the music. When I get them involved, whatever type of music I'm playing, they leave there feeling better.

It's different from music because music is like going deep down into soul, like scooping out all the difficult, beautiful, messy stuff and putting it into songs. Writing is more like playing for me.

I think that, initially, I was most passionate about music and particularly about playing the piano. I started playing when I was nine, and I was obsessed with it, really. I wouldn't even go spend the night at a friend's unless they had a piano. But I didn't have the chops, the extraordinary talent to be able to play the piano professionally.

I was playing surf music with my band when a girlfriend of mine who had come from Los Angeles took me to a James Brown concert. That show really changed my whole outlook and thought processes, especially about music and different cultures.

The first thing I think about is music, and the last thing I think about is music. I'm like some Monk. I don't see a lot of daylight. I hang out with musicians, I hang out with directors and I just try to spend as much of my life as possible playing music.

See, I have a different type of music from other peoples. They playing the other kind of blues, and I'm playing cotton-patch blues.... Ain't nobody now can play the blues that I play.

When I first started playing, I definitely had a younger scum-punk crowd, but as my music developed more and after I started playing electric guitar - you'd think it would be opposite - but a lot of people were like, "You've changed." And I have more of an older audience now.

Playing live is much more natural for me. The instant reaction and the feedback from the audience is great for me. I really relish it. And if you play blues-based music, it's not really academic music or recital music. It really needs a bit of atmosphere and a bit of interplay and a bit of roughness, and you really get that with an audience.