Top 46 Polaroid Quotes & Sayings

Hollywood has gone from Pola to Polaroid.

So [Polaroid's Dr. Edwin] Land, at 75, went off to spend the remainder of his life doing pure science, trying to crack the code of color vision. The man is a national treasure. I don't understand why people like that can't be held up as models: This is the most incredible thing to be - not an astronaut, not a football player - but this.

Why does it take two days for a polaroid of John Major to appear?

When I was young, there was an amazing publication called The Whole Earth Catalog, which was one of the bibles of my generation. It was created by a fellow named Stewart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late 1960's, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and polaroid cameras. It was sort of like Google in paperback form, 35 years before Google came along: it was idealistic, and overflowing with neat tools and great notions.

My sisters and I stand, arms around each other, laughind and wiping the tears from each others eyes. The flash of the Polaroid goes off and my family hands me the snapshot. My sisters and I watch quietly together, eager to see what develops. Ghe grey-greensurface changes to the bright colors of our three images, sharpening and deepening all at once. And although we don't speak, I know we all see it: Together we look like our mother. Her same eyes, her same mouth, open in suprise to see, her long-cherished wish.

Polaroid by its nature makes you frugal. You walk around with maybe two packs of film in your pocket. You have 20 shots, so each shot is a world.

[The Polaroid camera is] a system that will be a partner in perception, enabling us to see the objects in the world around us more vividly than we can see them without it, a system to be an aid to memory and a tool for exploration.

At the beginning, Edo was a photographer, and I was more of a talent scout and doing styling and modelling. Then all of a sudden, in 1977, he gave me a Polaroid camera, and I discovered that instead of having to go to a lab and develop the film, I could just take a click and get a picture! It was genius, and I was very good at manipulating it.

I've always found paintings of nudes depressing because they can't compete with photographs. The grainiest photograph of some girl, a blurry Polaroid - you'd rather look at that than the Venus de Milo, because you think, Wow, that's really somebody... This camera really was in front of this real naked lady.

The first Polaroid ever took of someone in my family was my son when he was about four years old.

[A Polaroid camera] places before you a thing that is more of the thing than the thing was.

You know, Dr. Edwin Land was a troublemaker. He dropped out of Harvard and founded Polaroid. Not only was he one of the great inventors of our time but, more important, he saw the intersection of art and science and business and built an organization to reflect that. Polaroid did that for some years, but eventually Dr. Land, one of those brilliant troublemakers, was asked to leave his own company - which is one of the dumbest things I've ever heard of.

Basically, I feel like people have always taken photos of themselves. When I was in college, I had these Polaroid cameras my friends and I would have so much fun with. Today, we'd be taking those pictures on our phones. I think it's just part of culture today... Why not have fun with it?

In 1978 I decided not to work with Man Ray as an act of self-discipline. I didn't want to rely on him. Man Ray hated not working, though. He would come into my studio, see me drawing or working on photographs, and just slump down at my feet with a big sigh. Fortunately for both of us the year ended. Polaroid had invented a new camera, the twenty-by-twenty-four, and I was invited to Cambridge, Mass., to experiment with it. Naturally, I took Man Ray and we were working again.

The only art I have is a Polaroid from Peter Beard from his book. I shot with him four years ago, and he did a special Polaroid for me, so I consider it a piece of art.

I caused my husband's heart attack. In the middle of lovemaking I took the paper bag off my head. He dropped the Polaroid and keeled over and so did the hooker. It would have taken me half an hour to untie myself and call the paramedics, but fortunately the Great Dane could dial.

When we started making 'Where You Live', I bought a bunch of Polaroid cameras in so that people could record the experience. Some of those pictures are in the CD sleeve.

We're going to shoot one Polaroid per show. I'm going to sign this before it even develops because I know that once it develops with my signature on it, it's worth a fortune. I'll make this a work of magic warlock art.

I shot my undergraduate work on 35mm. I love the way it looks, but I haven't shot film in a while. If you can avoid scanning, it makes your practice faster. Oh, and I shoot a lot of Polaroid, too. I have about five hundred Polaroids from my film that I hope to show soon.

What is memory but the repository of things doomed to be forgotten, so you must have History. You must have labor to invent History. Being faithful to all that happens to you of significance, recording days, dates, events, names, sights not relying merely upon memory which fades like a Polaroid print where you see the memory fading before your eyes like time itself retreating.

In my theater pieces, I would do "Tits on the Head" - Polaroid photos for $10 on the stage. There would be a line of folks paying me $10 for their turn. It was public prostitution. I turned my whole audience into johns. But because it was in a theater context, an art context, it was socially acceptable.

