Top 1200 Post Apocalyptic Quotes & Sayings

I think we are aware that post-racialism isn't real, right? I mean, I hope so. I kind of joke that we're post-post-racial.

Apocalyptic expectations ran riot in 1917, and had a major influence on Allied policies towards Palestine and the Jewish people. The propaganda of all nations was amazingly religious and apocalyptic - ghosts and visions, crucifixions and sacrifice, crusaders and holy warriors.

Post-apocalyptic novels tell you that in the future there is some great war. I would tell you that most cops say that it's going on right now.

Miami is just really fun whenever I go there. It's like this post-apocalyptic Barbie world: everything is pink, and there're palm trees everywhere. But then there are also all these people in crazy sunglasses, warehouses with sick parties where all the girls are covered in spikes and black leather. It's a very weird place.

Much like dystopian and post-apocalyptic books are a way to explore the worst-case scenarios lurking around the corner, fantasy can serve as a wonderful tool for showing kids that they have an inherent power in them to create change, both in themselves and in their community.

I grew up in the '80s where there's a lot of these kind of post-apocalyptic, post-comet, post-whatever it was, so that always captured my imagination a lot as a little kid, that idea of getting access to secret places and being able to roam around where you're not supposed to.

I feel like when we talk about post-apocalyptic themes that's what we're really talking about. We're always returning to this sense of being alone in a strange new place where all is bleak and all is lost. And it is this sense of isolation that permeates the whole album. I wanted to go into the balance between fear and transcendence.

The song "Sing for the Submarine" presents my dream world, which is way different from my waking world. It's set in the future and it's post-apocalyptic.

More academics should blog, post videos, post audio, post lectures, offer articles and more. You'll enjoy it: I've had threats and blackmail, abuse, smears and formal complaints with forged documentation.

Before progressives were apocalyptic about climate change they were apocalyptic about nuclear energy. Then, after the Cold War ended, and the threat of nuclear war declined radically, they found a new vehicle for their secular apocalypse in the form of climate change.

We are now living in a post-Roosevelt, post-Reagan universe. What comes next will not be post-partisan, because faction is an intrinsic human impulse.

'Borne,' in a weird way, even though it's a totally different universe, picks up where the 'Southern Reach Trilogy' leaves off, because it's post-apocalyptic.

Analysis of President Bush's tax plan has revealed that several elaborate tricks and gimmicks were used to make it look like a $1.35 trillion cut, but in reality it's going to be closer to costing $1.8 trillion. Critics claim it's math so fuzzy, you have to squint to see our nation's future of subsistence farming and post-apocalyptic roving motorcycle gangs.

I comment on my friends' things; whatever they post, I post funny posts. I don't post anything that's too sad or mad, or at least not for too long. And I'm usually just a happy person! Silly - people would describe me as silly and crazy and fun.

In this post-post-racial, post-Obama era of resurgent populism and Balkanized identity politics, it really does feel as though it matters - and matters more than anything else - whether you're black or white.

I think there's always been a traditionally apocalyptic side to British science fiction, from H.G. Wells onwards. I mean, most of Wells' stories are potentially apocalyptic in some sense or another.

What I find interesting and heartening, though, is that there does seem to be a shift in the subject matter being written about by women that is doing well in the culture. We're seeing more women writing dystopian fiction, more women writing novels set post-apocalyptic settings, subjects and themes that used to be dominated by men.

This post of President is a Constitutional post. It is the duty of everyone, all citizens to see that they respect the post... the institution of President.

I don't know that I'm post-anything. I'd like to think maybe I'm post-bullshit.

'Shank' is set in 2015, and it's set in a post-apocalyptic world where the main commodity is food. It's about how five young gentlemen travel around that harsh terrain and survive.

People start to talk about post-racist, post-feminist. What does that mean? We're clearly not post either. Would you say post-democracy? Clearly we haven't reached true democracy yet.

My struggle began after my first film, post a success, post a jubilee of so many weeks.

Zombies are apocalyptic. I think that's why people love them because we're living in, not apocalyptic times, but I think we're living in fear of the apocalyptic times.

