Top 509 Pose Quotes & Sayings - Page 8

Since the heady days of the 2009 Inauguration, middle-class independents have grown increasingly distant from Obama. Working-class voters - always more enamored of Clinton - have grown even more wary and distrustful of the Chicagoan. Both voting blocs pose the danger of serious defection in 2012. Without their support, Obama cannot win.

Nothing is stranger or more ticklish than a relationship between people who know each other only by sight, who meet and observe each other daily - no hourly - and are nevertheless compelled to keep up the pose of an indifferent stranger, neither greeting nor addressing each other, whether out of etiquette or their own whim.

The right type of [leader] is democratic. He must not consider himself a superior sort of personage. He must actually feel democratic; it is not enough that he try to pose as democratic-he must be democratic, otherwise the veneer, the sheen, would wear off, for you can't fool a body of intelligent American workingmen for very long. He must ring true.

Initially, I just used the guitar as a prop. I'd pose with it in front of a mirror in my Kiss makeup when I was skipping school. Then I figured out how to play the main riff to Deep Purple's 'Smoke on the Water' on just the E string. Next, my old man showed me how to play barre chords, and that's when things started getting really heavy.

Yes we need enhanced border control. Yes we need to focus our efforts on those who pose a threat to our country. But let's not fall into the trap set by the Tea Party and others who would tell you that every single undocumented individual is a drug smuggler, a terrorist, or a threat to the American way of life. That is simply not true.

The hard truth is that what may be acceptable in elite culture may not be acceptable in mass culture, that tastes which pose only innocent ethical issues as the property of a minority become corrupting when they become more established. Taste is context, and the context has changed.

So exiled have even basic questions of freedom become from the political vocabulary that they sound musty and ridiculous, and vulnerable to the ultimate badge of shame-'That's so 60's!'-the entire decade having been mocked so effectively that social protest seems outlandish and 'so last century,' just another style excess like love beads and Nehru jackets. No, rebellion won't pose a problem for this social order.

If you give an answer to your viewer, your film will simply finish in the movie theatre. But when you pose questions, your film actually begins after people watch it. In fact, your film will continue inside the viewer.

Philosophers stretch the meaning of words until they retain scarcely anything of their original sense. They give the name of "God" to some vague abstraction which they have created for themselves; having done so they can pose before all the world as deists, as believers of God, and they can even boast that they have recognized a higher, purer concept of God, notwithstanding that their God is not nothing more than an insubstantial shadow and no longer the mighty personality of religious doctrines.

Nobody here could ever talk about a heaven on earth. Heaven remained rigidly in its proper place on the other side of death, and on this side flourished the injustices, the cruelties, the meanness that elsewhere people so cleverly hushed up. Here you could love human beings nearly as God loved them, knowing the worst: you didn't love a pose, a pretty dress, a sentiment artfully assumed.

I wanted individuals who were clearly themselves and I just got to put some clothes on them, but they basically came "done," you know? How they feel comfortable. I just wanted them to walk down the streets of New York and I said, "You know what? Don't even pose, just walk and we'll take pictures."

Being on 'Pose' for me has now allowed me to realize how important my culture is. It's made me realize how important the struggles that everyone has gone through are, and now we are able to tell that story.

Students need to learn how to unlearn those elements of a market driven society that deform their sense of agency, reducing them to simply consumers or even worse to elements of a disposable population. So we need to understand who controls the means of public education and the larger forms of what Raymond Williams called the cultural apparatuses of permanent education both in terms of the dangers they pose and the possibilities they harbor.

Finnick?" I say, "Maybe some pants?" He looks down at his legs as if noticing his outfit for the first time. Then he whips off his hospital gown leaving him in just his underwear. "Why? Do you find this" -- he strikes a ridiculously provocative pose -- "distracting?" I laugh. Boggs looks embarrassed and Finnick looks more like the guy I met at the Quarter Quell

People do ask me for advice for some reason. And I'll just kind of pose it back to them and let them answer on their own. I never like to give my advice 'cause I don't want them to come back and 'You were wrong! You ruined my life!' so it's more about 'Hey, this is what you just told me. What does that sound like to you?'

