Top 693 Princess Quotes & Sayings - Page 12

Religion exalts mystery as an unknowable secret that must be sealed in glass like the corpse of an enchanted princess and fearfully worshipped from afar. Initiation, on the other hand, requires direct participation and demands each of us to smash the casket and press mad lips to mystery, wooing her as a lover who will offer up her treasurers in a succession of sweet surrenders. This she will do, but only in exact ratio to our evolving ability and worthiness to receive them.

Beckendorf closed eyes tight and brought his hand up to his watch. from that distance, the explosion shook the world. Heat seared the back of my head. The Princess Andromeda blew up from both sides, a massive fireball of green flame roiling into the dark sky, consuming everything....I stared out the window into deep blue water. Beckendorf was supposed to go to college in the fall. He had a girlfriend, lots of friends, his whole life ahead of him. He couldn't be gone.

Loki," I said. "Hey, Princess." He smiled dazedly as he looked up at me. "What's wrong?" "Nothing." I smiled and shook my head. "Not anymore." "What's this?" He took my hair and held it out so i could see. A curl near the front had gone completely silver. "I take a nap, and you go gray?" "You didn't take a nap." I laughed. "Don't you remember what happened?" He furrowed his brow, trying to remember, and understanding flashed in his eyes. "I remember..." Loki touched my face. "I remember that I love you." I bent down, kissing him full on the mouth, and he held me to him.

An Islamic writer recalls her joy in the clothes she wore as a young girl at a wedding: They were always in beautiful bright colors: crimson, pink, turquoise, purple, and embroidered with sparkling crystals, sequins and beads. ... The older girls and women would wear glamorous heavily-beaded silk blouses and long, princess-like skirts. I wanted to wear those fairy-tale clothes too. I longed even more to wear a sari which the women wore so elegantly and which flattered their curves.

I defy you to try it, Princess. Go ahead. I don’t even know how to sweep a floor. All I know how to do is use my body to please others. I was sick and alone with no references, friends, family, or money. I was so weak from hunger that even a beggar stole your himation from me while I lay on the ground, wanting to die and unable to stop him from taking it. So don’t come here now with your disdainful eyes and look at me like I’m beneath you. I don’t need your charity and I don’t need your pity. I know exactly what you see when you look at me. (Acheron)

Dustfinger inspected his reddened fingers and felt the taut skin. ‘He might tell me how my story ends,’ he murmured. Meggie looked at him in astonishment. ‘You mean you don’t know?’ Dustfinger smiled. Meggie still didn’t particularly like his smile. It seemed to appear only to hide something else. ‘What’s so unusual about that, princess?’ he asked quietly. ‘Do you know how your story ends?’ Meggie had no answer for that.

I knew she was a party girl. The book I liked most on her was called [princess] Margaret: A Life of Contrasts and getting to know her, it was how conflicted her position and her internal life - or self - was. She is so fiercely royal and so fiercely "sister of the queen" or "daughter of the king" because that is her identity and it's all she's ever known. And at the same time she is struggling to push the boundaries and to break away from it, to be different or to modernize the monarchy, to turn it on its head.

The woman is more intelligent when it comes to the children, when it comes to her role and responsibility as a mother and so on. Then, the man is usually, for example, in the public arena. He is usually good with things like penal code matters, and so he's the one who has to go out and provide, even if the woman is rich. She can stay at home and won't have to lift a finger " it's up to the man to do all the work, and provide her with food, clothing and shelter. The woman is treated like a queen in the home. She is a princess.

Dear Nintendo, We need a new Mario game, where you rescue the princess in the first ten minutes, and for the rest of the game you try and push down that sick feeling in your stomach that she’s ‘damaged goods’, a concept detailed again and again in the profoundly sex negative instruction booklet, and when Luigi makes a crack about her and Bowser, you break his nose and immediately regret it. When Peach asks you, in the quiet of her mushroom castle bedroom ‘do you still love me?’ you pretend to be asleep. You press the A button rhythmically, to control your breath, keep it even.

so your father told you once that you were his princess you won't see the castle you cannot find your prince and now you've grown a lot and your dress don't fit right your daddy's not a hero he stole your chariot so here you are in pieces trying to prove to us it's real the softness of your smile and the lies you want to feel the scales beneath your skin are showing off today there's evil in your heart and it wants out to play there's evil in your heart and it wants out to play there's evil in your heart and I have made a home here for me you'll burn it down with your fantasy

I had two chances to fail [working for Disney]. The first one, they said was "too juvenile." The second one was,they give you general areas to work in. They said, "Set 'My Fair Lady' in ancient Egypt."I came up with this idea about an Egyptian princess, and I gave her, as a sidekick, a little scarab. I had a telephone meeting with the executive "handling" me, and he said, "I looked over the notes. Very cute. But lose the beetle.Beetles don't talk." Well, how do you answer that? I said, "Excuse me just a moment, I've got a teacup calling me on the other line."

