Top 303 Pub Quotes & Sayings - Page 5

Sometimes I'll be confident and go into a shop and say, "Hello, yeah, all right," and then the next day, if someone looks at me or talks to me, I just don't know what to do. If you're walking down the street with a baseball cap, you might be fine. But if you're in a pub and you see someone look at you, you think the worst thing in the world now is if they come over. It's a really weird feeling.

When they asked me, 'Do you want to work on Ricky Gervais' new series?' did I say, 'Hang on, I'll have a think about that. I'm very busy at the moment. I've got to do a gig above a pub for 10 quid tonight?' Of course I didn't! I said, 'Yes, please! It's the new Ricky Gervais show, for God's sake!'

I met this wonderful guy who owned an old pub near the Eiffel Tower called Malone's (he's French but it's an Irish name). He had a cellar with a piano and told me I could use it whenever I wanted to. I played lots of gigs down there. When I came back I played a show at the Knitting Factory.

I live in Leeds, which is about 200 miles north of London, and I get to go and do all the 'Harry Potter' stuff and make great films and be part of this wonderful thing all around the world, and then I get to go home and chill out with my friends in Leeds and go watch the football and go to the pub.

I met Paul Kossoff for the first time when I was playing in the back of a pub room in Finsbury Park in London in 1967. It was kind of a blues thing going on, and he came up and said, 'I'd like to have a jam.' So he came up and jammed with me, and I just loved his playing right from the start.

It's tough and it should be tough - it should never be easy to be given millions of pounds to make a drama. The coalition government is doing terrible things to the BBC, but drama will survive even if we end up putting on a play in a backroom of a pub.

The other night I went out to have dinner in a London pub and the barmaid had this whole conversation saying, 'You look just like that guy from Twilight'. Every time she came up, she said something like, 'You literally could be his brother'. But she never put two and two together.

I need to be looked after. I'm not talking about diamond rings and nice restaurants and fancy stuff - in fact, that makes me uncomfortable. I didn't grow up with it, and it's not me, you know. But I need someone to say to me, 'Shall I run you a bath?' or 'Let's go to the pub, just us.'

I don't attract violence because of my stature and because of my lifestyle choices. I don't like to go out and be out of control or intoxicated because you could be the toughest guy in the world and still be vulnerable if you're not in control of yourself. And I don't like to go to place that are unnecessarily confrontational or dangerous. But I used to work in a pub and had to help the doorman fight off a load of people at one time. So, I've seen enough.

We certainly noted that when given the opportunity, women handle money more efficiently. They have long term vision, they manage money more carefully. Men are more callous with money. Their first reflex is to blow it by getting drunk in a pub, or on prostitutes or gambling. Women, on the other hand, are endowed with a tremendous sense of self-sacrifice and try to get the best out of the money, for their children, but also for their husbands.

Good peo­ple drink good beer. Just look around any pub­lic bar­room and you will see: Bad peo­ple drink bad beer. Think about it.

I'm homesick everywhere I go, but England has a negative effect on my spirit to a profound degree. That trip from Heathrow into London is worse than the flight over there. It's just so grey, and I'm not a pub person, and the traffic in London gives me a heart attack. It's not a comforting place, on any level, to me.

I think 26 is the turning point. I’ve got to make up for 10 years of living like a degenerate. I’ve suddenly become conscious of being unhealthy. You’ve spent every bit of free time since [the age of ] 15 in a pub. And suddenly you’re like, ‘Oh God, I don’t want to be this grey ghost sitting there with a pot belly. I’ve got to get it together.

Despite being from Ireland, I've always avoided writing about it, for two reasons. For a very small country, Ireland has produced an astonishing number of literary geniuses, and at some level I probably never felt, having left as a toddler, that I had the right to try and add my voice. That's part of it. But I also didn't want to write something that was the equivalent of the Irish theme pub. You find them all over the world. The idea of producing a novel that might replicate that type of ersatz really set my teeth on edge.

I found myself at Cambridge, loved my course, and met these amazing people who got me heavily involved. I presumed I would have to go to drama school, but I did a play with my uni friends, who were doing lots of pub theatre in London, and through that met my agent. She said 'Don't go to drama school. I'll get you a job' and two weeks later she did.

When's the last time you walked by a pub in Dublin and heard Irish music? When's the last time you ordered a coffee and heard an Irish accent?