Being homeless is like living in a post-apocalyptic world. You're on the outskirts of society.

In 'Falling Skies,' I was playing a soldier and a fighter, and then, when I was taken captive, you're still in this post-apocalyptic world.

Epic science fiction game, that's always been on my mind. Post-apocalyptic, 'Fallout,' was our first choice. Sci-fi was our second at the time, when we got the 'Fallout' license. We were going to do our own post-apocalyptic universe if we didn't get 'Fallout.'

My 'Rot & Ruin' series is a post-apocalyptic adventure for teens. My 'Joe Ledger' novels are science-based action thrillers for adults. My 'Dead of Night' stories are zombie tales for adults; my 'Pine Deep Trilogy' is classic horror for adults, and I've written nonfiction books on topics ranging from martial arts to folklore.

The new 'Mad Max' movie takes place in a post-apocalyptic world. I have a small part in 'Mad Max.' I play the old geezer who remembers what steak tasted like.

As a foreigner, I used to think all of Michigan was a post-apocalyptic wasteland of burning buildings, trashed cars, abandoned factories and broken dreams. But now I know that's just Detroit. It's only the Democrat-controlled areas that are a disaster.

I was just as crazy as everybody else post-Watergate, post-Vietnam.

I like animal sidekicks. They seem to be a pretty cool trope of post-apocalyptic fiction - just because if you're going to have this lone protagonist, they're going to need someone to talk to. Dogs are overused, and cats are dumb. So that leaves monkeys.

You turn on the shower or you do whatever, but especially right now with the drought in California, there are so many resources that we are depleting so quickly. And so, I thought it would be an interesting skill set to have if something were to go down, or even if it weren't. It's not post-apocalyptic idealism. It's more just like a fun hobby.

There is the apocalyptic influence in the Trumpean presidency: The world is destroyed in order to be purified and renewed in the ideal way that is projected by a Steve Bannon. And there is a sense of that when Trump says we'll make America great again, because he says it's been destroyed, he will remake it. So there is an apocalyptic suggestion, but I don't think it's at the very heart of his presidency.

I didn't have to do that much research to present a post-apocalyptic New York because I basically grew up in that New York. That old New York is gone, and that's one thing that's undiscoverable now but I explore in my fiction.

'The Hunger Games' takes place in Panem, a country which is part of America. It's post-apocalyptic. There's been a global war. The Panem country is what remains of this hugely destructive war.

Naming is like putting a stamp on something and fixing it. A kind of formaldehyde sort of fixation, but it becomes dead, sitting there forever, frozen. So, I'm not a great one for these modernist, post modernist, post colonial labels. I think they serve certain purpose. You do need some kind of sign post here and there, but it can also become an end in itself.

I think everyone envisions what their life would be like if they were to live in this post-apocalyptic world. I love the idea of fighting every day to live, because it kind of applies to gymnastics; I feel like every day I need to be in control and focused and stay on edge.

I suspect the popularity of young adults and dystopian novels has something to do with a desire for allegory and old-fashioned morality tales. In fact, you might find your religious framework here in dystopian, post-apocalyptic fiction. Here, and in videogames, you find strict codes of authority, the "rules of the game," the life-or-death quest and struggle that people crave.

Idealism that makes no distinction between areas where our national interest lies and those from which it is remote does no good for America. The weariness of the post-Versailles, post-Korea, post-Vietnam eras is never far from the national mood.

Great sex is apocalyptic. There is no such thing as great sex unless you have an apocalyptic moment.

I don't believe in post-racial or post-gay or post-anything, but I do think within a certain group of friends, what matters less is the specificities of race and sexuality, and what matters more is the shared experience, shared language and shared cultural touch points.

There's no such thing as post-feminism. It's like saying post-democracy, excuse me, what does that mean? We're nowhere near equality, so the very idea of post-feminism is ridiculous. The same people who 30-40 years ago said the women's movement is not necessary, 'it's going against nature, my wife is not interested' [are] the same people now saying 'well it used to be necessary but not anymore.' The very invention of the word post-feminism is the current form of resistance.

