Top 1200 Print Books Quotes & Sayings - Page 18

We need a whole bunch of books about people of color, kids on the spectrum, etc. It's strange that we have a population of school children that is majority nonwhite but their books are majority white.

My mother says that after I first visited the home of the man I later married, she knew it was serious when I told her, 'Mum, he has more books than me!' So, books are at the very heart of my life.

Although I enjoy digging through the library to help students find books, my aim is to help them develop self-confidence in choosing books for themselves.

All forms of books make a valuable contribution to education and the dissemination of culture and information. The diversity of books and editorial content is a source of enrichment that we must support through appropriate public policies and protect from uniformity.

I read The Stinky Cheese Man as an adult. I missed that book when I was a kid. I grew up mostly with books bought at yard sales, picture books from the fifties to 1975, which is really a lucky thing.

When I was young, I loved a series of books by an author called Maud Hart Lovelace and the series, which is still around, I'm happy to say, is - they're the 'Betsy-Tacy' books.

I discovered Deborah Ellis's books in the school library after my head teacher encouraged me to go beyond the school curriculum and look for books I might enjoy.

I have a publishing company of books by me and books of others. It drew people to poetry readings and photo exhibitions and painting exhibitions that I've been doing for years before that.

Libraries are where most of us really fall in love with books, where we can browse and choose on our own. Its really one of the first autonomous things we do, picking the books we want to read.

My favourite books series as a young child was the Frank L. Baum 'Wizard of Oz' series. They were beautifully written, oversized fat books with wonderful type and illustrations.

I find any kind of 'organizing' very difficult. And that has irksome consequences when it comes to books, since I've often wound up buying books twice because I couldn't find what I already have in all my mess.

I've always loved words. I ate up all the books I could get my hands on, and when I couldn't get books, I read candy wrappers and labels on cereal and toothpaste boxes.

There aren't many children's books about black characters that are just going on adventures. My library has over 2,000 children's books in it, and most of the protagonists are either white or creatures.

As far as I'm concerned, you either read books for children, or you read books for adults.

We never had books in the house. Not any book in our house. Not a Bible, not anything. So, I would go the library from a very young age and get the books out.

The books were a private part of me that I carried inside and guarded and didn't talk to anybody about; as long as I had the books I could convince myself I was different from the others and my life wasn't quite as stupid and pointless.

It's important to read books and see people who look like you. It helps you know that you are not the only one or the weird one because you're a black girl and you are not seeing anyone who looks like you in these books.

What is missed when people talk about books is the moment of grace when the reader creates the book, lends it the authority of their life and soul. The books I love are me, have become me.

As both a consumer and producer of newspaper articles, I have no beef with pay walls. But before signing up, I read the fine print.

I always wanted to be a children's author, and I have a really big library of children's books. All the ones from when I was little, they are just so beautiful. I read kids' books, and they calm me down.

In design-speak, 'a library' means a room lined with books, floor-to ceiling, but it all depends on the space you have. You may have a free-standing bookshelf of your favorite books if that's all you have room for.

The fundamental peculiarity of the photographic medium; the physical objects themselves print their image by means of the optical and chemical action of light.

I know that I am very popular in Holland, in fact I have visited Amsterdam several times to publicize my books. I have a great publisher in Holland and they have published all of my books in Dutch.

I liked books - the respite and privacy of them - books about plants and the formation of ice and the business of world wars. Whenever I sank into them I felt free.

The shelves of books we haven't written, like those of books we haven't read, stretches out into the darkness of the universal library's farthest space. We are always at the beginning of the beginning of the letter A.

The books you read as a young person are books that stay with you forever. I think that is the biggest privilege of writing for young people. You feel like you can help shape somebody.

The first thing I remember when I moved to a school in the suburbs was, 'My gosh, all these books!' The classroom and school had a library; I'd never seen so many books in my life! It was something we didn't have in the township.

The books on my nightstand are so bizarre, very eclectic - like, every German author, and then I have a couple of books by this ex-boyfriend of mine there. I just want to make sure that he's not too much better than I am!

Knowing that books are something that is hidden, that almost has that alchemical quality to it. There is a secret society in here, and if you belong to it, you'll be able to transform your lead into gold. I have that rather magical sense about books - that they do, somehow, have special powers.

