Top 1200 Playing Outside Quotes & Sayings - Page 17

Explore popular Playing Outside quotes.
Last updated on April 19, 2025.
I always say there's a couple things that I look at when I'm playing basketball. Do I enjoy going to the gym? Do I enjoy being in the locker room? When I get on the court do I still have that competitive fire to hate the person I'm playing against?
There is one kind of prison where the man is behind bars, and everything that he desires is outside; and there is another kind where the things are behind the bars, and the man is outside.
Everyone playing in the NBA likes to have pressure. If you didn't like pressure, you wouldn't be playing.
When I started playing in Sweden, there was nobody watching. No one knew who I was, so I was just playing for the love of the game. And after my first season, my coach came up to me and said, 'Of all the people you're the one who smiles the most on the field,' and that was the biggest compliment I ever received.
In 10th grade, I started playing defense. Mainly because we already had a great tailback. Once I started playing it, it just started growing on me. I liked it a lot.
'Badmaash Company' and 'Delhi Belly' was about friends, and I was part of the gang. And yes, they did have stars playing the lead! You do need a star to sell a film; and playing the second lead doesn't bother me.
The shops in High Street still have their metal grilles down, blank-eyed and sleeping. My name is scrawled across them all. I'm outside Ajay's newsagent's. I'm on the expensive shutters of the health food store. I'm massive on Handie's furniture shop, King's Chicken Joint and the Barbecue Cafe. I thread the pavement outside the bank and all the way to Mothercare. I've possessed the road and am a glistening circle at the roundabout.
When you're playing a romantic version of a real person, you're playing a version of the truth.
Several of our children have married outside my faith. Would I prefer they marry within their religion? Yes, because I know that marrying outside the family faith will very likely bring them more problems-but not from me. My job is to accept them and love them, not to criticize them and make their lives more difficult.
[I just try to stay around the same people] is what kept me out of trouble, because when I got into trouble, it was with people from the outside. The outside always led me to getting into trouble, and really just stayin' in the studio [and] workin' hard, and mainly just keepin' my mind straight.
I definitely have an eye on doing more work in features and playing different characters, but I am also a big fan of going on vacation and playing golf and going to the beach. With anything, it's about finding the balance.
The danger with genre is playing genre instead of playing the honesty of what's going on. — © Melanie Scrofano
The danger with genre is playing genre instead of playing the honesty of what's going on.
I've been playing with Blackwell over 20 years. We used to play when I first went to Los Angeles. Blackwell plays the drums as if he's playing a wind instrument. Actually, he sounds more like a talking drum.
If anyone without the right faith receives Baptism outside the Church, he does not receive it unto salvation ... From the comparison of the Church to Paradise, we learn that men can receive her Baptism even outside her fold, but that out there no one can receive or keep the salvation of the blessed.
The people that can't win elections, outside of Barack Obama, the people on the Democrat side who cannot win elections, who do not have the votes to stop Donald Trump at all in a constitutional sense, have to now behave outside the Constitution in order to stop the duly elected president of the United States about whom they can produce no evidence that his election was fraudulent.
As gay people, we always think outside of the box. The irreverent is always important to a drag queen and anyone else who lives outside the box. And this is why drag's important: remember to not take life seriously. It's always important to see the laughter in the illusion that we pretend is real.
If you play men, in a way it's easier. You can have a voicebox, you can have false hair, mustaches, wigs, you can have all kinds of stuff. But when you're playing women playing men, you only really have yourself to work with, plus tiny little extras.
I remember in the days when we started, when we first went on the road, we went to Berkeley and played with Exodus. We couldn't believe another band was playing the same kind of music we were playing because there was only a handful of bands that were doing it.
It's a tricky one when you're playing somebody who is mad. There's often the big actor's question, if you're playing a part like that: do you take it to be an internalized thing, pull the audience in, or do you go full-out, and kind of present it as quite a shocking thing?
I'm not playing for Wolves just so I can get in squads. I'm concentrated on playing for Wolves.
I was a little bit wary of playing Nicholas. In the script, which I think is true of the novel and the film, he's the only character not singing and dancing in a musical style. Playing someone who is the personification of good is a little difficult.
I don't need the money after 11 years on 'Frasier,' and there aren't that many great roles onstage left for somebody my age. I'm more interested in playing those roles than I am in playing bit parts in movies.
But be very, very careful, because when you're playing with momentum, you're playing with fire.
I really like Caravan Palace's electro swing stuff. They incorporate the electronic, but when you see them live, they're all on stage playing live music. They're all playing their instruments. They drop these beats with the DJs that are so incredible.
One of the things I do in banking committees is put pressure on them, and one of the other things I do is through my website, through outside pressure, and I ask people to come and help us join that fight where we can get people outside to keep putting the pressure on the Senate to make sure there are no compromises and weakening of Dodd-Frank.
I really don't pay attention to the outside world when I'm incarcerated, because being in prison is like being in a different world. So I don't pay attention to what's going on outside of jail, because it's all beyond my control.
Being the drummer of Fall Out Boy, and any other project I've ever done, is most importantly about playing for the music. Staying out of the way when it's needed and playing more when it makes sense.
I love playing a curmudgeon. I just love playing a sour guy. — © Zach Galifianakis
I love playing a curmudgeon. I just love playing a sour guy.
Playing the game, and unfortunately, playing the gangster game is very profitable.
The good thing about playing with other musicians is that it's much easier to make the translation to playing live. It's much more difficult if you're trying to take something you've overdubbed alone on stage. But again, there are some benefits.
