Top 1200 Playing Rugby Quotes & Sayings - Page 16

A comic book and a straight drama all have the same elements. If you're playing tragedy, you have to be aware of the comedy; if you're playing comedy, you have to be aware of the tragedy. If you're playing comic book, you have to be aware of the reality.

Playing the game, and unfortunately, playing the gangster game is very profitable.

I was playing video games LONG before I ever thought about playing football. If it wasn't for my parents making sure that I got outside every now and then as a child, I probably would've pursued some sort of tech path.

The danger with genre is playing genre instead of playing the honesty of what's going on.

'Badmaash Company' and 'Delhi Belly' was about friends, and I was part of the gang. And yes, they did have stars playing the lead! You do need a star to sell a film; and playing the second lead doesn't bother me.

I went over a year without playing baseball. At 39, not playing for a year, a year and a half, there were a lot of nights I was saying, 'This is going to be tough.'

Playing in midfield is a different ball game. You have to be on the half-turn all the time, have a different picture in your head of what is behind you and in front of you. Playing at right-back is different again.

For me, playing music while I write is important. Several of the romantic scenes in 'Paris' were written with Debussy's 'String Quartet,' his 'L'Apres-midi d'une Faune,' or Canteloube's 'Songs of the Auvergne' playing in the background.

I remember in the days when we started, when we first went on the road, we went to Berkeley and played with Exodus. We couldn't believe another band was playing the same kind of music we were playing because there was only a handful of bands that were doing it.

I definitely have an eye on doing more work in features and playing different characters, but I am also a big fan of going on vacation and playing golf and going to the beach. With anything, it's about finding the balance.

I'm a big fan of character actors like Johnny Depp and Gary Oldman. My goal is to continue playing character roles in indie films and move into playing character leads.

Our job is to find players younger, where they are able to play from 11 years old and grow up playing the game. Rather than, you start playing when you are 17 or 18 and you don't get the opportunity to do anything with your career.

Although I am not averse to wasting a few hours playing computer games, I have never tried my hand at Doom. Judging by sales figures and testimonials, playing the game has to be an infinitely preferable experience to watching this pathetic excuse for a movie.

Rugby gave me a confidence. I was quite shy and relatively timid, but it gave me the confidence to be a little bit more out-going and back myself a bit more.

I was a little bit wary of playing Nicholas. In the script, which I think is true of the novel and the film, he's the only character not singing and dancing in a musical style. Playing someone who is the personification of good is a little difficult.

Nothing is like being out there and playing and performing and winning - nothing. But to have an interest in the player? The nerves and everything that goes with it? Seeing what he's learned and how he's done it? That's the second best thing to playing. I think.

People need to know that when I was interviewed when I played, I would really pat myself on the back when I did well and tell you how good I was playing, but I'd also tell you when I choked or I was playing terrible. I told it like it was.

I have been a Cowboys fan since I was a little bitty boy. And my dream has finally become a reality, of not only just playing a professional, becoming a professional athlete, but playing for the team that I always wanted to play for.

The Olympics are every four years and I think every athlete who competes in the Olympics wants the gold medal, and I think that's what the World Cup is for a rugby player - it's the gold medal.

I had been playing since I was 2 years old, never remembering a life without music, always playing everything naturally and mostly by ear, and all the grownups wanted were more scales and drudgery out of me.

In 10th grade, I started playing defense. Mainly because we already had a great tailback. Once I started playing it, it just started growing on me. I liked it a lot.

In the phusical sense, 'playing a fret less instrument in tune' is an impossibility. Hence what we call 'playing in tune' is no more than an extremely rapid skilfully carried out improvement of the originally inexactly located pitch.

I know in college, a player is playing for something every year so it is constantly competitive while in residency although you're playing with the top players in your age, you don't have many competitions other than the U-17 or U-20 World Cups.

I got a pommel in my eye. A pommel is the end of a sword - not the sharp end, the other end. It wasn't actually a sword fight. I was rugby tackling somebody but we hadn't rehearsed with all the kit on so suddenly there's a whole other part of the equation and that did really hurt.

I love mythic stuff. I love playing with gods, I love playing with myths. A lot of it has to do with that they're the basic places stories come from. They're the clay that you make the bricks out of.

For me, there's always a huge attraction in playing real people. But with it comes an incredible sense of responsibility because you're playing a real person in a real event.

The most scared I'd ever been was the first time I sang at a rugby match, Australia versus New Zealand, in front of one hundred thousand people. I had a panic attack the night before because people have been booed off and never worked again... just singing one song, the national anthem.

I really like Caravan Palace's electro swing stuff. They incorporate the electronic, but when you see them live, they're all on stage playing live music. They're all playing their instruments. They drop these beats with the DJs that are so incredible.

I would say playing doubles is great for, you know, just in general. For the singles game, as well. You're able to work on returns, serves, aggressive playing. Also able to practice pressure situations.