I did what sports were supposed to be like, and I was living in my car. So you know what, fine. I'm gonna talk a bunch of sh*t. I'm gonna pose in a couple of pictures. And I'm gonna break a couple of girl's arms, and I'm not gonna feel the least bit sorry about it because you know what? At least I can feed my dog.

Amazingly, my first project at Granta was the Sex issue. Given my own proclivity for the nuances of hedonistic and sexual exploration, partly through art, it was a perfect way to start. I love to interrogate through image - or pose questions through a subversion of said image - and we came up with a visual that caused quite a stir and went on to pick up a Design and Art Direction award.

The problem facing our people here in America is bigger than all other personal or organizational differences. Therefore, as leaders, we must stop worrying about the threat that we seem to think we pose to each other's personal prestige, and concentrate our united efforts toward solving the unending hurt that is being done daily to our people here in America.

I have often asked myself whether, given the choice, I would choose to have manic-depressive illness. If lithium were not available to me, or didn't work for me, the answer would be a simple no... and it would be an answer laced with terror. But lithium does work for me, and therefore I can afford to pose the question. Strangely enough, I think I would choose to have it. It's complicated.

[Subjects of the targeted killings] are supposed to be high-level Al Qaeda operatives that pose an imminent threat to the U.S. and American personnel and citizens. There's supposed to be no way to capture them. The "kill list" is calculated in the "terror Tuesdays" at the White House every week, where the President and his advisors - including CIA - "nominate" people to be on the kill list.

No writer in a free country should be expected to bother about the exact demarcation between the sensuous and the sensual; this is preposterous; I can only admire but cannot emulate the accuracy of judgment of those who pose the fair young mammals photographed in magazines where the general neckline is just low enough to provoke a past master's chuckle and just high enough not to make a postmaster frown.

Perhaps one would be wise when young even to avoid thinking of oneself as a writer - for there's something a little stopped and satisfied, too healthy, in that. Better to think of writing, of what one does as an activity, rather than an identity - to write, I write; we write; to keep the calling a verb rather than a noun; to keep working at the thing, at all hours, in all places, so that your life does not become a pose, a pornography of wishing.

What is the meaning of human life, or, for that matter, of the life of any creature? To know the answer to this question means to be religious. You ask: Does it make any sense, then, to pose this question? I answer: The man who regards his fellow creatures as meaningless is not merely unhappy but hardly fit for life.

It seems, in fact, that the more advanced a society is, the greater will be its interest in ruined things, for it will see in them a redemptively sobering reminder of the fragility of its own achievements. Ruins pose a direct challenge to our concern with power and rank, with bustle and fame. They puncture the inflated folly of our exhaustive and frenetic pursuit of wealth.

On the whole, asteroids tend to leave Earth alone. And day to day, there really isn't cause for most people to give them any thought. But despite being remote objects that most people have never seen, asteroids, and the threat they pose, come up an awful lot in popular culture.

I often pose questions to myself and want the answers. The questions may be psychological or emotional. Or they may involve botany or [...] physiology. [...] I am very curious about strangers I observe - as in a bus line. I am very attached to finding out answers.

People are constantly trying to make an image for you. They`ll dress you up and tell you to pose a certain way and take all these pictures... they want a certain image, so they create that. And unless you`re spending a lot of time to create another image to counteract that image, theirs will win. So right now, I`m kind of dealing with a lot of false ideas of what I`m about.

Someone will write a resolution that says, 'I want to exercise more,' or 'I want to lose 15 pounds' - which is great, that's a great goal to have - but every study tells us that if you pose things in abstract, goal-related terms, it's much less likely that you will accomplish it than if you structure it as an actual activity.

It's amazing to me: when people start their career, you write about maybe a couple of topics, and you find that as you grow older, a lot of those topics never resolve, because I think your job as a writer is to pose questions as you see them. I don't know if we're supposed to give answers to people, because I don't know if we have any.

I do not believe you could intellectually comprehend all the different forces playing upon us. Yet what you can do is become very silent, so you are not distracted and then begin to feel how these forces playing upon us are affecting us, and according to how we feel, we can then make intelligent decisions as to how far, how deep, how much, we explore in any pose.

I had this grand idea that Elvira's kind of the Santa Claus of Halloween - at the malls, you'd have an Elvira there. Girls would dress as Elvira just like guys dress as Santa Claus, and it's not the real thing, but they'll pose for pictures, sign autographs. Of course, I couldn't go around to every mall, so we'd have to get more Elviras.