We should not see print and electronic literature as in competition, but rather in conversation. The more voices that join in, the richer the dialogue is likely to be.

I like film books at the bottom of the barrel and art books at the top. 'The Ghastly One,' by Jimmy McDonough, is a hilarious biography of one of the most hideous directors who ever picked up a movie camera - Andy Milligan.

We may be sure that the characteristic blindness of the twentieth century [...] lies where we have never suspected it [...] The only palliative is [...] by reading old books. [...] the books of the future would be just as good [...], but unfortunately we cannot get at them.

Books woke me up. Books are my favorite man-made objects. I fetishize their design, smell, feel. And that they can contain such burning, complex communications is a miracle to me.

The money is in television. Books are not the dominant medium of our time, so fewer people will create them. In a sad way, books have become a form of "comfort food" we expect to lull us to sleep.

The reflections and histories of men and women throughout the world are contained in books.... America's greatness is not only recorded in books, but it is also dependent upon each and every citizen being able to utilize public libraries.

If you read good books, when you write, good books will come out of you.

Anyone can see that an ass laden with books remains a donkey. A human being laden with the undigested results of a tussle with thoughts and books, however, still passes for wise.

Umberto Eco is the owner of a large personal library of almost 30,000 books that he has not read. [To him] read books are far less valuable than unread ones.

I'm not a collector. I don't keep letters, or books, or souvenirs. But I do keep one copy of each translation of my books into a foreign language. Have you ever seen a murder story printed in Singhalese? Wow!

Ultimately, there's always been a link between comic books and video games, and comic books and movies, and then basically all three steadily becoming this sort of transmedia.

The books that the world calls immoral are books that show the world its own shame.

Personally, as a print journalist, I always found the most interesting stories to be the ones hacks talked about in the bar after work.

Nine-tenths of existing books are nonsense, and the clever books are the refutation of that nonsense.

While writing books about the past, I think about the present. It's not intentional, but somehow my books end up being written under the sign of a political mood.

Most books are surplus to the world's requirements, and I am going to sound very conceited here, but I am trying to write books that aren't just using up trees.

I love picture books - with picture books, you can use words and pictures as a double act, even tell two different versions of a story at the same time.

As any student of literature knows, the books that last are often not the books that are most popular when they are written. Both 'Moby Dick' and 'The Great Gatsby' were complete failures, critically and commercially, when they first appeared.

I got my iPad, and I'm trying to buy books on that, but I kind of like a book. At the end of my life, when I'm old, I want to have all these shelves full of books. So I'm just gonna do the book thing.

He would talk to them of stories and books, and explain to them how stories wanted to be told and books wanted to be read, and how everything that they ever needed to know about life and the land of which he wrote, or about any land or realm that they could imagine, was contained in books. And some of the children understood, and some did not.

How often have I met and disliked writers whose books I love; and conversely, hated the books and then wound up liking the writer? Too often.

It does not matter how many books you have, but how good the books are which you have.

People always ask what a book is about, as if it has to be about something. I don't want to write books that lend themselves to that sort of description. My books are more a kind of breaking-down.

My intention is always to honor the character that Lev [Grossman] created in the books and my greatest concern, honestly, is that the fans of the books will embrace me as this character that they've imagined in their heads.

Happiness, you see, its just an illusion of Fate, a heavenly sleight of hand designed to make you believe in fairy tales. But there's no happily ever after. You'll only find happy endings in books. Some books.

Nine-tenths of the existing books are nonsense and the clever books are the refutation of that nonsense.

While I read almost all my newspapers online, I'm not a big fan of e-books because I like to see what I've read and remember it. Books are a way of making memory physical.

Every child is different. I think it's important that we don't have maybe just one or two books that we're recommending to all children - but rather we cater the books to fit each individual child.

Books are my art. The movie is someone else's art. But it's great marketing for books.

I steer clear of books with ugly covers. And ones that are touted as 'sweeping,'_ 'tender' or 'universal.' But to the real question of what's inside: I avoid books that seem to conservatively follow stale formulas. I don't read for plot, a story 'about' this or that.

It gave me no chance. He (Nolan Ryan) just blew it (strikeout #5,000) by me. But its an honor. I'll have another paragraph in all the baseball books. I'm already in the books three or four times.