Top 290 Queer Quotes & Sayings - Page 4

The fact that I'm able to portray these complex, fully realized, queer Asian characters? I never thought it would be in this position. You just never see those types of characters and that type of representation.

Being queer you're supposed to adore figure skating. It's a sport, not an art. I love the costumes and hate the music and of course I worship Johnny Weir because so does he. Also he's real. It's a full gay thing and it always has been.

I'm still figuring it all out, and I think everyone is. And that's kind of the point is that there's no fixed identity, especially for like people in the queer community. It's going to be an ongoing journey, but yeah, I hope that sharing it helps people.

I love that drag is political. For me, one of the reasons I started doing drag was reading about how in the past, drag performers were able to organize the queer community and move us forward.

Queer culture was introduced to me at a very early age. It was introduced to me with a semi-positive facet because no one in my family is remotely homophobic or closed-minded.

So many queer people come out constantly for the rest of their lives, ya know? To the people they work with, to people in taxi cabs. Whatever it is, it isn't the one day.

I've seen things change and people forget: the history of Berlin, the history of queer struggle, the history of AIDS, the history of New York changing from an artistic powerhouse to more of a financial one now.

I think there's a large worry in queer communities about imitating straight people, when queerness has its own identity and maybe can be a radical force that should be dismantling stuff that locks people into structures.

When it comes to drag, my favorite thing we can do is kind of push against the beauty standards of magazines. We don't need to look like supermodels. That what really makes drag special and makes it unique and makes it queer.

People in Scunthorpe don't care what I say. And I'm not camp, either. I'm a geezer. I'm not a raving queer, I've got a bit of character. I just ignore people who shout at me in the street. I just stick my head in the air; I'm not interested.

Because I didn't have any queer, lesbian, female role models I hated my own femininity and had to look deep within myself to create an identity that worked for me. Pop culture just doesn't hand us enough variety to choose from.

Being young is hard. Being young and queer is even harder, regardless of how accepting your parents or community are.

If you listen to PWR BTTM, or to Gloss, If you look at me on stage, it can make you feel less alone. It makes you feel like you're a queer person and you have this singular power, but it's not like we're a brand. We're just real.

It's queer how ready people always are with advice in any real or imaginary emergency, and no matter how many times experience has shown them to be wrong, they continue to set forth their opinions, as if they had received them from the Almighty!

I think this is a trait that runs throughout the queer community, the obsession with the hyper-feminine female villains. And we see it in Disney movies and in movies like 'Death Becomes Her,' and in characters like Poison Ivy and Catwoman.

Historically, our culture has not made room for the nuances of humanity. People have not been kept safe: women, people of colour, queer people, transgender people.

I adore 'Broad City,' but the one Latino is queer for jokes. You see queerness of Latinos in this emasculated with an accent or fez on a set '70s show. It's always like, 'Ha, ha, funny emasculated immigrants.'

As a mom to biological children and adopted gay children all around the world, nothing gives my heart strings a tug as much as seeing a parent stand by their queer/gay/trans child with beaming pride.

I think the original 'Queer Eye' definitely started us on the journey to normalize the LGBT community and make people realize that we are just people just like everyone else. It started the road to acceptance.

There is no separation between the black community and the LGBT community. As a black, queer woman myself, I often have to assert, right, that it's not one or the other but that I am all of these things.

The successes of the LGBT civil rights movement and the more prominent role openly gay people are playing in the public eye has actually turned up the temperature in middle schools and high schools for queer kids.

I was raised in Georgia, Alabama, and Mississippi. And I think that has practically everything to do with, you know, my formative years. I'm also black. So, this is what we're talking about, intersectionality, right? I'm also queer. And I'm also non-binary. And I think all these cultures have contributed to every essence of my being.

Music spoke to me when I was young in such an intimate, empowering, magical way, and I think that music is already doing that for young queer kids.

Just in my experience as a drag queen, I've been able to connect with queer people around the world - and to see them connecting with each other over a shared love of drag!

I went to Catholic schools my entire life and never had anything close to a cis heterosexual sexual education let alone a queer one. Everything I learned was trial and error or the Internet or 'Talk Sex with Sue Johanson.'

California is a queer place in a way, it has turned its back on the world, and looks into the void Pacific. It is absolutely selfish, very empty, but not false, and at least, not full of false effort.

In a way, a stage can be the safest place to be visibly queer and non-gender conforming because you're literally surrounded by witnesses. Any type of violence that a person might try to carry out on you, that's just not a very likely place to do it.

I want to see some queer politicians, some drag queens and drag kings running for office and shifting the way that policy is made as well.

Pittsburgh's definitely the city where I learned how to be on a stage, hold a microphone, and interact with an audience. It's where I got my chops as an entertainer and as a performer, so I'm grateful to the queer community there because they are active and vocal and they care about each other.

The way I see queerness now is that, best case scenario, another queer person reflects it back at you. Worst case scenario, which is what happened to me, is having people say, Well, you like Michelle Branch, so you must be gay.'

