Top 1200 Pop Quotes & Sayings - Page 3

Explore popular Pop quotes.
Last updated on December 21, 2024.
Pop stars are pop stars. People, especially the youngsters, are crazy for them.
The Punjab industry has been very instrumental in bringing the pop music and pop scene back where we see a lot of artists from Punjab cutting singles and doing so tremendously well.
When I came up in a band - not just in a band, but a kind of underground DIY community - there was such a clear cut distinction between what pop was and what not pop was in very simplistic terms.
When my life is stressful, my favorite game is called 'Pop It,' where you pop balloons and prizes fall out. It's a five-minute game that focuses my mind and gives me extra attention when I'm stressed.
I like pop music. I consider rock 'n' roll to be a branch of pop music. — © Tom Stoppard
I like pop music. I consider rock 'n' roll to be a branch of pop music.
It would be a horrible business, a horrible sort of culture if you didn't have the candy pop as well as the real hard-hitting stuff. And I love some pop music.
I've never seen myself as a pop singer. I grew up listening to gospel, soul and rock. My approach to pop is that, when I was doing my album, I wanted to have raw, genuine lyrics, but wanted it to be easy to process.
You could split hairs and bring up words like 'doo-wop' and terms like 'soul' or 'R&B', but I think pop music is what you want it to be - that's why it's pop.
We don't have a lot of men on stage doing flamboyant or theatrical. We have a lot of female pop stars doing it, but where are the guys? Where's the classic pop-rock showman?
American pop culture is perpetually in adolescent mode. The notions of what it takes to be a man, as depicted in pop culture, are very superficial, one-dimensional, and adolescent.
Typically, in France, someone in my position should keep their mouth shut. I'm an entertainer, operating in the realm of pop, and it's often looked down upon for a pop artist to take a stand, to have convictions or opinions. But I don't think the two are incompatible or mutually exclusive.
When we try to write a pop song, we go for standard pop arrangements, even to the point where we will go to the key change at the end, which is really cheesy.
I don't follow any of what the pop world is doing. Sometimes I feel like that's a weakness, actually, that I'm too in my own bubble. But I'm really just interested in the inner journey. And pop is all about the exterior world, the material.
I keep my hip-hop as hip-hop, my R&B as R&B and my pop as pop. The ability to cross those boundaries and do all these things effectively is not commonly done.
Games isn't really pop music, and neither is OPN. Both are part of the same ecosystem and both deal with exploring the undercurrents of pop music.
We're quite different from each other. Camila is the pop girl, Lauren likes the indie sound, Normani and I love R&B, and Ally is the pop-country, kind of church girl.
Pop is a little bit theatrical. That's the whole vibe. That's the point - is that it's great music, great melodies, great hooks. But, on top of it, it's a presentation. There's a showmanship about it. And that's why I wanted to be a pop star.
If you say, 'I listen to pop,' you picture this kind of perfect, colorful, polished song. I want to have that, but when you open it, you see this gritty dark - kind of like dancing your tears away. Disguise the sadness in a pop beat.
I love Top 40 pop, don't get me wrong; I just don't think that there's anyone in Top 40 pop that's 'real.' — © Lorde
I love Top 40 pop, don't get me wrong; I just don't think that there's anyone in Top 40 pop that's 'real.'
Lady Gaga is a pop prostitute, a satanic b - with her fascist and demonic secret signs! Her pop prostitution has more to do with bikini advertising than with warmth.
The representation that I always go back to is a pop star - whether it's Lady Gaga or Madonna, I love the way those women in pop music have always made an effort to create a specific vision.
For me, pop culture is very fluid: it's music, it's movies, it's books, it's art, it's tech, it's so many things - and as marketing and brand advocates, we should be able to to take products and services and match them to what's happening in pop culture.
I really felt like 'Chandelier' was a big pop song. But we weren't sure what would happen if I wasn't willing to show my face and do promo and go on tour and do the traditional kind of pop strategy. So I had no expectations.
Pop, I'm nothing! I'm nothing, Pop. Can't you understand that? There's no spite in it any more. I'm just what I am, that's all.
I'm very easily influenced, and I'm also a quick study, so I think when I decided I wanted to write pop songs, I literally just listened to pop radio for six months to get a feel for it and understand it.
I love color, so it's rare to see me without at least a pop of a hot pink or bold red, even if it's just a lip color pop!
It's hard to make a lot of pop culture references where there's no pop culture.
Pop music is always great for keeping the energy up, but it can get really old, especially after eight hours, just because there aren't that many great pop songs.
I'm usually way more pleased with the stuff that just kinda happens by accident and is no way a pop song. But sometimes the easiest thing for me to write is pop songs.
The pop market is a very fickle market, and that's why for me to go into the teeny-pop, 'TRL' mode, it's not really for me.
