Top 1200 Political Art Quotes & Sayings - Page 17

Explore popular Political Art quotes.
Last updated on December 11, 2024.
All art is propaganda, and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda.
My greatest political asset, which professional politicians fear, is my mouth, out of which come all kinds of things one shouldn't always discuss for reasons of political expediency.
When I started in the comic book business, 'Art Of' books were strictly the provenance of the greats, like Rembrandt and Da Vinci. But times change, and so do attitudes. Now the comic is considered an art form, and I hope 'A Life in Words and Pictures' contributes a little to that art form's history.
Art is the heart's explosion on the world. Music. Dance. Poetry. Art on cars, on walls, on our skins. There is probably no more powerful force for change in this uncertain and crisis-ridden world than young people and their art. It is the consciousness of the world breaking away from the strangle grip of an archaic social order.
Corporate share prices should not be driven by political tax games. Profits, not Washington shenanigans, should be the mother's milk of stocks. And this shouldn't be a partisan political issue.
Yet, Puerto Rico's economic convergence and political integration with the rest of the nation is in a state of arrest - even though the island has been within the national borders, political system and customs territory of the U.S. for a century.
In political sense, it doesn't really matter what I do on my own, but it's so important to rally some sort of collectiveness and reignite a collective vision, and I think that's something you can do effectively through art and music, and through writing and entertainment - and just through like, pop culture. It's about spreading ideas and making people think differently, essentially.
In our time, political speech and writing are largely the defense of the indefensible. Things like the continuance of British rule in India, the Russian purges and deportations, the dropping of the atom bombs on Japan, can indeed be defended, but only by arguments which are too brutal for most people to face, and which do not square with the professed aims of the political parties. Thus political language has to consist largely of euphemism, question-begging and sheer cloudy vagueness.
Art on the contrary sought this harmony in practice [of art itself]. More and more in its creations it has given inwardness to that what surrounds us in nature, until, in Neo-Plasticism, nature is no longer dominant. This achievement of balance may prepare the way for the fulfillment of man and signal the end of (what we call) art.
I remember saying to myself those things are very, very important to hear, but there must be another way to say them so that they will truly be heard. I mean, that's what art is. Art is about being provocative. Art is also about beauty. And if you leave the latter out, the former doesn't matter.
I mean, art for art's sake is ridiculous. Art is for the sake of one's needs. — © Carl Andre
I mean, art for art's sake is ridiculous. Art is for the sake of one's needs.
I used to always make art for girls. That was the thing I did for girls to like me. I did portraits, drawings, letters that formed outlines of significant things in our relationship. Art. I just used art in general. It usually worked.
I'm very political. Because I read politics every day, so I'm familiar with the world. I approach the films is I'm trying to write what is true, so that supersedes partisan spin, in my opinion. I find partisanship is a thing for cable news and newspaper articles, but it's not interesting for art. I think we all believe what we believe, and I don't think a film is going to change someone's mind.
I was a man who was lucky enough to have discovered a political theory, a man who was caught up in the whirlpool of Cuba's political crisis...; discovering Marxism...was like finding a map in the forest.
It seems like the big difference between good art and so-so art lies somewhere in the art's heart's purpose, the agenda of the consciousness behind the text. It's got something to do with love, with having the discipline to talk out of the part of yourself that can love instead of the part that just wants to be loved.
There is no political will for peace in the Israeli government. They're not serious about political peace because they're still building settlements and demolishing Palestinian homes. That is a great tragedy.
I've written one book-length piece of journalism. The Art of Political Murder: Who Killed Bishop Gerardi? That book had an impact. Eight years after it was published it's still having an impact in Guatemala. I remember when I wrote it, a surprising number of people said things to me like, "That is such an amazing story; why didn't you turn it into a novel?"
We live in capitalism, its power seems inescapable - but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.
You need to give yourself the time to think freely. I don't know if that is political. But sometimes things are political because you observe things that are right or that are wrong and you want to speak on them.
