Top 210 Prints Quotes & Sayings - Page 3

Martha Stewart showed up at Manhattan FBI Headquarters to have her finger prints taken and pose for a mug shot. Then Martha explained how to get ink off your fingers using seltzer water and lemon juice.

All parents damage their children. It cannot be helped. Youth, like pristine glass, absorbs the prints of its handlers. Some parents smudge, others crack, a few shatter childhoods completely into jagged little pieces, beyond repair.

The truth is that the newspaper is not a place for information to be given, rather it is just hollow content, or more than that, a provoker of content. If it prints lies about atrocities, real atrocities are the result.

Collage – SS13 offers a very controlled and pure do-it-yourself attitude. The collection shows a juxtaposition of very different materials, prints and colours, therefore giving the wearer a possibility to combine the garments in different ways.

I never wear heavy animal prints, because I feel sad for the animals. They look majestic with their striped or printed hide and fur, and when people wear the same, they look horrible and out of place.

I've met people with my prints tattooed on them, my face tattooed on them - I have that commitment and love.

I've loved Japanese culture for a long, long time, from doing martial arts, to the block prints, to the music. It's a country that I love, and a culture that I love.

I record all my speeches and have DTP prints of them. When I happened to read the speeches compiled I thought it made for an interesting read. This set to me thinking on publishing it in book form.

And friends of mine that had photography class in high school would develop the film and make prints and I'd take them back to the track and give 'em away or try and sell them. Much to my parents' dismay, I majored in photography in college.

The easy glamour of the French Riviera in the late 1960s - inspired by Romy Schneider's character in La Piscine - mixed with garden elements. Blueprint, botanical, lattice, Queen Anne's lace and folly prints are paired with cleaner silhouettes and proportions in a fresh palette of green, white and coral.

You reach a moment in life when, among the people you have known, the dead outnumber the living. And the mind refuses to accept more faces, more expressions: on every new face you encounter, it prints the old forms, for each one it finds the most suitable mask.

If you want to get an email to Robert Redford, you send it to his assistant, and she prints it out. And then he will write you a letter, which is incredibly rare and incredibly classy. Unfortunately, I can't be that removed from technology.

Animals come from nature. They were not designed. All my inspiration comes from nature, whether it's an animal or the layout of bark or of a leaf. Sometimes my patterns are very bold, and you can barely see where they come from, but all the textures and all the prints come out of nature.

I paint because I love to paint. If someone buys the prints or whatever, so be it, but it's not my main form of business. As a performer, that is my main form of business.

If you view computer designers as artists, they're really into more of an art form that can be mass-produced, like records, or like prints, than they are into fine arts. They want something where they can express themselves to a large number of people through their medium, and their medium is technology and manufacturing.

I have always been a Peter Blake fan and love street art and graffiti. I really like this street-art collective called Faile. They're from Brooklyn and make these prints of beautiful women.

I don't know. I don't go around looking at my pictures. I sometimes think I'm a mechanic. I just take pictures. When the time comes, for whatever reason, I get involved in editing and getting some prints made and stuff. There are things that interest me. But I don't really mull over them a lot.

The drawing of a 'Pipeline Wave' started with Billabong as a commission for their 2009 Pipeline Masters campaign. My 'Pipeline Wave' drawing later became the start of my 'Waterworks Collection' for gallery prints.

People peep into boxes at moving stereoscopic prints, imagining they're in other worlds, and the crowd around a glassblower wonders whether icicles have formed in summer. Potted trees revive and suddenly look fresh when a florist sprinkles water on them, while papier-mâché turtles hanging out for sale move in the wind and take on souls.

I'm staying with film, and with silver prints, and no Photoshop. That's the way I learned photography: You make your picture in the camera. Now, so much is made in the computer... I'm not anti-digital; I just think, for me, film works better.

