I'm told I was acting in school plays when I was a tiny little boy at the age of three, so they must have seen something then. And even when I was practicing piano eight hours a day, I was still doing school plays.
I'm not sure plays tell people anything. I think plays include an audience in an experience that is happening in that moment, and that's the specialness. What people take away has almost as much to do with what they bring as what we do.
I did plays in college, and I have half of a play. But I'm kind of stuck. I keep revisiting it so maybe it will move somewhere. There's something about plays where you can feel that sense of artifice at any moment.
A lot of your personality is formed before you're 12, obviously, but only a few of my plays use characters from my childhood. The more mature plays are affected only by my adult experiences.
I started out wanting to be an actress. My sister was in this theater company in Brooklyn. I saw her in some plays, and I was immediately obsessed. I started auditioning for plays when I was about 10.
I don't do plays without jokes anymore. I've retired from those plays. I think it's bad manners to invite people to sit in the dark for two and a half hours and not tell them the joke.
I did plays because I liked plays. I studied psychology because I was fascinated by the subject, and I hope to keep doing films because I love the medium.
anyone who writes plays is unbelievably persistent, because there isn't a need in the world for plays. Somehow you internally have to feel a need to write a play.
Anytime I get the opportunity to get the ball, I just want to make good plays and help my team win the game and just create big plays.
I used to go with my parents and loved it, I was in school plays, and I started reading plays before I started reading novels. I'll defend it to the hilt. When theatre is good it is fabulous.
I've always viewed 'Sons of the Prophet' as the first part of a larger trilogy - not three plays dependent on each other but three stand-alone plays connected by theme and, likely, further adventures of the Douaihy family.
Plays by people like Martin McDonagh and Brian Friel attract huge audiences, not because they're Irish, but because they're brilliant plays.
I love performing in a good straight play as well and I'm a crossover actor, I crossover from plays to musicals, musicals to plays. This is very difficult for performers.
I had been doing plays in New York and on a whim we packed up and moved West, I started doing commercials and plays and guest star spots on TV and one thing led to another and I got Knots Landing.
My dad plays guitar in the church band, so it's like music as a service. He plays at old-people homes, so that's like music as a gift.
I spent so many years of my life as a stage actor and when you do all these plays, a lot of really great plays are very politically driven. They deal with deep social issues, and that's the kind of stuff that I love, as an audience member.
I was always the person in our class who was fascinated by new plays. I would go to the library all the time as new plays would come out.
Those plays are winning plays, getting those blocks. Somebody's trying to dunk the ball and you get a block and that's demoralizing for the guy that tried to dunk the basketball.
When I was at school, I wanted to join the army. At college, I started acting in college plays, and it became a kind of addiction. I was very shy when I was at school, but the plays seemed to give voice to my feelings.
The real test of a man is not when he plays the role that he wants for himself but when he plays the role destiny has for him.
To go from someone who would put something on SoundCloud and maybe get 15,000 plays in a year to getting 100,000 plays in one day felt very weird. I thought I was dying.
I started writing plays in around 1967, and at a certain point, I thought, 'I'm writing plays, I should learn about acting and what it is.' So I went to the HB Studio in New York, and I was there for about nine months.
Despite the digital age, there is a very large number of venues and spaces that are looking for plays, and many of them are looking for new plays.
Players see shots not falling - that plays a role. That plays a major role in your confidence out there, too.
I'm really aging myself, but I grew up with 'Playhouse 90' and the plays on the air - 90 minute plays.
I think new plays are vastly more surprising and challenging and inspiring; I hear from audiences all the time that they are delighted when they see plays about the world we live in now, at this moment.
I remember writing monologues and one-act plays and stuff in high school. I had a project in English that was just a short book of limericks. It was so weird. I enjoyed the challenge and rhyme of it. I was always putting on plays and stuff.
There are two types of session guitar players. One reads and only plays what the 'dots' say. The other adds that something special and plays notes and solos you dream of. Big Jim Sullivan was such a player.
With the quarterback position, because you're touching the ball every single snap, you want to make a play and you just have to guard against that. It's about making the plays that come to you, not necessarily chasing after plays.
I knew acting was what I wanted to do. I don't know if I was brilliant at it, but when I was doing school plays, I loved it so much I didn't want it to end. I feel like I'm exactly the same as when I was doing plays at school, to be honest.
