Top 141 Quentin Quotes & Sayings - Page 2

I got a message that Quentin Tarantino would like to meet me, that he was a Spider-Man fan and wanted to talk about playing Peter Parker. We had a general chat, a nerdy conversation about Hollywood in the 1960s and 1970s.

I enjoy the TV series 'Dexter,' where there's a reason for every kill. Quentin Tarantino is a favourite, and a 'Kill Bill' action-packed movie would be up my street. I'd love to be India's first scream queen!

In the early '90s, when those little art films started coming out, we were introduced to Quentin Tarantino and guys like that, and independent cinema was something that everyone wanted to be a part of.

I remember watching Quentin Tarantino accept an Academy Award for screenwriting for 'Pulp Fiction.' If I'd known then that 15 years later one of his movies would again be nominated for an Oscar and I'd be in it - that would be pretty crazy.

With Django Unchained, when you're dealing with slavery, it's like a gymnastics routine with the highest amount of difficulty. Quentin Tarantino is not going to do a movie that's just going to lay there and be safe. There's going to be twists and flips.

All these directors, and I would include the Coen brothers and Quentin, have a very unique vision of what they want. They listen to ideas and make people feel like everyone is making the film.

Maybe when you're alone or no one's looking, you dare to think, "Maybe someday I could get to work with somebody like Quentin Tarantino." For me, it happened. And it didn't just happen once, it's happened twice.

I met two of my movie heroes. I met Tom Hanks, and I met Steven Spielberg. Oh and Quentin Tarantino.

That's Quentin. He's an absolute master of his own fate. If he agrees with you, he'll change his mind instantly. If he thinks that he's right, there's no way you can get him to change his mind.

The most important thing for Quentin and the most important thing for me is to make the best film possible.

I saw Quentin Tarantino's 'Django Unchained,' and you could say a lot of things against it, but it was incredible fun. I don't like blood and gore and I am very squeamish about violence, but Tarantino's violence is actually funny.

San Quentin, may you rot and burn in hell. May your walls fall and may I live to tell.

People use location as a language in films, and Quentin uses action as a language in his films. There's really not a lot of violence. It's more of an emotional beat than it is a physical beat.

I am going to be an actress. I am going to meet Quentin Tarantino. He will fall in love with me. We will get married. I will be the lead in every single one of his films. He will be like Uma who?

I would love to work with Quentin Tarantino - he's my number one. My ultimate. I would love to work with Paul Thomas Anderson, Alexander Payne - Pedro Almodovar wouldn't be too shabby. There are so many good directors, but those are some of my favorites.

I like to see Quentin (Roosevelt) practicing baseball. It gives me hope that one of my boys will not take after his father in this respect, and will prove able to play the national game.

I think that no matter whether you're Quentin Tarantino or any other kind of a rebel, or whatever, everyone who makes movies still wants to win an Academy Award, because it's like the Pulitzer Prize or the Congressional Medal Of Honor. It's the best endorsement you could get as a moviemaker.

His (Lloyd Kaufman) string of low-budget, lowbrow horror comedies stretching back to the ’80s has been cited as influence by Peter Jackson, the Farrelly Brothers, Quentin Tarantino, Takashi Miike, and Guillermo Del Toro, just to cite a few prominent examples.

I've featured in some soundtracks in the past, and I would love to do more. I love great soundtracks to movies. Quentin Tarantino always picks amazing soundtracks, so I would like to do something for him or write a song for him.

Quentin Tarantino is interested in watching somebody's ear getting cut off; David Lynch is interested in the ear.

When you get the call from Quentin Tarantino, it's the call of a lifetime. You don't allow yourself to be vulnerable enough or to be fool enough to expect that phone call to happen, in reality.

In the way in which we are living in a much more explosive and more tension-filled society, a society that is driven with more and more contradictions, it is but unavoidable that some of this will also come into cinema. I would, in fact, argue that a part of it is borrowed from Hollywood. It's as if Quentin Tarantino has come to Mumbai.

The great thing about reading for Quentin [Tarantino] is you're not reading for him, he's reading with you. So he sits right next to you.

I've worked with a lot of real heavy hitters, and Quentin is maybe heads and shoulders, at least a forehead, above just about anybody I've ever worked with.

The thing is, making movies as an actress, you learn so many things. Like when you're making a movie with Quentin Tarantino you're just at the best cinema school ever.

I love movies where you can tell who's directed it even before the credits roll in, like Wes Anderson or Quentin Tarantino. People who make very stylized types of film.

The flagrantly gay Quentin Crisp dealt with homophobic bullying by refusing to bow to its onslaught. His number listed in the phone directory, he responded to derogatory remarks accompanied with a stated intent to kill him by asking, "Would you like to make an appointment?"

I didn't grow up like Quentin Tarantino, watching esoteric art films at the video store. I'd go to the multiplex and see big, mainstream movies, and I'd go, 'I want to make one of those one day.'

I like Bill a lot. As Bill is presented, I mean you don't ever see Bill blow her head off? You know? And I think what Quentin has done is he created a monster.

I've noticed, as a comedy fan, that I really like Paul Thomas Anderson or Quentin Tarantino because when they're funny, they're actually funny. It's not like when other dramatic writers have comedy, and I'm just like, 'Well, that's not funny. Why are you even trying to make a joke here?'

I think that no matter whether you're Quentin Tarantino or any other kind of a rebel, or whatever, everyone who makes movies still wants to win an Academy Award, because it's like the Pulitzer Prize or the Congressional Medal of Honor.