I love pop music. It's not easy to write a good pop song. It may be easier to put out a fake jazz album, as Sting does from time to time.
I like pop music, especially Crosby, Nash, Stills and Young, Stevie Wonder and Paul Simon - he's broken up with Art Garfunkel hasn't he? - but I can't study while pop music is playing.
In the little rural town I grew up in, I missed out on the pop music of the time, the '80s, and now enjoy in retrospect. It's as an adult that I've opened it up to dance, hip-hop, R&B, and even big pop songs.
When I graduated, everyone was like, 'You got to do pop and R&B to make it,' like very contemporary pop and R&B. I tried for a little while, but I just realized my voice wasn't quite fitting some of the records that I was doing.
The great music for so many artists - the Beatles, the Rolling Stones - was always at the moment when they were closest to pop. It would be easy for U2 to go off and have a concept album, but I want us to stay in the pop fray.
The people who are going into music who hunger, they're going into pop music. There are some badass women who are ambitious and hungry and brave, and they're in pop.
I was never attracted to the pop world. I listen to music that is pop sometimes. But I've never thought, 'Oh, I need to work with Ne-Yo now.' It's never really been my thing.
The biggest crime in England is to rise above your station. It's fine to be a pop star. 'Oh, it's great, lots of fun, aren't they sweet, these pop stars! But to think you have anything to say about how the world should work? What arrogance!'
I give up on pop music. As far as a commercial entity, as far as pop music goes, I quit; I absolutely throw in the towel. I can't handle it. I can't do it. I can't be what they need you to be.
You can only write so many pop songs before they all sound the same. I got to a point where something overtly melodic and straightforward sounded sort of cheesy to me. Pop songs seemed too manufactured.
I love pop music. I listen to it; I think you can hear it in my songwriting and my album. I'd definitely say it's country-pop music, but it's country first. — © Kelsea Ballerini
I love pop music. I listen to it; I think you can hear it in my songwriting and my album. I'd definitely say it's country-pop music, but it's country first.
I don't want to be famous or recognizable. I don't want to be critiqued about the way that I look on the Internet... I've been writing pop songs for pop stars for a couple years and see what their lives are like, and that's just not something I want.
I think people who just know me from my band think I don't like pop music. The truth is I love pop music.
I would categorize Die Antwoord as pop music: extreme, futuristic pop music.
I love the S'mores Pop-Tarts. Usually after a fight I get Pop-Tarts and cereal.
I grew up a block away from Hell, and my pop-pop was a chef in Hell's Kitchen.
When an artist becomes pop, it's because the people choose it. Yes, you can have that dream to be a big pop star, but it's the audience that puts you in that position. I never had a paid marketing campaign, it was never like that.
With pop music and pop musicians, you know everything about everyone all the time, particularly their physical appearance. With female musicians, that's made a big thing of, and I think people, certainly with me, have appreciated a bit of mystery.
When I started trying to produce records for other people, one of the first tracks I wrote and produced was sort of a 'Kelly Clarkson circa 2008,' kind of big-brassy, guitar-pop, rock song. I was like, 'I can do this. I can make pop songs.' It was bad.
If I'm honest, my heart and my belly are saying that you're more likely to find me in a greasy spoon than a pop-up, but some of this pop-up stuff is great!
I'm listening to a lot of Katy Perry, Taylor Swift, and Rihanna. A lot of pop female artists. I have to say I'm pretty well-versed in the pop female category.
My dad's quite a conservative person, and he brought me up to be very questioning of the commercial world. He looked down on pop culture. I definitely got the impression that pop was evil and that Britney Spears was evil.
There's so many different kinds of songs that could be pop songs. I don't think pop songs should sound the same.
2017 saw a slew of big pop and hip-hop records, a number of breakout female singer-songwriters and all-girl bands, and the return of beloved '60s soul artist Don Bryant and pop star Kesha.
I’m listening to a lot of Katy Perry, Taylor Swift, and Rihanna. A lot of pop female artists. I have to say I’m pretty well-versed in the pop female category. — © Steve Carell
I’m listening to a lot of Katy Perry, Taylor Swift, and Rihanna. A lot of pop female artists. I have to say I’m pretty well-versed in the pop female category.
Well, it'll always be disco/electro-pop. That's what I first wanted to do when I started out as a musician in 1977. It's only ever been dance-pop that I've wanted to do.
Everybody's able to pour into each other creatively, and pop into the studio and pop out. It feels like a community. As an artistic community I think it's really cool.
I used to have this little punk pop band, and I don't know why we did 'Behind Blue Eyes,' because it's not punk pop. But we did, it was our slow jam.
To look for some kind of insight or meaning in pop songs is not really - well there's plenty of other places where you should probably look first before you start looking for it in a pop song.
I've covered Avril Lavigne. I like good pop songs, and I don't think there should be any kind of preconceptions about where good pop songs come from.
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