We want to see...the efficient production and use of energy, so that the products we produce and the way we produce them pose no threat to the world's natural environment...economic development...so that more and more of the world's population can enjoy...the things which the energy industry supplies...(and) a society in which ideas and knowledge move freely.

The last publicized center of American writing was Manhattan. Its writers became known as the New York Intellectuals. With important connections to publishing, and universities, with access to the major book reviews, they were able to pose as the vanguard of American culture when they were so obsessed with the two Joes--McCarthy and Stalin--that they were to produce only two artists, Saul Bellow and Philip Roth, who left town.

I'm really proud of the way that 'Pose' has brought people's families together and touched people's hearts and opened people's minds. It's really incredible to see. It's a show about love and family, and it highlights what it really means to have a family and to be a family and to love your family.

Legendary photographer Annie Leibowitz persuaded us to pose in our underwear. When the magazine hit the stands we were horrified to see the caption 'Go-Go's Put Out.' Regardless, I was extremely excited to see us at every newsstand on every corner, our faces on the cover of 'Rolling Stone!'

"Teachers"... treat students neither coercively nor instrumentally but as joint seekers of truth and of mutual actualization. They help students define moral values not by imposing their own moralities on them but by positing situations that pose hard moral choices and then encouraging conflict and debate. They seek to help students rise to higher stages of moral reasoning and hence to higher levels of principled judgment.

By speaking of greater forces than we can possibly invoke, and by confronting us with greater spans of time than we can possibly envisage, mountains refute our excessive trust in the man-made. They pose profound questions about our durability and the importance of our schemes. They induce, I suppose, a modesty in us.

When I do period work, I really like to read about the period as much as I like to look at pictures because sometimes the written word is much better at conveying what their lives were really like and how much they had and where their clothes came from. Because, a lot of time, people dressed in their Sunday best to pose for a picture.

I feel like the older I get, the truer it feels that I'm only going have an investment in a poem if it allows or forces me to bring something that's supremely me onto the page. I used to think that the speaker of a poem was talking to someone else, to some ideal reader or listener, but now I think that speakers - poets - are talking to themselves. The poem allows you to pose questions that you have you ask of yourself knowing that they are unanswerable.

Science even more than the Gospel teaches us humility. She cannot look down on anything, she does not know what superiority means, she despises nothing, never lies for the sake of a pose, and conceals nothing out of coquetry. She stops before the facts as an investigator, sometimes as a physician, never as an executioner, and still less with hostility and irony.

I find most American films annoy me because their third act tends to be tying up loose ends and returning to moral values and killing the monster. I think most of the scripts I read to tend to go in that direction and I find that very, very unsatisfying. I want the stories to have loose ends and to pose some questions - or even say things that aren't too comfortable.

States like these [Iran, Iraq, North Korae], and their terrorist allies, constitute an axis of evil, arming to threaten the peace of the world. By seeking weapons of mass destruction, these regimes pose a grave and growing danger. They could provide these arms to terrorists, giving them the means to match their hatred. They could attack our allies or attempt to blackmail the United States. In any of these cases, the price of indifference would be catastrophic.

Saddam's existing biological and chemical weapons capabilities pose a very real threat to America, now. Saddam has used chemical weapons before, both against Iraq's enemies and against his own people. He is working to develop delivery systems like missiles and unmanned aerial vehicles that could bring these deadly weapons against U.S. forces and U.S. facilities in the Middle East.

Mystery is an inescapable ingredient of mathematics. Mathematics is full of unanswered questions, which far outnumber known theorems and results. It's the nature of mathematics to pose more problems than it can solve. Indeed, mathematics itself may be built on small islands of truth comprising the pieces of mathematics that can be validated by relatively short proofs. All else is speculation.

You have to learn to trust - and listen to - your unconscious mind. If you pose the question to your unconscious "is this person a friend or a foe" - safe or a threat - your unconscious mind is hard-wired to assess that brilliantly for you. It's just that we're not very good at paying attention to what our unconscious minds are telling us.

Most people don't really like to pose. It is difficult to get them to be present and relaxed under this kind of molecular scrutiny. I want them to understand I'm not simply painting them: I am painting them within a precise moment in time, as a shadow moves across their eyebrows. Then it is gone. The moment is over.

