Top 1200 Punk Quotes & Sayings - Page 16

San Francisco, America's B-movie imitation of Paris. San Francisco, the city that ruined punk rock. San Francisco, the most intolerant place in the country.

There is a definite sound with all-girl bands, a good rudimentary sound, and that's what's cool and punk about all-girl bands that you still find, largely - it's really kind of primal.

A few years back, when my style was "punk grandma", I picked up an amazing pair of sandals - orthopaedic ones, with really thick soles. I've given them away to a friend now, because these days my look is more "1980s substitute teacher gone wild."

I went to art school and never thought I'd be a musician, but then punk rock came along in the late 70s and kind of ruined my life. So I quit art school to get involved in music and I've been doing it ever since.

For all the different videos that we got to dress up in, I love fantasy stuff, so for 'Radioactive,' I felt like I was a warrior, and for 'Daft Punk,' I felt like I was a space warrior.

I was about 16 when punk started to happen. It was so exciting. You had a social depression going on in the U.K. There was a sanitation strike. London was really grim, gray. You had Margaret Thatcher coming in. It was a really revolutionary time.

I'm a bit multifaceted in the sense that I've got many more than one musical taste. If you think about it, I started out playing in a punk band and ended up doing electro-pop. That was more an accident than a plan.

Most of the creative industries have been deskilled by these really powerful ideologies of punk in music and Warhol in the visual arts. I think it would be great for us collectively to ask whether it's had a negative or positive effect in contributing imaginative stuff to our culture.

I was in punk rock bands, heavy metal bands, world music bands, jazz groups, any type of music that would take me. I just love music.

There's one side of me that just wants to get up on stage and be punk and go crazy and stuff like that; and there's also this other side of me that's like a grandma - really into arts and crafts.

I have a very strong paternal streak. I'm a born father...I get such enjoyment out of being with children. Now they are enjoyable little things. They really are. I like their kind of humor. You can stuff all your punk bands, give me three children instead.

Initially, electronic music was anti-establishment, as punk rock and rock n' roll were. The music was shut down; the police were against the parties.

All our old record reviews were like, 'Oh, these skate punk kids, blah, blah, blah.' And I don't skate, and we're not skate punks.

I love The Miz! I absolutely love him. He's so snarky and that's who I want to be. I want to have cool comebacks and get people to listen to me and be invested in me. Even CM Punk - when he spoke, everyone listened.

What the Sex Pistols made sounded like quality, because they had a big label and top engineers and producers. But punk rock shouldn't be quality; it should be f**king mania. It should be gnarled, a glorious lo-fi live sound.

Look at Daft Punk and Kanye West. The song 'Stronger' was inspired by a Daft tune. Once the hip-hop scene opens up to all the great music that came out of dance, it will continue to spread to the more mainstream audience.

I like to wear a "Do Not Disturb" sign around my neck so that little kids can't tell me knock-knock jokes. "Hey, how ya doin'? Knock-knock." "Read the sign, punk!"

Maybe sincerity is the new punk. But to me, I think I have to connect with something emotionally, on some level, or I don't care about it. And if I don't care about it, then I don't think anyone listening to it will, either.

I don't blame the average seventeen-year-old punk-rock kid for calling me a sellout. I understand that. And maybe when they grow up a little bit, they'll realize there's more things to life than living out your rock & roll identity so righteously.

A few years back, when my style was 'punk grandma,' I picked up an amazing pair of sandals - orthopaedic ones, with really thick soles. I've given them away to a friend now, because these days my look is more '1980s substitute teacher gone wild.'

I'm creative. I can't relax unless I've got some project on the go. I'm somebody from art school, and art school during the punk era, when you just had a go at whatever came along.

This hair has a reputation of being stereotypically punk rock, and I'm the girliest person you'll ever find so it took a while for me to figure out how to convey my style. I never wear black very often anymore, all the colors I wear are extremely soft and lovely.

So many big magazines just dissed the whole punk thing as nothing, but really, it was a big thing. It really changed, and that's what we wanted to do - change the system.

When I first started playing metal, lyrically, I sort of related a little bit more to the punk and hardcore scenes, where there was a lot more veganism and straight-edge people and people taking a stance for causes that they believe in.

When it comes to electronic music, I started listening to a lot of Daft Punk, way before I knew what house music was, and then progressed into a lot of Steve Angello, Eric Prydz, Axwell, Sebastian Ingrosso, and Laidback Luke.

To see classic rock, you had to go to an arena. But punk was happening everywhere, even in little towns in the middle of nowhere in Maryland. I'd drive out to places I'd never been, just to go and see it.

I identified very much with punk, not only in the fashion sector, but in every other sector. The very nature of doing something new and free meant something that was against authority.

When I started, I was 18 and really into punk rock and just wanted the action. Over the years, I've gravitated towards the travel and experience around surfing and trying to relay that feeling. Going forward, I'm interested in story-driven and personality-driven themes.

It's exciting to be able to do something completely independent without anybody challenging it, and it's a big part of the reason why I'm enjoying doing the stand-up comedy, is I'm able to go out and interact with people one-on-one after the show. It's very punk-rock.

I listen to tons of hard rock and metal, like Iron Maiden, Motorhead, etc., but I also listen to Beethoven and Mozart, to Discharge and the Bad Brains, and to Charlie Parker and Duke Ellington. So I think there's merit to both the melodic punk and to the hardcore stuff too.

I think have my own style; no one has ever tried playback singing before. I might release a punk rock song that perhaps other won't appreciate, but I like doing my own thing. I make music for my own satisfaction, not for money or fame.

