Top 1200 Professional Experience Quotes & Sayings - Page 4

My first professional acting job was on 'Boss'. My first acting job was basically my first acting class. I had to show up on set prepared and knowing my lines. Also, I got a chance to work with a living legend, Kelsey Grammar - that gave me hands on experience.

A vital difference between the professional man and a man of business is that money making to the professional man should, by virtue of his assumption, be incidental; to the businessman it is primary. Money has its limitations; while it may buy quantity, there is something beyond it and that is quality.

Life will give you whatever experience is most helpful for the evolution of your consciousness. How do you know this is the experience you need? Because this is the experience you are having at the moment.

To convert college sports into professional sports would be tantamount to converting it into minor league sports. And we know that in the U.S., minor league sports aren’t very successful either for fan support or for the fan experience.

I went to Dartmouth College, graduated, and had the opportunity to play two professional sports - I played for the New England Patriots in the NFL and professional lacrosse for the Boston Blazers. I had an injury, so I had to stop so I could heal. But when I was playing football, I wasn't making a lot of money; I wasn't a superstar.

Like AEW, it kind of feels like they're treating you like a professional athlete, and Lucha Underground is like a lot of TV production stuff. It felt like they treated you like a professional actor. The treatment was just above that for a wrestler.

I think school is very important and I personally had a great experience at North Carolina, which helped shape me as a basketball player and a person. Every once in a while, you will have a player who can make the jump and have an immediate impact on the professional level, but most of the players who come out would absolutely benefit from going to college.

I've been making movies a long time. I'm a professional at it. I'm not a professional at making soundtracks - that's not my job. My job is to put the right songs in the movie so the movie works the best it possibly can.

I decided to do philosophy at university, with a view to becoming a professional philosopher. Being a rather unstable character, at some points I had doubts about becoming a professional philosopher, but the example of two of my teachers, Ezequiel de Olaso and Juan Rodriguez Larreta, made me confirm my original decision.

Visionary experience is not the same as mystical experience. Mystical experience is beyond the realm of opposites. Visionary experience is still within that realm. Heaven entails hell, and 'going to heaven' is no more liberation than is the descent into horror. Heaven is merely a vantage point from which the divine Ground can be more clearly seen than on the level of ordinary individual experience.

I'm good at professional wrestling, and I always will be good, but what's always been different about me is that I can't completely focus on professional wrestling.

I've got cabinet experience, military experience, and private sector experience.

I've learned, finally, how to balance work with having a personal life. I had to separate my personal and my professional life but now that I only have loving people in my life my personal and professional life blend together.

I don't remember things initially when listening to music. Like, I don't remember where I first heard a song, I don't have nostalgic attachment to a song in that it reminds me of such and such a time or place. I think I probably did experience that somewhat when I was not a full-time, professional musician, but I don't think music works that way for people who are in it constantly.

I feel more strongly than ever about this. I would like the professional game freed of golf carts. Golf is a physical game. If we are playing competitive professional golf, we should walk. When I can't walk 18 holes, I'll pack it in.

Wise, compassionate and accessible, David Benner's The Gift of Being Yourself is truly a gift to the dedicated seeker. The author draws on his professional experience as a psychologist and his own lifelong vocation as a Christian. The result is a book that felicitously weaves together the insights of psychology and Christian spirituality.

Words are merely utterances: noises that stand for feelings, thoughts, and experience. They are symbols. Signs. Insignias. They are not Truth. They are not the real thing. In fact, you place so little value on experience that when what your experience of God differs from what you've heard of God, you automatically discard the experience and own the words, when it should be just the other way around.

Direct experience is inherently too limited to form an adequate foundation either for theory or for application. At the best it produces an atmosphere that is of value in drying and hardening the structure of thought. The greater value of indirect experience lies in its greater variety and extent. History is universal experience, the experience not of another, but of many others under manifold conditions.

For me, disability is a physical experience, but it's also a cultural experience and a social experience, and for me, the word 'crip' is the one that best encapsulated all of that.

Fundamental ideas are not a consequence of experience, but a result of the particular constitution and activity of the mind, which is independent of all experience in its origin, though constantly combined with experience in its exercise.

