Top 1200 Popular Song Quotes & Sayings - Page 5

Explore popular Popular Song quotes.
Last updated on November 16, 2024.
And um, when I came back to England I put a very complex soundtrack on it, featuring everyone from Jimi Hendrix, right through to Neil Diamond, you know, everybody that was kind of popular who was kind of popular at that time.
What's amazing about a DJ set is when you're able to re-appropriate a song or give purpose to a song that people didn't really think it was supposed to have. Give it this sort of hidden power by playing it before this song and after that one. That it fits into this logic and it goes farther than you thought it could go.
Each person who ever was or is or will be has a song. It isn't a song that anybody else wrote. It has its own melody, it has its own words. Very few people get to sing their song. Most of us fear that we cannot do it justice with our voices, or that our words are too foolish or too honest, or too odd. So people live their song instead.
Inspiration and stealing are two completely different things. If somebody wants to make a song like "Stairway to Heaven" and writes a song on acoustic guitar, Led Zeppelin does not own every song that's on acoustic guitar for the rest of time.
Well, Neighbours wanted to do a song on the show, and they asked me what songs I had. I told them I'd just written this song, called Born to Try, and I had just gone overseas and spoken to some people from Song about it.
The big problem with songwriting for me is starting a new song. It's the thing where all the anguish exists, not in the writing of the song, but the starting of the new song.
I remember writing lyrics for 'Take Me to Church' for a long time before I even had a song in mind for. It's not that I was trying to write that song for a year, but sometimes you just kind of collect lyrical and musical ideas and don't actually complete the song until you feel like they work together and have a home.
'Snow' is my most popular book in the United States. But in Turkey, it was not as popular as 'My Name is Red,' or even 'The Museum of Innocence,' because the secular leaders didn't want this bourgeois Orhan trying to understand these head-scarf girls.
I think anyone who has been bullied finds it life-affirming if you live to tell the tale. I just wish someone told me at school that there's this weird average whereby if you're not popular at school you will become popular later.
During the last 100 years, the House of Lords has never contributed one iota to popular liberties or popular freedom, or done anything to advance the common weal; but during that time it has protected every abuse and sheltered every privilege.
It is fashionable to scoff at Americans, but they routinely produce most of the important and ground-breaking entertainment in the world. 'Popular culture' is still culture, Shakespeare was once as popular as any of today's icons with the common people.
Here's the way the licensing works ... If you write a song, nobody can record your song before you do without your permission. But, once the song is recorded, they can get what's called a 'compulsory license', and they can record the tune, but they have to pay you royalties.
In Holland, there's a song that goes, 'Redheads - they know how to kiss.' But that's obviously not a song I made. I don't know who made that song. — © Lotte Verbeek
In Holland, there's a song that goes, 'Redheads - they know how to kiss.' But that's obviously not a song I made. I don't know who made that song.
'Kolaveri' is one song that people feel connected to. While I am bored of the song, it seems people aren't. I really can't say what worked. But I can definitely say that the song made me what I am today.
As an example, there is a Japanese composer / singer whose name is Tanimura [Shinji]: he has composed a song entitled entitled "Kazeno Komoriuta" and I have recorded my piano adaptation of this song and honestly I couldn't expect that it would be so difficult and challenging for me to perform my piano version of this beautiful song.
Even if I know that really it's not a great song, even if it's a naff song but I have a good memory of it, then to me that's a great song.
A song is a song. But there are some songs, ah, some songs are the greatest. The Beatles song Yesterday. Listen to the lyrics.
There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.
I would have been a much more popular Wolrd Champion if I had always said what people wanted to hear. I might have been dead, but definitely more popular.
[Tim] Kaine, in Virginia, you know he wasn't popular?His first move as governor of Virginia was to raise taxes by 4 billion dollars. He was not popular in Virginia.
For every age there is a popular idea about what madness is, what causes it, and how a mad person should look and behave; and it's usually these popular ideas, rather than those of medical professionals, that turn up in songs and stories and plays and books.
There's such a huge difference between a great arrangement of riffs and a song. Sometimes the two can be the same. But the difference is a song doesn't necessarily need a riff, whereas a riff doesn't necessarily mean you've got a good song on your hands.
HERE It’s- Can I say? It’s like the song of a family where everything’s always all right, it’s a song of belonging that makes you belong just by hearing it, it’s a song that’ll always take care of you and never leave you. If you have a heart, it breaks, if you have a heart that’s broken, it fixes.
A few years ago I appeared on GLEE and, Jane Lynch and I did a remake of the song that was very popular - someone told me it was in the Top 100 when it was released. First, walking on the set of GLEE the day we filmed it was surreal as they had recreated the entire original set from the music video. It was bizarre - but fun.
A good song is a nice set of chords and some good lyrics; a great song is a song that reinvents itself over time. That you can always find something interesting in the more you listen to it - it keeps revealing something to you.
Longer is not my best song, it's just a classic love song, and every songwriter always dreams of writing a classic love song. — © Dan Fogelberg
Longer is not my best song, it's just a classic love song, and every songwriter always dreams of writing a classic love song.
I guess I've never been introduced properly to Pink Floyd. I know they're great, don't get me wrong. Excellent, excellent musicians; great band; awesome harmony; great song writers; I just don't know anything besides, I guess, the popular songs on the radio.
I wake up in the morning and I say 'Ahh! Today's the day for a song! I'm going to write a song today!' And I do. I write a song.
I don't sit down to write a country song. I don't sit down to write a rap song. I just sit down to write a song, you know what I mean? And I try to make that song the best it can be.