That Iran is willing to threaten Israel is wrong[. . . .] We pose no threat and if we are conducting nuclear research and development we are no threat to Israel. We have no intention of aggression against any country. [. . .] Today we announce to you that the political will of Iran is aimed at the negotiated settlement of the case and we dont want to aggravate the situation in our region[. . . .] We know that this issue can be settled in a constructive dialogue and we welcome that.

We must evaluate the political sympathies of other states and the effect war may have on them. To assess these things in all their ramifications and diversity is plainly a colossal task. Rapid and correct appraisal of them clearly calls for the intuition of a genius; to master all this complex mass by sheer methodical examination is obviously impossible. Bonaparte was quite right when he said that Newton himself would quail before the algebraic problems it could pose.

Philosophers are not honest enough in their work, although they make a lot of virtuous noise when the problem of truthfulness is touched even remotely. They all pose as if they had discovered and reached their real opinions through the self-development of a cold, pure, divinely unconcerned dialectic...; while at bottom it is an assumption, a hunch, indeed a kind of "inspiration" most often a desire of the heart that has been filtered and made abstract that they defend with reasons they have sought after the fact.

In vain do science and philosophy pose as the arbiters of the human mind, of which they are in fact only the servants. Religion has provided a conception of life, and science travels in the beaten path. Religion reveals the meaning of life, and science only applies this meaning to the course of circumstances.

All of the evidence highlights the implicit bargain that is offered to citizens: pose no challenge and you have nothing to worry about. Mind your own business, and support or at least tolerate what we do, and you'll be fine. Put differently, you must refrain from provoking the authority that wields surveillance powers if you wish to be deemed free of wrongdoing. This is a deal that invites passivity, obedience, and conformity. The safest course, the way to ensure being “left alone,” is to remain quiet, unthreatening, and compliant.

As the world transforms, moves closer together, jobs are displaced, and the world of work completely changes the way we live, the way we think. As that revolution goes on around us, it is going to pose political challenges of which immigration is one very obvious one, which are going to be extremely difficult to deal with. But it's like free trade. You know, in the end, if we go protectionist, we'll make a mistake.

Criticism is an alluring substitute for creation, because tearing things down, unlike building them up, really is as easy as falling off a stump. It's blissfully simple to strike a savvy, sophisticated pose by attacking someone else's creations, but the old adage is right: Any fool can burn down a barn. Building one is something else again.

Iraq does pose a serious threat to the stability of the Persian Gulf and we should organize an international coalition to eliminate his access to weapons of mass destruction. Iraq's search for weapons of mass destruction has proven impossible to completely deter and we should assume that it will continue for as long as Saddam is in power.

People who are harder to love pose a challenge, and the challenge makes them easier to love. You're driven to love them. People who want their love easy don't really want love.

You've never seen me debate anybody. On anything. Ever. My investment of time, as an educator, in my judgment, is best served teaching people how to think about the world around them. Teach them how to pose a question. How to judge whether one thing is true versus another. What the laws of physics say.

You can fall out of a tree pose with ease, or with frustration and a sense of defeat. Just like you can take a spill in your life and decide to dust yourself off - with a chuckle or an annoyed grunt - and get back up, or you can stay down, lie there, and give up. It's entirely up to you. It's your life, and your practice.

When you are balancing perfectly in a tree pose, everything is easy; your breath is deep and relaxed, and your muscles are working for you just as you'd like. It's pure and simple. Efficient. When you are having a great day, the same things occur. Your breathing is relaxed, your body is working harmoniously with your mind; everything just feels easier because you are in a state of balance.

There's a difference between sexy and hyper-sexy. The way I have drawn Vampirella, she's definitely sexy, I designed the costume. But her costume, through the years, has gotten briefer and briefer. She has been hypersexualized, but not by me. I mean, I see drawings in which she's got the 'brokeback pose'. I would never do that.

I had never done any sort of yoga before, and this epiphany was a little more esoteric. I walked into the yoga room and there was a voice from my soul that said out loud, This is it! I just knew. I just knew in that moment - I couldn't even straighten my legs. I couldn't sit cross-legged on the floor. I couldn't put my legs up the wall in the most gentle, restorative yoga pose, and yet, I knew.