The idea of the gay experience, it feels like a relic. I felt like in the '90s when we were watching the gay characters on 'The Real World,' there was definitely a gay experience that was distinct from a straight experience. If you talk to high schoolers in 2017, I don't know that is as much a part of how they experience a social dynamic.

Playing in sold out arenas several nights a week is something I have never experience before. I want to experience that. I want to experience that in my first year and build on that.

If you go back in time to the '60s, the '70s, probably the early '80s, British professional wrestling was the most respected region of professional wrestling on the planet, and somewhere along the way that got lost and wrestlers were forced to America or Japan or even Mexico to make a living.

This civil action is another case of a tragedy that has become all too familiar in the music industry: a business manager and professional advisers exploit an immensely talented artist's loyalty and trust through greed, self-dealing, concealment, knowing misrepresentation and reckless disregard for professional fiduciary duties.

Three words that still have meaning, that I think we can apply to all professional writing, are discovery, originality, invention.The professional writer discovers some aspect of the world and invents out of the speech of his time some particularly apt and original way of putting it down on paper.

The one thing about professional sport is it's all about results, and at the end of the day, if someone is employing you and you're not scoring runs or you're not taking wickets, they ain't going to carry on doing it, and there's no any other way of saying that; that's unfortunately the ruthless business of professional sport.

Humor is really one of the hardest things to define, very hard. And it's very ambiguous. You have it or you don't. You can't attain it. There are terrible forms of professional humor, the humorists' humor. That can be awful. It depresses me because it is artificial. You can't always be humorous, but a professional humorist must. That is a sad phenomenon.

Most of the people dishing out judgment have no working experience of the theatre, have not written a professional play, a sketch, or even a joke; have never worked in a theatre, taken an acting class, or published any extended piece of work. They are creative virgins; everything they know about theatre is book-learned and second-hand.

At 15-years-old, I always wanted to do professional wrestling, and at 15, I started training as a professional wrestler. It was always the plan to become an entertainer, a sports entertainer.

I always talk to young writers about when you make art in your room, you make art. And when you send it to New York and L.A., you have to be a professional. Of course, when you sell your book rights as an option for a movie, you have to be a professional about that.

In our culture, imitation-based experience dominates reality-based experience. I find this an awful thing. But there are artists who know from the bottom of their souls that art is about the experience of reality. The reason we have art is because you can’t get a real experience from the world.

I'm never hard on people just because they annoy me on the show. I'm not emotional when I'm professional. Do I think there are people on the show who need to go home sooner than they do? Yes. I do. but I'm there to be professional and to be a judge and to give them my advice and my help and I take my job really seriously.

When we follow the reversal of normal experience, we find ourselves in an unusual, nearly mad experience. Being in an almost mad experience is not something we should fear: only in such experience are we jarred out of our common sense opinions and beliefs. It opens our minds to other ideas and thought. It makes us think.

I wound up going to the Walnut Hill School for the Arts in Natick, which was a really life-changing experience that's still the most intense working environment I've ever been part of. Even now, as a professional actor, I've never once been held to the standards I was held to at my high school.

I was just lucky to be there ahead of the curve to be the driving force behind bringing this amazing style of wrestling from Japan that combined Lucha Libre, American professional wrestling, Canadian professional wrestling and Japanese wrestling all into one beautiful mix that fans worldwide absolutely can't get enough of.

It was a beautiful experience for her, the experience that she had that she confesses. It wasn't dirty and it wasn't horrible and wasn't shattering. It was a wonderful, liberating experience.

The professional has learned that success, like happiness, comes as a by-product of work. The professional concentrates on the work and allows rewards to come or not come, whatever they like.

I don't think a professional agent or theatre manager would say my career had gone as well as perhaps it should have after that first 'Oliver!' success, but then again I was never really intending to have a career in the professional theatre in the first place.

If you're a thorough professional, and they won't let you do a professional job, nobody's going to benefit from it. The people who produce it won't benefit. The people who buy it won't benefit from it. They're going to get a half-assed product.

If you have a belief and you come against an experience which the belief says is not possible, or, the experience is such that you have to drop the belief, what are you going to choose — the belief or the experience? The tendency of the mind is to choose the belief, to forget about the experience. That’s how you have been missing many opportunities when God has knocked at your door.

