Top 1200 Professional Writer Quotes & Sayings - Page 4

I'm a professional at what I do. As a police officer you're a professional at what you're supposed to do. You should know your equipment well. You should know the difference between a taser and a handgun.

How do you cut off the human side and just maintain being professional? So what I've done is I've incorporated that with Kojak - there's times when he allows the human condition, the human experience, to integrate into him as a professional.

I am into professional wrestling. Only Greco-Roman and freestyle wrestling can qualify in Olympics. I chose professional wrestling for fame and limelight and good money.

To me writing was not a career but a necessity. And so it remains, though I am now, technically, a professional writer. The strength of this inborn desire to write has always baffled me. It is understandable that the really gifted should feel an overwhelming urge to use their gift; but a strong urge with only a slight gift seems almost a genetic mistake.

I always wanted to become a good role model for kids as a professional football player. Unfortunately, I didn't attain that through football, but I was smart enough to realize that professional wrestling provided another opportunity for that.

Professional players work almost every day, for hours on end, and the emphasis is on the word 'work.' It can be with a partner or it can be alone, but professional chess is always a pursuit of something new and surprising.

A handwritten letter carries a lot of risk. It's a one-sided conversation that reveals the truth of the writer. Furthermore, the writer is not there to see the reaction of the person he writes to, so there's a great unknown to the process that requires a leap of faith. The writer has to choose the right words to express his sentences, and then, once he has sealed the envelope, he has to place those thoughts in the hands of someone else, trusting that the feelings will be delivered, and that the recipient will understand the writer's intent. How childish to think that could be easy.

Bring your whole self to work. I don't believe we have a professional self Monday through Friday and a real self the rest of the time. It is all professional and it is all personal.

It's great to win a few prizes early on. It helps a writer to get noticed and to get some sales. It can also be a pain in the arse because it gets in the way of the quiet, contemplative time every writer needs, but which is particularly important when you are a new writer finding your own voice, and pursuing the things that interest you.

I wish over the years I had kept my private life private and my professional life a little more professional.

All the things you're not supposed to do at the beginning of your professional life - transgressiveness, arbitrariness and violating expectations - you find more attractive at the end of your professional life.

It's not possible to advise a young writer because every young writer is so different. You might say, 'Read,' but a writer can read too much and be paralyzed. Or, 'Don't read, don't think, just write,' and the result could be a mountain of drivel.

If you are asked an overly invasive or personal question, you have the right to refuse to answer. Likewise, if you research a professional opportunity and it doesn't feel right, or if you are not being offered payment for your professional services, that may be a sign that you should consider saying no.

I'm not a writer just to be a writer. I want to say something that really needs expressing.

I am a professional martial artist, and I am a professional fighter.

The inimitable writer Maxine Hong Kingston published a book in 2002 with the title To Be the Poet. However, in contrast to the transformatory distinctions Kingston makes between the conditions of being a prose writer and "the poet," my multigenre impulses incline me to a broader transformation: to be a writer.

The consciousness-expanding drugs - the hallucinogens, such as cannabis, mescaline, LSD, Psylocybin - I think are useful to a writer up to a certain point. That is, they open psychic areas that would not otherwise be available to the writer. But I feel that once these areas have been opened and the writer has reached them, he is able to get back there in the future without the drug.

There's just so much negative media surrounding professional athletes or sports in general, whether it's kids that are pressured too much or professional athletes making mistakes that influence their family...

The cool thing about my show and me is that I'm a writer, and I'm a writer first if I don't have music.

I don't have a family that grew up singing and playing all the time. I didn't really have anything to judge my abilities against until I got out into the professional world and met other professional musicians. All I had was my own way of arriving at a song. That was it.

The difference between an amateur and a professional photographer is that the amateur thinks the camera does the work. And they treat the camera with a certain amount of reverence. It is all about the kind of lens you choose, the kind of film stock you use… exactly the sort of perfection of the camera. Whereas, the professional the real professional – treats the camera with unutterable disdain. They pick up the camera and sling it aside. Because they know it’s the eye and the brain that count, not the mechanism that gets between them and the subject that counts.

I'm a theological writer mistaken for a political writer. My theme is grace versus karma.

It looks like the writer is telling you a story. What the writer is actually doing, however, is using words to evoke a series of micromemories from your own experience that inmix, join, and connect in your mind in an order the writer controls, so that, in effect, you have a sustained memory of something that never happened to you.

I actually came to New York when I was 12 and did ballet school for a little while. I was being groomed to be professional, and a lot of the professors and teachers there were drawn to me and thought that I could become a professional ballerina.

'Made it as a writer'? I'm still wondering if I've made it as a writer. I've made it as a published writer of the type of SF that I want to write and read, but I'm still waiting for that big breakthrough.

I was never not in a show from ages 11 until 18. It was a great creative atmosphere but also a professional kind of atmosphere. When I finally went into the professional world, I felt ready. I was prepared for work.

I am a writer, a professional journalist with serious credentials in Crime, Craziness, and Politics. I have mingled with dangerous criminals and attended many trials . . . from Hell's Angels, Black Panthers and Chicano street fighters to Roxanne Pulitzer and even Richard Nixon, back in the good old days before he was run out of the White House for fraud, perjury, graft, and criminal negligence.

