Top 1200 Puppet Shows Quotes & Sayings - Page 8

There are those on Wall Street and in the plutocracy who feel that Geithner is a hero who deftly steered the country from economic ruin. To many ordinary Americans, however, he is considered a Wall Street puppet and a servant of the so-called banksters.

I don't really watch television, and I don't watch these shows that promote shows.

Obviously, a lot of TV shows are based on chronological episode viewing, and the stories are contingent upon watching it in order. Syndicated shows, you don't have to watch in order. You're just watching characters that don't change that much.

When I'm gigging, there's an uneasy shift when I pull a puppet out. People look at me aghast and I feel I have about 20 seconds to win them over. You even get the prejudice among other people in your own profession.

The kinds of shows that seem to work now, the comedy shows, are those which require very little attention. They're superficial and I like articulate comedy. I don't know how to do the other, so I won't consider television until the audience's taste changes.

I think doing shows with other R&B artists like myself brings the attention to the crowd. You can't just do those one artist shows anymore. I don't like just me being on the show.

I'm no financial expert. I scarcely know what a coin is. Ask me to explain what a credit default swap is, and I'll emit an unbroken 10-minute 'um' through the clueless face of a broken puppet. You might as well ask a pantomime horse.

I fell into presenting after doing about a decade of parody shows of presenter-based shows, and a lot of it was me parodying a presenter, so when I started doing 'Have I Got News For You', I carried on that persona.

There are a lot of singers who cannot sing to save their lives. We have to accept it, but thank God there is such a thing as live shows. It's only when people are faced with live shows that the world gets to know how good or how bad they are.

There are a limited number of promoters out there who care about creating music. You rarely meet a promoter who's like, "I want to be responsible for the best shows, I want to make sure that these are the best shows these audiences have ever seen."

The story of Rod Stewart, the story of Carlos Santana is so inspiring to young musicians because it shows in this trendy business how long a career can last. It shows how you can soar back, regardless of age.

You always have good shows and bad shows. People want a certain amount of each. It's just widening the market a little bit. The involvement of people at home is just broadening things.

I helped set The Gong Show. I've done so many game shows. I've helped create game shows.

I'm not standing above the audience trying to manipulate them as a puppet master or a trickster; I'm inside the story I'm writing and making and thinking about things very seriously and feeling very deeply at times, and trying to translate that into a narrative.

Cold Case Files and similar shows do bang up business, which points to a certain thirst for details in the viewership, but it seems like all the news chat shows continue to force the myth that Americans can’t stand detail and have no interest in an idea that can’t fit on a bumper sticker.

You watch these reality shows and say, 'Oh, I would do that, except for eating all the gross stuff.' These reality shows are like everyone's little guilty pleasure. To have an opportunity to be on one, why not? Anybody who says, 'No, I don't want to be on one' is kind of lying in the back of their heads.

Earlier, we had shows like 'Hasratein' and 'Shanti,' which had great storylines and mature content. Now, with a hundred shows running five to seven days a week, the TV industry has become very torturous and taxing for the actors.

The puppet characters were combinations of people I had known and to some degree aspects of my own personality. Weird was based on someone I knew in Chicago. Dirty Dragon was based on a good friend I had in Indianapolis.

There definitely is exposure in reality shows, but the exposure will basically get you more reality shows.

I will love the light for it shows me the way, yet I will endure the darkness because it shows me the stars.

A puppet, for example, is just a piece of wood, a couple of rivets, but put them together, and if you know how to do it, and the audience's imagination joins in with this, then a miracle will come out of that machine. That is what we and the audience do in the theatre - we create miracles in that space.

I've always been kind of a mutt creatively. I started off in journalism, and I've actually done more police and procedural shows than I've ever done science fiction shows. I was on 'Murder She Wrote,' I was on 'Walker, Texas Ranger,' I was on 'Jake and the Fat Man.'

It's very simple ; once the Western countries stop supporting those terrorists and making pressure on their puppet countries and client states like Saudi Arabia and Turkey and others, you'll have no problem in Syria. It will be solved easily.

Who's in or out, who moves the grand machine, Nor stirs my curiosity, or spleen; Secrets of state no more I wish to know Than secret movements of a puppet-show; Let but the puppets move, I've my desire, Unseen the hand which guides the master wire.

I'm still finding my feet in many ways as a performer. I'm not an extrovert, and certainly the attention isn't what drew me to it, and I find that quite jarring at times. I used to stress a lot about shows and get palpitations before shows, but eventually you learn to love it, and it is a thrill.

I do shows, stage shows all the time, and I'm so afraid that people are going to recognize themselves, and they never do. They never do. They're always like, 'Oh, that woman was ridiculous,' and yeah, they're talking about themselves.

It is no accident that I made Cartoon Town a simple little village - in many ways it mirrored my home town. And, yes, many of my puppet characters took on some of the more eccentric characteristics of people I knew there.

On a lot of shows that I've done, we had the same directors, which was cool. But then, it's also great to do shows where the director changes every week, because you get to see all these different personalities and see what you like dealing with better, as an actor.

As a viewer, I love to watch reality shows, and being a part of the industry, I feel it helps a lot. There are a lot of talented artists in small towns and villages of India, and these shows are a huge platform to showcase their talent and bring them to the forefront.