I write when I have to; I write when the song is done and I deal with the idea and I just go with it and I'll become what that song is all about until I have finished it. And when you do that, it makes the song more visual, it makes it more personal.
To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
But I knew - in the old days, if a song was a good song, I don't care if it was 'Yellow Submarine' or, you know, or 'The Times They Are a-Changin' or 'Don't Be Cruel', you knew it, you know? You heard that song, and you were talking about it, and you knew it.
The easiest way I can describe what makes a pop song a pop song is that it's a song you want to hear over and over. — © Jack Antonoff
The easiest way I can describe what makes a pop song a pop song is that it's a song you want to hear over and over.
'Wanna Be That Song' has everything I want to say about love and about what I'm trying to be. I wanna be that part of your life, that song that means so much to you, the one that takes you back to that special place... the song that makes you laugh, the song that makes you cry when you need to cry, that makes you dance when you need to dance.
A recording of a moment in time, where I was physically there, and it's now in a song for all eternity, in a way. It's really weird. I had written the song, but I'm also physically there in a way I'm physically inside the song, because I've recorded something that's in there.
Hillary Clinton`s popular vote lead is now up to 2.3 million votes, but get this, [Donald] Trump`s percentage of the popular vote has now dropped to 46.4 percent.
I had been very dismissive of popular fiction - in fact, I'd refused to read it. And then I started working on popular fiction, and I realised these books weren't the same as Hemingway, say, but they were good in a different way.
'She's a Mystery to Me' was released in 1987, when I was 11 or something, and I absolutely adored the song. This song was written by Bono and The Edge, and the story goes that Bono woke up with the tune in his head, then thought that the only voice who could sing this song is Roy Orbison.
I suppose I do the Japanese because I just don't know China. Chinese popular culture has never evoked that instant of, "Whoah! What's that?" that I have with Japanese popular culture.
'So Icy' is always going to be one of my favorites because this is a song that blew my mind. I was just making beats for the fun of it. I went to the club and heard the song being played, so I asked the DJ to stop playing the song, and the whole club started rapping word for word.
I feel a vocabulary in my music that is coming from popular music. Popular music is like the mother of all languages.
I've literally been in sessions with producers, writing for other people, and they're like, 'We need a song for this artist, and we need it to sound like this song.' They're literally saying, 'Rip off this song that was no. 1 last week,' and that's just so uninspiring.
Every song I ever wrote, I wrote to be heard. So, if I was given a choice that 50 years from now I could either have a dollar or knowing that some kid was listening to my song, I'd go with the kid listening to my song.
I try to write down every song that comes to me, even though I know that every song that comes to me isn't a song that I need to sing.
I can't constantly be trying to write the unwritten song, the song that the 15-year-old girl needs. I need to write the song that I need.
When I write a song, I always start on acoustic guitar, because that's a good test of a song, when it's really open and bare. You can often mislead yourself if you start with computers and samples and programming because you can disguise a bad song.
When you finish a song, your first thought is going to be, 'Is this song a hit?' I hate that we think that way, because it kind of takes a little bit of the meaning out of the songs that are being written, but you're definitely going to think, 'Can this song be put on the radio?'
I want to collaborate with Amy [Winehouse] because she's really hot and cool right now. I know one song Rehab was very popular particularly because a lot of young people are in rehab as well. In fact I'm thinking about going. It looks like loads of fun and I know my career will benefit from it.
Let us not dream that reason can ever be popular. Passions, emotions, may be made popular; but reason remains ever the property of an elect few. — © Johann Wolfgang von Goethe
Let us not dream that reason can ever be popular. Passions, emotions, may be made popular; but reason remains ever the property of an elect few.
I'm trying to fuse popular and commercial music and just make very creative music. It's popular music: it's everything for everybody.
The fact that file sharing goes on, and is as popular as it is, is an incredibly positive thing for the music industry. The fact is that music is so popular that people are willing to break the law to get it.
A song is a song. But there are some songs, ah, some songs are the greatest. The Beatles song 'Yesterday.' Listen to the lyrics.
One dictionary that I consulted remarks that "natural history" now commonly means the study of animals and plants "in a popular and superficial way," meaning popular and superficial to be equally damning adjectives. This is related to the current tendency in the biological sciences to label every subdivision of science with a name derived from the Greek. "Ecology" is erudite and profound; while "natural history" is popular and superficial. Though, as far as I can see, both labels apply to just about the same package of goods.
I want to make people feel things when they hear my music I want to give a song to someone who is going through a break up, I want to give a song to someone who loves someone and can't tell them. A song for someone who has just fallen in love and a song for just people who are living their lives.
Like every girl, I felt amazing pressure to look like the popular girls, but no one told me the popular girls were all air brushed in magazines.
In popular culture, when women compete, it's usually over a man, and it's usually very nasty. And that is just frankly not my experience. That's just some kind of popular mythology, it feels like. I find it insulting.
I feel like this song [Yello, "Oh Yeah"] was probably done in a couple of minutes in a studio. There was probably no thought behind it; they were just playing with some samples and threw it together. I feel like there's no dream behind the song. Usually there's a dream or some kind of passion attached to a song. This song feels very empty. It made a lot of money for the songwriters but at the expense of culture.
You should turn around at the end of the day and say I really like that piece of work, or that piece of work sucked. Not, was that popular or wasn't it popular?
You could write a song about some kind of emotional problem you are having, but it would not be a good song, in my eyes, until it went through a period of sensitivity to a moment of clarity. Without that moment of clarity to contribute to the song, it's just complaining.
Freedom of expression - in particular, freedom of the press - guarantees popular participation in the decisions and actions of government, and popular participation is the essence of our democracy.
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