Top 1200 Punk Quotes & Sayings - Page 15

All punk music is is rebellion, going against the grain. It takes different forms. Sometimes it's a band throwing their instruments around or making really violent and noisy sounds, but it doesn't have to take that sonic form. It can take more of an energy.

People seem to think that folk music is people with acoustic guitars. Or punk music is people with mohawks, leather jackets.

I've known a lot of people who were punkers who went on to get academic degrees. Very few of them, however, continued their active role in the punk community. Most of them hung up their leather jacket when they did so.

In terms of rock and roll, I'm often drawn to louder, rougher stuff; maybe that's my history as a punk rock wannabee showing itself! Honestly, though, I'm not one of those people who listens to music constantly. I really love silence.

The musical differences are obvious: the Go-Go's are more punk, while my solo work is more soft pop. But they're equally as fun and enjoyable for me. I couldn't possibly put one over the other.

I have found myself deeply, deeply intrigued by the ska-punk scene. It's such an expressive form of popular music, it's so real, it's got so much life: it's the most vital music in the world.

At its best new wave/punk represents a fundamental and age-old Utopian dream: that if you give people the license to be as outrageous as they want in absolutely any fashion they can dream up, they'll be creative about it, and do something good besides.

There are people who take on different objectives and missions in life. When you grow older, there's a a void - and right now, I'm filling a space where a lot of old rock, grime, hip-hop, punk artists left a vacant space.

I think most people's record collections are more interesting than radio generally gives them credit for. You're likely to be as interested in the Grateful Dead as Palestrina. It pisses me off how compartmentalised music is. I used to be in a punk band, you know?

[Columbia House] magazines were how I found out about the punk world going on in New York. Because of what I read, at the age of 15, I hounded the local record store to order a copy of Horses [1975] for me by Patti Smith.

I was a little punk rocker and was pregnant with Sarah when I went to university. I had her in the Christmas holidays of the first term. It was 1979, and UCL was very proud of its reputation as a liberal university, so they were very helpful.

The new album is a childhood dream come true. Got to sing with Ronnie Spector, got to cover a bunch of songs that were influential in drawing a line between the punk form and original rock and roll.

Where I grew up, I could be a punk rocker and a jock. But in college, it became apparent that those two worlds didn't mix. When I brought my guitar back to school after Thanksgiving break, a friend handed me his bass and said, 'Listen to the Ramones.'

If someone says 'grunge' or 'punk,' you know what the sound is, but if you say 'No Wave,' it's kind of mysterious. That was the most interesting part and should have been the most inspirational thing about it... here's this collective sonic insanity, and none of it sounds anything alike.

Gemmell's name guarantees a satisfying story and a thumping good read. I recommend all his heroic creations - 'Druss the axeman,' 'the Jerusalem man,' among others - but my favourite has to be 'Waylander': Clint Eastwood with a crossbow and the same 'Make my day, punk' attitude.

The first time that I came to New York to work properly was the mid-'80s, but I was doing eight shows a week. You have no life. Going to a punk rock club - or whatever the music was at that time - would not have been on my agenda.

I was born into hip hop and reggae, and then I started listening to more hardcore and punk bands like Bad Brains and the Suicidal Tendencies; they opened up a whole new world for me. They had something to say, and I could relate to them.

GN'R was five guys who were all into different things. I liked pop and disco, Izzy was into New York rock, Slash loved Aerosmith and Led Zeppelin, Axl was into Genesis and Elton John, and Duff was a punk rocker. We all blended that stuff together.

I had been listening to Jackson Browne, The Eagles, and Linda Ronstadt. Ramones was not my kind of music. Now, I'm a huge fan and I get it. I wasn't initially a punk-rock fan. Now, I can appreciate what they stood for and who they were.

I was living in upstate New York, in Kingston - small town, no comedy scene except for my friends and I doing these DIY shows and whatnot. And we put together this thing called the 'Altercation Punk Rock Comedy Tour.'

