Top 1200 Pop Bands Quotes & Sayings - Page 7

Explore popular Pop Bands quotes.
Last updated on December 2, 2024.
For the name Lion Babe, we are a little avant-garde, a little left. And with bands like Blondie, Pink Floyd, or Jamiroquai, you don't know they're bands, you just kind of hear the name and you're like 'What is it?' so that was the kind of thing we wanted to do.
The representation that I always go back to is a pop star - whether it's Lady Gaga or Madonna, I love the way those women in pop music have always made an effort to create a specific vision.
With any "new" form of music, the originators are usually good bands that have good music and good ideas, like Nirvana. But then you get all the followers and wannabes, bands like Silverchair, etc...and that really sucks.
Do you ever look at the sky and think, I'm glad I'm alive? After I heard System of a Down, I thought, I'm actually alive to hear the shittiest band of all time. Which is quite something when you think about it. Of all the bands that have gone before and all the bands that'll be in the future, I was around when the worst was around.
I got my influences from 70s bands - Zeppelin, Pink Floyd, blah blah blah. When I was growing up, we had all these crazy bands on the Top 40. Today, if Pink Floyd released "Money", it wouldn't even get played.
It seemed record companies wanted bands to be creative because they didn't know how to manufacture underground music. We could do our own thing and go at our own pace. But that changed when major labels started wanting bands that would sell 7 million records.
That taught me one lesson which is that you're naive to believe that bands can change the world. Bands are very naive to think that just if their audience thinks that they can change the world, that they can. That was quite a lesson for my career, really.
When I was younger, bands helped me connect to part of my humanity; bands that had nothing to do with anything political helped to form me. There's a correlation in that: If people can connect to music, maybe they can connect to each other.
With pop music and pop musicians, you know everything about everyone all the time, particularly their physical appearance. With female musicians, that's made a big thing of, and I think people, certainly with me, have appreciated a bit of mystery.
In the little rural town I grew up in, I missed out on the pop music of the time, the '80s, and now enjoy in retrospect. It's as an adult that I've opened it up to dance, hip-hop, R&B, and even big pop songs.
The biggest crime in England is to rise above your station. It's fine to be a pop star. 'Oh, it's great, lots of fun, aren't they sweet, these pop stars! But to think you have anything to say about how the world should work? What arrogance!'
I like the old school heavy metal bands like AC/DC and Aeromith. I like that type of music. As the director, I tried to influence the type of music the bands in the movie would play.
I got sick and tired of hearing bands that didn't mean anything to me. I mean, there are some bands out there that are good, but if you want to hear stuff you want to hear, you got to do it yourself.
I think that the oversaturation of music market right now will eventually start taking care of itself, where some bands are like, "We just don't want to do it anymore," and other bands say, "Things just keep getting better." It just depends on where you bring your joy out of it. We're lucky because we are happiest when we're onstage.
American pop culture is perpetually in adolescent mode. The notions of what it takes to be a man, as depicted in pop culture, are very superficial, one-dimensional, and adolescent.
When an artist becomes pop, it's because the people choose it. Yes, you can have that dream to be a big pop star, but it's the audience that puts you in that position. I never had a paid marketing campaign, it was never like that.
Pop is a little bit theatrical. That's the whole vibe. That's the point - is that it's great music, great melodies, great hooks. But, on top of it, it's a presentation. There's a showmanship about it. And that's why I wanted to be a pop star.
If you say, 'I listen to pop,' you picture this kind of perfect, colorful, polished song. I want to have that, but when you open it, you see this gritty dark - kind of like dancing your tears away. Disguise the sadness in a pop beat.
I used to have this little punk pop band, and I don't know why we did 'Behind Blue Eyes,' because it's not punk pop. But we did, it was our slow jam. — © Lights
I used to have this little punk pop band, and I don't know why we did 'Behind Blue Eyes,' because it's not punk pop. But we did, it was our slow jam.
Christian musicians today, minus about ten bands, have never had to fight to be accepted or heard like general market bands have to make a living. It's just overlooked that the Christian market is safer and more lucrative, but requires musicianship that applies to the lowest common denominator.
You know, there's so many great bands out there, visual bands, that we have to do something that makes us individual, and makes us stick out from everybody else, and something that is even bigger than just the music.
The fact that I'm a fifth of Punch Brothers... that's lucky for me because I feel like I get to operate in the context of one of the great string bands. There's just not another string band I would rather be in, and i'm just compelled to make music for and with string bands. It's what I know, and it's kind of like who I am.
I like pop music, especially Crosby, Nash, Stills and Young, Stevie Wonder and Paul Simon - he's broken up with Art Garfunkel hasn't he? - but I can't study while pop music is playing.
One month I'll be completely obsessed with Bob Dylan and the next Arcade Fire. I like early Elton John and David Bowie, Bob Dylan and Bruce Springsteen. I listen to a lot of American bands. But I like listening to new bands, too.
The Punjab industry has been very instrumental in bringing the pop music and pop scene back where we see a lot of artists from Punjab cutting singles and doing so tremendously well.
I like pop music. I consider rock 'n' roll to be a branch of pop music.
I was never attracted to the pop world. I listen to music that is pop sometimes. But I've never thought, 'Oh, I need to work with Ne-Yo now.' It's never really been my thing.
When I graduated, everyone was like, 'You got to do pop and R&B to make it,' like very contemporary pop and R&B. I tried for a little while, but I just realized my voice wasn't quite fitting some of the records that I was doing.
When my life is stressful, my favorite game is called 'Pop It,' where you pop balloons and prizes fall out. It's a five-minute game that focuses my mind and gives me extra attention when I'm stressed.