One of the crucial underpinnings of New York as a culture capital is that there are multiple markets. There is not just one art gallery district, there are several art gallery districts. I feel that there should be art galleries and art studios in every neighborhood without exception. They should be integrated into the social and physical fabric of the streets. If we want a lively city, we can't just have high towers and dense constructions, we have to have living organisms of streets and neighborhoods. And the arts are a crucial part of that.
I was a Fine Art major. You do a bit of everything until the final year, when you specialise. I did pencil drawing and sculpture. It's a pretty well-rounded fine art education. I thought that it was viable option to make a living out of art. I'm not sure if I was thinking realistically; maybe I never was. But it had great appeal.
Thus, the focus on this main political goal must become more visible in EU politics and to achieve this, we need a political impulse. It must be clear what the priorities on the agenda are.
One way we exercise political freedom is to vote for the candidate of our choice. Another way is to use our money to try to persuade other voters to make a similar choice - that is, to contribute to our candidate's campaign. If either of these freedoms is violated, the consequences are very grave not only for the individual voter and contributor, but for the society whose free political processes depend on a wide distribution of political power.
Our political system seems to be proving itself almost incapable of dealing with what's been put before it. The decisions it is making, or fluffing, are so vital and yet are inevitably so compromised by the endless political calculations of all involved.
Focusing-Oriented Art Therapy is a major contribution to art therapy literature and practice. Laury Rappaport introduces a contemplative method and philosophy grounded in the body's felt-sense of experience and its innate and largely unrecognized wisdom. This intellectually provocative, yet thoroughly practical text, establishes Rappaport as an emergent leader in the art therapy world and author of a book that every student and art therapist must read in order to appreciate the depth and breadth of our discipline.
I kept thinking, I'm not going to do political journalism, because there's no way to keep my principles and be a political journalist, so I'll edit a popular science magazine. This will be my salvation, and I'll emerge with my integrity intact. That didn't even happen.
Traditional Chinese art looked at the Earth from a Confucian mountain top; Japanese art looked closely around screens; Italian Renaissance art surveyed conquered nature through the window or door-frame of a palace. For the Cro-Magnons, space is a metaphysical arena of continually intermittent appearances and disappearances.
Kids aren't political, but around 10 years old, they are beginning to develop the moral grounding that might later, in their teens, develop into their first real political perspectives.
[Vladimir] Putin is an enemy of political dissent. The U.S. celebrates political dissent and the right for people to argue free from violence about places where our ideas are in conflict.
Dickens never joined a political party nor put forward a political programme. He was a writer who rightly saw his power as coming through his fiction.
I believe that political power exercises itself through the mediation of a certain number of institutions which look as if they have nothing in common with the political power, and as if they are independent of it, while they are not.
It is an axiom of political life that you never raise expectations, whether in a political or military campaign, because your defeats are then magnified and your victories discounted.
Texas Republican political leaders take perverse pride in how deeply they have cut our state's education budget. Thousands of teachers have been pulled from classrooms, schools have closed and valuable programs have been canceled. In many places, districts are forced to choose between prekindergarten programs and English, algebra and art.
Our love of art is often quite temporary, dependent upon our moods, and our love of art is subservient to our demand for a positive self-image. How we look at art should account for those imperfections and work around them.
I cannot doubt that women will line up, like the men elected, with the groups whose political thinking and convictions are in accord with their own political convictions.
The political process is not tied to any particular doctrine. Genuine political doctrines, rather, are the attempt to find particular and workable solutions to this perpetual and shifty problem of conciliation.
Universal appreciation of art... belongs to those countries and those ages which are not, or were not, ruled by materialism. Though travel was never so easy, literature on art never so profuse, and works of art never so widely distributed, a real passion for pictures is encountered but rarely.
The only and one way to say what abstract art or art-as-art is, is to say what it is not.
Even when political reporting is not reduced to personality, political photography is. An article might offer depth and complexity, but is illustrated with a photo of one of the 10 politicians whose picture must be attached to every news story.
