Top 1200 Power Lines Quotes & Sayings - Page 4

Words have power. The power to soothe. The power to skewer someone through the heart. The power to render someone speechless.

I think we're the only jokeless show on television. I mean really, we have no setups and no punch lines. It's not a joke show. There are funny lines and funny moments but again the comedy is born of the human experience and awkward pauses are a great part of what it is to be human.

Most great entrepreneurs I know are nothing like the other kids. They're almost like tangent lines - those lines that seem to go nowhere. Nothing connects them, until they get out in the real world. Then they connect just fine.

None of us believes in an untrammelled right to free speech. We all agree there are always going to be lines that, for the purposes of law and order, cannot be crossed; or for the purposes of taste and decency, should not be crossed. We differ only on where those lines should be drawn.

When people ask what 'American Pie' is about, they're missing the point. The song isn't about the lines themselves - it's about what is between the lines. The song is about what isn't there.

I hate government. I hate power. I think that man's existence, insofar as he achieves anything, is to resist power, to minimize power, to devise systems of society in which power is the least exerted.

Sometimes actors don't remember their lines. At its worst, this means they 'dry' and silence descends. More commonly, the original lines are paraphrased in some alarming way. It's hard to say which is more painful for the author. Less serious, but quite irritating is to hear the word 'Well' inserted at the beginning of speeches.

I believe I'm very conscious of exactly what I'm doing. I'm auditioning lines of dialogue, and I'm interrogating whether the lines would translate from Russian into English the right way. The English that results can perhaps seem somewhat more formal than colloquial, but not so formal as to feel academic.

There's certain stock lines that, you know, like heckler lines, you know, like, where did you learn to whisper, a helicopter, you know? Nobody owns those. I mean, someone first wrote it but it's been so universally used that it's common and it's called stock.

Fires in California and Oregon are incinerating homes, businesses, schools, power lines, and roads. Hurricanes in the Gulf Coast are swamping mobile homes and carrying away cars and livestock. The United States faces the potential task of relocating towns and cities and fortifying others, trapped in an endless cycle of destruction and rebuilding.

I've always romanticized the late '40s and '50s - the cars, jazz, the open roads and lack of pollution. Now there are more vehicles, less hitchhikers, more billboards and power lines and stuff. People wrote wonderful long letters that took months to receive, and now everything is email.

It is unfortunately none too well understood that, just as the State has no money of its own, so it has no power of its own. All the power it has is what society gives it, plus what it confiscates from time to time on one pretext or another, there is no other source from which State power can be drawn. Therefore every assumption of State power, whether by gift or seizure leaves society with so much less power; there is never, nor can be, any strengthening of State power without a corresponding and roughly equivalent depletion of social power.

One of the things that's pretty unique about nu shu, when you look especially at these old letters and stories that have been saved, is that there are certain lines that are very standard that are used again and again. It's almost like a formula in a sense, so that these certain lines come up again and again.

There are places where there is more power. Just as there is more power in the chakras, there is more power in certain places. We call them places of power. If you spend time in these places, it increases your vibratory power.

I finally stopped fretting and tried to think of Donald Trump's election as an opportunity. I didn't shift my thesis but I added some lines, in the Blurred Lines introduction, to my description of the progressive awakening that has happened in this country over the last five years - "Trump's presidency is a macroaggression". I wanted Trump to be a specter from the book's outset.

The necessity for power is obvious, because life cannot be lived without order; but the allocation of power is arbitrary because all men are alike, or very nearly. Yet power must not seem to be arbitrarily allocated, because it will not then be recognized as power. Therefore prestige, which is illusion, is of the very essence of power.

It's important if you can do good with power. And Jesus defined power, true power is to serve, to do service, to do the most humble services, and I must still make progress on this path of service because I feel that I don't do everything I should do. That's the sense I have of power.

Paintings may not have nearly the power to convert people that the printed or spoken word has, but each man has his part to play in the human and divine drama - some persons just a few lines, others whole pages. To refuse to play one's role at all is not the answer. It is better to light one candle than to curse the darkness.

She had been dragged in the most humiliating of all dusts, the dust reserved for older women who let themselves be approached, on amorous lines, by boys... It had all been pure vanity, all just a wish, in these waning days of hers, still to feel power, still to have the assurance of her beauty and its effects.

