Top 1200 Plot Lines Quotes & Sayings - Page 5

It was probably one of the things that gave me a sense of possibility and allowed for me to see beyond the small community that I existed within. You know, I was making friends with young Soviet kids. this is during perestroika. You know, there's bread lines and vodka lines. The entire social structure of what was then the Soviet Union was radically different from what we know today.

Your eye level is your reference point for drawing the perspective lines. All lines above your eye level will go down to the horizon vanishing point and all lines below your eye level will go up to the horizon vanishing point.

If we paint the phases of a riot, the crowd bustling with uplifted fists and the noisy onslaughts of cavalry are translated upon the canvas in sheaves of lines corresponding with all the conflicting forces, following the general laws of violence of the picture... These force-lines must encircle and involve the spectator so that he will in a manner be forced to struggle himself with the persons in the picture.

There are no straight lines or sharp corners in nature. Therefore, buildings must have no straight lines or sharp corners.

Everyone had coverage. You might have like three lines, but there were 10 people, so they would cover each person. Three lines could take 12 or 15 hours, but it was fun because everybody was together. As hard as it was to shoot those scenes, I always enjoyed when we were all together.

Sometimes actors don't remember their lines. At its worst, this means they 'dry' and silence descends. More commonly, the original lines are paraphrased in some alarming way. It's hard to say which is more painful for the author. Less serious, but quite irritating is to hear the word 'Well' inserted at the beginning of speeches.

Some artists, such as Jack Kirby, need no plot at all. I mean I'll just say to Jack, "Let's let the next villain be Dr. Doom" ... or I may not even say that. He may tell me. And then he goes home and does it. He's so good at plots, I'm sure he's a thousand times better than I. He just makes up the plots for these stories. All I do is a little editing ... I may tell him that he's gone too far in one direction or another. Of course, occasionally I'll give him a plot, but we're practically both the writers on the things.

I finally stopped fretting and tried to think of Donald Trump's election as an opportunity. I didn't shift my thesis but I added some lines, in the Blurred Lines introduction, to my description of the progressive awakening that has happened in this country over the last five years - "Trump's presidency is a macroaggression". I wanted Trump to be a specter from the book's outset.

plot is character in action.

Life is not a plot; it's in the details.

I like doing voiceover work. I just like it in general, because you're constantly working on a very first-instinct level. You show up, you get in front of the microphone, you look at the lines, you say the lines, and then you move on. You work on a really primal level, is what I'm saying. You don't have to shave. You don't even have to wear pants. But, uh, that wasn't your question.

There's certain stock lines that, you know, like heckler lines, you know, like, where did you learn to whisper, a helicopter, you know? Nobody owns those. I mean, someone first wrote it but it's been so universally used that it's common and it's called stock.

Add the hippie-rock-drugs atmosphere circa 1970, and you get Clinton's rechristened group Parliament, decked out in weird costumes, singing cosmic lyrics and laying down amazing funk lines - also lines of other kinds. One observer describes Maggot Brain ... one of those guys with super technique that took a lot of acid and just went out from there.

In this respect a program is like a poem: you cannot write a poem without writing it. Yet people talk about programming as if it were a production process and measure "programmer productivity" in terms of "number of lines of code produced". In so doing they book that number on the wrong side of the ledger: we should always refer to "the number of lines of code spent".

Plot is the knowing of destination.

When I'm constructing a poem, I'm trying to write one good line after another. One solid line after another. You know a lot of the lines - some hold up better as lines than others. But I'm not thinking of just writing a paragraph and then chopping it up.

I would not be like those Authors, who forgive themselves some particular lines for the sake of a whole Poem, and vice versa a whole Poem for the sake of some particular lines. I believe no one qualification is so likely to make a good writer, as the power of rejecting his own thoughts.

[Epitaph:] Involved in a plot.

Did you know that there are no straight lines in the universe? Life doesn't travel in perfectly straight lines. It moves more like a winding river. More often than not, you can only see to the next bend, and only when you reach that next turn can you see more.

