Top 1200 Producers Quotes & Sayings - Page 15

I work with a bunch of producers on every album, but the difference for 'Evolver' was that I couldn't get any time with Kanye. I forget what he was doing at the time, but he was all over the place. We were never at the same city at the same time.

And 'Sex Drugs Rock Roll' was a very transitional film for me in that I was one of the producers and you know, came up with the idea with the writer and the producer, as well. But, it was a very collaborative event. You know, I really love working in that way.

Because I've always aspired to direct and produce, I've literally worked with about 200 directors and countless producers, so what I appreciate is how, through osmosis and through actually asking questions and through people offering wisdom, there's a lot in there.

There are a lot of women - directors, producers, writers - involved in my career. They are all interested in telling good stories, and good stories involve men and women.

And 'Sex & Drugs & Rock & Roll' was a very transitional film for me in that I was one of the producers and you know, came up with the idea with the writer and the producer, as well. But, it was a very collaborative event. You know, I really love working in that way.

Oh, I'm going to miss everything. It's been the most amazing and significant job of my life obviously and I'll always have it near and dear to my heart. I'm so grateful and appreciative that I worked with the best crew and the best writers and producers and cast and I love them all.

I did a record with a producer, and the good producers eat up the budget, so I didn't have any budget left to produce this record. I had to produce it myself.

I knew from the first episode that 'Longmire' was something special - I met the writers/exec producers, read the script, and knew it was special, so to have the network and the studio and the fans get behind it in the way that they have has been really amazing.

I sing when both directors and producers compel me. I'd rather give that opportunity to a gifted newcomer, to whom it makes a huge difference. There are a lot of talented youngsters out there, who can do with such opportunities. Helping them matters to me more than my singing.

What I think after reading the script and seeing where the story goes, I go with my instincts on the character. If my instincts are wrong the director and the producers will guide me in the right direction. That's just kind of how I take on any role, be it a fantasy movie or not.

Children in the 21st (century) have been transformed from net producers of their own toy and play culture, to net consumers of play culture imposed by adults.

But I've lost parts because of my looks. I auditioned to star with Richard Dreyfuss in 'The Buddy System.' The producers said no one would believe he would leave me for another woman. They just couldn't see me with him.

The two Hindi movies that I did were not marketed well, and so not many people came to watch the film, hence the audience doesn't know much about me. I am a newcomer, and I cannot sell a film on my own. There has to be a backing in terms of producers.

I do like being surprised by directors and producers and being offered parts I would never have considered, including parts that aren't necessarily obvious but which would test me.

Filmmakers now have the freedom to create the type of movie they want. More screenwriters, directors, and producers now have the chance to see their words on screen now that VOD and streaming outlets are available. Overall, it's a good thing for filmmaking and documentarians.

I tried to get Adam Sandler hired on a movie called "Brain Donors" and the producers wouldn't hire him. And a few years later, he was doing "Happy Gilmore" and he remembered I had fought for him, so he hired me.

I'm the chairman of the board of the Actor's Fund. It's an incredible organization. It helps anybody that has made their living in the performing arts and entertainment: actors, singers, dancers, film producers, agents, managers, ticket takers, writers, anybody in times of need or crisis.

I've always appreciated directors but I have a newfound appreciation for them and producers and everyone who does what they do that actors don't see. When you have one job, that's all you care about, that's all you're supposed to focus on. But focusing on so many different things, I was introduced to how hard everyone else works too.

I worry about every newspaper. I worry about the financial undertaking, and I worry that somehow the loss of the sale of the paper version will affect their ability to have journalists and editors and producers. We really need those.

I think that sometimes, as producers, we just service the artists who's really just the main front or person. You know, our roles are really just to help them get where they're supposed to go.

People assume that trans people will only be accepted as trans characters, or that there aren't enough trans writers, or that there aren't any trans producers or directors, there's that attitude.

But when I did think about it and looked at the whole package - the producers behind the show, the writers, the cast I would be working with - I would have been a fool to turn it down just because the role for me was another gay role.

Often times, while filming 'WAGS Atlanta' with 3 male producers, we were told to dress 'WAGGY' for scenes, not realizing that WAG style isn't universal! WAG style can encompass a myriad of different looks.

I've worked with producers who have told me to lose weight, and I'm not overweight, but they want you to look strange, anorexic, horrible. It's odd. It's like they are exerting a power over women, that they want them to look really frail.

The management teams in these royalty and streaming companies have the highest-quality research and the most visibility into all of the producers. So if you really want to know what's going on in the resource space, you should talk to the management team of a royalty company.

Benny [Carter] opened the eyes of a lot of producers and studios, so that they could understand that you could go to blacks for other things outside of blues and barbecue. He's a total musician. He was the pioneer, he was the foundation. He made it possible for that doubt to be taken away.

There's so much control, so many executive producers, so many people looking over their shoulder, so many people trying to second-guess the boss. The space for writers and directors and actors to be creative is zilch.

When I started as an assistant at 'SNL,' I got my eyes on Kristen Wiig and was able to bring her for an audition for Lorne Michaels and the other producers. Turns out, Kristen Wiig can give you some street cred early on.

Ethanol reduces our dependence on foreign sources of oil and is an important weapon in the War on Terror. By investing in South Dakota's ethanol producers, we will strengthen our energy security and create new jobs.

