Top 1200 Puppet Shows Quotes & Sayings - Page 7

I like to have my breakfast in bed, and I use that time to watch the recorded shows on my TiVo. I seldom watch shows in real time - I'm always at work.

Tyranny destroys or strengthens the individual; freedom enervates him, until he becomes no more than a puppet. Man has more chances of saving himself by hell than by paradise.

Well, because Dawn of the Dead can take place anywhere and it shows that actually the entire planet is contaminated, I would say that it shows the new face of our world - one person, one race, united against the invisible destructive force.

In '92, I got my first Broadway show as a performer - 'Crazy for You.' I was in the ensemble. In fact, I was in eight Broadway shows as a dancer. Seven of them were original shows. That's how I learned to create something from the ground up.

Big business, elite media and major donors are throwing money at Hillary Clinton because they have total control over every single thing she does. She is their puppet and they pull the strings.

WANT shows up in conversation - EXPECTATION shows up in behavior.

I haven't worked on a lot of different shows, but from just watching different shows I've noticed that there isn't necessarily on every show that love of crafting an episode that has the three part act structure that comes around and actually tells a complete story.

I found myself trying to work within the Los Angeles system. I had an agent and a manager, which I still do, and going to meetings with networks about game shows and reality shows and projects that weren't mine. It was fun, but it wasn't what I'd set out to do.

In day-to-day commerce, television is not so much interested in the business of communications as in the business of delivering audiences to advertisers. People are the merchandise, not the shows. The shows are merely the bait.

The only shows that Americans watch in big numbers are shows about lawyers, doctors, or cops... People don't tune in to watch scientists unless they are forensic scientists.

Most people get their politics, obviously, from TV shows about senators or movies about them or... all the day-to-day press and the talk shows.

Music is what I do pretty much all the time. I'm always in the studio. I'm always rehearsing for shows. Always doing shows.

I don't go to a lot of shows. If you go to too many shows, then it doesn't become a special thing. Whenever I've been to a concert, it has been such a cool experience.

I enjoy reality TV shows. Watching them, and appearing in them. There's a spontaniety involved in the unscripted shows that I like to be involved with.

The show girls do, like, 12 shows a day. I only did one or two shows a day, and I was like, 'I need to go to sleep.'

In between shooting for 'Awake,' I was attempting to have my own pilot season. The audition for 'Anger Management' actually came during a week that I was already testing for a couple other shows and we weren't really letting any other shows into the mix.

I'll just say that there are times when TV shows, like 'The Honeymooners' or 'I Love Lucy' or something, where they're totally in their stride, and this thing happens, where you can tell they got everything they wanted. And it starts to look a little relaxed. No criticism to the shows whatsoever; these people are geniuses.

The childhood shows the man As morning shows the day. Be famous then By wisdom; as thy empire must extend, So let extend thy mind o'er all the world.

The first ones I played were in New York at Joe's Pub; I played four shows, but I did something like 30 interviews and a couple radio shows in the mornings and completely blew out my voice. It kind of sucked.

I was pretty new to the Broadway world once I began working in it. I hadn't really grown up being too aware of that many shows or that many actors in shows. I was always obsessed with Judy Garland, though.

Once I could drive, I spent all my time in the city going to metal shows. I missed the first couple of Metallica shows because I was lame. By the time I got into them, they were playing places like the Kabuki.

The beating heart of your story that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.

What I do like about Donald Trump is that he's not bought by the lobbyists. He put up his own money, funded his own campaign. That means he's nobody's puppet.

About music shows... um... I do want to go on music shows.

Because to take away a man's freedom of choice, even his freedom to make the wrong choice, is to manipulate him as though he were a puppet and not a person.

Half the shows on Comedy Central are just multi-cam blue sets, and they kind of look like game shows from the '90s. It's like, 'Why do such a bland corporate aesthetic when the sky's the limit with what you can do?'

I worked with Carl Perkins on a number of shows. Live shows. He just showed up and played. He just killed. Killed! Man... he was amazing!

There are terrific TV shows now. This is a golden age for TV humor, I think. There's an actual market there. Of course, I have no idea how you'd break in, but there must be a way. They have all these shows and they need jokes and somebody is writing them.

The crowd response has always been great, we always have fun at the shows and we will definitely be back representing our album to give people entertainment with a stage show, most rap shows are boring.

The sports space is so full of opinion that you aren't hearing from the athletes just speaking for themselves. We are such a Twitter-oriented society with radio talk shows, TV talk shows and social media - what you are missing is the authentic, unfiltered aspect of who these people are.

Someone who only wants to play sold-out shows will find a tempo that works at the shows and then focus on making that kind of music, but maybe they'll miss out on other things because of it.