The biggest surprise was a picture my mom sent me, just about the time that we were about to wrap up the book, of me as a 5-year-old dressed in my first Halloween costume that she made for me. I said, "What's this? I never saw this photo." And she said, "We made you this black-and-orange Halloween costume out of crepe paper" - we were too poor to have fabric back then - "and you wanted to go as the Queen Of Halloween." And I was like, "What?" And she said, "Yeah, the Princess Of Halloween, the Queen Of Halloween, something like that.

I don’t want to be a Princess,” she said finally. “You can’t make me be one.” She knew very well what became of Princesses, as Princesses often get books written about them. Either terrible things happened to them, such as kidnappings and curses and pricking fingers and getting poisoned and locked up in towers, or else they just waited around till the Prince finished with the story and got around to marrying her. Either way, September wanted nothing to do with Princessing.

Daniel, I did not knowwhat I wanted when I was agirl. And then I was a fool in every sense of the word. And now that I am a woman grown, I know that I love you and I want this son of yours, and our children who will come. I have seen a woman break her heart for love: my Queen Mary. I have seen another break her soul to avoid it: my Princess Elizabeth. I don't want to be Mary or Elizabeth, I want to be me: Hannah Verde Carpenter." "And we shall live somewhere that we can follow our belifs without danger," he insisted. "Yes," I said, "in the England that Elizabeth will make.

True love was forever lost. The prince was never coming back to kiss me awake from my enchanted sleep. I was not a princess, after all. So what was the fairy-tale protocol for other kisses? The mundane kind that didn't break any spells? Maybe it would be easy - like holding his hand or having his arms around me. Maybe it would feel nice. Maybe it wouldn't fell like a betrayal. Besides, who was I betraying, anyway? Just myself.

Once she'd loved my filet mignon, my carnivore inklings, but now she was a vegan princess, living off of beans. She'd given up the cheese and bacon, sworn off Burger King, and when I wouldn't do the same she gave me back my ring. I stood there by the romaine lettuce, feeling my heart pine. Wishing that this meatless beauty still would be all mine. She turned around to go to checkout, fifteen items or less. And I knew this was the last go-round, so this is what I said. ... "Don't you ever give me no rotten tomato, 'cause all I ever wanted was your sweet potato.

I met Shannon Hale through some friends and family. I was interested in her book called Princess Academy, which is just a very sweet, Newbery-nominated fairy tale for young readers. She was like, "Oh, actually I have something else for you." She gave me Austenland. The next morning, I'm sure I called her and I was like, "Let's make this movie." It is so fun. It just felt so girly and great and a great vehicle for the weird Hess comedy.

God! I hated this business of being grown-up. I hated having to make decisions where I didn't know what was behind the door. I wanted a world where heroes and villains were clearly labeled. Where ominous music comes on-screen so you can't possibly mistake him. Where someone asks you to choose between playing with the beautiful princess in the fragrant garden and being eaten by the hideous monster in the foul-smelling pit. Not exactly a difficult one, now is it? Not something that you would agonize over, or that would make you lose a night's sleep?

In the oasis complex, the thirsty man images he sees water, palm trees, and shade not because he has evidence for the belief, but because he has a need for it. Desperate needs bring about a hallucination of their solution: thirst hallucinates water, the need for love hallucinates a prince or princess. The oasis complex is never a complete delusion: the man in the desert does see something on the horizon. It is just that the palms have withered, the well is dry, and the place is infected with locusts.

You picked that out?” Caine asked. “That pink, plastic toy?” I turned to look at him. “I happen to have been a little girl, once upon a time, detective. I know what they like. Every little girl wants to be a princess.” A thoughtful frown overcame the angry tension on Caine’s rugged face. “And what happens when they grow up?” I thought of my mother and sisters and all the horrors that had happened the day they’d died. A bitter laugh escaped from my tight lips. “Then they just want to be little girls again.

You know?" he repeated. She smiled, so he kissed her. "You're not the Han Solo in this relationship, you know." "I'm totally the Han Solo," she whispered. It was good to hear her. It was good to remember it was Eleanor under all this new flesh. "Well, I'm not the Princess Leia," he said. "Don't get so hung up on gender roles," Eleanor said.” ... “You can be Han Solo," he said, kissing her throat. "And I'll be Boba Fett. I'll cross the sky for you.

The story of Terisa and Geraden began very much like a fable. She was a princess in a high tower. He was a hero come to rescue her. She was the only daughter of wealth and power. He was the seventh son of the lord of the seventh Care. She was beautiful from the auburn hair that crowned her head to the tips of her white toes. He was handsome and courageous. She was held prisoner by enchantment. He was a fearless breaker of enchantments. As in all the fables, they were made for each other.

