Top 1142 Print Quotes & Sayings - Page 14

Every time you run a 35mm print, it picks up scratches. It picks up dirt. Sometimes it breaks, and you have to re-splice it. You lose frames. This doesn't happen with digital or Blu-ray. I think that's great. Because I love the new media.

My mother moves so fast I do not even see it coming. But she slaps my face hard enough to make my head snap backward. She leaves a print that stains me long after it’s faded. Just so you know: shame is five-fingered.

The assumption should be that we will not appear in print or the blogosphere. Having dinner should not be fodder for Facebook. And this is just as true for 'public personalities' as it is for the average person. After all, even people in the public eye have a right to a private life.

Essentially, I look for what is interesting to me, out there in the three-dimensional world, and translate or interpret so that it becomes visually pleasing in a two-dimensional photographic print. I search for subject matter with visual patterns, interesting abstractions and graphic compositions.

People want to download publications quickly and read them without cruft. Publications that started in print carry too much baggage and usually have awful apps. 'The Magazine' was designed from the start to be streamlined, natively digital, and respectful of readers' time and attention.

If the director wishes to print it, then you have a series of choices, maybe millions of choices within that minute-and-a-half, or 80 seconds, or 2 minutes or however long or short the take is, you have all those choices committed to celluloid. I find that absolutely thrilling.

There's no reason anybody should be reading too much into 'Thrift Shop.' I just have because I have a 10-year-old and a 7-year-old who are really into going to lyric websites, hitting print, and printing lyrics for every song that's popular.

The 'Womanthology' book got a lot of people jobs, inside and outside the industry, and I think stuff like that tends to be really effective. You have something in print that you can point an editor or a publisher to, and it makes a huge difference for a lot of people.

A typical wine writer was once described as someone with a typewriter who was looking for his name in print, a free lunch, and a way to write off his wine cellar. It's a dated view. Wine writers now use computers.

Kim Newman's Anno Dracula is back in print, and we must celebrate. It was the first mash-up of literature, history and vampires, and now, in a world in which vampires are everywhere, it's still the best, and its bite is just as sharp. Compulsory reading, commentary, and mindgame: glorious.

Newspapers are closed if they print the wrong things in Iran. Iranian journalists or Iranian-American journalists, for that matter, I think are pressured in a lot of different ways, expected to give information to intelligence services. Americans can be thrown out of the country.

I am very averse to bringing myself forward in print, but as my account will only appear as an appendage to a former production, and as it will be confined to such topics as have connection with my authorship alone, I can hardly accuse myself of a personal intrusion.

The subject I liked best was painting, but the teachers didn't approve of my experiments and sometimes criticized me in front of the whole class. Maybe my love for photography came from that humiliation: a photo is something that you develop and print yourself, in the dark, and that remains in the dark until you decide to show it.

In the media, traditional media like print, we had boundaries. You know, we had spaces that ads didn't leave. They stayed where they were on the page. They didn't float around over the text. And we're kind of lost on the internet. We don't have any barriers. We have a demand for growth that is insistent.

Every day, three times per second, we produce the equivalent of the amount of data that the Library of Congress has in its entire print collection, right? But most of it is like cat videos on YouTube or 13-year-olds exchanging text messages about the next Twilight movie.

There’s only one difference between published and unpublished writers, and it is this -- the first group see their work in print on the shelves of Waterstone’s or Tesco or online at Amazon; the second group are yet to have physical evidence of the hours, weeks, years spent fashioning words into their patterns. You are already a writer.

To me, the print business model is so simple, where readers pay a dollar for all the content within, and that supports the enterprise. The web model is just so much more complicated, and involves this third party of advertisers, and all these other sources of revenue that are sort of provisional, but haven't been proven yet.

I started as a print reporter. I’m a journalist and that’s what I do. My function is an anchorperson, but it’s in a journalism context, and gravitas and coats and ties and haircuts and all that sort of stuff, I’ll leave to others. My thing is just to do my job the best way I know how and as I say I’m very fortunate to be able to do it the way I want to do it.