You know, growing up Mormon, I always got the sense that it was hard for the leaders of the church to feel like they were outside of Christianity. I think, you know Mormon people believe that they are Christian, and a lot of people outside of the Mormon Church, you know, don't see them that way.
A comic book and a straight drama all have the same elements. If you're playing tragedy, you have to be aware of the comedy; if you're playing comedy, you have to be aware of the tragedy. If you're playing comic book, you have to be aware of the reality.
Many people in the neighborhood liked hip-hop and house music, and I couldn't play that. You can't perform that on guitar or drums, which was what I was playing, at the time. But, I got so much from mariachi bands that were constantly playing in the neighborhood.
I just loved classical music, but I also loved playing rock guitar, and I loved playing piano, so it was a natural thing that those things would merge at some point. — © Trevor Rabin
I just loved classical music, but I also loved playing rock guitar, and I loved playing piano, so it was a natural thing that those things would merge at some point.
I love playing rock music, man. You give me a guitar in my hands, and I go out there, and, for me, it's like...you know, some dudes like hunting, fishing, going out and playing ball in the backyard with their buddies on a rainy day. I like being out with my buddies playing rock guitar. That's what I love to do.
I speak with a lot of players who have stopped playing and they go to the gym for two hours a day and say 'now I run 10km a day.' When they were still playing they would complain about running for 10 minutes!
I like to think that if it hadn't gone as well as it has, if I wasn't able to make a living off of playing music, I would still be playing the music. But, of course, I wouldn't likely have had the opportunity to travel, and a lot of the places have inspired songs.
We want playing our games to entertain people on many different levels. Deeper down, I want to make a connection with the player, and it's the way, to me, of saying to the person playing the game that they're not alone in the world.
I do like to point out the trick putts, the ones that look like they go one way but actually go another. I think the audience likes to know when a putt looks like it's two inches outside left, but it's actually two inches outside right.
People need to know that when I was interviewed when I played, I would really pat myself on the back when I did well and tell you how good I was playing, but I'd also tell you when I choked or I was playing terrible. I told it like it was.
I suppose my dream was always about existing outside of London. Obviously the film world 10 years ago, when I first kicked off, was a very different landscape. Meeting anyone for a job on the crew, and on the cast, always meant a trip to London for me. But it's changed quite dramatically. You can't completely exist outside of what's down there, but things have changed massively.
The way I evolved was playing straight-ahead jazz into playing more fusion-type stuff just because I was young enough to get into it. As I get older, I find myself coming back to where I kind of started.
I grew up playing football since the day I could walk; some of my greatest memories of childhood are playing touch football in all kinds of weather with my best friends. That's a part of the American experience that no corporation can destroy.
Playing music for as long as I had been playing music and then getting a shot at making a record and at having an audience and stuff, it's just like an untamed force... a different kind of energy.
I would say playing doubles is great for, you know, just in general. For the singles game, as well. You're able to work on returns, serves, aggressive playing. Also able to practice pressure situations.
Nothing is like being out there and playing and performing and winning - nothing. But to have an interest in the player? The nerves and everything that goes with it? Seeing what he's learned and how he's done it? That's the second best thing to playing. I think.
I don't know when they first had feeds. Like maybe, fifty or a hundred years ago. Before that, they had to use their hands and their eyes. Computers were all outside the body. They carried them around outside of them, in their hands, like if you carried your lungs in a briefcase and opened it to breathe.
What I loved about playing the corpse is that obviously somebody else got to do the physical part. It appeals to the part of me that likes playing character parts and getting the chance to get away from my own physicality.
I'm from a singing family, but they're not professional singers, only gospel - my grandfather was a minister. I started to sing the music that was out then because my mother used to play it all the time. It was the end of the '50s, the beginning of the '60s. There was Frankie Lyman and the Teenagers, Etta James... We used to sit outside on the stoop and sing. We even used to put our radios and record players outside.
Eternity is a child playing, playing checkers; the kingdom belongs to a child. — © Heraclitus
Eternity is a child playing, playing checkers; the kingdom belongs to a child.
I remember the Vince Carter Raptor days: playing all the video games with him. Playing against him is one thing; having a chance to learn from him is a whole - another level of excitement.
I have been a Cowboys fan since I was a little bitty boy. And my dream has finally become a reality, of not only just playing a professional, becoming a professional athlete, but playing for the team that I always wanted to play for.
Although I am not averse to wasting a few hours playing computer games, I have never tried my hand at Doom. Judging by sales figures and testimonials, playing the game has to be an infinitely preferable experience to watching this pathetic excuse for a movie.
I'm a big fan of character actors like Johnny Depp and Gary Oldman. My goal is to continue playing character roles in indie films and move into playing character leads.
Because my faith is important to me and then they wrote it in that my character I would be playing would also be a Christian, many people would often assume now that I'm playing myself on television. And I'm not.
When you're used to playing with people, when you're in a band, then you're used to playing with each other. People nowadays aren't used to playing with each other because they don't have to.
You start out playing in kitchens, and you end up playing in kitchens.
We're not on the outside looking in, we're on the outside looking out.
Playing in midfield is a different ball game. You have to be on the half-turn all the time, have a different picture in your head of what is behind you and in front of you. Playing at right-back is different again.
Your outside world is a reflection of your inside world. What goes on in the inside, shows on the outside.
This site uses cookies to ensure you get the best experience. More info...
Got it!