I always tell my audiences not to listen to such artists who play audio CDs at their concerts. Such shows shouldn't be called live shows. People like AR Rahman, Sunidhi Chauhan, and Arijit Singh are the ones who hold true concerts.

I basically modeled my way through college, doing local runway shows in L.A. that don't pay a lot and a couple of shows in N.Y. and S.F., and I probably made the same as the average 19-year-old waiter; I just worked less and was around beautiful girls, so it was nice.

It's interesting, even in popular culture, in our vernacular now, the whole idea of 'fake news.' You hear it repeated on scripted television shows, on reality shows, you just see it everywhere, even in other countries.

I really wanted something that could make a statement about what we were doing and the life we were living in society, and the shows that push the boundaries, in those ways, are shows on cable, particularly networks like Showtime.

Most 'reality' shows aren't reality at all. They're game shows with no prize. Like 'Rock of Love.' His aren't genuine feelings. Then again, Bob Barker didn't really care whether or not you won the toaster. Sorry to shatter everyone's dreams.

There is no dignity when the human dimension is eliminated from the person. In short, the problem with pornography is not that it shows too much of the person, but that it shows far too little.

I think in 2016 I'm going to focus on performing a lot more and doing as many shows as I can. There's plans to tour more, and that's where my heart is - doing the live shows.

No, every album is something like a snapshot. It only shows one moment in time. It shows what we feel and think right at that point in time, nothing more and nothing less.

I love doing shows. I love rocking shows. I love playing instruments. I love singing. If I can find a way to do that and feed my family, then I'm a happy man.

That was mandatory in the contract with Aaron Spelling, that if you were contracted to do one of his shows, you had to do any other shows that were his.

The president is the country's scapegoat more than the country's leader; the president has as much power as we think the president has. Whoever has the most money is the puppet master.

Touring used to be hard. Early on in my career when I was more in grind mode, I was doing two or three shows a day. It was tough because you start feeling like you have no life. That being said, I do enjoy actually doing the shows.

I feel my live shows are my music; everything blossoms from the live shows.

The only road to doing good shows, is doing bad shows.

British shows, especially on a first commission, don't get the cash that the U.S. shows get.

The majority of our fans are dudes. And the chicks you do see at our shows are probably there because of a dude. Slayer shows are nothing but sausage fests. We always joke that we really need to write some love songs or something.

My aunts and uncles were like, 'You've got such a great voice - why don't you try out for 'American Idol?'' I'd say, 'Because I'm a songwriter, not a puppet.' Even if I won and became really successful off a show like that, I'd be miserable.

In most shows, there's usually a hero or a protagonist, and even if there are multiple heroes or protagonists, most shows try and make it so you really always know who's the good guy and who's the bad guy.

I think the rigors of a TV schedule are brutal and 'Six Feet Under' wasn't a network schedule. We did 13 shows, we didn't do 22. I don't know how people do that. I really don't. I mean the shows are shorter, but wow, it's quite a discipline.

No, every album is something like a snapshot. It only shows one moment in time. It shows what we feel and think right at that point in time, nothing more and nothing less

I've now done virtually everything there is to do in TV presenting: I've done sport shows, comedy shows, and I'm now doing music, which is great for me.

Self-discovery is so important in identity processing: who you hang out with, what clothes you wear, what shows you see. As a kid, I found out about things through friends. I would go to hardcore shows with 50 people.

In between shooting for Awake, I was attempting to have my own pilot season. The audition for Anger Management actually came during a week that I was already testing for a couple other shows and we werent really letting any other shows into the mix.

Emotion, whether of ridicule, anger, or sorrow,--whether raised at a puppet show, a funeral, or a battle,--is your grandest of levellers. The man who would be always superior should be always apathetic.

I just did 101 shows in 86 different cities in America and Europe and Canada, and I'm not lying or exaggerating when I say, at the vast majority of shows, they loved it. There were encores, there were standing ovations.

Having brought diversity to the air in the way that we have with Kerry Washington and Viola Davis toplining their shows, and then shows like 'Fresh Off the Boat' and 'Black-ish,' have been very important. I look forward to continuing in that vein.

What I'm hoping for is something that goes much, much further than the conservative enablers of dog-eat-dog capitalism putting on a puppet show of cleaning house. But that's probably not going to happen just yet.

People have said I'm a puppet, an instrument of my grandfather, but I think they quickly realised that I'm my own person, that I have autonomy in my actions. I think they rapidly realised I could look after myself.

My shows aren't about trying to save some place, because I don't feel that's the right venue for it. That's my politics right there: Don't bring politics to my shows.