Top 1200 Protest Songs Quotes & Sayings - Page 4

All my favorite songs ever are love songs. Probably topped by 'The Luckiest' by Ben Folds.

I've always loved the songs of the sea. I was first introduced to them back in 1957, at the Old Town School of Folk Music. I used to go to Pete Seeger concerts, and he would do songs like 'Ruben Ranzo' and talk about how the sailors sang songs to do their work - to raise the anchors, pull up the sails and that sort of thing.

I'm not like other writers. I'm not hung up on using my own songs. In fact, my sister Bunny always tells me I sing other people's songs better than my own. She says I loosen up and give the songs a different feel.

I made songs in the late '90s and the early new millennium that didn't succeed very well, but songs that I made in the late '80s, early '90s, they stood the test of time. I respect those songs for keeping me relevant.

Yeah, except that when I write pop songs I have pretty strict constraints that I impose on myself. 69 Love Songs is a constraint. That the titles have to begin with "I'"s is a relatively strict constraint. Charm of the Highway Strip is all travel songs. And I am free to change the plot slightly to accommodate something that happens to rhyme conveniently.

I write songs all the time. Sometimes they're just weird songs I sing while changing a baby, or songs about annoying things that I sing to myself, or to friends while sitting at a bar, or about Christmas or New York.

I used to write songs that mimicked other songs that I would hear as a kid, cos I was 12 years old when I was writing those, right. And you hear a radio so all I'd write about was [sings] "hey girl, look at you", you know what I mean. I think that even doing that made it easier for me to write non-personal songs because, from a kid, I never wrote personal songs, they were always like mimicking. And now I'm just trying to understand my writing and where it's coming from.

On a musical level, I do find it rewarding. It's not like I want to blow my brains out while I'm playing these songs from so long ago. I am still surprised by the way the songs are constructed - note choices, the way the arrangements are made, the way these songs are assembled. I'm still amazed at times.

I wrote songs with the guys from Air Supply for their record... So I was just writing songs.

I always thought songs are movies for the ears and films are like songs for the eyes.

I was writing songs from when I was 12. My songs always came from questions that I need answers for.

The songs I was writing still had lyrics or sentiments that didn't match what I was feeling. It was old, negative energy coming out of me still, but it needed to all get out so I could trash those songs and put them in the bin. And then I was able to let the new songs out.

With songs, I've always pledged to be honest. I write my songs because I've lived them.

Sang in tones of deep emotion Songs of love and songs of longing.

I can write songs, I've had songs in movies, but I can't compose film scores, you know?

There is a lot of incredible talent out there, however, talent alone is not enough. Being a great singer does not matter, if you are not singing great songs. Having great songs will not be obvious to record executives if they are not professionally produced. Consistently performing those songs extremely well is essential.

On a good night, I probably make three songs, and none of them are full songs.

I guess all songs is folk songs. I never heard no horse sing 'em.

The songs that give you the most trouble become your best songs.

I like to write pop songs and the stuff I write is fairly poppy, so I thought maybe my lot in life was to write pop songs for people. It never felt right writing songs for other people to sing, though.

On Heartbreaker, I had to sing those songs. I drank the way I did those songs. I ate the way I did those songs. I communicated the way I did those songs.

I've always hated narrative songs. I hate those songs where, basically, it's an unfolding of a story.

You write in songs what you're too scared to write in real life, and then you sing the songs to loads of people instead of telling it to the person you should be telling it to... Songs are a great way of dealing with those issues but kind of a coward's way as well.

I have more of a desire to write songs about being an independent woman than being in love, songs about getting up and moving on even if I have a broken heart. 'Wanna Say' is one of the few love songs I've ever done.

The term 'popular culture' always used to mean what the people do - pop songs, folk songs, music in general used to live because people would sing these songs and tell these stories together. Then all of these new technologies came out and it became the work of professionals.

I don't care if it's a Cole Porter song, or George Gershwin, or Lennon/McCartney, or Elton John, or you know, whoever, Bob Dylan. Great songs are great songs, and they stand the test of time, and they can be interpreted and recorded with many points of view, but yet still retain the essence of what makes them good songs.

All literature is protest.

I don't want to change the way I write my songs, I like the way I write my songs, so I keep 'em the same. I'd like to write more country songs, but other than that, I'm pretty good where I am.

Truth is, you make albums, and some of those songs are hits, and some of the greatest hits albums have songs that weren't hits. You have a career, the reason why we're still around 10 years is that we do have successful songs.

Most songs I write are spur-of-the-moment-type things. I have to be spontaneous. If not, songwriting can bore me. There is no pre-design or idea of what I am going to do when I go into the studio. It's all like that for me. I could go in and write two or three songs in an eight-hour session. You can't over-think songs. You just can't.

