Top 1200 Pop Art Quotes & Sayings - Page 2

Explore popular Pop Art quotes.
Last updated on November 12, 2024.
We kind of write pop songs, but we don't fit in the pop world. We're really bad at being pop stars and walking down red carpets. We've got our own little bubble, which we really like. We've learned to really like that.
'Interview' created indelible images of Pop Art that arrived on people's doorsteps every month.
You want to embrace what the idea of pop music is. Not necessarily the stereotype of pop music; there was a time when you'd say 'pop music' and conjure up images of the Sweet, or Marc Bolan. That, to me, can be avant-garde still.
I put so much pop culture in my movies because we speak about pop culture all the time. But, for some reason, movies exist in a world where there's no pop culture. — © Will Gluck
I put so much pop culture in my movies because we speak about pop culture all the time. But, for some reason, movies exist in a world where there's no pop culture.
I realized probably when I was, like, 20 years old that the hardest thing to do is to write a pop song - not, like, a candy-pop, throwaway pop song.
I did do, well before Pop Art, all the cartoon characters as paintings.
In the beginning, the energy involved to create came from my reaction to the work of other artists. The force behind this was aggression. The art that I saw was great, but I had to reject it, because I could not continue in the same direction. So I had to do something entirely different. It had to be so different, so extreme, that those who loved pop art, for instance, hated me. And this was my strength.
Much to my chagrin, I think that cinema has gone the wrong way in America because in many ways, I pioneered the use of video which eventually became digital video. Everyone can do it; it's Pop Art time: "Everything is art, why should you take it so seriously, after all it's kind of like a clambake." I don't buy that.
Mine was not pop art. I maybe started with a subject, but I changed the subject.
Everybody has called Pop Art 'American' painting, but it's actually industrial painting.
It's a shame because we experienced probably the greatest thing - in art, in pop - we'll ever do. And it would be good to sit around and talk about it.
Maybe Japan itself is a little similar in that a lot of young people seem to have a little knowledge but not too much depth. I guess my perception of the art specialists in America or in Europe is that the art people are kind of mainly just the art people and that community is self-contained. But in Japan, it mixes with fashion and other things. I'm sure that many authentic art dealers or insiders didn't like the way that we presented our show in this very pop-y, accessible manner - just showing parts of our collections and selling prints and collaborative products.
The thing Pop did for me and did for a lot of coaches is - he let me coach. It seems really simple, and that's the beauty of being with Pop and being around Pop.
Before Dylan, before rock became art, it was a wonderful fusion of pop structure and personal statements. — © Steven Van Zandt
Before Dylan, before rock became art, it was a wonderful fusion of pop structure and personal statements.
Pop Art is not painting because painting must have content and emotion.
It is neither Art for Art, nor Art against Art. I am for Art, but for Art that has nothing to do with Art. Art has everything to do with life, but it has nothing to do with Art.
All the big pop acts that I've been into over the years - whether it's ABBA or Prince - managed to combine amazing melodies and honest human emotion. But coming out of the super-super-commerical pop industry in the 90s, maybe people forgot about the fact that pop music can do both of those things.
The English don't like concepts, really, not from a pop star. It's alright if they come from an 'intellectual,', but from a pop star you're getting ahead of yourself. Part of the class game is that you shouldn't rise above your station, and to start talking about concepts if you're in the pop world is getting a bit uppity, isn't it?
I am a pop girl! And I'm on a major label. I enjoy singing pop songs.
Does art have a future? Performance genres like opera, theater, music and dance are thriving all over the world, but the visual arts have been in slow decline for nearly 40 years. No major figure of profound influence has emerged in painting or sculpture since the waning of Pop Art and the birth of Minimalism in the early 1970s.
There's a definite connection in terms of objects at hand - dealing with objects or material at hand. Pop art was very much enamored with popular imagery, and popular imagery was of course available and at hand. And land art was also using what was at hand.
I love pop music. It's not easy to write a good pop song.
I collect candy packaging from around the world and believe it has the value of Pop Art.
I mean, I do consider that my music is pop because Ive been influenced by pop music my whole life; I grew up in the States and 80s pop music was my biggest influence.
It is the transcendent (or 'abstract' or 'self-contained') nature of music that the new so called concretism--Pop Art, eighteen-hour slices-of-reality films, musique concrete--opposes. But instead of bringing art and reality closer together, the new movement merely thins out the distinction.
I was particularly proud of my performance as the Joker. I considered it a piece of pop art.
Well, things hold up even if they sound dated. It can be very difficult to listen to 80s pop songs with really, really gigantic smashed drum sounds. You just want to turn that gated reverb down on the snare. It sounds wrong now. It sounds amateurish. And ugly. But at the time it sounded state-of-the-art. So yeah, I think it's important not to sound state-of-the-art in a way that anybody else is going to sound. Or you'll quickly sound like yesterday's state-of-the-art.