Chapter One. The Bride." He held up the book then. "I'm reading it to you for relax." He practically shoved the book in my face. "By S. Morgenstern. Great Florinese writer. The Princess Bride. He too came to America. S. Morgenstern. Dead now in New York. The English is his own. He spoke eight tongues." Here my father put down the book and held up all his fingers. "Eight. Once in Florin City...

Four wings, two hearts, but only one soul. They connect in the middle, but are separated by a thin line of ash. Its what brings them together, yet rips their feathers apart. They can never truly be together as light and dark. Unless one makes the ultimate sacrifice. Blows out their candle, and joins the other in the dark. Or if the other dares to fly across the line and steals the others light And force them to cross over the line and join the darkness of life. Im not gone, princess. I will come back for you until you give in.

What a good thing, for instance, it was that one princess should sleep for a hundred years! Was she not saved from all the plague of young men who were not worthy of her? And did not she come awake exactly at the right moment when the right prince kissed her? For my part, I cannot help wishing a good many girls would sleep till just the same fate overtook them. It would be happier for them, and more agreeable to their friends.

I don't have this fantasy about marriage anymore. Everyone says it takes hard work. Well, it kind of does -- and I'm much more pragmatic about romance than I used to be. [With Scott] I wanted to see him as a white knight and was crushed whenever anything normal happened. I wanted to be the princess. Now I'm much more willing to see myself as human and flawed, and accept someone -- the whole picture. My life is definitely changing for the better. I couldn't be happier or feel more comfortable with the direction it's going in.

Slender Youth. A tour companion who may be either a lost prince or a girl/princess in disguise. In the latter case it is tactful to pretend you think she is a boy. She/he will be ignorant, hasty and shy, and will need hauling out of trouble quite a lot. But she/he will grow up in the course of the Tour. In fact she/he will be the only Companion who will change in any way. Quite often, she/he will soon exhibit a very useful talent for magic and end up by hauling everyone else out of trouble. But this will not be until midway through your second brochure.

During the night, while Bull and Lucy slept, Edward, with ever-open eyes, stared up at the constellations. He said their names, and then he said the names of the people who loved him. He started with Abilene, and then went on to Nellie and Lawrence and from there to Bull and Lucy, and then he ended again with Abilene: Abilene, Nellie, Lawrence, Bull, Lucy, Abilene. See? Edward told Pellegrina. I am not like the princess. I know about love.

Raisa felt relieved, yet oddly disappointed. She was the blooded princess heir, yet in servants' clothes she was apparently unrecognizable. In the stories, rulers had a natural presence about them that identified them as such, even dressed in rags. What's the nature of royalty, she wondered. Is it like a gown you put on that disappears when you take it off? Does anyone look beyond the finery? Could anyone in the queendom take her place, given the right accessories? If so, it was contrary to everything she'd ever been taught about bloodlines.

The true secret in being a hero lies in knowing the order of things. The swineherd cannot already be wed to the princess when he embarks on his adventures, nor can the boy knock on the witch's door when she is already away on vacation. The wicked uncle cannot be found out and foiled before he does something wicked. Things must happen when it is time for them to happen. Quests may not simply be abandoned; prophecies may not be left to rot like unpicked fruit; unicorns may go unrescued for a very long time, but not forever. The happy ending cannot come in the middle of the story.

I was overwhelmed. He understood me so well, how nervous I was about making this commitment, how frightening it was for me to become a princess. He was going to give me every last second he could and, in the meantime, lavish me with everything possible. I had another one of those moments when I couldn't believe this was all happening. "That's not fair, Maxon," I mumbled. "What in the world am I supposed to be able to give you?" He smiled. "All I want is your promise to stay with me, to be mine. Sometimes it feels like you can't possibly be real. Promise me you'll stay." "Of course, I promise.

Up then, fair phoenix bride, frustrate the sun; Thyself from thine affection Takest warmth enough, and from thine eye All lesser birds will take their jollity. Up, up, fair bride, and call Thy stars from out their several boxes, take Thy rubies, pearls, and diamonds forth, and make Thyself a constellation of them all; And by their blazing signify That a great princess falls, but doth not die. Be thou a new star, that to us portends Ends of much wonder; and be thou those ends.

Lyon knew she wasn't aware she was being watched, either. She wouldn't have eaten the leaf otherwise, or reached for another. “Sir, which one is Princess Christina?” Andrew asked Lyon, just as Rhone started in choking on his laughter. Rhone has obviously been watching Christina, too. “Sir?” “The blond-headed one,” Lyon muttered, shaking his head. He watched in growing disbelief as Christina daintily popped another leaf into her mouth. “Which blond-headed one?” Andrew persisted. “The one eating the shrubs.