For the serious mediocre writer convention makes him sound like a lot of other people; for the popular writer it gives him a formula he can exploit; for the serious good writer it releases his experiences or emotions from himself and incorporates them into literature, where they belong.

Intelligence alone can't make a good writer and style alone can't make a good writer - that is, not a really important or significant writer - but the two things together make a really good writer.

I don't believe in writer's block or waiting for inspiration. If you're a writer, you sit down and write.

Nobody thought that I could become a professional. I was not that good. It was really just one thing I had fun doing. But it was never realistic for me to become a professional until I became 17 or maybe 18.

Sometimes I wonder why I'm a novelist right now. There is no definite career reason why I became a writer. Something happened, and I became a writer. And now I'm a successful writer.

And so it's sort of a fine line where you want to be recognizable as professional wrestling but you also want to set yourself apart from what some people consider the standard of professional wrestling, which is the WWE.

When I was 13 years old, a professional theater company in my town needed a kid actor. I auditioned, and I got the part, so for just a few weeks I became a member of the company and I met some professional actors.

Philadelphia's a good science-fiction town. There are many professional writers here, like Michael Swanwick, Tom Purdom, Gregory Frost, Victoria McManus and others. There are professional artists such as Bob Walters and Tess Kissinger and Susan McAninley.

I don't think I knew I would be a writer. I wanted to become a writer, and I tried to write.

You have to consider, I'm a full-time professional wrestler, and Stephen Amell is a celebrity, and yet we still managed to beat two full-time professional wrestlers.

I am a professional creator of online video and I have had that job since the moment of its existence. I'm also something of a professional advocate for, and follower of, online video.

I'm a fifty-three-year-old writer who can remember being a ten-year-old writer and who expects someday to be an eighty-year-old writer.

I just loved kicking a ball but I was determined to be a footballer and I wanted a professional contract, I would go to any professional club to get one. From 15, all I wanted was to be a footballer.

I kind of want to be seen as an American writer, not just a New York writer.

I couldn't be a writer without hope. I think I became a writer because I'm pretty optimistic.

Yeah, well, we're all writers, aren't we? He's a writer that hasn't been published, and I'm a writer who hasn't written anything.

Becoming a writer can kind of spoil your reading because you kind of read on tracks. You're reading as someone who wants to enjoy the book but also, as a writer, noticing the techniques that the writer uses and especially the ones that make you want to turn the page to see what happened.

There is a particular set of values commonly associated with being professional. Experience, expertise, trustworthiness, wisdom, and good judgement are all attributes aspired to by senior professional people, be they doctors, engineers, lawyers, civil servants, or the clergy.

People know my name, and because of that, I have more leverage as a professional fighter. And as a professional fighter, as a professional wrestler, that is something we are all battling for. We want to make our brand a name brand and a household name. And that essentially gives us more leverage and helps us provide for our families.

I have been a Cowboys fan since I was a little bitty boy. And my dream has finally become a reality, of not only just playing a professional, becoming a professional athlete, but playing for the team that I always wanted to play for.

I'm one of the fortunate ones to be making a good living for myself off of being a professional skateboarder. But there's hundreds and hundreds of pro skateboarders out there that are professional and they are so good at what they do. But... there's just not that much money in skateboarding.

My motivation in personal and professional life is my dad because the way he has played and inspired many other players to play cricket the correct way. He had a great professional life and has always been an outspoken man.

I grew up skateboarding; it was fun. I didn't think about money, I didn't know how much professional skateboarders made. I just knew that if I became a professional skateboarder, I would achieve a lot and get to travel and do these great things.

The only difference between a good writer who publishes a book and a good writer who doesn't is that the writer who publishes actually finished her book.

The characters created cannot just be a mouthpiece for the writer. When you look at a piece of writing, and it's genuine and it doesn't feel like every character is just a mouthpiece for the writer, but that they've been created in such a way that they're expressing an idea that a writer wants to get across, that's when a story succeeds.

I am more of a suspense writer. A mystery writer solves mysteries. I am a high suspense writer.

I enjoy the process of assessing, analyzing it and even as a professional I still think it's very wise to allow the fan in you to continue to remain alive. The professional always has to come first, but the fan in you allows you to relate to what people are watching.

The professional conducts his business in the real world. Adversity, injustice, bad hops and rotten calls, even good breaks and lucky bounces all comprise the ground over which the campaign must be waged. The field is level, the professional understands, only in heaven.

It's become fashionable these days to say that the writer writes because he is not whole, he has a wound, he writes to heal it, but who cares if the writer is not whole; of course the writer is not whole, or even particularly well.

General anxiety is the bridge between the manic joys of creation, exploration, new revelations, professional acceptance and reward, and the depression of self-critique, professional rejection and stagnation. All are part of the roller coaster ride of an artist's life.

A man can write one book that can be great, but this doesn't make him a great writer-just the writer of a great book. . . I think a writer has to extend very widely, as well as plunge very deep, to be a great novelist.

Professional politicians often claim they are not professional politicians. Trump genuinely isn't one.

Don't put down too many roots in terms of a domicile. I have lived in four countries and I think my life as a writer and our family's life have been enriched by this. I think a writer has to experience new environments. There is that adage: No man can really succeed if he doesn't move away from where he was born. I believe it is particularly true for the writer.