Top 1200 Puppet Shows Quotes & Sayings - Page 10

I believe that, not only in chess, but in life in general, people place too much stock in ratings – they pay attention to which TV shows have the highest ratings, how many friends they have on Facebook, and it’s funny. The best shows often have low ratings and it is impossible to have thousands of real friends.

Working on 'Comedy Bang Bang,' we're there from 10-7, and that's a pretty light day compared to most other TV shows. Other shows, it's like 10-10.

I love the NBC comedies. I DVR 'Parks and Recreation,' 'Community,' 'The Office,' '30 Rock.' I love most of the HBO shows. I love 'Archer.' 'Archer's a great show. I'm big on Netflix; I've seen every episode of 'Freaks and Geeks.' We need more shows like that.

The consistent growth in overall revenues shows marketers may be shifting more of their total advertising budgets to online. This is a natural development as research shows more consumers are spending a larger percentage of their media time online, while the flow of advertising dollars follows.

Basically we're puppeteers and if you're there and you're in the character, the puppet is going to look good. It's going to breath life and I think once they find out how to trust this system, you just forget about it and just perform, then it's just second nature, it just becomes easy.

I've always competed in those shows. Like, I won 'Fear Factor', I did 'I'm a Celebrity Get Me Out of Here', I did 'The Mole', 'Celebrity Apprentice' with Donald Trump. I've done a lot of those shows, all in the hope of being a blessing to my mom's organization.

When I was a child I liked watching shows about bounty hunters and Canadian Mounties. I liked the 'Lone Ranger,' I liked shows where the guy saved the girl from the villain. I just liked those kinds of things and I wanted to be a guy like that, you know, that would save the damsel in distress.

In terms of scripted shows, I love 'Mad Men.' Cinematically, it's one of the most beautiful shows ever made. I love the subtlety of the acting and the storytelling, and I love that they don't think the audience is dumb. They make a great show, and you figure it out, and it leaves you with so many questions - it's just great.

I worked in television now for a few years. I think summer has become a really exciting time for television shows. And I think it's become a time for shows to distinguish themselves.

If a single one of these gentlemen is correct, if a believer of any type is right, the essential truth for man, the real drama of life, in comparison with which the secular story of the race, is a puppet-show and the unfolding of the universe is a triviality, is the dialogue of the immortal soul and the eternal God. Yet it seems that there is nothing in the world so hard to discover as this. The theory refutes itself.

If I had to choose between a third Wimbledon title and the number one ranking, I would choose Wimbledon. The ranking just shows how you're doing in the year, so I think the Slams are first, and it shows in the number anyway.

All my TV shows are done live in front of audiences, and all the material I take on the road and travel with them test them for hundreds and hundreds of shows before I shoot them for TV.

Fans feel so close to us and can relate to us because not only do we look like the kids at our shows, we're in the crowd with the kids at our shows. We don't create this weird barrier like we're some crazy rock band.

There's a stigma about reality shows and the people who star in them. Reality shows mean your career will end, your marriage will be cursed, you have to fight and/or throw a drink, or you're going to end up broke and a has-been when the series ends.

When they come out to my shows they like me but trying to get them to come out to my shows they're like "I don't want to go and see that old guy" But when they do they totally get it.

I think of being an actor as kind of a young man's gig. It's emasculating, in a way, people messing with you and putting make-up on you and telling you when to wake up and when to go to sleep, holding your hand to cross the street. I can do it up to a certain point, and then I start to feel like a puppet.

Thus "phenomenology" means ???????????? ?? ????????? -- to let that which shows itself be seen from itself in the very way in which it shows itself from itself.

American television, for all its faults, still has a black presence in shows and even in commercials. You'll see black people in automobile ads, black women starring on their own television shows. We don't see that on British television.

We might miss the sign or we may be unable to read the expression, but it is almost a contradiction in terms to say that a dog feels something but does not show it. What a dog feels, a dog shows, and, conversely, what a dog shows, a dog actually does feel.

I've had shows as a painter, as a photographer, I've done shows as a sculptor. I've done a lot of different things and it all comes from experiences that you have in your life, in your creative environment. They all help - I don't even know if they help; maybe they make it worse but they all influence each other, for sure.

I do think that people get really emotionally involved in the TV shows that they love and I think that is fantastic. Of course they are going to have opinions. The other thing is that people project onto their television shows. They see a character and layer on many traits that are actually their own or their idea of what that character is.