When I photograph, I do not think much. If you looked at my contacts you would ask yourself: "What is this guy doing?" But I keep working with my contacts and with my prints, I look at them all the time. I believe that the result of this work stays in me and at the moment of photographing it comes out, without my thinking of it.

People leave imprints on our lives, shaping who we become in much the same way that a symbol is pressed into the page of a book to tell you who it comes from. Dogs, however, leave paw prints on our lives and our souls, which are as unique as fingerprints in every way.

[The people who run things] are so successful in the way they do it now. They could buy me off with a couple of vintage prints, they could have you do an ad, or give you a ribbon... In capitalist countries they reward artists because we're ineffectual.

I would never wear anything with a logo. That I really find difficult. It's a frustration that I'll find a nice shirt or something and it's got 50 prints of the logo on it - why do they do this?

I love 'Victoria's Secret Sport' because what they do so well is the fit and how it makes you feel. They sculpt all the right parts of your body. Plus, there's so much to choose from - colors, prints, and cool details. It's dangerous - you want everything.

My photographs are a picture of the chaos in the world, and of my relationship to that chaos. My prints show the world’s constant upsetting of man’s equilibrium, and his eternal battle to reestablish it.

Women today leave the house in animal prints and six inch stilettos, what does that say? I'm going to church? They're saying I want you to hang me by my tits from your ceiling and bite my ass. You know what I mean? That's what it says to me anyway.

I have always questioned the status of the body in our society. I have always been working on social, political, cultural and religious pressures, which prints them in the flesh and in particular in women's flesh.

I think any filmmaker will tell you when they wandered from theater to theater to watch their prints, it was disheartening to see the poor levels of light and the disrespect for films that existed in certain theater chains. It was always inconsistent.

Kindle Singles is publishing on skates. It prints like lightning; our book meets readers in hours. I've spent so many years waiting for publishers to consider whether they wanted to print a book of mine, making contracts, taking months to fit it into the Fall list or the Spring list, fitting it into an advertising plan.

I remember when I first moved to L.A. from Michigan when I was 11 years old and I walked down the Walk of Fame and looked at the hand and foot prints of the stars and it was the coolest thing. And I never thought that mine would actually be there one day, so when it happened it was so surreal and such an honor

My own interest in art was because of my mother. My father didn't like contemporary art, so he didn't give her large sums to spend. So, she began buying prints and drawings. During my school days, I remember sitting in on many of the early meetings.

In spite of the roaring of the young lions at the Union, and the screaming of the rabbits in the home of the vivisect, in spite of Keble College, and the tramways, and the sporting prints, Oxford still remains the most beautiful thing in England, and nowhere else are life and art so exquisitely blended, so perfectly made one.

When I first came out, I was wearing full-on traditional Nigerian wear. I got told by a lot of people that I should just tone it down. I only stopped when I realized there's only so many prints you can wear.

A lot of my friends were mostly working in black-and-white - people like Lee Friedlander, Diane Arbus, Garry Winogrand, and others. We would exchange prints with each other, and they were always very supportive of what I was doing.

I was a very, very careful printer when I used 8-by-10 film. I probably spent more time on printing than anything else. The more the prints were appreciated, the more time I spent on them.

World War II was a historical event, but also a movie genre, and 'Fury' occasionally prints the legend. The rest of it is plenty grim and grisly. Audience members may feel like prisoners of war forced to watch a training-torture film.

As for the cartoonists 'Oily' prints, they are just artists I admire. I am lucky to be friends with most of them so it was easy to contact them. Some have come to me but mainly they are just folks that I admire.

The line-storm clouds fly tattered and swift, The road is forlorn all day, Where a myriad snowy quartz stones lift, And the hoof-prints vanish away. The roadside flowers, too wet for the bee, Expend their bloom in vain. Come over the hills and far with me, And be my love in the rain.

I never got a pass mark in math... Just imagine - mathematicians now use my prints to illustrate their books. Funny me consorting with all these learned folks, as though I were their long lost brother. I guess they are unaware of the fact that I am ignorant about the whole thing.