When power is for sale, then government power should be severely limited. When power is abused, then the less power the better.

The car is not a rabbit or a deer that jumps around in sweeping lines, but it is a man-made work of technology in need of an appropriate roadway. Rather, the car resembles a dragon fly or any other jumping animal that moves shorter distances in straight lines and then changes its direction at different points.

Melody and harmony are like lines and colors in pictures. A simple linear picture may be completely beautiful; the introduction of color may make it vague and insignificant. Yet color may, by combination with lines, create great pictures, so long as it does not smother and destroy their value.

Power over must be replaced by shared power, by the power to do things, by the discovery of our own strength as opposed to a passive receiving of power exercised by others, often in our name.

When the trees and the power lines crashed around you, when the very roof gave way above you, when the light turned to darkness and water turned to dust, did you call on Him? When you called on Him, was He somewhere up there, or was He as near as your very breath?

More fundamentally, however, the answer to petitioners' objection is that there can be no impairment of executive power, whether on the state or federal level, where actions pursuant to that power are impermissible under the Constitution. Where there is no power, there can be no impairment of power.

I don't worry too much about learning lines per se. The memorization is the easy part for me, usually. For me, it's more about working on the context, back story, intention, motivation, etc. Once that's in place, the lines come pretty naturally.

This bill, by vesting the power to withhold or terminate Federal funds, creates a concentration of power of economic coercion unequaled in the history of governments-a power concentration which defies the experience of mankind with the temptation of power to corrupt.

When people are oppressed, and human rights are denied - particularly along sectarian lines or ethnic lines - when dissent is silenced, it feeds violent extremism, it creates an environment that is ripe for terrorists to exploit. When peaceful, democratic change is impossible, it feeds into the terrorist propaganda that violence is the only answer available.

Perspective is nothing more than a rational demonstration applied to the consideration of how objects in front of the eye transmit their image to it, by means of a pyramid of lines. The Pyramid is the name I apply to the lines which, starting from the surface and edges of each object, converge from a distance and meet in a single point.

I think the corruption of power is very interesting, and I think the idea that power is something that... You know, when people want power, they're a certain individual. When people acquire power by accident, they're different again.

I've got a lot of laughter lines. You don't get laughter lines on your face without having a lot of fun in your life.

I know my destiny. I was born into animosity, bigotry and hatred. We had water for white folks, and water for coloured folks. White lines, black lines. I came from Beaufort in South Carolina, and it was tougher than Georgia, Alabama and Mississippi.

Some of the writers definitely got inspired by some of the story lines, but we are evolving in the 'Daredevil' story. So when it comes to 'Elektra', they didn't follow one of her specific story lines, you know. They really tried to capture what comes through the comics, but there's not one specific storyline.

The federal government neither has the power to site transmission lines, nor do we build them. That's done, as people know, in their own communities. The siting decisions and the permitting is done at the local level, or by state governments if it's interstate in nature. And federal government - this is one area we have no authority.

Everyone's supposed to stay in their lines and be neat. 'You're a rapper. You're supposed to rap, carry a boom box, wear chains, and go to the club - that's all you do. What are you doing collecting art? What are you talking about? Wait a minute, you're getting out of the zone.' People hate when people cross lines.

The evil of the Holocaust was realized through the exercise of a certain kind of power - coercive power. It was a power that sought to dominate and control. It was a power legitimated through law, buttressed by propaganda, augmented by terror, and affected through all the institutions of society.

The power to tax involves the power to destroy;...the power to destroy may defeat and render useless the power to create.

I organize the opposition between colors, lines and curves. I set curves against straight lines, patches of color against plastic forms, pure colors against subtly nuanced shades of gray.

I counted on sixty days only, but I held out for 133. I didn't go into power, but to get power I borrowed some power from the President and made him sign a number of decrees and give me enough power to create a system capable of handling crisis situations.

There are a lot of people who believe that the individual can't make it himself. And that's why people want to join up in various herds - herd formation. So you become part of a herd, a group. Group power of some kind. There's an awful lot of group power people in our country [the USA] - Black power, Chinese power, Indian power, woman power. Everyone is putting in together.

The two black lines on the armband means that they're the deceased's family. One line means they are either friends or acquaintances. One line of the arm, one line on the heart. The bastards who stood by my side with two lines, they'll be the hardest farewells I'll have to make in my life, and they're the luckiest fortune I've met in my lifetime.

