Top 1200 Poetry Reading Quotes & Sayings - Page 17

When you read the Bible, you are reading the Holy Spirit and not history books. When you read history books, you are reading about events, but the Bible is not an event. So, when you are reading the Holy Spirit, you are supposed to be carried along by it.

An acquaintanceship with the literature of the world may be won by any person who will devote half an hour a day to the careful reading of the best books. The habit of reading good books is one that gives great comfort in all the stages and among all the vicissitudes of life. The man who has learned to love good reading is never alone. His friends are the great ones of human history, and to them he may always go for stimulating and helpful communion. -GQ 71

In poetry you can express almost inexpressible feelings. You can express the pain of loss, you can express love. People always turn to poetry when someone they love dies, when they fall in love.

I'm reading 'Ten Storey Love Song' by Richard Milward. I read his first novel, 'Apples,' after hearing a reading of his in the Hague. I really enjoyed it, so I've started this one.

I hope any poem I've ever written could stand on its own and not need to be a part of biography, critical theory or cultural studies. I don't want to give a poetry reading and have to provide the story behind the poem in order for it to make sense to an audience. I certainly don't want the poem to require a critical intermediary - a "spokescritic." I want my poems to be independently meaningful moments of power for a good reader. And that's the expectation I initially bring to other poets' writing.

The strength of fiction is not in reading about yourself, but in reading about other people.

When you're reading, like, a character's thoughts, or when it's in first person, you're reading kind of their own story, so you have the opportunity to see what makes that character complex or complicated. And to me, that's what the whole point of fiction is.

If I could take all my parts with me when I go somewhere / and not have to say to one of them, ‘No, you stay home tonight, you won’t be welcome’/ because I’m going to an all-white party where I can be gay but not Black / Or I’m going to a Black poetry reading, and half the poets are anti-homosexual / or thousands of situations where something of what I am cannot come with me / The day all the different parts of me can come along / we would have what I would call / a revolution

On our earth, before writing was invented, before the printing press was invented, poetry flourished. That is why we know that poetry is like bread; it should be shared by all, by scholars and by peasants, by all our vast, incredible, extraordinary family of humanity.

Poetry is often very critical of the culture from which it emerges. Quite often literary critics of a nationalist bent talk up the national culture, in a way that the literary texts don't. Poetry can bring out areas of denial and repression.

When I am reading for research and making notes, I use a cleverly designed curved lap-desk, and I sit up dutifully, mindful of ergonomics and suchlike concepts. When reading for pleasure, I take advantage of the 'recline' in recliner.

For most Americans, poetry plays no role in their everyday lives. But also for most Americans, contemporary painting or jazz or sculpture play no role either. I'm not saying poetry is singled out as a special thing to ignore.

I really love poetry. I'm a big E.E. Cummings fan and a big Walt Whitman fan, and I have a big book of poetry.

I've always liked stories. I'm always reading, ever since I was a kid. I've always been reading and wanting to be in some other world.

Such discussions help us very little to enjoy what has been well done in art or poetry, to discriminate between what is more and what is less excellent in them, or to use words like beauty, excellence, art, poetry, with a more precise meaning than they would otherwise have.

If you call painting dumb poetry, the painter may call poetry blind painting.

There's no money in poetry, but then there's no poetry in money, either.

On sighting mathematicians poetry should unhook the algebra from their minds and replace it with poetry; on sighting poets it should unhook poetry from their minds and replace it with algebra.

When you are reading a book and you finish a chapter, you don’t keep re-reading the chapter you just finished. You move on to the next chapter to see what happens.

If there is poetry in my book about the sea, it is not because I deliberately put it there, but because no one could write truthfully about the sea and leave out the poetry.

I like poetry because poetry - even in free verse - is formal, and it has to be very concise and packed and rich, and I like the feeling of having to do that, having to make the language tight and still free, as if the deepest freedom is created by the restrictions.

My biggest poetic influences are probably 20th-century British and Irish poets. So I suppose I'm always listening for the music I associate with that poetry, the telling images, the brevity. I want to hear it in my own work as well as in the poetry I read. However, I think I'm generally more forgiving of other poets than myself.

I think poetry will survive and I don't think it will be the end of poetry. Our tremendous onslaught of mass media all the time that we're suffering and we don't really know how to think about, I think that puts certain things at risk.

Reading was a joy, a desperately needed escape -- I didn't read to learn, I was reading to read.

I think people make certain assumptions about what they're interested in reading or what others would be interested in reading, and when they think of poor black people in the South, they don't think people are interested in reading about those people.

I had no one to help me, but the T. S. Eliot helped me. So when people say that poetry is a luxury, or an option, or for the educated middle classes, or that it shouldn’t be read at school because it is irrelevant, or any of the strange stupid things that are said about poetry and its place in our lives, I suspect that the people doing the saying have had things pretty easy. A tough life needs a tough language – and that is what poetry is. That is what literature offers – a language powerful enough to say how it is. It isn’t a hiding place. It is a finding place.

Being a poet in the States is quite different from being one in China, because in the States poetry depends on the universities for its support. They finance the poets and help them get published. That isn't so in China. But overall it is the same. You can't change society with poetry.

As poetry is the highest speech of man, it can not only accept and contain, but in the end express best everything in the world, or in himself, that he discovers. It will absorb and transmute, as it always has done, and glorify, all that we can know. This has always been, and always will be, poetry's office.

It's something we, guys, have all done. Made tapes for girls, trying to impress them, to meet them on a shared plane of aesthetics. Read them someone else's poetry because they do poetry better than you could do it, because you're too awkward to do it.