Why should Scotland be stopped from suggesting to the English people that we join a new union under new terms? Let's not try to dominate one another. Let's be a collection, like being in the pub with a kitty. When we vote in Scotland, we vote one way, but the other country votes another way and we always end up with what they vote for.

You find actually over the years that you get attributed with a lot of things you didn't do and you don't get reported on a lot of things you did do and I must say, when I read some of these things I wonder where the journalists get them from. They generally speak to somebody who's spoken to somebody who was down the back of a pub who heard the barman say, and gradually finds its way into magazines or articles but no, that's not the case.

I think a lot of people do have questions about life, 'What's the purpose of my life?', 'What's the meaning of my life?', 'Why am I here?' ... It's hard to find a place where you can discuss those issues. You can't go down to the pub and say, 'What do you think the meaning of life is?' But actually, most people have those questions, somewhere in the back of their minds. And if you can find a place where you can discuss it with a group of people who, like you, are outside of the Church, and it's a non-threatening, relaxed environment, quite a lot of people want to do that.

There are few things that are more revealing about someone than the way that they talk about a piece of literature or a play. You very quickly come to have a much deeper understanding of someone than you would if you just mingled together in a pub saying, 'All right, how are you?'

When I walk out into the street or go to the toilet, I don't think of myself as being black. Of course, other people think of me as black when I walk into a pub. Obviously being black is a part of me.

Normally we will say we are happy or we are unhappy. I have met some people who told Me, "Oh we went to that Guru we were very happy." I said, "You could be happy in the pub also. What is happiness?" Happiness is not the way to judge any one, neither unhappiness. Unhappiness comes to you through this super ego and happiness through this ego. But joy has no double face, joy is joy. In joy, you witness, you witness the whole thing. And when you are joyous you feel the whole thing, the joy itself coming on you like grace falling on to you. It's so beautiful that you just get lost into it.

I hate the idea of people nicking my stuff, but in all honesty, I'm pretty well off. If a genuinely desperate man on his last gasp nicks my coat from the pub on a freezing night, well, he's welcome to it. It'll change his life. Mine's only inconvenienced by having to buy another one.

My granddad was a hard worker, and my dad is, too. It was instilled in me as a kid. I never got pocket money; I had to earn it. I had two paper rounds before school, not just one. Wherever I worked, whether it was at football, in the pub, I'd do whatever was asked of me - and more.

My dad, Winston, didn't say much. He was a very reluctant man. He came home from working at the foundry every day and then he'd go to the bookies, watch cricket on TV or go to the pub. He was like a Victorian dad, really. He didn't have much to do with us kids.

If you've never lived outside London, and if you've always had a car, it's difficult to understand how dire bus services undermine your standard of living: from being able to get to work, meet friends in the pub, get the weekly shop or take the kids on a day out.

Fame it's like... When you look through a window, say you pass a little pub, or an inn. You look through the window and you see people talking and carrying on. You,can watch outside the window and see them all being very real with each other. But when you walk into the room, it's over. I don't pay any attention to it.

Spare a thought for the poor introverts among us. In a world of party animals and glad-handers, they're the ones who stand by the punch bowl. In a world of mixers and pub crawls, they prefer to stay home with a book. Everywhere around them, cell phones ring and e-mails chime and they just want a little quiet.

I think, as a comedian, the funniest you can be is with people you know, and [whom] you've known for years, in a pub. That's as funny as you get, and so the aim [while stand-up] is to get that funny on stage with 5,000 strangers, to get that funny in a room where people shouldn't be listening but they are.

The exceptions were two men a little ahead of them, standing just outside the Three Broomsticks. One was very tall and thin; squinting through his rain-washed glasses Harry recognized the barman who worked in the other Hogsmeade pub, the Hog’s Head. As Harry, Ron, and Hermione drew closer, the barman drew his cloak more tightly around his neck and walked away, leaving the shorter man to fumble with something in his arms. They were barely feet from him when Harry realized who the man was. “Mundungus!

I'm a Conservative, but I talk for the ordinary working classes. I get on with the boys at the pub, but I can also mix with Prince Andrew. I understand both levels. The toffs haven't lived in council estates; they've just known big mansions. How can they understand how the postman feels? I would never say no to becoming an MP.