I was taking all prints and I brought them to the Magnum meetings, trying the old Josef Koudelka trick: Give them to photographers, who are getting bored during the talks about the economics of the agency, to look through with a pen. They'll separate them in two piles. I started to find the core pictures that people seem to relate to.

Just as our ancient ancestors drew animals on cave walls and carved animals from wood and bone, we decorate our homes with animal prints and motifs, give our children stuffed animals to clutch, cartoon animals to watch, animal stories to read.

'The Next Wave' started as a drawing for a new silkscreen fine art print. I ended up doing the prints digitally because the water-based inks were better for the environment than the oil based inks. So, I learned about the Epson digital printers to get the image I wanted.

I like things that are well cut, things that are considered within their detailing. Fabrics that are very developed; specialist jacquards and prints. My clothes are statement pieces. They're decorative, but there's always a subversiveness or an othersidedness to them.

I'm more contented and at peace with myself now than I was as a box-office queen. I'm less uptight. I've even reached a stage where it doesn't shatter me if somebody prints something bad about me.

A couple of things for the not-so-diminutive man: avoid any prints that are large scale, because you will look like the print is wearing you, as opposed to you wearing the print.

While Coach Hedge was having dinner on the foredeck, a wild pegasus appeared from nowhere,stampeded over the coach’s enchiladas, and flew off again, leaving cheesy hoof prints all across the deck. “What was that for?” the coach demanded.

Unlike the photography and prints, I never catalogued, kept track of or exhibited the sketches. I sold some occasionally, but never saw myself as a graphic artist. They became more important to me thanks to the exhibition, however, and I realized that these drawings were quite interesting after all.

The air of fashion, which many young people are so eager to attain, always strikes me like the studied attitudes of some modern prints, copied with tasteless servility after the antigue; the soul is left out, and none of the parts are tied together by what may properly be termed character.

I have asked students at the beginning of their careers, what things of that sort might haunt them – what things they must photograph, things they have to try to shoot even before they master the intricacies of making dye transfer prints.

There's a jean for everyone. And I'm a fan of that. I love a jean, and I love all these spins on them. I love a printed Balmain jean, or a Givenchy, and I love the prints, I love that you can have so much fun with it all, you know, dressing up.

I really have to think of myself as a painter first because sculpture came much, much later. As a student at the Art Institute in Chicago, I simply never became involved in sculpture. I did prints, and I did paintings.

In the first gospel, Mark, the risen Christ appears physically to no one, but by the time we come to the last gospel, John, Thomas is invited to feel the nail prints in Christ's hands and feet and the spear wound in his side.

Editions made sense when people worked with engravings where the plate wore down as prints were made. An early number of the edition had slightly better quality. But that's not the case with photography. To me, it's a false way of creating value.

I didn't want to make 'high' art, I had no interest in using paint, I wanted to find something that anyone could relate to without knowing about contemporary art. I wasn't thinking in terms of precious prints or archival quality; I didn't want the work to seem like a commodity.

The impression of wood-grain... must be considered, not only as regards texture and visibility, but for the occasional possibility of the expression of form. A soft wood, with hard annulations, such as fir, prints very dearly.

Unfortunately, it is much easier to shut one's eyes to good than to evil. Pain and sorrow knock at our doors more loudly than pleasure and happiness; and the prints of their heavy footsteps are less easily effaced.

I love like the 80s look - 80s and early 90s, like the high-waisted jeans and the crop tops, and the floral prints, and flowers and stuff like that. Big baggy jumpers... yeah, stuff like that.

I think that a woman wears so many hats, we have so many aspects to us that we're not just one thing. We represent so much within us and that kind of comes across for me as a designer through mixing prints and colors.

Producing is making films without having to work sometimes. It's still making films, but it's a different job. When you're the director, you kinda do all the work. I'm actually going tonight to check the prints of my movie even though the premiere's tomorrow night.