Top 1200 Previous Work Quotes & Sayings - Page 20

If you work for a man, in heavens name work for him! If he pays you wages that supply you your bread and butter, work for him speak well of him, think well of him, stand by him and stand by the institution he represents. I think if I worked for a man I would work for him. I would not work for him a part of the time, and the rest of the time work against him. I would give an undivided service or none. If put to the pinch, an ounce of loyalty is worth a pound of cleverness.

But what is work and what is not work? Is it work to dig, to carpenter, to plant trees, to fell trees, to ride, to fish, to hunt, to feed chickens, to play the piano, to take photographs, to build a house, to cook, to sew, to trim hats, to mend motor bicycles? All of these things are work to somebody, and all of them are play to somebody. There are in fact very few activities which cannot be classed either as work or play according as you choose to regard them.

I don't think 'my way or the highway' works, that mentality. And that's what the Tea Party has done: drawn a line in the sand. I'm sorry - that doesn't work in business, that doesn't work in your family, it certainly doesn't work in government and our Congress.

Work and play can be the same. When you are following your energy and doing what you want to do all the time, the distinction between work and play dissolves. Work is no longer what you have to do, and play what you want to do. When you are doing what you love, you may work harder and produce more than ever before, because you are having fun.

Evolution is a process of creating patterns of increasing order....I believe that it's the evolution of patterns that constitutes the ultimate story of our world. Evolution works through indirection: each stage or epoch uses the information-processing methods of the previous epoch to create the next.

Consider radiology. Technology is going to reduce the use of those machines because doctors aren't going to need to send patients two or three times for radiology. They're going to have access to what the previous specialist took. There's also going to be devices that are coming out that are much less costly.

My weirdness aside, if I am to find any friends, particularly a girlfriend, she will almost certainly have to be a human. My previous track record tends to suggest that of all species that exist on the planet, it has so far been exclusively humans to whom I find myself sexually attracted. This is a good thing legally if nothing else.

You move on. It's work. Yeah, I'm privileged and paid handsomely and it's not exactly being in a coal mine, but you still work your ass off and you work as hard as you possibly can and you hope that people connect to it and enjoy it.

You are often asked to explain your work, as if the reader isn't able to work it out. And people always try and label you by your work.

The goal isn't to do work and hand it in just before it's due. The goal is to do the work as beautifully as you can, faster than anyone else, so you can do more work.

I sometimes see People On The Internet decrying work-in-progress tweets and posts as worthless. 'Measuring output by quantity rather than quality is dangerous,' they say. 'More work doesn't mean better work!'

I work with big directors. I work with good actors. I act in female-centric films. And I do all this without ever indulging in a casting couch experience. Because I believe in hard work, talent, and blessing.

Mr. Best has expressed the desire to work with me, and I should be more than pleased to have him. His work has been excellent, and he is absolutely honest, careful, and impartial and has taken a great interest in the work.

I'm naturally thin, so I don't have to work too hard at it. I love food, but I also love to work out. I think it makes everything work better.

I honestly think the reason I've been able to improve year by year is work. Work with the team, work with my ability, focus on all the single details.

How often I admire the taste shown in the garden which, within the house, may be indifferent. Here is an art which is today probably more perfect than at any previous time, one which does not break with the past, while it brings a sense of comely order, and a radiant beauty, to cottage and manor alike.

Do not put your work off till to-morrow and the day after; for a sluggish worker does not fill his barn, nor one who puts off his work: industry makes work go well, but a man who puts off work is always at hand-grips with ruin.

When you focus on life, on enjoying and connecting with other people, that's when work comes. When you focus on work, you can never work. I'm always going through waves of that.

Going from having an Atari to a laptop changed everything. It allows me to work anywhere I want and send my work home - I can work anywhere in the world.

One of the things about working over decades is the cumulative and the durational effect of work. That the updating process of a work happens less in changing the work than the way it's being read for a specific time.