My uncles and my father were all in the Royal Navy. One of my uncles, as a matter of fact, was drowned in the Sea of Singapore, having been fighting for the Royal Navy behind enemy lines, Japanese lines, in the hinterland of Singapore.

Character is plot, plot is character.

I started with the chorus of that song, kind of like a fun bouncy thing to play, and then one of the lines popped up: 'I got things to do today, people to see, things to say.' I wrote about a dozen verses for it, but no song needs to be that long unless you're Bob Dylan. So when we recorded it I started to tear it down to some of the lines I thought were the funniest.

Introduce your main characters and themes in the first third of your novel. If you are writing a plot-driven genre novel make sure all your major themes/plot elements are introduced in the first third, which you can call the introduction. Develop your themes and characters in your second third, the development. Resolve your themes, mysteries and so on in the final third, the resolution.

One of the things that's pretty unique about nu shu, when you look especially at these old letters and stories that have been saved, is that there are certain lines that are very standard that are used again and again. It's almost like a formula in a sense, so that these certain lines come up again and again.

I love live theater. I get my rocks off by doing stand-up, and I am the only actor. But to show up eight times a week and not have that time for myself; to do someone else's lines? When I work for Wendy Wasserstein or Terrence McNally, Neil Simon or even Shakespeare, I do not have the right to change the lines.

The car is not a rabbit or a deer that jumps around in sweeping lines, but it is a man-made work of technology in need of an appropriate roadway. Rather, the car resembles a dragon fly or any other jumping animal that moves shorter distances in straight lines and then changes its direction at different points.

When I did plays in high school and college, I never remember memorizing my lines, but once I had blocking, I had all my lines memorized. Once I had movement associated with words, it was fine. Before I had blocking, it was just text on a page. Once it became embodied, it was much easier.

The plot is very important because writers have to play fair with their readers, but no one would care about the plot if the character work wasn't there. So, basically every book I work on starts with me thinking not just about the bad thing that's going to happen, but how that bad thing is going to ripple through the community, the family of the victim, and the lives of the investigators. I am keenly aware when I'm working that the crimes I am writing about have happened to real people. I take that very seriously.

Melody and harmony are like lines and colors in pictures. A simple linear picture may be completely beautiful; the introduction of color may make it vague and insignificant. Yet color may, by combination with lines, create great pictures, so long as it does not smother and destroy their value.

I have a new method of poetry. All you got to do is look over your notebooks... or lay down on a couch, and think of anything that comes into your head, especially the miseries. Then arrange in lines of two, three or four words each, don't bother about sentences, in sections of two, three or four lines each.

I write a lot, and very often I write a couple of lines that are particularly revealing in some kind of way. And then as a few more lines get added and a piece gets added, eventually the song pretty much takes over and you can't really find a way to change those things.

In New Mexico, my local church did a nativity play, and I was cast as Wise Man #3. Of course, Wise Man #3 had no damn lines. Wise Man #1 had all the lines! I stood there thinking, 'I could do that role so much better!' From that moment on, I knew I wanted to be an actor.

Everything move...you wonder how it all knows where to go. Einstein wondered how birds knew where to migrate to. He thought they might follow lines of light in the sky. He saw everything as lines of light. That's how he was built. So we don't know how he moved, either. Any more than the birds.

In books, you can just wallow in dialogue, and you can just wallow in written words. In screenplays, every line has to serve the purpose of the line that's implied before it and the line that's implied after it. Maybe five lines have to do the work of fifty lines.

Traditionally poetry is written in lines. But the prose poem is the kind of poem that isn't written in lines. It is lyrical prose that uses the tricks of poetry, such as dense imagery. This is a big topic of debate in poetry land. There's no perfect definition.

Interestingly, a lot of the polling that I see is not along racial lines, but along generational lines. We are doing better and better among younger people, not so well among older people, whether they're African-American, whether they're white or whether they're Latino.

Each of these lines attempts to serve a portion of our population for which we extend our sympathy and encouragement. But nevertheless, it is only a small portion of South Carolina's chronically ill or abused. Overall, these special add-on lines distract from the agency's broader mission of protecting South Carolina's public health.