Artists freeze themselves into these weird postures that are meant to be impressive and involving, then they fling them out into the world like Polaroids, and then they move on. And I'm stuck in this intense relationship to the Polaroid.

At the time of Polaroid - and I did a couple of other commercials just before I stopped doing that stuff - at that point I was at the level where they respect you and your opinion and all that sort of thing.

Aladdin in his most intoxicated moments would never have dreamed of asking his [djinn] for [a polaroid] ... It's utterly new in concept and appearance, utilizing an utterly revolutionary flash system, an utterly revolutionary viewing system, utterly revolutionary electronics, and utterly revolutionary film structure.

Polaroid material has the most beautiful quality - the colors on one side, but then the magic moment in witnessing the image to appear. The time stands still and the act of watching the image develop can be shared with the people around you. In the fast world of today it's nice to slow down for a moment. At the same time Polaroid slows time, it also captures a moment which becomes the past so instantly that the decay of time is even more apparent - it gives the image a certain sentimentality or melancholy.

I learned how to read in second grade, and I entered a summer contest at my local library in Chattanooga, Tennessee. If you read more books than anybody else, you got your Polaroid up on the bulletin board, and I did.

Nobody should touch a Polaroid [camera] until he's over sixty

It was a stumbling career at best before the Polaroid commercials. I think they definitely, if there's a word to use, focused - pardon the pun, 'cause I don't mean it that way - my career.

David Hockney is best known for his work with paint and canvas, but he has also worked in media as diverse as Polaroid-photo collage and fax painting.

The days, months, and years eventually reveal, like a Polaroid, a clear picture of how significant events and decisions ultimately shape our lives.

How many of the people I know - sons and daughters - have intricate abstract expressionist paintings of their mothers, created out of their own emotions, attitudes, hands. And how many have only Polaroid pictures of their fathers.

The best gift I've ever gotten... My grandpa gave me a Polaroid camera when I was younger. It was awesome!

I always thought of myself as a humanities person as a kid, but I liked electronics. Then I read something that one of my heroes, Edwin Land of Polaroid, said about the importance of people who could stand at the intersection of humanities and sciences, and I decided that's what I wanted to do.

I still love taking pictures with Polaroid film. For me, it offers the most beautiful way of capturing reality and transferring it onto a flat piece of paper.

I love Polaroids and I have a Polaroid camera collection from the '50s.

There's benefits of having established artists on the record, Liam Payne on 'Polaroid' for example. If you look at that song you have Lennon Stella, who's an up-and-coming artist, so there's a balance on there because I still want people to focus on the song just as much as Liam being an amazing superstar.

Nobody knew I could do comedy until I started Polaroid.

When I first began writing, it was not in screenwriting but in poetry. That form was so evocative, all about the image and the emotion captured in a Polaroid-like smattering of words.

Before the Polaroid commercials, my image was that of a solid actress, a theater actress who could do anything. But the Polaroid commercials were high comedy... Through them I was finally noticed as a comedian.

I'm definitely a Polaroid camera girl. For me, what I'm really excited about is bringing back the artistry and the nature of Polaroid.

There two other areas that are personally deeply important to me, that I hope the Homeland show can attend to in some way - one, being the refugee crisis. These are the most vulnerable people among us in the world. There are over 60 million refugees displaced by war, over 21 million that go to a third country. The numbers are climbing, and there are no legal options for these people. These are the victims of the real world's crises that the Homeland world reflects on, and almost takes a Polaroid of these days, versus a fictional tale of it.

Polaroid, you know, goes against everything that photography is now. You can't make multiples. Only one exists. I love that. By the way, while we've been talking I've now seen a total of three people I know walking on 8th street.

Light inspires me. I'm drawn to architecture, often graves, statues, trees - things usually that are quite still. I've been taking pictures continuously since 1995 until the end of Polaroid film. I'm taking very few pictures nowadays because I have very little film left, most of it expired.

I'm glad I get to do characters. It's just like a Polaroid shot of whoever the person is, and to me, anyway, that's kind of what life is like. You get a general sense of somebody, and then we're all good, we get it. We understand each other.

Once I started working with the Polaroid, I would take a shot and if that shot was good, then I'd move the model and change the lighting or whatever... slowly sneaking up on what I wanted rather than having to predetermine what it was.

You’ve got to visualize where you’re headed and be very clear about it. Take a polaroid picture of where you’re going to be in a few years.