When you enjoy the moment you're in, it shows in your actions, it shows in your words, in your expressions and in your eyes.

I think that still, for the most part, even in 2010, the vast majority of museum shows and gallery shows and gallerists are pretty much dominated by men. So having a sense of what women are up to, for me, frankly, is very, very important.

Solitude shows us what should be; society shows us what we are.

I've always loved playing live shows. I love traveling, seeing the country. I've made a lot of lifelong friends on the road at shows. It's so neat to see that so many of our fans have become friends. There are these nice little groups of "X People" everywhere.

I don't like it when they [media critics] see me as this little person who doesn't know what to do with herself -- like I have no idea what I want, like I'm just a puppet ... That's demeaning to me, because that ain't how it is, and it never was.

You've got to pay the bills, and you want to get your foot in. The great shows usually aren't going to look for somebody completely untested, so you have to kind of get your feet wet doing other shows.

I'm not chasing reality shows. Viewers want to see me and producers want me on their shows.

When we set out our original program from the beginning, obviously our markets were pretty limited, and we were thinking about them mostly as U.S. shows, and they would travel like other U.S. shows have.

Even the greatest player of all times loses sets or is down in a match. It just shows that, you know, a win is never guaranteed. It shows all of us that we have to work for every point, fight for every point no matter what.

I think a lot of people are getting bored of audition-based shows, along the lines of 'Strictly Come Dancing' or 'The X-Factor'. I know I am. But 'Dragons' Den' will have a longer shelf-life than all of them because it's fundamentally real in a way that other shows aren't.

TV has taken a crazy turn, especially in the industry of food, where everything is either a competition show or a sort of reality show. We've lost the kind of shows that are, like, 'Here's how you do this,' like the old Julia Child shows.

When I look back, I don't remember the best of the best. I don't remember arena shows with 20,000 people. I remember funky little bar gigs where nobody shows up. The weirdest of the weird are what you retain.

Big shows are more like events and small shows are more like traditional gigs.

Seeing what the film becomes, out of your hands - you never know, you know? I'm always rather anxious. It's not like in theater when you are more in control. You're more - not a puppet, but you don't control it. You don't own it.

'The Simpsons' basically - and 'Futurama' - are really smart shows. They're kind of disguised as these goofy animated sitcoms, but the references within the shows, if you're paying attention, are pretty smart and pretty sophisticated.

The beating heart of your story... that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.

If you're doing a large, complicated character with radio controls, it might take a number of people several months to make it and if you're talking about a quick little hand puppet, it could be made in 2 days, so there's enormous range there, and no real easy generalities.

How can one explain the attraction terror holds for some minds — and why for intellectuals? . . .In a totalitarian and terrorist regime, man is no longer a unique being with infinite possibilities and limitless choices but a number, a puppet, with just this difference — numbers and puppets are not susceptible to fear.

I've gone from a kid who was sneaking out of my childhood house and lying to my parents to do shows in a community theatre in Reading, PA, to now having two shows on Broadway opening within two months of each other. That's sort of crazy, that trajectory.

On a lot of shows that I've done, we had the same directors, which was cool. But then, it's also great to do shows where the director changes every week because you get to see all these different personalities and see what you like dealing with better, as an actor. But, Jodie was amazing.

I used to put flyers on cars in parking lots, anything to get people to come to my shows. I was always having to think outside the box, and even to this day, I still try and come up with creative ways to market my shows.

I had never really planned that I will host reality shows. I just took up some offers that came my way. But reality shows are a good platform to showcase talent. They help one become a household name in a matter of few days.

I would love to see more swings in areas that we haven't explored. I can't necessarily tell you what that is - I think you know it when you see it - but I think we've had a lot of the same-themed shows in broadcast, but those shows are still performing.

The idea of God as a fatherly figure who looks down on us and worries about how we're doing or takes sides when we have fights - it's more irritating than Santa Claus. The world and the universe are far more wonderful if there's not a puppet master.

I believe that reality shows are extremely important for the talented. Contestants get a platform where they can prove their talent. If they are good at what they do, their life is made. Personally, reality shows have helped me get fame and money.

I think there's really no rhyme or reason as to what keeps a show on air. Surely it's a numbers game, but some of the best shows get canceled, and some shows where you don't totally understand why they're on the air stay on for 15 or 20 years.

I definitely prefer intimate crowds. I mean, those are always the best shows, like, a small venue. Packed to the gills. Hot, sweaty. Those are always the fun shows.

I really didn't want to leave the show, but I got a chance to do a movie, which meant I would have had to miss two shows, and at the time Lorne had a policy where you can't miss shows, so I left.

For myself, anyway, I think that recurring has been such a gift, because I've been able to work on a lot of shows that I've really had a lot of respect for before I went in, shows like 'Friday Night Lights' and 'Nip/Tuck,' for example.

Reality shows are a lot of fun, especially dance reality shows.

'Cold Case Files' and similar shows do bang up business, which points to a certain thirst for details in the viewership, but it seems like all the news chat shows continue to force the myth that Americans can't stand detail and have no interest in an idea that can't fit on a bumper sticker.