Top 1200 Power Of Now Book Quotes & Sayings - Page 13

I think art is the only political power, the only revolutionary power, the only evolutionary power, the only power to free humankind form all repression. I say not that art has already realized this, on the contrary, and because it has not, it has to be developed as a weapon, at first there are radical levels, then you can speak about special details.

The baddest woman in my book... my mother. I get scared of her now. She used to hit me with anything, skillets, stove wood.

For the newspaper is in all literalness the bible of democracy, the book out of which a people determines its conduct. It is the only serious book most people read. It is the only book they read every day.

The only way to truly be protected at all times is to claim your personal power with the highest code of ethics and responsibility. If you are centered in this type of power, the power of the universe supports you, and no one and nothing can defeat you.

A fine book, in the perfect setting, when there's all the time in the world to read it: Life holds greater joys, but none come to mind just now.

I was perpetually grief-stricken when I finished a book, and would slide down from my sitting position on the bed, put my cheek on the pillow and sigh for a long time. It seemed there would never be another book. It was all over, the book was dead. It lay in its bent cover by my hand. What was the use? Why bother dragging the weight of my small body down to dinner? Why move? Why breathe? The book had left me, and there was no reason to go on.

The Book of Mormon was written for us today. God is the author of the book. It is a record of a fallen people, compiled by inspired men for our blessing today. Those people never had the book. It was meant for us.

I always try to treat the book itself as the artwork. I don't want you to stop while you're reading one of my books and say, 'Oh! What a gorgeous illustration!' I want you to stop at the end of the book and say, 'This is a good book.

Nature is a divine art; it cannot be the artist. It is a dominical book and cannot be the scribe. It is an embroidery and cannot be the embroiderer. It is a register and cannot be the accountant. It is the law and cannot be the power.

'Say Her Name' was a book I never wanted to write and never expected to write. I wasn't trying to do anything except write a book for Aura - a book that I thought I had to write.

Charles Darwin wrote a famous book in 18 [gibberish]. And that book was an interesting book, cuz it was called "Monkey-Monkey-Monkey-Monkey-Monkey-Monkey-You".

I can only tell you the kind of power I want, which is the power to persuade. But I do not want the power to tell other people what to do. Persuade assumes that the other person is going to make the decision. Especially as a writer and an activist, I want the power to put ideas and possibilities out there, but I understand that they will only work if they are freely chosen, so I don't want the power to dictate or to force the choice, ever.

My first favourite book was 'Are You My Mother?' A picture book about a lost bird. After that my favourites changed almost yearly. I loved everything by Roald Dahl, but my favourite was probably 'Charlie and the Chocolate Factory.' A librarian gave me a first edition of that book, which I treasure.

It's a guilty pleasure that things I loved as a kid I now have the power to put into motion and up on screen.

I was devastated when I got the review for my first book. The book came out a couple years before the women's movement broke through, and people were putting it down, asking, 'Why does the woman in this book need to get a divorce? Why can't she just shut up and be happy?'

I'll tell you right now, man, if WWE was to call me and say, 'Hey, Book, we want you to do a match with 'Stone Cold' Steve Austin,' I'd do it!

My first favourite book was Are You My Mother? A picture book about a lost bird. After that my favourites changed almost yearly. I loved everything by Roald Dahl, but my favourite was probably Charlie and the Chocolate Factory. A librarian gave me a first edition of that book, which I treasure.

I have also written a book about the Giving of the Torah, and a book on the Days of Awe, and a book on the books of Israel that have been written since the day the Torah was given to Israel.

The deceit and distortion surrounding the American invasion of Vietnam is by now so familiar that it has lost its power to shock.

Now you see. We are all fugitives. We have always been fugitives from the void. Whatever comfort, whatever power we gain from outside of ourselves diminishes us -- because comfort and power, unless they are won from the void inside of us, are illusions that make us forget the emptyness that carries us. When we forget that, we believe we deserve comfort and power and so are capable of any evil. We deserve nothing but what we make of ourselves. We deserve nothing else. And when we understand that, then nothing is enough.