Seen politically, systems follow one another, each consuming the previous one. They live on ever-bequeathed and ever-disappointed hope, which never entirely fades. Its spark is all that survives, as it eats its way along the blasting fuse. For this spark, history is merely an occasion, never a goal.

I think kids have got to learn how to work with what's happening, work with social, work with everything. To complain about how things aren't the way they used to be.

I was always crazy about New York, dependent on it, scared of it - well, it is dangerous - but beyond that there was the pressure of being young and of not yet having done work you really liked, trademark work, breakthrough work.

I would have liked the Beatles never to have broken up. I wanted to get us back on the road doing small places, then move up to our previous form and then go and play. Just make music, and whatever else there was would be secondary.

Through years of secret work, scientific and basic ground work was laid, in order to be ready again to work the German Armed Forces at the appointed hour, without loss of time or experience.

Yes, there was a sort of underground cult following, which came from nowhere, and grew, and grew. It was quite surprising to us all, because all of us had spent probably the previous five to ten years without it. So it was quite overwhelming. Overwhelming and humbling.

But to demand that a work be “relatable” expresses a different expectation: that the work itself be somehow accommodating to, or reflective of, the experience of the reader or viewer. The reader or viewer remains passive in the face of the book or movie or play: she expects the work to be done for her. If the concept of identification suggested that an individual experiences a work as a mirror in which he might recognize himself, the notion of relatability implies that the work in question serves like a selfie: a flattering confirmation of an individual's solipsism.

I will frankly confess that after passing a few weeks in the valley of the Marquesas, I formed a higher estimate of human nature than I had ever before entertained. But, alas, since then I have been one of the crew of a man-of- war, and the pent-up wickedness of five hundred men has nearly overturned all my previous theories.

My process of working is not really that unique. I like to paint during the day, and block out large chunks of time with which to work. I prefer to work on a painting in a few swift passes, and not fuss over it. I think that the work needs to have an energy to it that can't be accomplished if one is adding a few strokes everyday. Once a piece is done, I don't work on it anymore. I hate fussy.

I am tomorrow, or some future day, what I establish today. I am today what I established yesterday or some previous day.

The first time I had work in a public space it felt very strange to see people that I didn't know looking and, and presumably commenting on, my work. Nowadays, I'm a bit more fatalistic - they either like the work or they don't and there's not a lot I can do about that. The trick seems to be not to get too pissed on open nights so that I can answer any questions without making a fool of myself. Doesn't always work!

Tottenham set a points and victories record in my first season, missed out on the Champions League by one point and had a great run in the Europa League. In the second season, at the time I left we had more points than in the previous campaign.

Surely the memory of an event cannot pass for the event itself. Nor can the anticipation. There is something exceptional, unique, about the present event, which the previous, or the coming do not have. There is livingness about it, an actuality; it stands out as if illumined. There is the "stamp of reality" on the actual, which the past and future do not have.

The [Oregon] Journal in its head and heart will stand for the people, be truly Democratic and free from political entanglements and machinations, believing in the principles that promise the greatest good to the greatest number-to ALL MEN, regardless of race, creed or previous condition of servitude... It will be a fair newspaper, not a dull and selfish sheet.

An artist or writer always has to move forward. All the time you're trying to improve yourself, or at least look at ways to improve things or make things better. I'm not really one to harp on previous records. I'm always looking forward to what I'm doing now, and what's ahead.

Career success is using your daily work, schoolwork, work in the world, work at home, as a way of advancing your mental state.

I have not cared for money, and I enjoy working. Money comes my way. People work hard so they get enough money. Or they work hard so they don't have to work hard later in life. But though I don't need money, I still work hard because I like what I am doing.

My work is on the one hand laboured, and on the other completely happenstance and intuitive. But that's the swish in the work, I think. It's really important to me that the work isn't just sitting on top of something, that the materials are woven together - that they are recognisable and from the world.