My art is for anybody, it's for people who wouldn't go into an art gallery. It's art for the people.
We also call upon the king to hand over power to the political parties and for the political parties to shoulder their responsibility and turn the people's demands for democracy and good governance into reality.
Political parties has nothing to do with religious problems, as long as these are not alien to the nation, undermining the morals and ethics of the race; just as religion cannot be amalgamated with the scheming of political parties.
Growing up in Egypt, I never saw the country as divided as it is today. We now have two main political groupings: the Islamist parties and the civil, or liberal, political parties.
For decades, the Left has occupied a special place in the minds of educated Indians - outside of the two states (Bengal and Kerala) where it has a political presence and is therefore treated like any other political party.
Yet, Puerto Ricos economic convergence and political integration with the rest of the nation is in a state of arrest - even though the island has been within the national borders, political system and customs territory of the U.S. for a century.
But you go to a great school, not for knowledge so much as for arts and habits; for the habit of attention, for the art of expression, for the art of assuming at a moment's notice a new intellectual posture, for the art of entering quickly into another person's thoughts, for the habit of submitting to censure and refutation, for the art of indicating assent or dissent in graduated terms, for the habit of regarding minute points of accuracy, for the habit of working out what is possible in a given time, for taste, for discrimination, for mental courage and mental soberness.
Modern art is childish - not childlike, remember, childish; not innocent but stupid, insane, pathological. We have to get rid of this trend. We have to create a new kind of art, a new kind of creativity. We have to bring to the world again what Gurdjieff calls objective art.
People think that the art market is about opportunists and hedge-fund managers getting broken art, but what really happened is that there was a new configuration of bourgeois values in the U.S. and an acceptance among the bourgeoisie of contemporary art as an idea. I think that bourgeois people are horrible.
Every non-political human grouping of whatever kind, legal, social, religious, economic or other becomes at last political if it creates an opposition deep enough to range men against one another as enemies.
A political party cannot be all things to all people. It must represent certain fundamental beliefs which must not be compromised to political expediency, or simply to swell its numbers.
Rod Clark has one of the most unique voices I have ever encountered. I still quote some of his political insights years later. To have him write political science fiction is both appropriate and intriguing.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
Nature is a greater and more perfect art, the art of God; though, referred to herself, she is genius; and there is a similarity between her operations and man's art even in the details and trifles. When the overhanging pine drops into the water, by the sun and water, and the wind rubbing it against the shore, its boughs are worn into fantastic shapes, and white and smooth, as if turned in a lathe. Man's art has wisely imitated those forms into which all matter is most inclined to run, as foliage and fruit.
The political cartoon, in a way, is one of the highest forms of expression about our times. I don't believe in dramatic statements when it comes to political critique. It doesn't communicate in a way that's subversive enough.
Anyway, the way political history is passed down is influenced and spoiled by the closeness of the writers to the political figures that they're writing about. It's a sad state of affairs, but there's probably more veracity of reporting in my work than there is in the newspapers.
I don't think I'm a political songwriter as much as I am just a political person. I think it's in my fabric. — © Steve Earle
I don't think I'm a political songwriter as much as I am just a political person. I think it's in my fabric.
I never expected to sell my art. It wasn't like today where you come out of art school and they promise you a future. Now it's almost regulated in a way. When we came out of school, we just wanted to make art that'd blow your hair back and do it for sport. There was no commercial possibility that we saw.
Every non-political human grouping of whatever kind, legal, social, religious, economic or other becomes at last political if it creates an opposition deep enough to range men against one another as enemies
If our political leaders are to be always a lot of political merchants, they will supply any demand we may create. All we have to do is to establish a steady demand for good government.
The art of the novel, however, has fallen into such a state of stagnation - a lassitude acknowledged and discussed by the whole of critical opinion - that it is hard to imagine such an art can survive for long without some radical change. To many, the solution seems simple enough: such a change being impossible, the art of the novel is dying.
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