I've never thought of my poems as violent. Violence, to me, has so much negativity attached to it - maybe that's my trouble with the word. But ferocious - indeed, I'll take it. And yes, poetry does need a bit of ferocity. Poetry needs to be alive, unabashedly, and, for me, that entails seeing its complexity - the grit and grimness and jubilance and beauty.

Above all I am not concerned with Poetry. My subject is War, and the pity of War. The Poetry is in the pity.

While poetry was less professionalized than it is now, I still had this urge to win prizes and see my work in magazines, to get an "A," as though poetry could be graded. I wish I had been more patient and less frantic about getting published.

I chose poetry. Actually, poetry chose me.

I think if you can show a kid that reading can actually be fun, it can make you laugh, inspire imagination - that can make a huge difference, that can help a child who's struggling with reading to really look at it differently.

I know there's some poetry that sort of sounds like daisies, but most of the good poetry is also [political], you can feel the heartbeat; it's about some situation that concerns human beings under duress. It's suggesting a solution, or just acknowledging that [the situation] exists. Art does that.

If you want to change people by talking about God, then there is only one way: instead of teaching God, you must live God. Because: "teaching" God is unthinkable in any other way than the way you would teach love or poetry. You teach love only through love, poetry only through writing poetry, faith in God only through a contagious way of trusting.

I'm snobby about books that aren't crime fiction: if I start reading a literary novel and there's no mystery emerging in the first few pages, I'm like, 'Gah, this obviously isn't a proper book. Why would I want to carry on reading it?'

While it is unlikely that poetry or art shall eliminate the reality of war in the twenty-first century, it is thrilling to know there remain individuals, and even entire communities, still willing to invest in art and poetry's own uniquely explosive contributions to the great, and small, dramas of human history.

I'm primarily a poet, so I'd have to say in my case I'd investigate the mystery in poetry in a different way than prose might investigate it, in a way that includes the power of the music of language and maybe more imaginatively in poetry, but I don't really know about better or worse. I guess it depends on the writer.

I would say there are different kinds of poems. There are things that poets in the history of poetry hit upon when they're very young that can never be outdone and it's a remarkable, strange experience when you think of say Arthur Rimbaud who write poetry between the ages of 17 and 21 whose career was over by the time he was 22.

It cannot be that the people should grow in grace unless they give themselves to reading. A reading people will always be a knowing people.

we are far too used to the assumption that poetry and poets will be there when we want them, no matter how long they have been ignored, taken for granted, misused. After all, isn't poetry a form of prophecy, and aren't prophets known for their talent for flourishing in inhospitable deserts and other bleak surroundings? Maybe. But maybe not indefinitely.

Reading was my first solitary vice (and led to all others). I read while I ate, I read in the loo, I read in the bath. When I was supposed to be sleeping, I was reading.

You will find most books worth reading are worth reading twice.

If one cannot enjoy reading a book over and over again, there is no use in reading it at all.

Once you create this thing between duty and reading, it's over. Reading's over.

I came from a house full of books, so I took reading for granted. I was an outdoorsy little kid, too, so I got the best of both worlds by taking books up trees and reading there.

Painting is silent poetry, and poetry is painting that speaks.

In 1945, just at the end of World War II, the American poet Muriel Rukeyser wrote a remarkable book called The Life of Poetry. In it she says that on any particular day in the world, if poetry ceased to exist, it would immediately be reinvented on that same day.

Comic strips introduced me to metaphors. They are pure metaphor, so you learn how to tell a story with symbols, which is a very valuable thing to learn. And I learned that from motion pictures, too, and from poetry. Poetry is mainly metaphor. If it doesn't have a metaphor, it doesn't work.

Reading is professionally important for me to keep tuned in to what's being written in my genre, let's not lie. But that's not the reason I read. I read for my own emotional and mental health. If I stopped reading, I'd probably just die.

To write poetry, like sincere poetry, it is like performing heart surgery on yourself without anesthesia...in public...You are peeling back layers. You are dissecting yourself...You do not know what they [the audience] is going to do when you reach into yourself and rip out your organs to be displayed

What I wanted to do and what I needed to do was something entirely different, and through reading Roussel I learned that I could do what I wanted all on my own and that I didn't have to rely on what had actually happened in my somewhat limited life and reading.

The conversation with the dead is one of the great pleasures of life. Somebody who is sitting reading Chekhov, Beckett, reading Toni Morrison - you are not in any way dead, in many ways you are intensely alive.

Most people's major life changes don't come from reading an article in the newspaper; they come from reading longer-form essays or thoughtful books, which are much more convincing and detailed.

I love poetry. It's at the heart of everything I do. Poetry transforms what we call language, and uses language as the stuff to become something else. I get spun around by what happens in words. When that occurs, it inspires images that seem so original to me as an artist, even though I'm following what the poem has offered.

There's been no poet, no great poet in the history of poetry who hasn't also been a great reader of poetry. This is sometimes distressing to my students when I tell them this.

Reading has always been the largest and most irreplaceable pleasure for Vincent; reading about other people's successes and failures, joys and sufferings seemed to bury his own failures.

I've learned mainly by reading myself. So I don't think I have any original ideas. Certainly, I talk about reading Graham. I've read Phil Fisher. So I've gotten a lot of my ideas from reading. You can learn a lot from other people. In fact, I think if you learn basically from other people, you don't have to get too many new ideas on your own. You can just apply the best of what you see.

Poetry can be criticized only through poetry. A critique which itself is not a work of art, either in content as representation of the necessary impression in the process of creation, or through its beautiful form and in its liberal tone in the spirit of the old Roman satire, has no right of citizenship in the realm of art.