Top 1200 Printed Books Quotes & Sayings - Page 20

I would not, if I could, give up the memory of the joy I have had in books for any advantage that could be offered in other pursuits or occupations. Books have been to me what gold is to the miser, what new fields are to the explorer.

I consider my greatest strength my complete and utter faith in a loving God. Strong family values are also important and I do not hesitate to write them into my books. My reader mail tells me this is something that readers especially like about my books.

I love my job, and I love books. I read anything, including cereal boxes. I care deeply about what people think of my books, and I memorize my reviews. I love to hear from my readers.

I really was the nerd in the car that read vocabulary books. If we were going on day trips, I would quite like to have just stayed in the car with my German and French vocab books. It's embarrassing to admit to it now.

Without books the development of civilization would have been impossible. They are the engines of change, windows on the world, "Lighthouses" as the poet said "erected in the sea of time." They are companions, teachers, magicians, bankers of the treasures of the mind, Books are humanity in print.

Books should have a purpose. Books should be practical in some sense.

It is a generally received opinion that there are too many books in the world already. I cannot, however, subscribe to any Institution that proposes to alter this state of affairs, because I find no consensus of opinion as to which are the superfluous books.

"Books ... books, ..." he exclaims. It is those that teach us to refine on our pleasures when young, and which, having so taught us, enable us to recall them with satisfaction when old.

Shooting for 'Gandhi' was a revelation for me. We were all given scripts and then we were asked to do our homework. I searched for books on Kasturba, but I found only two books, that's all. So I had to rely on my own skills.

Read good books. Read bad books - and figure out why you don't like them. Then don't do it when you write. If you are a science fiction or fantasy writer, going to conventions and attending panels is very useful.

As soon as the printing press started flooding Europe with books, people were complaining that there were too many books and that it was going to change philosophy and the course of human thought in ways that wouldn't necessarily be good.

I'm always reading books, I'm always having encounters, I'm always taking trips. Whatever it is you come up with about how you got started, that's equally true for all the books you didn't start.

I don't need every book to have female creators, I don't care if there are books that appeal mostly to guy readers. I don't care if some books have cheesecake. I am fine with all of that. It's the not allowing anything else that makes me furious.

You have to love dancing to stick to it. It gives you nothing back, no manuscripts to store away, no paintings to show on walls and maybe hang in museums, no poems to be printed and sold, nothing but that fleeting moment when you feel alive. It is not for unsteady souls .

The first books I remember having an impact on me when I was a kid were L. Frank Baum's 'Oz' books, which were much stranger than the movie: at once rather whimsical and really dark.

'The Danish Girl' was published in 2000. Then it, too, would disappear, as most books do. It fell out of print almost everywhere. I wrote other books and, as an editor, worked on dozens more. Yet always, Lili stayed with me.

When I grew up, my house contained only two books: the Bible and the 'Edmonds' cookbook. We were a working-class household. Books were a poor second to the television, which was always on, usually with me in front of it.

If I finish a book a week, I will read only a few thousand books in my lifetime, about a tenth of a percent of the contents of the greatest libraries of our time. The trick is to know which books to read.

In 1736, Franklin's Pennsylvania Gazette printed an apology for its irregular appearence because its printer was "with the Press, labouring for the publick Good, to make Money more plentiful." The press was busy printing money.

That's an aspect of this business which can be very frustrating and aggravating. Most of what is written about you is wrong and so much of what does get printed is often about personal things that you don't want to have other people read about.

I'm reading "The Sunset of a Splendid Century" by W.H. Lewis. He was C.S. Lewis's brother. He wrote two books about the French court of Louis XIV that are incredibly detailed. They are books that on every page you say, "Wow, think of that."

The most painstaking phase comes when the manuscript is set in 'type' for the first time and the first proofs of the book are printed. These initial copies are called first-pass proofs or galleys.

That movie [A Series of Unfortunate Events] told four books in two hours, and we have two hours per book. So we have eight hours to tell four books, and if people watch we'll get to tell more of them. There's only thirteen books, so there's only going to be two more seasons, but that allows for a lot of time to be in character and to maintain character.

None of my books are best-sellers. In fact, the only thing that's kept me alive is the books that are in paperback. People find them, they like them, and they pass them on.

I was 26 when I invented the wrap dress. It was just a nothing little printed dress made out an jersey, and before I know it, I lived an American Dream making more than 25,000 dresses a week.

I never read books - and still don't read books - to develop them.

But the vast majority of books ever written are not accessible to anyone except the most tenacious researchers at premier academic libraries. Books written after 1923 quickly disappear into a literary black hole.

We do not belong to those who only get their thought from books, or at the prompting of books, -- it is our custom to think in the open air, walking, leaping, climbing, or dancing on lonesome mountains by preference, or close to the sea, where even the paths become thoughtful.

As a teenager I read a lot of books. Books with lots of scary trends, things like nuclear weapons and overpopulation and global diseases, and I thought, 'Wouldn't it be great to write stories that showed people these problems and that we could do something about them.'

This is very much part of my style, I work a lot on the back ­ - I love the back of clothes for men. I love even T-shirts printed behind. I think, "Why do you want to show only the front?"

Ezekiel Boone's books, starting with 'The Hatching' series, are meant to be big, sprawling, smart, entertaining books that are fun above all else; the literary novels written under my real name, Alexi Zentner, are certainly a little more quiet.