I'd got into Cash after I'd used my pocket money to buy his 'Live at San Quentin' album, just because I liked the cover. It turned out I liked the record inside even more.

Quentin wanted to create this special world in which everybody walks around with a samurai sword, extras in the airport, a special little place in the airplane to stick your samurai sword.

Quentin [Tarantino] is a filmmaker who really dives into things very seriously and deeply. And when he does interviews, he really wears his heart on his sleeve and he doesn't hold anything back.

I talked with Quentin about where the character came from, and he told me Kansas City. I don't know how somebody talks from Kansas City, so I made him from New York.

Sit down at your computer or open your nearest mobile device and Google these words: 'Directed by.' What's the first predictive text that comes up? Martin Scorsese? Quentin Tarantino? Ingmar Bergman? Chances are the first name Google suggested was Robert B. Weide. That's me. Sort of.

I saw Quentin Tarantino's 'Django Unchained,' and you could say a lot of things against it, but it was incredible fun. I don't like blood and gore, and I am very squeamish about violence, but Tarantino's violence is actually funny.

'The Naked Civil Servant' by Quentin Crisp. I was so intrigued by the man, I hunted him down when I moved to New York. My first interview was with him. I filmed our conversation and it got me my first job in television.

I want to have more original-screenplay Oscars than anybody who's ever lived! So much, I want to have so many that - four is enough. And do it within ten films, all right, so that when I die, they rename the original-screenplay Oscar 'the Quentin.' And everybody's down with that.

My only criticism about Quentin Crisp is that the subversive must be ready to subvert themselves. I may dress for myself, but I undress for everybody else, whereas he never did that - he was never prepared to drop a bomb on everything he did.

Quentin had an obsolete sailing ship that had been raised from the dead. He had psychotically effective swordsman and an enigmatic witch-queen. It wasn't the Fellowship of the Ring, but then again he wasn't trying to save the world from Sauron, he was trying to perform a tax audit on a bunch of hick islanders.

Quentin and I were constantly finding something new that we had in common and comic books were one of them. I think we were talking about comic books much earlier in our relationship, before I had the part.

I want to do films and have my name mentioned next to Wes Anderson and Quentin Tarantino. I don't want my name mentioned next to other rappers at all.

I've grown to love it, but I'm not like a lot of other people who were always crazy horror fans like Eli Roth or Quentin Tarantino.

As the warden of San Quentin, I presided over four executions. After each one, someone on the staff would ask, 'Is the world safer because of what we did tonight?' We knew the answer: No.

There are a lot of filmmakers I love whose work doesn't inspire mine at all. For example: Quentin Tarantino. From his films you can see that he has a wicked sense of humour, and I love that!

When I met Quentin [Tarantino], he told me what every actor wishes from any director. He said, "I've been through a Demián Bichir marathon. I've watched everything you've done." Most of the time, they don't even know what you've done.

My big fight is not in the movie and I don't understand that decision but I know he's right about it, whatever it is. Quentin did not hire me because I'm a kung fu expert; he hired me because he liked to listen to me talk.

I'm not as successful as Pixar or Dreamworks, and that is disappointing to me, because I think my films are as valid as a Pixar film. I think there's an audience for my films. I know there's a market for someone like Quentin Tarantino, who basically does adult cartoons in live action.

I'm not interested in popular culture. I hate Quentin Tarantino. I rarely go to movies. I hate rock 'n' roll. I work. I think. I listen to classical music. I brood. I like sports cars.

Quentin Tarantino assistant called me and said: "I have good news and bad news. The good news is you got the part, the bad news is you have to do it." I was like: "Oh Jesus, when am I supposed to do this?" I was prepping Hostel.

People use location as a language in films, and Quentin uses action as a language in his films. There's really not a lot of violence. It's more of an emotional beat than it is a physical beat

I was such a fan of Quentin's growing up. I remembered I wanted to see 'Pulp Fiction' so badly, but my mom had seen it, and even though she loved it, she just thought it wasn't appropriate for a 13-year-old.

I'm such a horror geek, comic geek and action figure geek. I'm inspired by so much - from Hunter S. Thompson and Quentin Tarantino to 'The Dark Knight' and 'Halloween'. Just show me something that doesn't suck, and I'm happy.

I read for 'Reservoir Dogs,' and it got down to me and Buscemi, and Quentin couldn't make up his mind. I really wanted that part, but Buscemi is great in that. I also got really close on 'Gladiator,' but Ridley Scott decided on Russell Crowe, who's perfect in it.

With Quentin Tarantino, he makes movies imagining himself as the audience. To be specific and true to what he wants resonates to people who like his movies.

I've met a lot of people since I was around four years old, some really big ones along the way, and I don't think I've met anyone who's as generous of spirit as Quentin Tarantino.

I want to be like, "Look at Postal like Quentin Tarantino did it. Brainwash yourself and convince yourself that Tarantino did it. Forget my name and enjoy the 100 minutes and then write your review."

With 'Django Unchained,' when you're dealing with slavery, it's like a gymnastics routine with the highest amount of difficulty. Quentin Tarantino is not going to do a movie that's just going to lay there and be safe. There's going to be twists and flips.

I think as he gets older, Quentin [Tarantino] is growing more and more into his directorial side, but the writer in him won't stop the pen. I don't think he deserved a directing nod. Like I said, it's beautifully shot - it's cinematography, obviously, deserves a nomination - but he's not the camera man.