The idea that we live in a post-modern culture is a myth. In fact a post-modern culture is an impossibility; it would be utterly unlivable. Nobody is a post-modernist when it comes to reading the labels on a medicine bottle versus a box of rat poison! You better believe that texts have objective meaning!

Dude. Post-apocalyptic world. Who does job applications anymore?” “I do.” I squint at it, then him. “What are you paying me?” I angle. “Dude. Post-apocalyptic world. Who does money anymore.” I snicker. First sign of any sense of humor he’s shown. Then I remember where I am and why. I wad it up and throw it at him. It bounces off his chest.

A lot of the creature comforts and the things we take for granted, are not sustainable, especially at current population levels. And so, it's not just simply a matter of changing over to solar. It's a matter of changing our philosophies. Of learning to live, more or less, mid- or post-apocalyptic, whatever apocalyptic means.

I always love some sci-fi and any type of post-apocalyptic world idea.

I was shooting a mini-series for Sundance/BBC, called 'Top of the Lake,' that was shot by Jane Campion, who's a beautiful native New Zealander and famous film director. The role I was playing was very intense, and they shaved half my hair off. So, I looked like this post-apocalyptic character.

'The Washington Post' doesn't have to report on what I post on Twitter. CNN doesn't have to report on what I post on Twitter. All kinds of media outlets - they don't have to report on anything that I post on Twitter. Just like they don't have to report on all kinds of other things that other people post on Twitter.

I gravitate towards the utopian potentials of digital space (post race, post gender, post human etc.), but understand that people live in real bodies that experience real consequences based on how they are gendered, sexed, raced and classed.

It's been said that horror films are experimental forms of art, and I agree. As an actress, you're put in positions and have to experience emotions that are way beyond reality, whether fighting in a post-apocalyptic world or being possessed by the Devil.

I think you're only post-racial when you stop asking if you're post-racial. When the Neanderthals finally stopped asking themselves if they were in a post-saber tooth society, that's when they were post-saber tooth.

The condition of the United States in the post-postmodern, or post-post-irony period. It's what the country will become when there is nothing left but mediated images of its substance.

If I think about music in the future, I imagine it often as not involving electricity, in some dystopian, post-apocalyptic future. And that's what I get from Penderecki: people making music by taking these instruments out of boxes and playing them. That's a very bizarre and modern thing.

Another thing we wanted to do, a lot of shows or movies that are in the future or the post-apocalyptic are very bleached, desaturated desert environments and we wanted to do the opposite of that. There's always talk about Chernobyl and the world that environment has recovered has become this idyllic, bizarrely refuge for wildlife.

I think it worked two ways. One, a lot of people writing about the movie used that as shorthand and it could either be a good thing or they could use it to dismiss the movie like we were a copycat movie or something like that. It's very much its own story. It is a young woman in a post-apocalyptic society, but after that it's just a whole different kind of story and a different journey that she goes through.

I quite like post-apocalyptic films, things like 'Mad Max' for instance, because they are so full on and there is something quite cleansing about the post-apocalyptic because you can see where we all think we're heading.

In the event of a Mad Max-style post-apocalyptic dystopia, people with supplies of food and water could become warlords or chieftains in the social order that emerges out of the rubble.

If humans one day become extinct from a catastrophic collision, there would be no greater tragedy in the history of life in the universe. Not because we lacked the brain power to protect ourselves but because we lacked the foresight. The dominant species that replaces us in post-apocalyptic Earth just might wonder, as they gaze upon our mounted skeletons in their natural history museums, why large headed Homo sapiens fared no better than the proverbially peabrained dinosaurs.

For me, writing post-apocalyptic novels isn't so much about exploding helicopters and fifty-megaton doomsday bombs as it is about the pleasure of dealing with the best of everything that makes us human: cleverness, grit, loyalty, and self-sacrifice.

I don't much like post-modernism, because post-modernist has become the basket in which every mediocre person can shuffle things and pretend to do something significant, and we could also mention who use post-modernism in this way - maybe we shouldn't.