I think it goes back to my high school days. In computer class, the first assignment was to write a program to print the first 100 Fibonacci numbers. Instead, I wrote a program that would steal passwords of students. My teacher gave me an A.

The ability of the press to print their stories without the government trying to get them to betray their sources is as essential to a free press as the ink it is printed with. Otherwise, who will hold accountable those who hold power over us?

No matter what the legislature may say, a man has the right to make his speech, print his handbill, compose his newspaper, and deliver his sermon without asking anyone's permission. The contrary suggestion is abhorrent to our traditions.

Many people who want to be writers don't really want to be writers. They want to have been writers. They wish they had a book in print.

I have a computational quality to my mind, I suppose. When I was a kid, I was obsessed with video games. I reprogrammed games, and this eventually landed me a column in a magazine. That's how I got into print journalism: writing about video games.

I may juggle the composition, as the strength of a picture is in the composition. Or I may play with the light. But I never interfere with the subject. The subject has to fall into place on its own and, if I don't like it, I don't have to print it

I like the way the stories of my relationships sound to music more than the way they look in print, in gossip columns or in me talking about them in interviews. I think it's a better way of telling the stories.

Everything you've ever read of mine is first-draft. This is one of the peculiarities of the comics field. By the time you're working on chapter three of your masterwork, chapter one is already in print. You can't go back and suddenly decide to make this character a woman, or have this one fall out of a window.

What the Web has never figured out is how to pay for reporting, which, with the collapse of print newspapers, is in desperately short supply, and without which even the most prolific commenters will someday run out of things to say.

I know it sounds strange to say, but the very technologies that have made traveling easier for most people - GPS, automated ticket machines, online schedules and ticketing, boarding passes you can print out at home - have actually made things harder for me.

Rereading one's own novels after many years is always a fraught business, but when a novel has fallen out of print - 'The Very Model of a Man' is the only novel of mine that has - and so crops up infrequently in conversations with readers or indeed with oneself, revisiting it can be perilous.

If the response to 'Suite Francaise' is any indication, there's a great deal of curiosity about Nemirovsky, and the best way to deal with it is to produce another book. So much of her work has been unavailable, and we want to bring as much of it back into print as possible.

My most memorable design-related encounter was also one of my most life-changing. I met Joyce Rutter Kaye, 'Print''s editor-in-chief from 1998-2008. It was at 6 A.M. on a cross-country flight from New York to Vancouver for the 2003 National AIGA conference.

Before the Internet, we were in a different sort of dark age. We had to wait to hear news on TV at night or in print the next day. We had to go to record stores to find new music. Cocktail party debates couldn't be settled on the spot.

Even though I'm a writer and I love books and writing books is my favorite thing to do, when you teach, and you can go through the history of children's television, and I show certain things, the students' jaws just drop. You're never going to hit the hammer quite as hard in print.

As the print of the seal on the wax is the express image of the seal itself, so Christ is the express image - the perfect representation of God.

Families rely on financial services more than ever, but those who need them most - who struggle to make ends meet - too often must contend with sky-high interest rates and tricks and traps buried in the fine print of their loan products.

In music I still prefer the minor key, and in printing I like the light coming from the dark. I like pictures that surmount the darkness, and many of my photographs are that way. It is the way I see photographically. For practical reasons, I think it looks better in print too.

One of the interesting things I discovered, talking about your grandmother, is I did a search of my uses of the word "elderly" in my copy over the years, and you will not be surprised to hear that the older I got the less often I used the word elderly in print.

Psychedelics are not flashlights into the chaos of the Freudian unconscious, they are tools for mathematically unpacking your mind into a higher dimensional space. In the Newtonian and print created space that we are walking around in you, are like a self extracting archive, that hasn't self extracted itself yet.