One of the best pieces of wisdom I ever got is you work because you work, meaning you work because you're saying yes to things, and you're connecting with people.

To become a singer requires work, work, and again, work! It need not be in any special corner of the earth; there is no one spot that will do more for you than other places. It doesn't matter so much where you are if you have intelligence and a good ear.

As a mother, I work hard every day and I expect that work to be recognized and appreciated. Because I work for and with human beings, sometimes they're grateful and sometimes they aren't.

I don't know how anyone can work on people's mouths all day long. That disgusts me. I'd rather work on the other end than work on mouths.

What is a struggle is that acting isn't a place where you go to work and you do that thing. There aren't set boundaries, like an office, where you go and work. For me, the work is always on my mind.

If you've got a classic car look back in your log book and see if any of the previous owners will be happy to give you photos of the car in its heyday. You'll find that more often than not they'll be happy to share memories of it and it'll make it more appealing to potential buyers.

There are no steps to self-realization. There is nothing gradual about it. It happens suddenly and is irreversible. You rotate into a new dimension, seen from which the previous ones are mere abstractions. Just like on sunrise you see things as they are, so on self-realization you see everything as it is. The world of illusions is left behind.

Finally, I truly believe that each of us must find meaning in our work. The best work happens when you know that it's not just work, but something that will improve other people's lives.

And we have done more in the two and a half years that I've been in here than the previous 43 Presidents to uphold that principle, whether it's ending 'don't ask, don't tell,' making sure that gay and lesbian partners can visit each other in hospitals, making sure that federal benefits can be provided to same-sex couples.

A lot of my work is process-oriented. I delve into my work and sit alone in silence and work with the material and process it, like talking to yourself.

I think the best way to get a good night sleep is to work hard throughout the day. If you work hard and, of course, work out.

Women have to make a living. We don't live in a wealthy world where we even have a choice. We're losing our choice of whether or not we need to work. If we want to work, we obviously should work and have that choice, but a lot of women can't even get to the word "want." They need to work. And it's great to see women who needed to work and found a way to become a firefighter or a steel worker. That, to me, is very exciting.

It's great to be recognized for work, and the work is great, but once you have the awards, it becomes less important. It just gives you the ability to do better work, in my opinion.

The primary problem is to learn to be your own toughest critic. You have to pay attention to intelligent work, and to work at the same time. You see. I mean, you’ve got to bounce off better work. It’s matter of working.

I can promise you. If you work 12 hours, I will work for 13. If you work 14 hours, I will work for 15 hours. Why? Because I am not a ‘pradhan mantri’, but a ‘pradhan sevak’.

I'm a physicist, and we have something called Moore's Law, which says computer power doubles every 18 months. So every Christmas, we more or less assume that our toys and appliances are more or less twice as powerful as the previous Christmas.

If I were to continue to work in an established mode, it stands to reason the work would be limited by this - that it would never surpass the prior work in quality.

Every work of art (unless it is a psuedo-intellectualist work, a work already comprised in some ideology that it merely illustrates, as with Brecht) is outside ideology, is not reducible to ideology. Ideology circumscribes without penetrating it. The absence of ideology in a work does not mean an absence of ideas; on the contrary it fertilizes them.

I was always crazy about New York, dependent on it, scared of it - well, it is dangerous - but beyond that there was the pressure of being young and of not yet having done work you really liked, trademark work, breakthrough work

When you're younger, you feel like work is work and relationships are supposed to be easy. As you get older, you realize you have to work at relationships to make them sustainable.

We aren't defined by our work. People think if you over-identify with your work, then that must mean you're giving over too much of yourself to it, that there's something wrong with that. We're trained to believe in things like work-life balance. So much work is tending towards service. It's very much about creating experiences rather than products, and it makes those boundaries between life and work very slippery.

The word 'art' is very slippery. It really has no importance in relation to one's work. I work for the pleasure, for the pleasure of the work, and everything else is a matter for the critics.