The question is, do we have a shadow government? And, if we do, who are those intelligent minority that is -- that is guiding us through? And where are they guiding us to? If you skip past all of the puppets and the strings, if you stop looking at the puppets themselves, you have to see who's behind the puppets. Who is choosing the puppets and the players? Who's the puppet master? George Soros.

I love a good cliffhanger. I love when big events happen in shows. I love shows that aren't afraid to take risks and to really do what's best for the story line and realistic for the story line.

When we first started playing shows, we were all 17. Everybody started somewhere. There were guys throwing shows in condemned houses and backyards just for the love of music and for the love of what bands were standing for.

For a long time, it was hard for me to get my work done in Chicago. Silk Road gave me opportunities to do shows like 'Golden Child' - shows that nobody else seemed interested in. And they bring an artistic integrity to the work that matches anything you'll find at a bigger theatre.

I've been a puppet, a pauper, a pirate, a poet, a pawn and a king I've been up and down and over and out and I know one thing Each time I find myself flat on my face I pick myself up and get back in the race

There are panel shows that struggle to get women on, and that's because the women feel marginalised and stupid and in the edit are often seen just laughing at the boys and not saying anything at all even though I know for a fact in the recording they were clever. I'm not shy at speaking up, but even I, on those shows, am silenced.

I think it's a lot richer than what we call fleshy improv, I think it's very funny, puppet improv and fleshy improv.

I used to watch some of the reality shows about models, and then, weirdly, now I try to incorporate into my fashion shoots the skills I learnt from watching those shows. It's like, thanks Tyra, 'cause you've given me, like, all the cool tips. Like how to smile with your eyes.

In the form of the oeuvre, the actual circumstances are placed in another dimension where the given reality shows itself as that which it is. Thus it tells the truth about itself; its language ceases to be that of deception, ignorance, and submission. Fiction calls the facts by their name and their reign collapses; fiction subverts everyday experience and shows it to be mutilated and false.

The pop-star thing bores me because it's somebody programming someone else. Stand over here, sing that, no, sing it like this, talk like that, when they ask you this, don't say that, say this, hold that, drive this, stay here, live there - you're not even a human being. You're a puppet.

Through playing so many shows now outside of Japan, what I realize the most is that there is a very diverse fan base that comes to our shows. Sometimes you see older people, younger people, kids, female, male, a lot of different demographics, people from different backgrounds as well.

Broadcast TV has a very classy but old-fashioned way of doing television. That's what it's always going to be. But you've still got to introduce young talent and ideas and shows to the masses. That's the way you build a bigger and younger audience, introducing younger writers, comics, TV shows to viewers.

I played some shows, but I'm disappointed it didn't do better. I wish all my shows sold out, I wish I had sold more copies, I wish that a song was picked up to be in a TV show - whatever these little benchmarks are. You always want something more.

Miramax seems to be showing the same faith in Roberto Benigni's 'Pinocchio' that the Republican Party showed in Trent Lott; the live-action version of Carlo Collodi's fairy tale about the wooden puppet whose only ambition was to be a real live boy was sneaked into theaters Christmas Day.

When I'm not filming anything or on the road doing stand-up, I'm usually doing stand-up shows every night - usually a few shows a night at different clubs in the city.

I feel like the best kids shows aren't just for kids. The best kids shows have something in it for everyone. As you grow up, you're increasingly proud to be a fan of the show, rather than getting to an age where you suddenly become embarrassed that you ever liked it because it's only for seven-year-olds.

I don't think that everything on Broadway relates to us, and I think that's why we as black people don't always go to Broadway shows, but shows like 'What's on the Hearts of Men' has a lot of issues that can relate to black families, and that's why I enjoy it.

So if the meaning of the Trump brand is being the ultimate boss who has the power because he's so rich, the way you undermine that brand is by making him look like a puppet, and by showing that while he's playing gold and admiring his properties, it's actually other people making the key decisions and he doesn't really know what's going on.

The Chinese people absolutely need good spiritual examples. They also could use a citizen of their own, who is free and happy, and pleased with them, and represents them in a positive way to the world. Especially now that they're becoming this mega-power, and no longer known as a puppet in the game, or strictly business people.