Belief comes spontaneously as well as by effort. Belief is power. An insincere and uninspired seeker is aware of the truth that belief is power, but he cannot go beyond understanding or awareness; whereas a sincere, genuine, devoted and surrendered seeker knows that belief is dynamic power, and he has this power as his very own.

At different times and in different places I have come to expect certain books to look a certain way, and, as in all fashions, these changing features fix a precise quality onto a book's definition. I judge a book by its cover; I judge a book by its shape.

No longer let thy breathing only act in concert with the air which surrounds thee, but let thy intelligence also now be in harmony with the intelligence which embraces all things. For the intelligent power is no less diffused in all parts and pervades all things for him who is willing to draw it to him than the aërial power for him who is able to respire it.

50 is a great person. I was a little intimidated when I met him for the first time in 2006. I didn't know what to expect. It ended up we got along really well. That's why we decided to do a book together, The 50th Law of Power.

Sometimes, readers, when they're young, are given, say, a book like 'Moby Dick' to read. And it is an interesting, complicated book, but it's not something that somebody who has never read a book before should be given as an example of why you'll really love to read, necessarily.

If 'Mystery Train' is my Nixon book and 'Lipstick Traces' my Reagan book, 'Invisible Republic' is my Bill Clinton book. I really liked Clinton. He made me proud to be part of this country again. For all of his failings, the way he put all that he'd done in jeopardy, I supported him from beginning to end.

You don’t get black power by chanting it. You get it by doing what the other groups have done. The Irish kept quiet. They didn’t shout “Irish Power”, “Jew Power”, [or] “Italian Power”. They kept their mouths shut and took over the police department of New York City, and the mayorship of Boston.

The book is a uniquely durable object, one that can be fully enjoyed without being damaged. A book doesn't require fuel, food, or service; it isn't very messy and rarely makes a noise. A book can be read over and over, then passed on to friends, or resold at a garage sale. A book will not crash or freeze and will still work when filled with sand. Even if it falls into the bath, it can be dried out and finished. Books require no special training to operate.

[G]overnment can, instead of extending freedom, restrict freedom. And note ... that the 'can' quickly becomes 'will' the moment the holders of government power are left to their own devices. This is because of the corrupting influence of power, the natural tendency of men who possess some power to take unto themselves more power. The tendency leads eventually to the acquisition of all power - whether in the hands of one or many makes little difference to the freedom of those left on the outside.

Whenever I start a new book, I think, 'This is the most interesting subject of all time. It's sad, I'll never enjoy writing another book as much as I enjoy this one.' Every time, I'm convinced. And then I change my mind when I start the next book.

I like Victorian children's novels extremely a lot. If I would say I collect anything, that's what I'll hunt for now and again at old book stores.

If one of my kids reads a book for school and I can have a conversation with her about the book and I sense that she gets what the book is about, then it doesn't really matter to me if she gets an A on the paper.

If I were to write Web now, it would be a much, much darker book.

Their final objective toward which all their deceit is directed is to capture political power so that, using the power of the state and the power of the market simultaneously, they may keep the common man in eternal subjection.

Our status as a free society and world power is not based on brute strength. When we've taken up arms, it has been for the defense of freedom for ourselves and for other peaceful nations who needed our help. But now, faced with the development of weapons with immense destructive power, we've no choice but to maintain ready defense forces that are second to none. Yes, the cost is high, but the price of neglect would be infinitely higher.

I doubt nuclear power will play a much larger role than it does now.

In Iceland, book lives matter in every sense of that phrase: The shelf-life of the book, the lives in the book, the life of the writer, and the life of the reader.

For the past several centuries the bonding power of the family dinner table has been one of the few constants, and now it's binding no more. The potency of the media is now stronger than that of the family. The wonder is that families still exist at all, since the forces of modern life mainly all pull people away from a family centered way of life.