When we came along in 1982, music was getting boring - like 1976 when punk hadn't happened. We wanted to be rock 'n' roll. We grew up with The Velvet Underground, the Stones and Mars bars and Marianne Faithfull and we knew we didn't want to be boring - and we weren't!

There's guys like Daniel Bryan and CM Punk that incorporated mixed martial arts submissions and moves into professional wrestling. I feel like the way it was incorporated was really good, but there's not enough people doing it.

I never thought of us as a punk band, a metal band, or a new wave band. Just as a band band.

I admire plenty of people, I admire Daniel Bryan, I admire CM Punk, I admire Antonio Cesaro, Wade Barrett, Sheamus; all the fellows that have been out and earned their spot on this roster.

One overlooked great 1980s rock n' roll band, maybe punk rock - they were on SST Records, same label as Black Flag - is this band called the Leaving Trains.

Wearing shorts is a huge perk. I think it's probably one of the reasons people become mailmen. You also get to drive in that vehicle that should be illegal in the United States, where the steering wheel is on the other side. They have no rules! They are the punk rock of government jobs.

People find it hard to place me. I'm doing pop, but I'm this weird quirky Dane that used to be in a punk band. And she's singing about being messed up but at the same time she seems normal? I don't know.

When I was younger, I went through a lot of different phases. One day Id be punk rock, and the next I would be tomboyish, and then I would be really girly. I was so weird. My two best friends and I were just crazy and goofy!

Jazz in the 1920s and '30s was dance music, teenage music for parties, for being wild and young. There's this punk feeling I really love. It was something so radical and different and new and not codified. People didn't have a definition of what they were doing.

It was never my goal to capitalize on punk. I could never make it as a commercial artist. I didn't back then and I still don't have the temperament and don't care for drawing or painting or making art for any other purposes other my own.

I didn't know who was on the team, but I saw every eye as I walked down the aisle. It looked like a thousand eyes were staring right at me saying, 'Who is this young punk?' I just kept my eyes straight ahead.

I left Edinburgh to follow the London punk scene in 1978, singing and playing guitar in various bands. My income was sporadic, so I did anything to eke out some kind of subsistence - laying down slabs, working as a kitchen porter.

Now I know I am an intellectual. I saw Malcolm Muggeridge on the television last night, and I understood nearly every word. It all adds up. A bad home, poor diet, not liking punk. I think I will join the library and see what happens.

It's such a measure of your solidarity with Ed, that when you would give lectures, he would be wearing a tartan tie that matched. And I demanded that outfit, I thought it was so punk - her long skirt, she looked like a Scottish queen, so regal.

I started running ultras to become a better person. I thought if you could run 100 miles you'd be in this Zen state. You'd be the Buddha, bringing peace and a smile to the world. It didn't work in my case. I'm the same old punk-ass as before, but there's always hope.

That was my intention, was to have it be from the perspective of my high-school-aged self, and to try and emulate the music that I listened to at that time. So to write essentially like a pop-punk song about musicals. I wanted the dichotomy of the tone of the music with the lyrics and my singing voice.

Los Angeles is a true postmodern city. Here, we celebrate with equal aplomb the high and the low. I am just as influenced by the punk rock attitude of local skate and surf cultures as I am by old-school glamour and stardust.

I’m still secretly a bit of a punk. Love The Clash and a bit of the Pistols. I guess as I’ve got older I’ve chilled out a bit. But, my teenage angst is still stirring somewhere!

My first band was called Nubert Circus, a very embarrassing, dumb name. It means nothing. We were kind of grunge. I would say we were more funny punk, a lot of songs about food and stuff like that.

I'm still secretly a bit of a punk. Love The Clash and a bit of the Pistols. I guess as I've got older I've chilled out a bit. But, my teenage angst is still stirring somewhere!