We should not be content to say that power has a need for such-and-such a discovery, such-and-such a form of knowledge, but we should add that the exercise of power itself creates and causes to emerge new objects of knowledge and accumulates new bodies of information. ... The exercise of power perpetually creates knowledge and, conversely, knowledge constantly induces effects of power. ... It is not possible for power to be exercised without knowledge, it is impossible for knowledge not to engender power.

[On power:] Some people really have almost a disdain for that word. They feel it is alien to conscience. Power for power's sake, no. But the positive use of power for positive purposes is very important. You have to understand that. You've got to have a seat at the policy table if you want to make a difference.

Power in defense of freedom is greater than power in behalf of tyranny and oppression, because power, real power, comes from our conviction which produces action, uncompromising action.

The less lines, the better. I am the silent film actor, but not in a slapstick sort of way. Film is an image-based medium, so whatever you can say without the words is far more provocative and punctuating. If the lines are not funny or if they don't advance the story, sometimes it's hard. I hate talk in movies.

There are two kinds of power. One is power over, which is always destructive, and the other is power from within, which is a transcendent and creative power.

To power the country by building 186,000 fifty-story wind turbines - and running 19,000 miles of new transmission lines - just seems impractical and preposterous compared to the idea of building a hundred new nuclear facilities primarily on the sites we already have.

I love live theater. I get my rocks off by doing stand-up, and I am the only actor. But to show up eight times a week and not have that time for myself; to do someone else's lines? When I work for Wendy Wasserstein or Terrence McNally, Neil Simon or even Shakespeare, I do not have the right to change the lines.

The greater the power, the more need there is for transparency, because if the power is abused, the result can be so enormous. On the other hand, those people who do not have power, we mustn't reduce their power even more by making them yet more transparent.

Most of the time, with voice-overs, you're recording before they've got the graphics, and you also don't get a whole script. I get my lines, as I show up that day. You don't know what the rest of the story is, so you really rely on the people in the room that you're working with, so they can fill you in on what's going on, right around your particular lines.

Nature eschews regular lines; she does not shape her lines by a common model. Not one of Eve's numerous progeny in all respects resembles her who first culled the flowers of Eden. To the infinite variety and picturesque inequality of nature we owe the great charm of her uncloying beauty.

It's easier for me to act in Spanish, but as soon as I get the lines in English and I know them by heart, it becomes really easy. You don't have to worry about the language anymore. It just takes more time. In Spanish, I can learn lines in 10 minutes. In English, it's going to take an hour.

You make a decision whether you just work on the script and believe in every moment and pick out every moment, or if you sit down and memorize lines. Once you really dig into a script, learning lines becomes almost second nature.

I tend to be more arrogant on stage. Far more ignorant. I sometimes say what I think and sometimes say the opposite of what I think and the lines get blurred, but I can only hope that some kind of absolute power transcends.

My uncles and my father were all in the Royal Navy. One of my uncles, as a matter of fact, was drowned in the Sea of Singapore, having been fighting for the Royal Navy behind enemy lines, Japanese lines, in the hinterland of Singapore.

People keep saying, 'How'd you get power?' Nobody gives you power. I'll tell you what power is. Power in my estimation is if people will listen to you. That's it.

A lot of people profess to have power and it is very minor astral power. They do get power over you, not because they have any intrinsic power, but because your fear immobilizes you and makes you do a bad job.

For loving, working, and creative people to throw off the yoke of power it is necessary to abolish power itself, not merely to make the yoke comfortable. Where some have power, others do not, and the two classes persist. A free society is where all have power-power over and responsibility for their own lives, power and reason to respect the lives of others. This is also a society without classes, a society of human beings, not rulers and the ruled.

For me, prose is never a poem. Because with prose there are so very few tools to create the music. And one of the most important tools missing is the ability to create silences, as you can in poetry by how you fashion the lines and breaks within the lines and stanzas.

If we paint the phases of a riot, the crowd bustling with uplifted fists and the noisy onslaughts of cavalry are translated upon the canvas in sheaves of lines corresponding with all the conflicting forces, following the general laws of violence of the picture... These force-lines must encircle and involve the spectator so that he will in a manner be forced to struggle himself with the persons in the picture.