I guess maybe my art can be said to be a protest. I see things a certain way, and as an artist I’m privileged in that arena to protest or say publicly what I’m thinking about. Maybe the strongest work I’ve done is because it was done with indignation. Considering myself as a feminist, I don’t want my work to be a reaction to what male art might be or what art with a capital A would be. I just want it to be art. In a convoluted way, I am protesting- protesting the usual way art is looked at, being shoved into a period or category.

I think a lot of my fans are anxious for more than just my singles. They know I'm a dreamer. They know I'm someone who is real spiritual. I love to have fun, and I always have fun songs - songs you can party to. But I also always have songs you can live to, that when you're depressed, it may lift your spirits up.

I've been writing a lot of songs in twos, songs that are like twins in my mind.

Music is an emotion and it makes you feel a certain way. Some songs make you want to dance, while some make you think. Some songs are positive, while some people see those songs as negative.

When you love what you do, you just really fall in love with it. Sometimes you record a lot more songs than the album will even hold. You record like 300 songs and only 12 songs go on the album. It takes time. But if you love what you do, it works out.

I'm not writing just classic-sounding songs, but songs that come from experience.

I've dreamed about performing songs, songs that don't even exist, as a complete song.

There are no calculations in the records I make. I record as many songs as I can. Songs that I think are my best.

There are no rules when it comes to songwriting, so I'd turn Carter family songs from the 1930s into pop songs.

I guess all songs is folk songs. I never heard no horse sing them.

I've always had good songs, it's the great songs that are difficult to find.

I used singing as a safety measure. I would pay attention to what songs the popular girls liked, learn those songs from the radio or library cassettes, and then "accidentally" sing or hum these songs in class. This would impress the girls, who would then defend me from the boys.

The only thing better than one of my songs is one of my songs with a glass of scotch.

And I thought about how many people have loved those songs. And how many people got through a lot of bad times because of those songs. And how many people enjoyed good times with those songs. And how much those songs really mean. I think it would be great to have written one of those songs. I bet if I wrote one of them, I would be very proud. I hope the people who wrote those songs are happy. I hope they feel it's enough. I really do because they've made me happy. And I'm only one person.

The challenge in writing the songs for The Aristocats truly fell on the animators & director of the film. Robert & I wrote the initial songs for the film, just prior to leaving full-time employment at the Walt Disney Studios. Therefore, some of the songs we wrote for The Aristocats were never used. I believe, therefore, the challenge fell upon the makers of the film to select what songs made the final cut.

Obviously I got known for some other songs early on, and some of those were rock'n'roll songs. Some of them were melodic pop songs. And I've done lots of different things, as you know, but every so often I get drawn back.

The extraordinary thing about Irving Berlin is that he's like the American Mozart! It seems as if his songs were always there. How do you put together songs like 'Always' or 'Cheek To Cheek'? Songs of his are, frankly, perfect.

Ed Sheeran wrote his songs, so I wanted to write my own songs.

We always say that National songs have to have a heart, that we don't make cold songs.

My best songs were written very quickly. Just about as much time as it takes to write it down is about as long as it takes to write it...In writing songs I've learned as much from Cezanne as I have from Woody Guthrie...It's not me, it's the songs. I'm just the postman, I deliver the songs...I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet.

If I write songs trying to top other songs, it's a lot of pressure.

Maybe my songs are my partner. How 'bout that? Yeah, the biggest relationship I have is with my songs.

I'm not really much of a fan of Drake. I don't know why; I'm not really keen on it. His songs just make you think about your ex! I'm more about upbeat songs! His songs are more sad most of the time!

When I met with Peter Angell, the producer of the CD, we talked about my idea to do songs that I loved and songs that I wished I had recorded. Peter suggested that we pick some songs and see how they work with you and try to come up with arrangements and ideas about how you might want to do them.

The best songs are the songs you write that you don't know anything about. They're an escape.

I had a long distance relationship going while we were writing the album so a lot of it is about that constant struggle— you look up at the moon and wonder if that person is looking at it too. I was trying to write love songs that weren’t sappy Ben Affleck movie songs, but kind of a … man’s love songs

I remember when I was doing my first Christmas album, I thought, 'Wouldn't it be nice to find new Christmas songs?' Then I went, 'Are you crazy?' When I decorate my tree I don't want new Christmas songs, I want to hear all the familiar songs!

With a lot of songs, songs that don't make a good statement, I forget the words.

There's enough songs for people to listen to, if they want to listen to songs. For every man, woman and child on earth, they could be sent, probaby, each of them, a hundred records, and never be repeated. There's enough songs. Unless someone's gonna come along with a pure heart and has something to say. That's a different story.

We just wanted to write a bunch of songs that we thought were good songs.