It’s been a very old thing for people to gather together and laugh at stuff. The first comedian in America really was Abraham Lincoln. He used to go to a pub near where he lived and stand in front of the fire and he packed the place every night and he would just talk and bust everybody in their guts. He was just a hilarious speaker and that’s what he did.

I remember when I was a teenager thinking my girlfriend was cheating on me, and going around riling myself up. Pretending to cry. It was totally illegitimate-I actually didn't feel anything. I went to some pub and then went crying all the way home. And I got into my dog's bed. I was crying and holding on to the dog. I woke up in the morning, and the dog was looking at me like, 'You're a fake.'

People only know what you tell them.And it was true.People gave out their whole life stories to anyone and everyone without a second's thought.Stand at a bus stop,sit in a strange pub,get banged up,and someone would always give you their life story.It was as if they were trying to prove they existed

I don't think Jeremy Corbyn hates women - I don't think Jeremy hates anyone. Spend even one minute with him and you would want to take him down to the pub and sink a pint of mild with the man. However, in the hard left of British politics lurks a gruesome misogyny.

We were never a band that did 96 takes of the same thing. I had heard of groups that were into that kind of excess around that time. They'd work on the same track for three or four days and then work on it some more, but that's clearly not the way to record an album. If the track isn't happening and it creates some sort of psychological barrier, even after an hour or two, then you should stop and do something else. Go out: go to the pub, or a restaurant or something. Or play another song.

We want to bring the kids, the parents, the grandparents and grandkids together, we want them to have a shared viewing experience. We want the kids to talk about it in the playground, dad to talk about it down the pub, grandma to talk about it while she's out shopping.

I do have the ability to explore life and to be over the moon at the smallest thing - a few pints and a craic in the pub and I'm in heaven. But I have a melancholy side to me as well. Acting allows me to feel things, it kind of buys me human experience. And I don't mean this as acting as higher cause, because it's not, but it does kind of have a higher awareness emotionally.

The Town Hall Pub on a Wednesday night was just regulars anyway, so we could play whatever. Worst case scenario, it would be the same seven people who were always at the bar getting drunk, and they would be there for us. But we just told our friends and family, and they came out to support us. Then they told their friends, who told their friends, who told their friends. It was a full-on event.

It's impossible to tell how you're perceived. I think it's important not to think about it too much, because it really means nothing. Some people think we're a rock band, and that's ridiculous, and the idea of us being a folk band - you sit in a pub in Ireland and hear those guys play, and you're like, 'Yeah, we're definitely not a folk band.'

When I was young, I was interested more in (singing the songs). ... I can't say I'm enjoying it more now than I did before, because I loved it when I first sang in Wales, in a pub or a club. I loved it then, getting up and singing. Or as a kid in school, I've always loved to sing. But I think when you've been around a long time, it's even more satisfying to think that people are listening to me now, and I've been in the business for a long time.

I was just burnt out. I didn't like the music business and I didn't like me. There's an element of falseness about the whole thing. Even things like doing an interview. It's not as though we just met in the pub and are having a chat - it's part of a process. If you do it all day, every day for years, you end up thinking: 'Who the hell am I?' I was lucky enough to make some money, enough to let me kick back. It was a great experience and it was nice to have a couple of No.1s but the best thing about it was that the money I made allowed me to have freedom and choice in my life.

What I like about organizing things that way is that each story gets nearly full reign over its own space, but all of them are hung on a single string - the loosely-reined voice mentioned above. Thus the collection jogs away from suzerainty and past federation toward, I guess, alliance. Or maybe call each story a separate house on a single street? Or it's all a line of dive bars on some wharf front? What the hell, let's call reading the collection a pub crawl, but with words.

My friends decided to open a pub and asked me to be part of it. The day-to-day running is something I know little about. Luckily, I'm the demented figurehead, a kind of mascot. I get all the good stuff - like free pork scratchings - without any of the bad stuff.

As I was getting interviewed by the Wall Street Journal, or some big pub guy, all I remember was that he went off to the bathroom for a second, and they brought out my omelet. The next thing I remember, I woke up, and I was on the side of my own omelet, and there was no one at Buck's. Everyone was gone. They just let me sleep.

If you're trying to portray that I take massive business decisions in pubs and bars, then that is total crap. It is not the norm, otherwise I'd have to live in a pub because I take business decisions all day, every day.