When I was a teenager, science meshed with my developing ideals - such as the challenge to authority that was central to punk rock. In science, anyone from any walk of life could make a discovery that would overturn prevailing hypotheses. And that was a cause for celebration among scientists.

In my opinion, hip-hop has a lot to do with rock and roll, because at one point it was considered an alternative - edgy, independent. Hip-hop is pots and pans the way that punk is garage. You make something out of nothing.

On 'Van Halen,' I was a young punk, and everything revolved around the fastest kid in town, gunslinger attitude. But I'd say that at the time of 'Fair Warning,' I started concentrating more on songwriting. But I guess in most people's minds I'm just a gunslinger.

I am Opposite of weak Opposite of slack Synonym of heat Synonym of crack Closest to the peak Far from a punk Y'all ought to stop talking And start trying to catch up

Obviously, CM Punk is a really big draw for the UFC. He's going to bring a lot of eyes to the UFC, and the better he does, the better it'll be for all MMA fighters as far as sponsorships and stuff.

A lot of people say I look like a rock star or a designer punk. But I swear it's the job that has carved my face. It's the hours, the stress, and the pressure. It's not me trying to look like this.

The boys in the office preferred Daft Punk and the song "Robot Rock" as an anthem, speaking excitedly and without irony about wanting to become robots one day. That made me wonder: Why? What's the pull of being a robot?

When I was 13, I kind of got into the punk scene. I realized it was easier to wear a pair of combat boots and jeans and a beat-up T-shirt. I think of it as a uniform: Ya know, if you're a Maytag man, you put on your bow tie. I still have T-shirts from when I was that age.

I was not a popular girl, so being able to create punk who didn't have to be beautiful in the mainstream way helped me to get in touch with sexuality and become comfortable with the idea that I didn't have to look like Farrah Fawcett to feel attractive, to feel sexual power.

To me, the main idea of punk was do-it-yourself, which meant that you could basically do anything that you would wanna do. You don't have to wait to be allowed to do it. Anarchy was more or less about the same thing, so for me they were closely related.

I like the bad-boy types. Generally the guy I'm attracted to is the guy in the club with all the tattoos and nail polish. He's usually the lead singer in a punk band and plays guitar. But my serious boyfriends are relatively clean-cut, nice guys. So it's strange.

The Pandoras began as a '60s punk group. Then they went pop, then metal. When they went metal, I quit because I hate heavy metal music and I wanted to write my own songs.

I mean, in 1979 I was seven. I do remember punk, though, as a playground phenomenon, and remember that it was exciting to us. It really was, to a five- or six-year-old, quite a thrilling enticement to revolt. The anarchy sign scratched in desk tops, and so on.

I know a little about CM Punk in that he does his own thing. I'm inspired by people who do that in their own life. That they just do their own thing no matter what the consequences are.

I think education was the key for me, and that's what I tell kids. That base in the classics gave me something to springboard from, which I wouldn't have had if I'd come out to Los Angeles early and been guest punk of the week on 'Hill Street Blues.'

Listen, street punk. You're a guy, and you're a couple inches taller, and maybe forty pounds heavier, and ooh, you're in a gang. But I've survived ten years of Catholic school, and I will cut you off at your knees without a blink. Do you understand?

I was so upset with what was going on in the world. I just couldn't stand the idea of being people tortured and that we even had such a thing as war. I hated the older generation, who had not done anything about it. Punk was a call-to-arms for me.

Lyrics became important for a while in the late Seventies. Patti Smith was a poet and a rock star, as much one as the other, the distinctions were a bit blurred and then you get swept up in it. Punk poet, it's a good enough term.

When I joined the band, I hadn't been introduced to a lot of these bands on the scene - no emo bands or punk bands. The only band I knew was My Chemical Romance.

I was an angry young man, as you say. I was a punk rocker, blaming the government, corporations, and anything external, like my family, for my anger. I was pretty miserable, festering in my own mind. I began to think, there has to be a different way, there has to be another way out.