The sages are often ignorant of physical science, because they read the wrong book-the book within; and the scientists are too often ignorant of religion, because they too read the wrong book-the book outside.

There is power and there is power, my dear. My power can be vast, in the right places.

The pas has no power to stop you from being present now. Only your grievance about the past can do that.

Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer.

I would say I've always lived creativity, but now I - I do it with an intention that's got a completely different power.

If you want to write about a person who isn't nice, people say, "This is a bad book. It's about somebody I couldn't stand." But that's not the point. You don't have to like a character to like a book. Most of the time, people would misjudge and say, "I didn't like the book." No, you didn't like the character. That doesn't make it any less interesting of a book. In fact, to me, it makes it more interesting.

There were times when I thought I had to be completely off-book and ready to give my opening night performance at the audition, but then I swung back to a more relaxed view of it. Certainly you've looked at the material and prepared it, but there's no reason to be off-book. You're not getting points for being off-book.

Doughboy," I said. "What is this scroll?" "A spell lost in time!" he pronounced. "Ancient words of tremendous power!" "Well?" I demanded. "Does it tell how to defeat Set?" "Better! The title reads: The Book of Summoning Fruit Bats!

A lot of times, actors give so much power to the producers and the producing companies because, quite frankly, they have it. But we don't take the limited power that we have, which the power you initially have is to say 'no.' But 'no' in a positive way.

For years, we've been bludgeoned with the cliche "information is power." But information isn't power. After all, who's got the most information in your neighborhood? Librarians. And they're famous for having no power at all. And who has the most power in your community? Politicians. And they're notorious for being ill-informed.

If you buy a book on golf instruction buy the thinnest book you can find. The thinner the book, chances are the easier and more elementary the instruction. It can do one of two things: help you more or hurt you less. Both are good compared to the alternative.

I am not like Stephen King, who writes one book, then writes another. I finish a book and go off and... look for wrecks. Then, six months later, I might start another book.

I define power as control over one's life. Pay is not about power. Pay is about giving up power to get the power of pay.

An actor has power, and their power is very simple: it's the power to say no.

The Daredevil comic book was the first comic book Marvel had ever put out that was an adult R-rated book, so I started with that. When I was creating the series, I just started with that tone, and that edge, and it just kept going.

Because he did not have time to read every new book in his field, the great Polish anthropologist Bronislaw Malinowski used a simple and efficient method of deciding which ones were worth his attention: Upon receiving a new book, he immediately checked the index to see if his name was cited, and how often. The more "Malinowski" the more compelling the book. No "Malinowski", and he doubted the subject of the book was anthropology at all.

The rewrites are a struggle right now. Sometimes I wish writing a book could just be easy for me at last. But when I think about it practically, I am glad it's a struggle. I am (as usual) attempting to write a book that's too hard for me. I'm telling a story I'm not smart enough to tell. The risk of failure is huge. But I prefer it this way. I'm forced to learn, forced to smarten myself up, forced to wrestle. And if it works, then I'll have written something that is better than I am.

I remember going over proofs of this book - my first book - back in 2001, in a bar in Toronto called the 'Victory Cafe', and thinking sadly to myself, 'This is a very good manuscript but not a very good book.' I don't know what I meant by that, but I was pretty heartbroken and sure it was true.

By the time I get through writing a score, I know the book better than the book writer does, because I've examined every word, and questioned the book writer on every word.

Whatever has happened to you in your past has no power over this present moment, because life is now.

I'm quite nosy. Somebody will be reading a book on a train, and I'll go: 'How is it? Is it any good?' and they'll be like, 'Yeah, now let me read it.'

The burning of a book is a sad, sad sight, for even though a book is nothing but ink and paper, it feels as if the ideas contained in the book are disappearing as the pages turn to ashes and the cover and binding--which is the term for the stitching and glue that holds the pages together--blacken and curl as the flames do their wicked work. When someone is burning a book, they are showing utter contempt for all of the thinking that produced its ideas, all of the labor that went into its words and sentences, and all of the trouble that befell the author . . .