A lot of my words come to me when I'm out and about as well, riding the bus or sat in the pub. I went through a stage of going to a strip bar called the White Horse at lunch times and did a lot of writing in there. They were fine with that but I don't know how they would feel about me setting up the easel.

The weekend break had begun with the usual resentment and had continued with half-repressed ill humour. It was, of course, his fault. He had been more ready to hurt his wife's feelings and deprive his daughter than inconvenience a pub bar full of strangers. He wished there could be one memory of his dead child which wasn't tainted with guilt and regret.

I just love to play music. I enjoy it more than anything. I enjoy it more than drinking with my friends in the pub. I'd much prefer to be playing live and playing the piano - playing is one of the most enjoyable things I do and I live for it. So it's very rare that I'd not be up for it. I'm very lucky to have something that I love so much; I don't know what I'd do without it.

Joke number 1, I have a bit of a problem with jokes, bit of a handicap for a comedian obviously, um, I tend to bail out of the joke, I lose commitment in it, I'll give you an example: Three blokes go into a pub. One of them is a little bit stupid and the whole scene unfolds with a tedious inevitability.

I find the treatment of royalty distinctly peculiar. The royal family lives in palaces heavily screened from prying eyes by fences, grounds, gates, guards, all designed to ensure the family absolute privacy. And every newspaper in London carried headlines announcing PRINCESS ANNE HAS OVARIAN CYST REMOVED. I mean you're a young girl reared in heavily guarded seclusion and every beer drinker in every pub knows the precise state of your ovaries.

To clink glasses of a freshly made, seasonal beer, preferably in a pub or garden, with friends and perhaps new acquaintances, is a ritual that makes every participant feel good. We may not rationalize this at the time, but it gives us a sense of place in our common community and our time in the tides of life on earth. This is a way to value beer and treat it with respect.

Being a typical Briton, I love my home comforts and always try and find an English pub where I can tuck into some traditional English food, accompanied by a nice pint. Fortunately, I haven't been ill with food poisoning or anything like that, which is quite surprising considering how many different types of food I eat when I'm travelling.

I started once a week in North Carolina at a pub called Charlie Goodnight and met a lot of comics there. Then I moved to L.A., and if you're not known, it's hard to get stage time. So you start out doing what they call 'bringers' - you have to bring five people if you wanna get on stage. It was a lot of hustle, a learning curve.

The State exists simply to promote and to protect the ordinary happiness of human beings in this life. A husband and wife chatting over a fire, a couple of friends having a game of darts in a pub, a man reading a book in his own room or digging in his own garden-that is what the State is there for. And unless they are helping to increase and prolong and protect such moments, all the laws, parliaments, armies, courts, police, economics, etc., are simply a waste of time.

In Wales it's brilliant. I go to the pub and see everybody who I went to school with. And everybody goes 'So what you doing now?' And I go, 'Oh, I'm doing a film with Antonio Banderas and Anthony Hopkins.' And they go, 'Ooh, good.' And that's it.

My dad worked 12-hour shifts in the Kodak factory - I remember creeping about when he was on nights - but he was also lead singer in a band playing in British Legion and working men's clubs. My earliest memories are of being sat at the back of a pub, falling asleep on the bench while my dad played.

I never really looked at it like that, but it's true. It's weird that it's been half my life. Because I lead these two separate lives. I've got my life and Harry Potter, where I travel the world, I make films, I meet amazing people, I do press junkets and stuff. And then I go back home to Leeds, where I live, and I've got the same friends from before. I still go to the pub. I still go to watch the football, soccer. And I go shopping at my local shop.

The three of us may be reunited on screen, we may go our separate ways, or we may disappear from the television altogether and each assume a place, alone, in the corner of a pub where any unsuspecting passing drinker who strays into an exclusion zone studiously avoided by the locals will be subjected to a predictable 'I used to be on TV' routine.

When my family moved from Ireland in the 70s, Britain was such a difficult place to be Irish. It was a decade of real social and economic upheaval in Britain. There were strikes, the three-day week, the oil crises, huge inflation, the winter of discontent and, what was it, four Prime Ministers? And relations between Britain and Ireland at that time were at an all-time low. I was born in the year of Bloody Sunday and of course the pub bombings happened in the mid-1970s.