Turn pimp, flatterer, quack, lawyer, parson, be chaplain to an atheist, or stallion to an old woman, anything but a poet; for a poet is worse, more servile, timorous and fawning than any I have named.
People probably long for something genuinely personal in a society where the personal is often indistinguishable from the "personalized." Maybe the poetry audience member is searching for his or her own "personal space" and they expect the poet to be a sort of avatar of the private life. But that sort of representation is distasteful to me. Asking a poet to represent the personal life is, paradoxically, to turn the poet into something other than a person.
The relation between a poet and audience is really insignificant. What matters is the poet is hearing something that he is broadcasting. And whether there is anybody with a receiver isn't the reason he does it. He hopes there is somebody receiving it.
More than any other poet, Whitman is what we make him; more than any other poet, his greatest value is in what he suggests and implies rather than in what he portrays, and more than any other poet must he wait to be understood by the growth of the taste of himself.
A poet dares be just so clear and no clearer... He unzips the veil from beauty, but does not remove it. A poet utterly clear is a trifle glaring.
You don't necessarily have to write to be a poet. Some people work in gas stations and they're poets. I don't call myself a poet, because I don't like the word. I'm a trapeze artist.
Poetry is also the physical self of the poet, and it is impossible to separate the poet from his poetry.
The poet is the voice of the people. And when the poet presents certain ideas, two phrases in one poem can alter a generation's view. So poets have always been feared - and controlled and jailed.
I am honoured to have the opportunity to follow in the footsteps of my esteemed colleague and fellow poet Mr. Dennis Lee, it will be with pride and passion that I carry forward the mandate of the Poet Laureate position for the City of Toronto and its residents.
The Greeks, those originators of the intellectual life, fixed for us the idea of the poet. He was a divine man; more sacred than the priest, who was at best an intermediary between men and the gods, but in the poet the god was present and spoke.
The job of the poet is to render the world-to see it and report it without loss, without perversion. No poet ever talks about feelings. Only sentimental people do.
I don't believe a good poet is very often deliberately obscure. A poet writes in a way necessary to him or her; the reader may then find the poem difficult.
Happy indeed the poet of whom, like Orpheus, nothing is known but an immortal name! Happy next, perhaps, the poet of whom, like Homer, nothing is known but the immortal works. The more the merely human part of the poet remains a mystery, the more willing is the reverence given to his divine mission.
Out of the red and silver and the long cry of alarm to the poet who survives in all human beings, as the child survives in him; to this poet she threw an unexpected ladder in the middle of the city and ordained, 'Climb!
I didn't read poetry seriously until college, when I really began to devour it in a very intense way. I also discovered that a poet is a maker. Before that, I thought a poet was someone who wrote about his own experiences.
A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating.
An English poet writes, I think, just for people who are interested in poetry. An American poet writes, and feels that everyone ought to appreciate this. Then he has a deep sense of grievance . . .
As the poet has expected, the alarms now are sounded, for - and it must be said again - the birth of a poet is always a threat to the existing cultural order, because he attempts to break through the circle of literary castes to reach the center.
The good poet welds his theft into a whole of feeling which is unique, utterly different from that from which it was torn; the bad poet throws it into something which has no cohesion.
Why do people want to know exactly who I am? Am I a poet? Am I this or that? I've always made people wary. First they called me a rock poet. Then I was a poet that dabbled in rock. Then I was a rock person who dabbled in art.
There are two men inside the artist, the poet and the craftsman. One is born a poet. One becomes a craftsman.
A poet, any real poet, is simply an alchemist who transmutes his cynicism regarding human beings into an optimism regarding the moon, the stars, the heavens, and the flowers, to say nothing of Spring, love, and dogs.
The epic poet has behind him a tradition of matter and a tradition of style; and that is what every other poet has behind him too; only, for the epic poet, tradition is rather narrower, rather more strictly compelling.
It wasn't until I was named Youth Poet Laureate of L.A. in high school though that I officially began calling myself a poet. I just always loved writing, period.
The only nice poets I've ever met were bad poets, and a bad poet is not a poet at all - ergo, I've never met a nice poet.
I never meant to be a full-time poet: I started out as a gardener, an ideal job for a poet because your head is left free.
A poet sees a flower and can go on and on about how beautiful the colors are. But what the poet doesn't see is the xylem and the phloem and the pollen and the thousands of generations of breeding and the billions of years before that. All of that is only available to the scientists.
How far we are going to read a poet when we can read about a poet is a problem to lay before biographers.
The poet begins where the man ends. The man's lot is to live his human life, the poet's to invent what is nonexistent.
Every true poet, I thought, must be original and originality a condition of poetic genius; so that each poet is like a species in nature (not an individuum genericum or specificum ) and can never recur. That nothing shd. be old or borrowed however cannot be.