Music changes constantly, especially when you're a 'pop' artist. What's mainstream or pop always has new influences, new sounds, and I love that challenge of keeping up with it, which is important as a pop artist.
For me, I've written and produced for pop singers, but, like, female pop - I love that. I think it's putting me in the game that I love girl pop. All my writing is inspired by it.
I am not a pop musician; I don't want to play bubble-gummy pop stuff.
K-pop is a weird term because K-pop has everything - rap records - it's very pop-sounding; there are really boy-band-sounding records.
Before pop art, there was such a thing as bad taste. Now there's kitsch, schlock, camp, and porn.
Pop music is the one genre that isn't a genre. If the kids like it, then that's what defines it as pop music. Pop music is just something new.
I remember Steve Kaufman as the artist on Saturday Night Live doing the Pop Art portraits for the show.
I'm a pop victim. I love pop music; I love pop culture. I love Olivia Newton-John.
I do love great pop music, The Hollies had brilliant pop records.
I find pop art really offensive because it's taking a piece of popular culture and putting it somewhere where people can't see it.
I'm kind of a pop balladeer because I love the art of storytelling. I call myself 'HBO for the ears'; I sing little movies.
Graphic design is a popular art and a practical art, an applied art and an ancient art. Simply put, it is the art of visualizing ideas. — © Jessica Helfand
Graphic design is a popular art and a practical art, an applied art and an ancient art. Simply put, it is the art of visualizing ideas.
A lot of my personality and my affinity for certain pieces of pop culture and art all stem from a sort of Japanese aesthetic and way of thinking.
Just look at the transformation Taylor Swift made from being pop country to pop pop. There are very specific things she cut out and very specific things she adopted.
Pop doesn't really look back. It can't. What makes pop work is simplicity.
I don't care about the word 'pop'. The Beatles were pop; it's just what's popular.
No surprise here: Pop music is by far the most conservative art form there is.
I did an art show for Donald Trump at his house in Palm Beach, Florida. It was a bunch of pop art and stuff like that, so I wasn't doing any graffiti at that time, so I'd say from about 2000 to 2006, I wasn't doing any graffiti.
You see Michelangelo and Picasso and you read literature. I had some innate inchoate yearning for that, but I never really saw where I would fit in. That's called art. And then something happened to pop music, which is that it became art under the hand of the Beatles, the Stones, and Bob Dylan and some other people.
I've watched so many women, from Kathleen Hanna all the way up to Taylor Swift, whether they're pop artists or rock stars or fine artists or writers, it is the subhistory of female artists that if you're going to make art, you're also going to have a full-time job of defending your right to make art.
I then discovered the Pop Art of Warhol, Lichtenstein, and Peter Max. I was inspired that these fun and colourful images could be presented seriously on canvas.
Outside is the world; it's there. Pop Art looks out into the world. — © Roy Lichtenstein
Outside is the world; it's there. Pop Art looks out into the world.
I wasn't sure pop art or my work would last more than six months.
The supporting thing can be harder to pop in and out of. The hardest thing is the people who have to come in and play, say, the bartender for a day - that's a lot harder than playing the lead role. You have to pop in and get it right. It's a lot of pressure to just pop in there and fit in and find your footing really fast.
I did a pop album, 'Sogno,' in 1999. I think it's important to record another pop album because many people love pop music. By this kind of repertoire, some people can later discover classical music.
There's this idea, particularly in pop music and a lot of these pop father/manager types, that you're selling the person instead of the song. You basically want to create something that the fans relate to because it's exactly like them. So there's a lot of art that's made to be in the image of the audience, but then the audience is imitating this version of themselves. It's a really weird cultural feedback loop, and it's kind of strange to watch. It's a new thing since I was a kid, really a different thing.
Cause POP POP POP it goes my rubber band. So STOP STOP STOP sniffin that contraband.
Due to the world I've been part of in creating art for so many years, I feel really connected to pop culture and what younger people are talking about.
Pop life Everybody needs a thrill Pop life We all got a space 2 fill Pop life Everybody can't be on top But life it ain't real funky Unless it's got that pop Dig it.
In the sixties, the recycling of pop culture turning it into Pop art and camp had its own satirical zest. Now we're into a different kind of recycling. Moviemakers give movies of the past an authority that those movies didn't have; they inflate images that may never have compelled belief, images that were no more than shorthand gestures and they use them not as larger-than-life jokes but as altars.
Andy was a nonverbal person; you couldn't get directions out of him. All he knew was what was modern in art was what wasn't art: The telephone was art, the pizza was art, but what was hanging on walls in museums wasn't art.
There are people who are known for some contribution to pop culture, but that doesn't mean that you've survived solely on your relevance to whatever is currently popular. That's what a pop star is, in that sense. You might start out as a pop star, but that's just an opportunity to become more relevant, if you possibly can.
Realistic, naturalistic art had dissembled the medium, using art to conceal art; Modernism used art to call attention to art.
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