Music is music; you can't change rock and say well this is punk rock and this is acid rock or rockabilly.

When I was growing up, I really liked punk rock. I liked the sort of people that played really powerful music that was pretty unassuming otherwise - people who didn't dress weird or do much theatrics.

I like soul, I like rock, I like new wave, I like punk music, I like blues, I like jazz, and I was brought up on all of them from a young boy all the way to my teenage years, when I was wild and crazy, in college.

I was into punk rock my whole life. I never listened to the Eagles. I never listened to things that were getting Grammys. So getting a Grammy nomination wasn't bad, it just wasn't meaningful.

I've not been an admirer of contemporary music since punk rock went off the boil in 1977, but once a year I'll listen to 'Spiral Scratch' by the Buzzcocks, or 'Hippy Hippy Shake' by the Swinging Blue Jeans. Otherwise, I can put up with Chopin or shakuhachi flute in the background.

I was a huge Bowie fan since I was 12 years old. That was the first 'punk' rock I got into in the Seventies. I didn't find out about a lot of the other stuff that was going on, like New York Dolls and Roxy Music, until a lot later.

I'm all for CM Punk becoming a part of the organization. I think his background and training in martial arts, he should be capable of handling himself and doing well. And bottom line is, people are going to tune in to watch and that's pretty much the bar of getting into the UFC, if you can sell tickets.

We weren't straight-A students. We didn't start playing until we were teenagers, and we started playing rock and roll and punk rock - power chords - before we ever thought we would play folk music. So virtuosity was just never in my reach.

My mom had a Canon AE1 camera and I read the manual and that's basically how I became a photographer. I was in the Baltimore punk scene. I knew it was a special time, so I went out and documented that whole era. I was the only person to really do it of my friends in real black and white, beautiful portraits.

I've played death metal, punk rock, hardcore, funk... I've done it all. And all there really is music and at the end of the day, anybody who has a record and puts out a record that's basically the same song 13 times over on one record; to me they're just cheating the fans.

I think I've become more relaxed throughout my career. I don't feel the need to jump up and down and make a big noise to get people to pay attention to me. I don't need to do punk rock gestures or eat a cockroach or do something weird to say I exist.

It is hard to explain to people now how hard it was being a punk back then [the 1970s]. If you had short hair, didn't wear bell bottoms and walked down the street, chances are some asshole in an El Camino was going to kick your ass.

I love that kind of edgy, rock n' roll punk thing that we do so well in England. But my style adapts to where I am. When I'm in Los Angeles, suddenly I'm like, 'I need a sandal, and I need a beige dress, and I need some flowers in my hair.'

Neville and I are big fans of ska. He's actually more into original, Jamaican, skinhead, two-tone ska from England, but I'm more into punk ska - Operation Ivy and stuff Rancid would do.

Some people say, 'Oh you're a weird queen. You're a punk queen.' All queens are weird! I don't care if you're in a sickening gown or dressed as an octopus. You are treating every day as if it were Halloween. You are donning a character and a persona that isn't real.

When I began to cover songs for YouTube, they all tended to be in the super pop-genre.. as in, smash-hit songs. My writing process was heavily influenced by this - I went from a more heavy punk rock style to straight up sugary-sweet pop.

Every girl wants songs written about her. Even the most hardened tattoo-covered punk rock girl would love a nice ballad written for her.

I was always into bluegrass as a kid. Basically, I like music that has a basic simple structure and that has a lot of emotion and feel. Bluegrass and other old time music fits the bill, as well as what became punk - they both kind of have a similar framework.

All the other rappers around me aren't saying anything worthwhile. They're lost in rap: all they do is tell you they're a sick MC and they're better than you. I don't want to look like all these other little punk, dress-up, fake, manufactured artists. I'm not a rapper. I'm an activist.

I am far from an "old" person in human terms, however I've spent over half my life immersed in the punk rock and hardcore community. I am not wholly defined by that as a person, but it is something that has been part of me for a long time.

In many ways, I have no idea what would have become of me if punk hadn't happened, because the '70s turned out to be so stale, and so boring, and so backward compared to what had come just before. We were too young to have fully experienced the '60s and the fervor of the anti-war movement.

I always had influences musically with punk, and then growing up, I dyed my hair every color. I did the dip-dye blue, before anybody was dip-dyeing their hair. And streaks of pinks and purples and whatnot.

My biggest influences were 1980s punk and metal. Metallica were my biggest influence because they were good at everything - riffs, energy - but with such an ear for melody, it was hard not to get pulled into it and become a fanatic.

I heard Skip James, and it pierced me. It felt like punk rock to me, real and raw. It was just one guitar, so simple yet so much expression. I wanted to feel and express like that, to take the shortest path to get to an emotion.

All the music I listened to in high school that I loved and that moved me wasn't the same music other kids were listening to in school. I got into punk rock and new wave, then dub and hip-hop.

Pledge Allegiance was a pretty generic name back in the day. In the 80's I was the promoter for all the punk rock shows and I'd book Black Flag, Dead Kennedy's, Minor Threat etc and I'd hook them up with places to stay if needed so it's hard to keep track of it all.

You know, sexism in the punk scene - or just in rock and roll in general - is so easily demonstrated by the amount of women or queer people that you see on stage versus the amount of cis males that you see on stage.

I don't have any phobias with any language, and I've grown up listening to Anglo-American rock n roll as well as Welsh-language punk rock and I'm all for sharing languages.

The filmmaker Amos Poe was a huge inspiration for me by making guerrilla-style punk films on the streets of New York and - well, it's just a lot of painters and artists and filmmakers all within that scene, and it's very, very important to me.