There is an old Latin quotation in regard to the poet which says 'Poeta nascitur non fit' the translation of which is- the poet is born, not made.
Every man will be a poet if he can; otherwise a philosopher or man of science. This proves the superiority of the poet.
The poet wants justice. And the poet wants art. In poetry we can't have one without the other.
When a poet's mind is perfectly equipped for its work, it is constantly amalgamating disparate experience ?in the mind of the poet these experiences are always forming new wholes.
Test of the poet is knowledge of love,
For Eros is older than Saturn or Jove;
Never was poet, of late or of yore,
Who was not tremulous with love-lore.
I'd rather be a great bad poet than a good bad poet.
A poet needs to keep his wilderness alive inside him. To remain a poet after forty requires an awareness of your darkest Africa, that part of yourself that will never be tamed.
In the fall of 1963, in Leningrad, in what was then the Union of Soviet Socialist Republics, the young poet Dmitry Bobyshev stole the young poet Joseph Brodsky's girlfriend.
The poet…is the man of metaphor: while the philosopher is interested only in the truth of meaning, beyond even signs and names, and the sophist manipulates empty signs…the poet plays on the multiplicity of signifieds.
The job of the poet is to render the world - to see it and report it without loss, without perversion. No poet ever talks about feelings. Only sentimental people do.
I really wanted to be a poet - until I realized that I really didn't have what it took to be a poet.
Lyrics became important for a while in the late Seventies. Patti Smith was a poet and a rock star, as much one as the other, the distinctions were a bit blurred and then you get swept up in it. Punk poet, it's a good enough term.
I always have a backpack. I was a poet, so it reminds me of being a backpack poet.
In the eyes of others a man is a poet if he has written one good poem. In his own he is only a poet at the moment when he is making his last revision to a new poem. The moment before, he was still only a potential poet; the moment after, he is a man who has ceased to write poetry, perhaps forever.
"You know that it is quite preposterous of you to chase rainbows," said the sane person to the poet. "Yet it would be rather beautiful if I did one day manage to catch one," mused the poet.
Whoever would understand the poet
Must go into the poet's country.
[Ger., Wer den Dichter will verstehen
Muss in Dichters Lande gehen.]
To be a poet in a destitute time means: to attend, singing, to the trace of the fugitive gods. This is why the poet in the time of the world's night utters the holy.
A trouble with poetry is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions. I try to presume that no one is interested in me. And I think experience bears that out. No one's interested in the experiences of a stranger - let's put it that way. And then you have difficulty combined with presumptuousness, which is the most dire trouble with poetry.
Loneliness is necessary for pure poetry. When someone intrudes into the poet's life (and any sudden personal contact, whether in the bed or in the heart, is an intrusion) the poet loses his or her balance for a moment, slips into being what he or she is, uses his or her poetry as one would use money or sympathy. The person who writes the poetry emerges, tentatively, like a hermit crab from a conch shell. The poet, for that instant, ceases to be a dead person.
I cannot say I'm a poet. That's for someone when they take in consideration where they can bestow 'poet' on. I can't do it. But I would be disingenuous if I didn't say that my intention is poetry.
You know that the nucleus of a time is not
The poet but the poem, the growth of the mind
Of the world, the heroic effort to live expressed
As victory. The poet does not speak in ruins
Nor stand there making orotund consolations.
He shares the confusions of intelligence.
There is no moral to my song,
I praise no right, I blame no wrong;
I tell of things that I have seen,
I show the man that I have been
As simply as a poet can
Who knows himself poet and man.
This quality becomes important at a time when almost everyone is a poet. And as I said, we live in an age where almost everybody is a poet, but scarcely anyone can write a poem.
Perhaps there is a degree of perception at which what is real and what is imagines are one: a state of clairvoyant observation, accessible or possibly accessible to the poet or, say, the acutest poet.
Even if you're a poet sitting in your room writing a poem, you're still in the world - although I guess being a poet is a different than having to deal with 40 or 50 people to raise a couple million bucks and all that bullshit.
Kierkegaard was once asked, 'What is a poet?' He answered that a poet was an unhappy man whose moans and cries of anguish were transformed into ravishing music.
Poetry is a special use of language that opens onto the real. The business of the poet is truth telling, which is why in the Celtic tradition no one could be a teacher unless he or she was a poet.
I was appointed Poet Laureate. It came totally out of the blue because most Poet Laureates had been considerably older than I. It was not something that I even had begun to dream about!
I think it was W.H. Auden who said he was lucky that his first favorite poet was Thomas Hardy, who was a good but not a great poet, because if you are exposed to the greats too soon it can just squash you as a writer.
I do not understand why any poet or writer would run for office; that's a different sense of who you are. I'm just a poet. I am as truthful as I can be. That makes me an artist. I heed the people; I do not lead the people.
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