The stories that are most unfamiliar, the ones that seem to come out of the blue about people that aren't well known, usually come from producers that have really done a lot of homework and looked around. Other stories come from the correspondents.

I asked the producers when I was doing 'Y Tu Mama Tambien' if they could give me a VHS recording of the film that I could show to my family, because in Mexico and Latin America, when you do a film, you don't expect anybody to see it, especially not in the cinema.

If someone tried to take the hierarchy thing too seriously - for example, being lovely to producers but moaning to runners about the tea - that would not be accepted on 'Harry Potter'; someone would pull you aside and have a word.

Everyone talks about reality TV and that there are no roles left. That's false. Years ago, there were three networks. Now there are 20 cable networks and so many ways for films to be exhibited. It's an exciting time for actors, writers, directors, and producers.

Think of it: television producers joining with newspapers to tell stories. It's journalism of the future. Advertising will follow the crowd - the 'crowd' being viewers and readers, of course, which could bring revenue back into journalism.

The government should take a decision on whether to allow Pakistani actors in India or not, but I think directors and producers will themselves not cast Pakistani actors seeing the kind of opposition the country is witnessing against them.

I didn't even know how to speak Hindi or act. I didn't think about fame and money. I didn't talk about money with the producers, as I was a minor. My parents handled that part. But I am from a family where money was never an issue.

The average film has eight or ten producers on it. That is just in a world that would be unthinkable to me, because to me, to really be a producer of a film, you have to be a line producer.

You can take wonderfully talented actors, wonderfully talented writers and producers, and, uh, do a wonderful show!... but if it doesn't hit with the public in two minutes, it's bye-bye.

Yes, I charge a certain remuneration fee, and yes, producers do pay me that sum. But if I didn't deserve it, why would somebody pay me an exorbitant amount?

Despite the debt, the traffic, the one-party rule, the taxes, and the eagerness of politicians to overwhelm small businesses and large corporate job producers with red tape and unnecessary regulations, the Golden State is still the most beautiful place to live and work in the United States.

My primary job is to choose the programs, either to co-produce them, or acquire them after they're finished. So, I read a lot of scripts, I meet with producers and I read a lot of books.

I try to beat back the producers and engineers so they - there's not an excess of stuff used to squeeze my voice to make it artificial. There's a person in there, and people will listen; if they hear another person speak to them, they'll listen because it's lonely out here.

The thing is, I would need the right producer [for dance-music album ], right? "Calling all dance music producers! I'm available.

What must never be lost sight of is that a public functionary, in his capacity as functionary, produces absolutely nothing; that, on the contrary, he exists only on the products of the industrious class; and that he can consume nothing that has not been taken from the producers.

Journalists ask me all the time, 'Akshay, do you believe in the numbers game?' My standard response: 'I can't count, that's why I have producers and accountants who calculate for me. As long as I have them in my life, I don't need to worry about numbers!'

There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.

In the case of 'News Radio,' I loved that show. I loved the actors and the producers, but I was longing very much for something more to sink my teeth into me. I think it was an incredibly smart show, but I found myself on the peripheral of a lot of it.

Confronted with this double madness of the labourers killing themselves with over-production and vegetating in abstinence, the great problem of capitalist production is no longer to find producers and to multiply their powers but to discover consumers, to excite their appetites and create in them fictitious needs.

I like home recordings and studio recordings just as much as each other - I don't think one is better - but for this record I wanted to see what I could do in a real studio with real producers.

There are many great wine producers from all over the world making fantastic wines. Italian wines especially are making an enormous comeback after sometimes being labeled as inexpensive jug wines.

We have such fantastic talent in India, and there are some great Marathi singers, great sound producers, great sound engineers, and a great breed of lyric writers. But the problem is that you need a platform.

Any dramatic series the producers want us to take seriously as a representationof contemporary reality cannot be taken seriously as a representation ofanything - except a show to be ignored by anyone capable of sitting uprightin a chair and chewing gum simultaneously.

Obviously with the onset of cable and satellite, there are more opportunities for programming and original programming, so it creates more opportunities for actors and producers and directors and everything.

Well, most of my sessions have been with Hit-Boy and London, so I haven't had the opportunity to really vibe a lot in person with the other producers. But they're super open to experimenting and taking direction really well and they have good energy.

Your intention going in is to do the best you can. You go in and do your work, day to day, the best you can. But it's entirely up to the director and the editor and the producers and the studio how it turns out.

Movies are grander, with (in my experience) more heavy weight chefs in the kitchen: the studio, the producers, the writers. All of them get to weigh in and you have to listen to all of them because they hired you. With TV, it's a way smaller scale, with only a few people weighing in.

I feel like my music has so many different things going on. I've always worked with many different producers. And a lot of times, each of them has a different thing that I really love about what they do.

When I auditioned for 'Wedding Crashers,' the producers had never seen any of my other work except for Bond. I got 'Wedding Crashers' partly because I was a Bond girl.

The Postal is a ruthless, Mad TV-type thing. We sent out a DVD to the South Park producers, and they liked the movie so much that we can say now, "It's like South Park with real actors" on the trailers and posters.

Our third album, 'Grown.' On that album, some of us had the opportunity to have hands-on experience into songwriting and production. The project itself taught the members how to create an album ourselves while grabbing guidance from the producers we worked with.