Arthur Miller once payed me a great compliment saying that my plays were 'necessary.' I will go one step further and say that Arthur's plays are 'essential'
I think it speaks a lot to Coach Kidd and my teammates to trust me as a rookie to make plays down the stretch. When they put that confidence in you, it's hard not to try to make plays.
Oh, I was completely hooked on movies and plays and theater from the time I was a day old - I was very, very early on in love with movies and I loved plays.
I work constantly but I work at a lot of different things. You know, I run a theater company in New York, I direct plays, act in plays, in movies, so I try to keep it eclectic.
I'm a baller. Put me in the position to make plays, I'm going to make plays.
When you think about Broadway, you think broad and big, but the fact is there are so many plays that are very intimate, but fill a 1,500-seat house. Plays like 'Who's Afraid of Virginia Woolf?' have deep moments of silence and intimacy to them.
All my life, I've had these flashbacks, these dreams, nightmares, daymares, like visions, where I relive certain plays. Only the bad plays. I see them over and over, as if somebody's rewinding a tape and forcing me to watch.
I don't think it's correct to blame the captain. He at least tries to keep all together so that the team plays well, plays positive cricket, and wins the match for the country, and not think about only winning and earning a name for himself.
Everybody who plays me plays me so hard because they always want to beat me.
For some reason, I always get offered plays when I'm doing plays and then, if I stop doing them, people stop asking me.
My '60s plays were as good as most of the other plays I've written ... except I wasn't in a condition to refine them, to help in the rehearsal, or do anything. I was hardly conscious of what was going on except during the hours of the day when I was actually writing ... and that was with the aid of speed.
Plays are just all sort of playful asides, and there's a great deal of reference here to Greek mythology, plays, and dramas. The idea of the chorus is really important in Greek drama and I loved the idea of including that.
'Waiting for Godot,' when it first came out in 1950, was a very different sort of play to the plays that were in the West End at that time in London, because most of those plays were what we call drawing-room comedies.
I mean I was very shy but I was also very extroverted because I was doing plays. I'd been doing plays since I was a little kid. But, I did feel like an outsider because I went to like a 'college-prep' kind of high school that had a really big football team and was known for its program so I was like this weird boy that did plays.
I went to college and studied theater; I went to a theater conservatory. I live in New York because I wanted to do plays and still do plays.
One thing is a pro is supposed to make certain plays, while a college player is learning to make plays.
I've been a Robert Randolph fan forever, since 2001. I just thought he was so cool; you don't see a black kid playing the slide the way he plays. No one plays like Robert.
I was attending the University of Alberta. I was going to be a high school teacher, like my parents. I failed - no, I didn't fail a class, I just barely passed. I really didn't try. It was Canadian history, through the plays of the time. My God, those were boring plays.
I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
When I got to university, I would read plays and go, 'But these are about the past. Where are the plays that I love about now?' I couldn't find them, so I started writing.
How I Learned to Drive I think it's one of the great American plays. Its one of those plays that will be done forever, and it's timeless. I think it, for me, has so much heart and so much love.
Oh, I was completely hooked on movies and plays and theater from the time I was a day old; I was very, very early on in love with movies and I loved plays.
My favorite band at the moment is the Dresden Dolls, they're from Boston. It's a guy and a girl. She plays piano and he plays the drums and she also sings. You can find them on the web they're incredible.
Broadway's never my end goal because of the plays I write. These are tough plays. Of course there's a lot of humor, but my goal is just to reach as wide an audience as possible, however that happens.
There is a disease to which plays as well as men become liable with advancing years. In men it is called doting, in plays dating.The more topical the play the more it dates.
I always used to put on plays when I was younger for my family to watch, when I was 10 or something. I used to force older members of my family to watch the plays and younger members of my family to be characters in the plays - and my personal favorite was Batman.
Well, all the plays that I was trying to write were plays that would grab an audience by the throat and not release them, rather than presenting an emotion which you could observe and walk away from.
There's going to be good plays that happen and bad plays that happen, but at the end of the day, when you have the chance to hit a big play, you have to hit it.
I love going to plays. There's a subconscious side to it, obviously-some people like to be spanked for XYZ psychological reasons, and I like to go to plays, and I can't entirely explain why.
I enjoy going back and forth between plays and novels. It`s like having a wife and a mistress. Books are the wife; plays, the mistress.
This site uses cookies to ensure you get the best experience.
More info...