The classical theorists resemble Euclidean geometers in a non-Euclidean world who, discovering that in experience straight lines apparently parallel often meet, rebuke the lines for not keeping straight as the only remedy for the unfortunate collisions which are occurring. Yet, in truth, there is no remedy except to throw over the axiom of parallels and to work out a non-Euclidean geometry.

I like the plot of The Nutcracker - not at all.

People quote lines to me all the time. I'm always surprised - everybody has a favorite movie, and they're always different. I'm always shocked. People stop me on the street and throw lines at me from 'Tales from the Crypt: Demon Knight' and 'Deep Space Nine.' 'Shawshank' happens a lot because they play it so much on TV.

There was but one question he left unasked, and it vibrated between his lines: if gross miscalculations of a person's value could occur on a baseball field, before a live audience of thirty thousand, and a television audience of millions more, what did that say about the measurement of performance in other lines of work? If professional baseball players could be over- or under valued, who couldn't?

Draw lines - draw a lot of lines

The only thing I know that makes me feel comfortable is to know as much as I can. Not like what the shots are going to be, but knowing enough about my character that I can forget those things. And more specifically, my lines. I have to know my lines. I have to know something really well, so I can forget it when we're doing it. And there is comfort in knowing, "Okay, there's not another stone that I could have overturned."

I organize the opposition between colors, lines and curves. I set curves against straight lines, patches of color against plastic forms, pure colors against subtly nuanced shades of gray.

It's easier for me to act in Spanish, but as soon as I get the lines in English and I know them by heart, it becomes really easy. You don't have to worry about the language anymore. It just takes more time. In Spanish, I can learn lines in 10 minutes. In English, it's going to take an hour.

Some of the writers definitely got inspired by some of the story lines, but we are evolving in the 'Daredevil' story. So when it comes to 'Elektra', they didn't follow one of her specific story lines, you know. They really tried to capture what comes through the comics, but there's not one specific storyline.

The amount of interaction, the amount of understanding that exists in your generation among people of different races and different creeds and different colors is unprecedented. And by the way, that goes - that cuts across party lines, that cuts across partisan lines.

The villain drives the plot.

I have a plot, but not much happens.

The two black lines on the armband means that they're the deceased's family. One line means they are either friends or acquaintances. One line of the arm, one line on the heart. The bastards who stood by my side with two lines, they'll be the hardest farewells I'll have to make in my life, and they're the luckiest fortune I've met in my lifetime.

I'm very good at plot.

So we draw lines around our property, our counties, our cities, our states, our countries. And, boy, do we act as if those lines are important. I mean, we go to war. We will kill and die to protect those boundaries. Nature couldn't give two hoots about our national boundaries.

There's this exhausting energy from you getting your lines out and your words right, especially if it's a complicated scene. And as soon as the camera is off you and goes on the other person, you're talking garbled garbage and you feel so sorry for them because you've lost the will to live, after 18 hours of saying those lines. That's terribly unfair. So, I do love the quick-paced nature of it.

I am beginning to give revelation over ley lines and power lines over nations and continents. I am releasing angels to war along with you and bring revelation over power sources and strong men.

The story is not in the plot but in the telling.

You make a decision whether you just work on the script and believe in every moment and pick out every moment, or if you sit down and memorize lines. Once you really dig into a script, learning lines becomes almost second nature.

Nature eschews regular lines; she does not shape her lines by a common model. Not one of Eve's numerous progeny in all respects resembles her who first culled the flowers of Eden. To the infinite variety and picturesque inequality of nature we owe the great charm of her uncloying beauty.

I plot my ascent daily.

Everything has to be intrinsic plot-wise in the same way, to use the Linda Williams analogy but to move it on a bit, as musicals - in old musicals, like in an old Cole Porter musical, you get the action, then they do a song, which reflects a moment - everything stops while that is being sung - and then you restart. These days in most musicals, the plot keeps moving through the song. I think it would be nice if someone constructed some pornography where the sex continues to propel you through the story.

I have to plot my path to greatness.