Never buy an editor or publisher a lunch or a drink until he has bought an article, story or book from you. This rule is absolute and may be broken only at your peril.
A publisher saw one of my historical novels and thought I would write an admirable detective story, so she offered me a two-book contract, and I grabbed it.
Big publishers want you to change this and change that. I'd rather go to a little publisher - who needs the tsuris.
It's really inspiring to know that your publisher is so behind you. It makes you want to put forth your best work.
I assumed 'Freak the Mighty' was probably too weird and melodramatic to find a publisher. I certainly never expected the book to have a profound influence on my career as a writer, but indeed it has.
Print-on-demand and electronic self-publishing options have made it easy for anyone to set up a business as a publisher whether they know what they're doing or not.
Growing up in England, people told you why you couldn't do things. Suddenly, I had a publisher banging on my door, and was given the creative green light to simply make.
I think it's important for the public to know, great reporting starts with a publisher who has guts and an editor who has guts.
I was very lucky. I don't know German, or Dutch, or Chinese, or Thai. I don't know them, so I can't judge, so I have to go on the word of the publisher that it's a good translation.
Authors need to decide if they want to keep forever to themselves, or share forever with a publisher who takes over half the cover price.
When I was doing it, I just thought, 'I'm going to do this because it's fun.' I wasn't writing for a publisher or a publishing model; I didn't really think about it, but then, somehow, it worked out in my favor.
It is important to find a publisher and equally important not to be noticed until your third or fourth book.
My grandfather, my dad's dad, he was a lawyer. He was a state legislator. He was the publisher of Oregon's second largest newspaper. He was a pretty amazing guy.
After being rejected for years, I found a publisher for 'Keeper,' and it won prizes, and then I had to write a second and a third book because I kept taking the money and spending it.
You're always told by your publisher that you must only write one book a year and some years you should perhaps write none at all.
Hugh Howey and Amanda Hocking come to mind immediately as authors who managed to build a successful following without the initial support of a large publisher.
Elizabeth Barrett Browning could write a poem two pages long. Could she have brought it to a music publisher?
I think they thought it was very arrogant of me to write the end of my seven books series when I didn't have a publisher and no-one had heard of me
When a single author uploading his own books to Amazon can earn more money than a large N.Y. publisher exploiting both print and e-rights, there's something amiss.
I'll read any anthologies or collection I can get my hands on. If I find a book mentioned in 'Publisher's Weekly,' and it looks like it will be dark, I'll track it down.
Whether it's a song you write or a television show or a movie or professional wrestling, there are three components to IP law. There is publishing, there are writers, and there are performers. The publisher is always the owner.
No one wants to see a play called 'Lady Windermere's Fan'. It's going to be called 'Cocks in Frocks II' or I will find another publisher
I'd sold the book first. Actually to a paperback publisher. I had nothing. I just had the idea.
Last week, I had to offer my publisher a bottle that was far too good for him simply because there was nothing between the insulting and the superlative.
I didn't expect any success at all. I was rejected by every publisher in the world and every agent in town.
My publisher is generous with deadlines, which are never set in stone. Some writers need that pressure, but I am more productive when there's less panic.
Is rule of thumb in writing game: if story requires many long descriptions of smells so vile that will give reader nausea, is not likely to find publisher.
The decision came from the publisher. It certainly was cleared by Chicago. And then they come out with these fine sounding words about relation to readers and their obligation. It has nothing to do with that.
I had a publisher who felt comics were just for little kiddies, so he never wanted me to use words of more than two syllables.
No publisher in America improved a paper so quickly on so grand a scale, took a paper that was marginal in qualities and brought it to excellence as Otis Chandler did.
When a colleague of mine had a notable New York Times book, I said, turn one of the chapters in the collection into a pitch for a novel and sell it to your publisher.
One of the nice things about publishing with Amazon is that the window for marketing is much longer than with a traditional publisher because these titles are not coming off of shelves.
I'm fortunate that I have a female publisher, and her boss is a man of color. My world is a little more diverse, but the majority of the business is not diverse at all.
My publisher's been shipping me to comic-cons, and it seems that my readership overlaps perfectly with the comic-con crowd.
It's very hard to get one publisher to accept an author going over to the other author's company to collaborate.
The old fun thing is when somebody typed up the first chapter of War and Peace. And then made a precis of the rest of it and sent it out and only one publisher recognized it.
All tours are filled with humiliation. My publisher once hired a private jet to fly me to a venue where 1,000 people were waiting. It almost bankrupted him.
'Sanctus' was done on speculation. I had no agent or publisher. I was being sensible, I suppose, by writing a standalone novel. I figured if that one didn't work, no one would be interested in reading a sequel.
If your agent or publisher is jumping up and down at the thought of your novel, it's because they're picturing the movie poster on the side of the bus.
An author who gives a manager or publisher any rights in his work except those immediately and specifically required for its publication or performance is for business purposes an imbecile.
To think that we as a publisher (i.e. people who have never actually MADE a game) can have a realistic impact on a project that a team of experts is slaving away on full time for 2 years is a bit arrogant.
There is always a certain leap of faith that editors have made with their nonfiction writers. If the trust is broken, things can get very embarrassing for the writers and the publisher.
I signed with Big Yellow Dog and have been with them for years. The president of the company is a woman named Carla Wallace, who is an amazing publisher who just has a knack for female artists.
If the real world were a book, it would never find a publisher. Overlong, detailed to the point of distraction-and ultimately, without a major resolution.
I enjoy the hell out of writing but don't like what follows: promotion and publicity, which I always strive to keep to a minimum, sometimes to my publisher's dismay.
Gutenberg made everybody a reader. Xerox makes everybody a publisher.
No book, no matter how good, has a chance of reaching a large audience unless the publisher SEES the book's value.
I was a nobody when I met with the publisher. Nobody knew who I was. I was doing some speaking for entrepreneurs. I did little groups. I had no following.
One shouldn't say yes in desperation to the first publisher who approaches. New authors especially should wait and weigh their deal and agree only when they are sure that they have landed themselves a good offer.
anybody who has anything abusive to say of women, whether ancient or modern, can command a vast public in the popular press and a ready agreement from the average publisher.
How often we recall with regret that Napoleon once shot at a magazine editor and missed him and killed a publisher. But we remember with charity that his intentions were good.
If you've written a powerful book about a woman and your publisher then puts a 'feminine' image on the cover, it 'types' the book.
I was a journalist, but I was starving. And I've written fiction, but I couldn't get a publisher. So, I was basically a very frustrated creative person working in advertising, and even there, I have a great idea that client won't buy it.
I had some connections from the newspapers that I did work with up there, so there was a newspaper publisher in Hollywood, and they promised me work and so on.
This whole phenomenon of the diversion of organizations from their purposes and ideals does not seem very serious when the scum rise to the top in the bridge club or the offices of a small magazine publisher.
The biggest challenge I think every publisher is facing is how do we get readers to pay for content? So we're constantly testing, trying new things.
My father realised that for me to become a publisher in his firm would have been the end of the firm!
After 'Lindbergh,' my publisher asked whom I wanted to write about next. I said, 'There's one idea I've been carrying in my hip pocket for 35 years. It's Woodrow Wilson.'
I've been told not to tour down in Mexico. I am too well-known now. The kidnappers may think that my publisher will pay a ransom.
I see publishers bemoaning their fate and saying that this is the end of publishing. No! Publishers will recreate themselves. Some of that comes from my experience as a print publisher.
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