One of the differences between real documentaries and reality television, besides the artificial construct of reality television, is that the people who are recruited to be on those shows, and the people who are interested in going on those shows, basically want to be famous. Or maybe they can win a million dollars or something.

Between New York and L.A., and all of us who are actors, I feel like we're just one big, cast repertory company, all running back and forth between the coasts and between different shows. There is a wealth of great character actors, who show up, here and there, on different shows. I love the fact that we're allowed to do that.

Sometimes, the other characters are too normal and then you start to be brought back to reality but then Luna shows up and she is just so funny and cool and honest and slightly mad and she's all that matters. She is 100% true. She puts on no shows, because she is so comfortable with herself.

With any video you see online, like with YouTube, you gotta watch an ad, and that's gotta stop. And I think it'll stop by...the shitty network shows they put out will just have the ads in the shows. The characters will be eating Cheetos or whatever.

I feel like if we can use the combination of basically data-driven hunches and bet on really first-class talent to deliver the shows, that I think we could do as well as the networks do, who basically have a 75 to 80 percent failure rate for new shows anyway - even after all that development and pilot work.

I'm a big game show fan. When you're a poor person, you watch game shows. I don't think people realize that. Maybe everybody watches game shows, but when you're poor, you live vicariously through those people.

You're not something that's a result of the big bang. You're not something that is a sort of puppet on the end of the process. You are still the process. You are the big bang, the original force of the universe...

You may train for a long time, but if you merely move your hands and feet and jump up and down like a puppet, learning karate is not very different from learning a dance. You will never have reached the heart of the matter; you will have failed to grasp the quintessence of karate-do.

I've always been fascinated, obsessed even, with books and TV shows about unsolved murders, cold cases, forensic science, mysteries, and so on. Many times when I get inspiration for my work, it's from something in one of these books or TV shows, or perhaps some newspaper article about a specific case.

It is up to the public to stop attending these theatrical, and aquatic shows, and circuses with wild animals. The rhetoric about how the animals are happy and well cared for are lies. Don't be swayed by them. The money behind these shows is huge; there is nothing good about them.

I'm definitely saying right now that if I had to face Shaq's mom at WrestleMania, I will not show up. I'll be scared. If Shaq shows up, no problem. Shaq's mom shows up, eh, I don't know. I think I might get the flu.

There are two ways. One is to be a puppet, follow the culture, and do whatever they want. That was mentally disturbing to me, and still is. And the other way is to go out. I knew there would be problems from my family, and also from my environment. But I thought that physical pain would be better than the mental pain. And I started working as an artist.

'American Idol' is sometimes lumped with reality shows and it has that element - folks-next-door battling it out in a contest. But instead of fighting leeches, bugs, parasites and each other, as on CBS's 'Survivor' and other shows that imitate it, the 'American Idol' contestants, of course, sing.

There are a lot of bands who would get really big in Fort Worth and play shows on a Friday night that everybody would come out to. But I've never been really big in my hometown. My shows would have 10 or 15 people at them.

I found so much fun in the light shows and the multimedia shows of the hippies. That was when I was a student in the 1960s, and I was in New York, so I learned how to deal with writing, recording sound of other people, performance art - because that was a new territory, and I liked everything that was new and provocative. That interested me more than becoming anything specific.

Growing up, when I was at live shows, I was always hoping someone would come out on stage and say, 'The guitarist is sick and couldn't make it... does anybody know how to play all the songs?' That was always my little dream. It was a massively inspiring thing to be in a space with live shows.

If the cross shows me that I am far worse than I had ever imagined, it also shows me that my evil has been absorbed and forgiven. If the worst thing any human can do is kill God's son, and that can be forgiven, then how can anything else not be forgiven?

I mean, we make a 15-minute show that's incredibly silly, even though all of our scenic designers, puppet builders. animators, everybody that works on the show take their work very seriously. So somebody saying that we'd even be in contention for a very respectable award is really nice.

The makers love to show women being oppressed, and the audience also loves watching these stories. I'm sorry to say, but a large portion of the audience that watches these shows are women. They make women cry and abuse in the shows and women audiences are glued to such plots. I don't understand this syndrome.

Through wrestling, through the hard work and the sweat, through the victories and the defeats, we learn a great deal about ourselves. Wrestling shows you your limits, your weaknesses, your strengths and, ultimately, you grow because of what it shows you.