Every day, three times per second, we produce the equivalent of the amount of data that the Library of Congress has in it's entire print collection, right? But most of it is like cat videos on YouTube or thirteen-year-olds exchanging text messages about the next 'Twilight' movie.

Consumers know precisely what's wrong with advertising. Be it TV or print or whatever, they know that advertising is never creative enough ... never as witty, inspiring, sophisticated, entertaining and downright likeable as they would like it to be.

I look back upon those days in the Crockett/Turner era of The Four Horsemen and often wonder how I made it out alive. Perhaps my contract had some fine print on it that said, 'Associating with The Four Horsemen can be hazardous to one's health.'

It occurred to me that nothing is more interesting than opinion when opinion is interesting, so I devised a method of cleaning off the page opposite the editorial, which became the most important in America and thereon I decided to print opinions, ignoring facts.

I have been a print reporter my whole career. It's all I ever wanted to be. I specialize in political profiles. I have probably profiled hundreds of people over the years, people in very powerful positions. People don't always like what I write, but most people still talk to me.

I try not to worry about rewriting books that worked well the first time. I'm too busy writing new books to worry about things that are already in print

I try not to worry about rewriting books that worked well the first time. I'm too busy writing new books to worry about things that are already in print.

If someone tells you something is off the record, I don't print it. If they don't tell me something is off the record, then it's fair game.

In terms of digital photography, I continue to print and use film for the most part. I still shoot with film, 21/4 film specifically, and I love it. I love it because I know what it does, how it really responds to light.

I got my fair share of stick. But I surrounded myself with fabulous girls, and they all loved me because I made them clothes. I remember making them all leopard print tops and tartan skirts for a party we went to once. It's scary to think about it now, actually.

When you print money, the money does not flow evenly into the economic system. It stays essentially in the financial service industry and among people that have access to these funds, mostly well-to-do people. It does not go to the worker.

I'm no Buddhist monk, and I can't say I'm in love with renunciation in itself, or traveling an hour or more to print out an article I've written, or missing out on the N.B.A. Finals. But at some point, I decided that, for me at least, happiness arose out of all I didn't want or need, not all I did.

For the artist who practises photography, capturing the image is learning how to sketch on some medium, but is only half the challenge; learning how to print is applying a subjective pallet to that sketch, and completes the creative process.

Thirty years ago, if you wanted to start a campaign against or for something, you had to print flyers, you had to make a million phone calls. Remember presidential campaigns and stuff? It was a very laborious thing. Now we can literally talk to each other in a nanosecond.

The older you get, the more power you have with language as a writer, which means that you have to be extra responsible for what you say, whether it's in print or in front of a microphone, because those words can go out and kill or go out and plant seeds for peace.

Veteran print editors and reporters at places like the 'Times' and 'The New Yorker' manage to feed and clothe their families without costing their companies a million bucks a month, and they produce a great deal more valuable reporting and analysis than the network news stars do.

One-newspaper towns are not good because all the surviving newspaper does is print money. They make 25 percent on their money every year, and if they go down to 22 percent, they start laying people off.

I'll say this: I want to become a distraction! And what I mean is by making big plays and doing good stuff on the field. Although nobody would print that, because that's not a story. Gotta keep bringing up the locker-room situation because he's gay.

I broadcast games. I think there is a huge difference between print journalism and broadcasting. I don't have to say, 'sources close to LeBron James,' five times a game. I can just put my name to it. I say what I believe. It doesn't mean it's right. It's what I believe.

I would never let a white boy beat me. You can print that. I would never lose to a white person.

My dream scenario would be that you could go into a bookshop, examine copies of every book in print that they're able to offer, then for a fee have them produce in a minute or two a beautiful finished copy in a dust jacket that you would pay for and take home.

But, in truth, the existing premises, wholly altered by geologic science, are no longer those of Hume. The footprint on the sand — to refer to his happy illustration — does not now stand alone. Instead of one, we see many footprints, each in turn in advance of the print behind it, and on a higher level.