For good and evil, man is a free creative spirit. This produces the very queer world we live in, a world in continuous creation and therefore continuous change and insecurity.

We need to talk about representation for queer people in the media and also in law. And there's a long history of drag queens leading those discussions in marches on the street and even in bars going back to the time of Stonewall and before.

'Drag Race' is so unique in how much progress it has made in how people think of people in LGBTQIA-plus community and has helped make big strides in the way queer art is perceived.

I wrote 'Twenties' back in 2009. I always wanted to tell a story where a queer black woman was the protagonist, and I'm so grateful to TBS for giving me a platform to tell this story.

Not only does the title 'We're Here' highlight the fact that me, Shangela, and Eureka are here, but we as a queer community, we were already here. We were already existing in your space before these drag queens showed up with a big purse bus.

We are traumatized by growing up in a world that doesn't really accept us. Obviously, we've made great leaps and bounds, but I think there's a tendency to force a narrative onto queer people that once you come out... you have to be really happy and really successful and proud all the time.

A boy's appetite grows very fast, and in a few moments the queer, empty feeling had become hunger, and the hunger grew bigger and bigger, until soon he was as ravenous as a bear.

I take the time to show up for people in my field who are often not seen and heard in the same capacity as I am. Applauding other women and queer writers of color enables me to recognize and showcase the abundance of talent and work being created.

My brownness is something that I can't hide. There are some straight-acting or straight-passing queer people out there, but I'm not one of them. This is something I would rather not have to hide.

What I loved about playing Ms. Albright in 'Love, Simon' is that, so often, when we speak of allies in the queer community, we don't really get to see what it means be an active ally. I love that she can step into this world with these kids and be a truth teller.

Being an Asian person on SNL,' when people are like, 'Why did it take so long?' It's sort of a question that doesn't fully understand the idea that there is no developmental experiential process for a queer Asian person to get into comedy in a way that feels inevitable.

What's holding us back from being free is fear. Whether it be fear of those on the outside who don't understand queer people or any other minority, or the actual minorities themselves being scared. The lack of freedom we experience is all tied to fear.

You know, sexism in the punk scene - or just in rock and roll in general - is so easily demonstrated by the amount of women or queer people that you see on stage versus the amount of cis males that you see on stage.

I think that's what happens when drag starts to go mainstream: All of a sudden, you're watching 'The View' and there are three drag queens on there and it's not a joke. Yes, we're here, we're queer and you better deal with it. 'Cause we ain't going nowhere.

Pride for me has always been about holding a personal vigil within your own relationship, with nuclear being under the queer umbrella or being an ally wherever you land.

When 'Drag Race' first began, it seemed like a fun window into an underground culture, but over the nine years it has aired, the show has evolved to reflect America's changing relationship to queer rights and acceptance.

The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.

Me just existing and being myself is making change and making things easier for other young queer kids. I want to be me and express that and break new ground along the way.

I was in the closet up until I moved to the U.S. But I was always one of those kids who couldn't really hide being gay. Some queer kids are just more straight-passing than others. I was not one of those kids.

A queer fellow and a jolly fellow is the grasshopper. Up the mountains he comes on excursions, how high I don't know, but at least as far and high as Yosemite tourists.

As a white queer person of a certain degree of economic privilege, I think that my ability to pass as straight is a privilege that other folk I know don't have. It's important to keep in mind who really is in the most trouble and to direct our attention to assisting those people.

On 'Queer Eye' I come in with what I know, and I try to parlay that into lessons for our 'heroes.' But that's really listening to what they need. Sometimes it's a little more ambitious. Sometimes it's very simplistic. But it's got to be something that's condensed into a short amount of time.

I figure this current era of history is the one with the best chance of quality of life for a black, female, disabled, middle-aged, queer person who's most comfortable not fitting in. The odds still aren't great, mind you. But I'll take my chances with the 21st century.

Sometimes you have to see the thing to know that it exists. Maybe there's a queer person in a town, but they don't feel comfortable or safe coming out, frankly, and the only representation they feel that they have or connection they have is on television or in a movie, and that's really powerful.

On 'Queer Eye,' I really get to see the way someone lives. They know the Fab Five are coming, but they don't know when or how, so our producers make sure they don't clean up so that we can experience exactly how they normally live.

We must be vigilant in sharing our stories and our truths as queer parents of color at every chance we get if we hope to see art imitate real life.

A lot of people know me from my character that I play on 'Superstore,' Mateo, and I'm not interested in playing straight roles. I'm all about playing queer roles.

I think the earnestness of what we're saying and what other bands like us are totally saying - or other queer bands - is 'We exist.'

You know, being an 'other' in this world, you're walking around in a horror movie at all times, you're always on edge and wondering when the monster is going to jump out and get you. I feel like that's the experience of African-Americans and queer people in America.

In 'Queer as Folk,' we had three or four sex scenes in every episode, so I got used to doing that very early on. Those kinds of scenes can be challenging. They take a bit of time, and everyone's a bit nervous.