I keep my hip-hop as hip-hop, my R&B as R&B and my pop as pop. The ability to cross those boundaries and do all these things effectively is not commonly done.
I got my influences from '70s bands - Zeppelin, Pink Floyd, blah blah blah. When I was growing up, we had all these crazy bands on the Top 40. Today, if Pink Floyd released 'Money,' it wouldn't even get played.
I've never seen myself as a pop singer. I grew up listening to gospel, soul and rock. My approach to pop is that, when I was doing my album, I wanted to have raw, genuine lyrics, but wanted it to be easy to process.
I must say it was not very inspiring to see that tons of new bands emerged from nowhere and started to play the exact same music as I did. Why would I want to play this type of music, when tons of other bands did, too?
Pop stars are pop stars. People, especially the youngsters, are crazy for them.
Now bands have to sing live, now people watch who sings on the record, now people want to hear the real music and not just plastic bands anymore. So I think we changed the music business to a better, more honest way.
I’m listening to a lot of Katy Perry, Taylor Swift, and Rihanna. A lot of pop female artists. I have to say I’m pretty well-versed in the pop female category.
Typically, in France, someone in my position should keep their mouth shut. I'm an entertainer, operating in the realm of pop, and it's often looked down upon for a pop artist to take a stand, to have convictions or opinions. But I don't think the two are incompatible or mutually exclusive.
You can only write so many pop songs before they all sound the same. I got to a point where something overtly melodic and straightforward sounded sort of cheesy to me. Pop songs seemed too manufactured.
We don't have a lot of men on stage doing flamboyant or theatrical. We have a lot of female pop stars doing it, but where are the guys? Where's the classic pop-rock showman?
I don't follow any of what the pop world is doing. Sometimes I feel like that's a weakness, actually, that I'm too in my own bubble. But I'm really just interested in the inner journey. And pop is all about the exterior world, the material.
I really like LIMP BIZKIT. I mean, I've said it for years - I don't know if anyone actually hears it - but I think LIMP BIZKIT are an awesome band. In terms of the rap-rock bands, or ANY bands out there, I think they really are truly among the best.
I love pop music. I listen to it; I think you can hear it in my songwriting and my album. I'd definitely say it's country-pop music, but it's country first.
I'm listening to a lot of Katy Perry, Taylor Swift, and Rihanna. A lot of pop female artists. I have to say I'm pretty well-versed in the pop female category.
I was in rock music in London when it was the height of Brit pop, with The Kinks revival and Suede and Blur and Oasis, and all of those really great bands that were of a certain style. If I'd really been smart and commercially minded, I would have just got myself a blazer and some Stay Press and some Fred Perry tops, and just gone out and tried to do it like everyone else. Instead, I did this ridiculous thing of trying to do this music.
I think the majority of the people in the band still play in other bands, because we're not that active. But for me, it's the only thing I want to do and it's the only thing I'm focused on. I've always played in a couple of different bands at once, but now I'm only interested in the Dead Child stuff.
To look for some kind of insight or meaning in pop songs is not really - well there's plenty of other places where you should probably look first before you start looking for it in a pop song.
It's hard to make a lot of pop culture references where there's no pop culture.
I think you can realise that a lot of people in bands - well - I guess you kinda wanna... There's a lot less mystique in playing in a rock band today, than in the 60's or 70's. I don't think there's any bands that I can think of, that have this rock god myth that like Led Zeppelin had.
I've covered Avril Lavigne. I like good pop songs, and I don't think there should be any kind of preconceptions about where good pop songs come from.
I got to a point in my life when I'd done loads of things I regretted. I made all the wrong decisions. I was trying to fill my life with all these projects, hoping that one of them would succeed. I was like a cheating girlfriend. I was cheating on all the bands with other bands, and I was trying to manage everything.
I give up on pop music. As far as a commercial entity, as far as pop music goes, I quit; I absolutely throw in the towel. I can't handle it. I can't do it. I can't be what they need you to be.
My dad's quite a conservative person, and he brought me up to be very questioning of the commercial world. He looked down on pop culture. I definitely got the impression that pop was evil and that Britney Spears was evil.
As many bands as you heard [in New Orleans], that's how many bands you heard playing right. I thought I was in Heaven playing second trumpet in the Tuxedo Brass Band -- and they had some funeral marches that would just touch your heart, they were so beautiful.
There are bands that I am friends with, who will invite me up on stage. Like Les Savy Fav, who have had me on stage, and I have played on their record. There are a couple of bands like that. Yo La Tengo has invited me to play with them.
When I started trying to produce records for other people, one of the first tracks I wrote and produced was sort of a 'Kelly Clarkson circa 2008,' kind of big-brassy, guitar-pop, rock song. I was like, 'I can do this. I can make pop songs.' It was bad.
Before you could actually have face-lifts, they would pull your skin around the back of your head with rubber bands, where they would tape it. And then you'd have to wear a wig over it to hide the rubber bands. It was not the most comfortable.
The great music for so many artists - the Beatles, the Rolling Stones - was always at the moment when they were closest to pop. It would be easy for U2 to go off and have a concept album, but I want us to stay in the pop fray.
Me personally, I side more with punk rock bands. I grew up with The Misfits, The Dead Boys, The Damned, Dropkick Murphys, and early AFI. That was the stuff that really got me into music. Song writing wise, bands like Alkaline Trio were very important to me for beginning to write songs.
There's so many different kinds of songs that could be pop songs. I don't think pop songs should sound the same. — © Santigold
There's so many different kinds of songs that could be pop songs. I don't think pop songs should sound the same.
Games isn't really pop music, and neither is OPN. Both are part of the same ecosystem and both deal with exploring the undercurrents of pop music.
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