Top 88 Presenter Quotes & Sayings - Page 2

I worry that there are people who are put in positions of authority because they're good talkers, but they don't have good ideas. It's so easy to confuse schmoozing ability with talent. Someone seems like a good presenter, easy to get along with, and those traits are rewarded. Well, why is that? They're valuable traits, but we put too much of a premium on presenting and not enough on substance and critical thinking.

People know more about my views than they do about most BBC presenters because I had a life before becoming a BBC presenter.

They're all good-looking men - I can't think of a male presenter who isn't a good-looking bloke - but, you know, they're not judged by their suits and ties.

I've never considered myself a presenter or never really had the desire to do that, but in the U.S., what that entails is completely different to what it is on a panel show. A panel show is just a lot more fun.

I had an early taste of fame. I was 20, going out with TV presenter Dani Behr and we'd have paparazzi chasing us. I'm not comfortable being photographed, though I accept it is part of the job. I had to ask myself, 'What comes first, being a celebrity or footballer?'

Since becoming a BBC breakfast presenter I have been paid four-figure sums for doing hour-long speeches for associations and at awards dinners. That has been an eye-opener. I am surprised by how much people are willing to pay TV celebrities to do that kind of stuff.

Unless created as freestanding works, quotations resemble "found" art. They are analogous, say, to a piece of driftwood identified as formally interesting enough to be displayed in an art museum or to a weapon moved from an anthropological to an artistic display.... The presenter of found art, whether material or verbal, has become a sort of artist. He has not made the object, but he has made it as art.

Whereas my producer literally worked on this thing for 10 years and because I gave that presenter credit to David Lynch, she to this day never gets credit. It really kills me.

I don't think it's necessary to do stand-up to be a presenter, but I like it, because it keeps me sharp, especially when something like 'Take Me Out' is 80% is ad-libbed, so that works for me.

My goal is to be the best TV presenter, the best entertainer, the best singer. I still want to be the best dancer. I want to be the best at everything I do.

It is with enormous regret that I have decided to leave Wish You Were Here?' after two very happy years as its presenter. It was always my intention to do two years on this wonderful program and now it is time for me to move on to other things.

I went back to 'The X Factor' for one reason, because I wanted to have that full circle. It's where I started, and I went back as a presenter. And that's what I wanted and I got that.

My friends were amazed that I became a TV presenter. I was not a big talker at school - I never liked people seeing my braces, so I walked around with my sleeves pulled over my hands and my hands over my mouth in case anybody saw me smiling.

'Bradshaw's' is a lovely device for the time-travelling television presenter. I just hope that people buying it aren't doing so with the intention of plotting a tour of 21st-century Europe. They'll find quite a lot has changed since 1913.

For the first three months of 'Big Brother' I was a terrible TV presenter. But everyone was talking about the teeth. By the time they'd stopped talking about the teeth I was good at my job.

I'd done performance art sporadically from about 1976 - very personal street things on my own. Acting seemed like a natural step from that. But I didn't really want to 'be' anything: presenter, comic, actor. I just wanted to perform.

I think when you're a TV presenter, you have to have a reason for doing it, and a lot of them have been around a long time and grafted for that. The reason why it works with me on 'The Xtra Factor' is because I was a contestant on it, and I have a relationship with the viewers at home.

I was about 15 years old, and I needed a job, and somebody I know - I don't even know who it was - said that there was a television show that needed a presenter and that I should go and audition for it, so I did. That was a show called 'The Word,' and I got that job.

But there's something delightfully old-school about sitting in the BBC - obviously wearing a bow tie and monocle - with a co-presenter who forgets there's a webcam in there. It's also nice to hear from the general public when they're not swearing at you or asking to extend their credit limit.

The problem is that television executives have got it into their heads that if one presenter on a show is a blonde-haired, blue-eyed heterosexual boy, the other must be a either black gay or a lesbian. Chalk and cheese, they reckon, works.

It is more than likely that the brain itself is, in origin and development, only a sort of great clot of genital fluid held in suspense or reserved. This hypothesis would explain the enormous content of the brain as a maker or presenter of images.

One of my very greatest fears as a child was being ridiculed in public. And there it was coming true. As a television presenter, I'd been respected. People come up to you in the street and shake your hand and talk to you in a respectful way.

I had an early taste of fame. I was 20, going out with TV presenter Dani Behr and we'd have paparazzi chasing us. I'm not comfortable being photographed, though I accept it is part of the job. I had to ask myself, 'What comes first, being a celebrity or footballer?

Of course, I could try IVF. But having watched my friend TV presenter Clare Nasir go through it, I know how tough the journey is. Emotional fool I may be, but even I can see that's too selfish a course of action to impose on my family.

Oh, I so don't care about the podium at the Oscars. I've stood at the podium at the Oscars and that's close enough. To be a presenter is as close as I need to be.

Audience interest is directly proportionate to the presenter's preparation. You better spend time and energy on any presentations where the stakes are high. If you are trying to close a large sale or speak at a conference to an audience of potential clients, you better be ON your game. An audience can tell how much energy you spent on your presentation, which is a reflection of how much you valued their time. If they gave you an hour of their time, you need to make it worth it to them by treating their time as a valuable asset by making the content valuable to them.

I always say I'm more of a food writer than a TV presenter, because that's what I'm trained in, that's what I spend most of my year doing. TV is about performance and I've never had any training.

The futility of everything that comes to us from the media is the inescapable consequence of the absolute inability of that particular stage to remain silent. Music, commercial breaks, news flashes, adverts, news broadcasts, movies, presenters—there is no alternative but to fill the screen; otherwise there would be an irremediable void.... That’s why the slightest technical hitch, the slightest slip on the part of the presenter becomes so exciting, for it reveals the depth of the emptiness squinting out at us through this little window.