The 'Backlisted' podcast describes itself as 'giving new life to old books'. In each episode, John Mitchinson and Andy Miller are joined by a guest from the world of books who brings along some overlooked gem to enthuse about.

I realized that I got problems bigger than anything that can happen in prison. So I started reading books, talking to people who had a head on their shoulders, sold my TV and just got a whole bunch of books.

I must say, some are not very beautifully made. They’re coffee-table books for people who drink alcohol. I have nothing against coffee-table books as long as they are well done. They must not look like gravestones on a table. Sometimes they are too big, they come in boxes and things like this. No, a book has to be easy to open and you don’t have to be a bodybuilder to lift it. I like books I can read in bed. Those big tombstones would kill me.

There are two books that I often travel with; one is 'The Theory on Moral Sentiments' by Adam Smith. The other is 'The Meditations.' It's not that I agree with either views expressed in the books, but I believe ideas and thoughts of older generations can offer food for thought for the current generation.

When I found the book was condemned as soon as the book was printed, or rather as soon as it was set up ready to print, I held it in plates for a year nearly, waiting to see what would come out of all this discussion.

If I see Marian Keyes' books or Patricia Scanlan's books given more prominence than mine in the bookstore, I'll move mine to the front. I've told them I do this, and they've confessed to doing the same thing to me.

When we got around to books, I was finally set, as our minister would say, on solid ground. I gorged on books. I sneaked them at night. I rubbed their spines and sniffed in the musty smell of them in the library.

For books [Charles Darwin] had no respect, but merely considered them as tools to be worked with. ... he would cut a heavy book in half, to make it more convenient to hold. He used to boast that he had made Lyell publish the second edition of one of his books in two volumes, instead of in one, by telling him how ho had been obliged to cut it in half. ... his library was not ornamental, but was striking from being so evidently a working collection of books.

I'm such a magpie. I'll get halfway through one thing and pick up something else. I always have 5 or 6 books open and spine-up by my bed: it's like a row of tents. I don't finish nearly as many books as I should.

I would never do a printed memoir. I've been asked to publish a memoir from years by different publishers and literary agents. I think it wouldn't be great for me because all I'd really want to talk about it music and I'd rather just play it.

I never wear heavy animal prints, because I feel sad for the animals. They look majestic with their striped or printed hide and fur, and when people wear the same, they look horrible and out of place.

The next time you see a 16-color, blind-embossed, gold-stamped, die-cut, elaborately folded and bound job, printed on handmade paper, see if it isn't a mediocre idea trying to pass for something else.

A bookman’s love of books is a love of books, not merely of the information in them.

I've come to see that these politicians that release books - no way are they actually writing those books. Not when they are working fulltime, too. There's no way. That's their name on the book, but it's not their work. I'm sure of that. There's no way.

DEINOTHERIUM, n. An extinct pachyderm that flourished when the Pterodactyl was in fashion. The latter was a native of Ireland, its name being pronounced Terry Dactyl or Peter O'Dactyl, as the man pronouncing it may chance to have heard it spoken or seen it printed.

I am always glad when any of my books can be put into an inexpensive edition, because I like to think that any people who might wish to read them can do so. Surely books ought to be within reach of everybody.

And I came to understand, in a way I never had before, that books are truly the stuff of miracles. I even dared to dream that someday, somehow, I might surround myself with books from many times and many tongues.

I started reading Dickens when I was about 12, and I particularly liked all of the orphan books. I always liked books about young people who are left on their own with the world, and the four children's books I've written feature that very thing: children that are abandoned by their families or running away from their families or ignored by their families and having to grow up quicker than they should, like David Copperfield - having to be the hero of their own story.

In the English books, the American kids' books, typically, there is a problem, the characters grapple with that problem, and the problem is resolved.

I heard some famous people had an anniversary, five long years together, it was Hollywood history. Now my grandma and grandpa never made no printed page, but they took the love of 57 years right to the grave.

I have read books that are so cliched and lazy, my eyes have bled. But I also have read books marketed under the chick-lit umbrella that are so honest, clever and gritty that I've wanted to give up writing and paint walls instead.

Good books leave an impression. Great books forever alter the way you think about what it means to be alive. You Disappear is not just a well-told story, but a dramatic recalibrating of what it means to have a mind-and a soul.

As a kid, I lived almost entirely inside books, and eventually the books started returning the favor. A lot of my internal world feels like an anthology, or a library. It's eclectic and disorganized, but I can browse in it, and that hugely shapes both what and how I write.

I have a different experience. My father was a small-businessman. He worked really hard. He printed drapery fabrics on long tables, where he pulled out those fabrics and he went down with a silkscreen and dumped the paint in and took the squeegee and kept going.

There was a time when the world acted on books; now books act on the world.

The governments alone are responsible for the spread of the superstitious awe with which the common man looks upon every bit of paper upon which the treasury or agencies which it controls have printed the magical words legal tender.

I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Some day, all this will have to be developed, carefully printed, fixed.

Writing long books is a laborious and impoverishing act of foolishness: expanding in five hundred pages an idea that could be perfectly explained in a few minutes. A better procedure is to pretend that those books already exist and to offer a summary, a commentary.

Let but the public mind become once thoroughly corrupt, and all attempts to secure property, liberty or life, by mere force of laws written on parchment, will be as vain as to put up printed notices in an orchard to keep off the canker-worms.