The good thing about playing with other musicians is that it's much easier to make the translation to playing live. It's much more difficult if you're trying to take something you've overdubbed alone on stage. But again, there are some benefits.

Playing music for as long as I had been playing music and then getting a shot at making a record and at having an audience and stuff, it's just like an untamed force... a different kind of energy.

Everyone playing in the NBA likes to have pressure. If you didn't like pressure, you wouldn't be playing.

Many people in the neighborhood liked hip-hop and house music, and I couldn't play that. You can't perform that on guitar or drums, which was what I was playing, at the time. But, I got so much from mariachi bands that were constantly playing in the neighborhood.

Eternity is a child playing, playing checkers; the kingdom belongs to a child.

You start out playing in kitchens, and you end up playing in kitchens.

When I was 11 my school held a sports day near Crystal Palace. We were told we were going to play a rugby match. The ball was eventually passed to me and I was obviously expected to run with it. I took one look at all these players charging towards me, placed the ball on the ground and walked off the pitch.

I love playing rock music, man. You give me a guitar in my hands, and I go out there, and, for me, it's like...you know, some dudes like hunting, fishing, going out and playing ball in the backyard with their buddies on a rainy day. I like being out with my buddies playing rock guitar. That's what I love to do.

I just loved classical music, but I also loved playing rock guitar, and I loved playing piano, so it was a natural thing that those things would merge at some point.

If you play men, in a way it's easier. You can have a voicebox, you can have false hair, mustaches, wigs, you can have all kinds of stuff. But when you're playing women playing men, you only really have yourself to work with, plus tiny little extras.

As a kid, I was school swot, but I used to hang around the billiard halls, learning that Geordie sense of humour, mixing with low-lifes. They were the sort who'd pick your pocket and then say 'Here you are lad, here's tuppence, get yourself some chips'. I was a good rugby player, a good runner, so I fitted in at Cambridge quite easily.

Because my faith is important to me and then they wrote it in that my character I would be playing would also be a Christian, many people would often assume now that I'm playing myself on television. And I'm not.

I grew up playing football since the day I could walk; some of my greatest memories of childhood are playing touch football in all kinds of weather with my best friends. That's a part of the American experience that no corporation can destroy.

I remember the Vince Carter Raptor days: playing all the video games with him. Playing against him is one thing; having a chance to learn from him is a whole - another level of excitement.

First of all, I never think of my characters as good or evil. I play them as honestly as I can. When you're playing a good character, you have an idea that you're playing the hero and the good guy.

Some of the roots of role-playing games (RPGs) are grounded in clinical and academic role assumption and role-playing exercises.

I feel I'm most successful when I'm playing a concert, and it doesn't necessarily seem like I'm playing a saxophone but am coming off more like an orchestra or something like that.

I love playing a curmudgeon. I just love playing a sour guy.

I've been playing with Blackwell over 20 years. We used to play when I first went to Los Angeles. Blackwell plays the drums as if he's playing a wind instrument. Actually, he sounds more like a talking drum.

What I loved about playing the corpse is that obviously somebody else got to do the physical part. It appeals to the part of me that likes playing character parts and getting the chance to get away from my own physicality.

When you're used to playing with people, when you're in a band, then you're used to playing with each other. People nowadays aren't used to playing with each other because they don't have to.

I like to think that if it hadn't gone as well as it has, if I wasn't able to make a living off of playing music, I would still be playing the music. But, of course, I wouldn't likely have had the opportunity to travel, and a lot of the places have inspired songs.

When I started playing in Sweden, there was nobody watching. No one knew who I was, so I was just playing for the love of the game. And after my first season, my coach came up to me and said, 'Of all the people you're the one who smiles the most on the field,' and that was the biggest compliment I ever received.

I'm not playing for Wolves just so I can get in squads. I'm concentrated on playing for Wolves.

But be very, very careful, because when you're playing with momentum, you're playing with fire.

Being the drummer of Fall Out Boy, and any other project I've ever done, is most importantly about playing for the music. Staying out of the way when it's needed and playing more when it makes sense.

A lot of photographers like models to be blank canvases - but bland girls don't influence me. I don't like playing with dolls; I like playing with people.

I was always singing but didn't plan on pursuing it seriously. When I got to New York City when I was 18, I started playing in clubs in Brooklyn - I have good friends and devoted fans on the underground scene, but we were playing for each other at that point - and that was it.

I always say there's a couple things that I look at when I'm playing basketball. Do I enjoy going to the gym? Do I enjoy being in the locker room? When I get on the court do I still have that competitive fire to hate the person I'm playing against?

When you're playing a romantic version of a real person, you're playing a version of the truth.

We want playing our games to entertain people on many different levels. Deeper down, I want to make a connection with the player, and it's the way, to me, of saying to the person playing the game that they're not alone in the world.