Avoiding any of the tenets of amateurism, after all, certainly does not make you a good professional. Perhaps it is better to see fearless flair and professional steeliness as two ideas which must always coexist. One half of sport may be about harnessing human talent, but the other half depends on setting it free.

I think intellectualizing annoys me because it is the enemy of experience; you cannot experience the presence of God and analyze it at the same time. You can't analyze anything and experience it simultaneously.

But it also became the experience, or was the experience, of the writers who were attracted to this kind of humor. They're all men or women who come from the same kind of experience in their own lives.

I had my first professional fight was in 2001 in Venezuela - it was also my first international trip away from Brazil. It was a great experience. Then in 2005, I went to Finland and won. The next year there was a tournament in Brazil with three fights in one night. I was the underdog and won all three fights.

There wouldn't be any way I could have jumped into Cup with the success I had without the truck series. I wish I had more time to spend there. There are so many things the truck teaches you about aerodynamics, the professional ranks of racing, and working with a professional team.

Dagenham offered me a two-year opportunity really. It wasn't a pro deal, just a chance to impress. I was sent out on loan straight away. I got a professional contract on the back of that and it wasn't until I started scoring in League Two that I actually realized, 'I'm professional footballer.'

Ambassador Kennedy brings to the Boeing board professional, diplomatic, and global perspectives that are highly valued in our rapidly evolving and increasingly competitive global business environment. Her diversity of experience and accompanying insights will broaden and strengthen our board in its deliberative and oversight roles for the company.

I think not being a professional photographer was actually a blessing, because it allowed me to shoot things professional photographers wouldn't shoot, or wouldn't try or attempt to shoot without lights. So I did all my stuff natural and without lights.

One thing that sticks in my mind is that jazz means freedom and openness. It's a music that, although it developed out of the African American experience, speaks more about the human experience than the experience of a particular people.

I cannot experience your experience. You cannot experience my experience. We are both invisible men.

The idea of a group of elders is that, in past civilizations, they have linked worlds; the other world was also present in this one. There is also the argument that elders have "experience." The problem is that experience teaches fear of change. Experience kills imagination. Experience makes people conservative. What we are facing tomorrow requires the force of imagination, not wisdom from yesterday.

I say that creeds, dogmas, and theologies are inventions of the mind. It is the nature of the mind to make sense out of experience, to reduce the conglomerates of experience to units of comprehension which we call principles, or ideologies, or concepts. Religious experience is dynamic, fluid, effervescent, yeasty. But the mind can't handle these so it has to imprison religious experience in some way, get it bottled up. Then, when the experience quiets down, the mind draws a bead on it and extracts concepts, notions, dogmas, so that religious experience can make sense to the mind.

Experience will always win in this sport. That experience helps with a lot of things, even in the race shop. You are going to have experience in certain scenarios where you can make those right decisions.

Even if you don't become a professional athlete, the experience of working with a team, knowing how to set goals, and working every day to figure out how to accomplish those goals definitely gives you confidence to apply those same characteristics to other life challenges.

By inner experience I understand that which one usually calls mystical experience: the states of ecstasy, of rapture, at least of meditated emotion. But I am thinking less of confessional experience, to which one has had to adhere up to now, that of an experience laid bare, free of ties, even of an origin, of any confession whatever. This is why I don't like the word mystical.

My father is a college professor and that's about the extent of my college experience. I'm sort of a professional student forever. I think just as human beings we always have a student who is alive in us and is waiting to pop up and make us feel like we are 16 years-old again.

For me, intuition comes from experience. After years of experience, a person will have, if they have been paying attention and revising their thinking and behavior, intuitions about their area of experience.

Experience is, for me, the highest authority. The touchstone of validity is my own experience. No other person's ideas, and none of my own ideas, are as authoritative as my experience. It is to experience that I must return again and again, to discover a closer approximation to truth as it is in the process of becoming me.

The experience of love and the experience of death destroy the illusion of our self-sufficiency. The two are closely connected, and to become fully human we must experience both of them.

I'm just about the movies; I enjoy the dexterity of actors in action movies and the choreography side of things. You've just got to be a different person to be a professional fighter. I train with professional fighters, so I know what it takes. It's a very difficult profession, probably harder then the acting profession.