Top 1200 Radio Stations Quotes & Sayings - Page 3

I know that there are going to be people that don't like my music, but I think in the industry itself it is always that, 'Oh. you're from the 'X Factor.' There have been certain radio stations that will not play your song because you are from the 'X Factor,' yet they'll play another song from an artist from another TV show.

I just listen to a lot of stuff. Sometimes I play music; a lot of times, it will be stuff from back in the day. Sometimes I scan through the radio. Not the average stations that play the everyday thing.

I still listen to Radio 1. I never really matured or progressed to Radio 2 or even Radio 4, like most of my contemporaries.

The Internet makes it easier to find good music I would have to say. The radio stations that play the kind of music you were talking about, I don't think me and Curt Smith would be that inclined to listen to. It doesn't really affect us and I certainly don't remember the last time I watched MTV.

People are always surprised when they meet me. I was in Nigeria and I went to one of the radio stations and they were like, 'Aww you look cute!' They were expecting me to look more rough, and I was like: 'Yeah, I'm polite!'

I would go to radio stations and they were supposed to be interviewing me and playing my record and they would say, We're playing too many women right now, we can't play your record.

Along this particular stretch of line no express had ever passed. All the trains--the few that there were--stopped at all the stations. Denis knew the names of those stations by heart. Bole, Tritton, Spavin Delawarr, Knipswich for Timpany, West Bowlby, and, finally, Camlet-on-the-Water.

It is true that we have not deliberately or wholly abandoned the Christian element in our tradition, but does that element count with us as it once did? Is the moral tone of the nation - its politics, its business life, its literature, its theatre, its movies, its radio networks, its television stations - Christian?

I have a weird sense that people ten years younger than me don't own a radio, or maybe they own a radio, but they don't call it a radio.

I'm confused that there is a lack of faith in listening to and deciding what is a great song and instead going for these formulaic, bad songs over and over again. But that's what happened when people from beverage companies bought record labels and radio stations as opposed to people who love music owning record labels.

The same music is playing on the radio in San Francisco, New York, Washington DC and Annapolis. Everywhere you go there's the same artists and same songs by them, over and over again. At some stations they play the same songs 50 to 60 times a week.

You could power the entire United States with about 150 to 200 square kilometers of solar panels, the entire United States. Take a corner of Utah... there's not much going on there, I've been there. There's not even radio stations.

I remember when I first came out as an artist, back in 2004 or 2005, the record label used to take me to all the radio stations and just have me sit in, like, their lunchroom or their conference room, and play for the whole staff. Just to introduce them to me so they would play my records.

It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.

Up north, you could find these radio stations with no name on the dials that played pre-rock 'n' roll things - country blues. We would hear Slim Harpo or Lightnin' Slim and gospel groups, the Dixie Hummingbirds, the Five Blind Boys of Alabama. I was so far north, I didn't even know where Alabama was.

A reader who quarrels with postulates, who dislikes Hamlet because he does not believe that there are ghosts or that people speak in pentameters, clearly has no business in literature. He cannot distinguish fiction from fact, and belongs in the same category as the people who send checks to radio stations for the relief of suffering heroines in soap operas.

It's quiet. No cars. No birds. Nothing.' 'No radio waves,' said the Doctor. 'Not even Radio Four.' 'You can hear radio waves?' 'Of course not. Nobody can hear radio waves,' he said unconvincingly.

Where I grew up, we had the three TV networks, maybe two radio stations, no cable TV. We still had a long-distance party line in our neighborhood, so you could listen to all your neighbors' phone calls. We had a very small public library, and the nearest bookstore was an hour away.

I'm a bit obsessive. I've just bought this Wi-Fi radio, which can pick up 7,500 stations from all over the world. I'm boring my wife to death with it. I've got a thing about technology, so I've got four sat-nav systems and loads of gadgets, including a 100% accurate watch. Any new development and I'm there buying it. My best trait is that I'm happy and optimistic.

Writing is not work. In fact, there's nothing better. Writing is something that if the music business went completely away tomorrow - radio stations quit existing and music quit being popular and it was old hat - I would still write songs.

When you listen to Christian radio stations - and there are thousands of them now in the United States - and when you listen to Christian television networks - and there are thousands of Christian television shows across the country - they are all politically right.

I'll go through all of [12 steps for people who say are traumatized by the election], but a sample: Volunteer to fight Islamaphobia. Join the ACLU. Donate to Planned Parenthood. Take down sexism and misogyny. Sort of all the stations of the cross of liberalism. Sort of all the stations of the cross of liberalism.

Flipping the dial through available radio stations there will blare out to any listener an array of broadcasts, 24/7, propagating Religious Right politics, along with what they deem to be “old-time gospel preaching.” This is especially true of what comes over the airwaves in Bible Belt southern states.

I have built already seven very large railway stations: one in Italy; two in Belgium; and in France, and in Switzerland, in Portugal, and also in the United States. And what happens is that stations are not things that come from one day to another, it takes many years.

Flipping the dial through available radio stations there will blare out to any listener an array of broadcasts, 24/7, propagating Religious Right politics, along with what they deem to be 'old-time gospel preaching.' This is especially true of what comes over the airwaves in Bible Belt southern states.

In this time, we incorporate money and media, and it's split up like apartheid, where when you say "hip-hop," you think just rap records. People might have forgot about all the other elements in hip-hop. Now we're back out there again, trying to get people back to the fifth element, the knowledge. To know to respect the whole culture, especially to you radio stations that claim to be hip-hop and you're not, because if you was a hip-hop radio station, why do you just play one aspect of hip-hop and rap, which is gangsta rap?

This is Huntress placing Panta four-five, four-six on battle stations, I repeat battle stations, time one-two-four-one. Authenticate hotel romeo, all parties acknowledge with initials.

In the beginning, my equipment, I would rent them from teamster-types, really. I don't know where they got the cameras - I think from the TV stations. But I don't know if they asked the TV stations.

'Dance' got on WBLS and over 25 urban AC stations. I never had a record on urban AC and gospel stations before.

Stations were built at intervals averaging fifteen miles apart. A rider's route covered three stations, with an exchange of horses at each, so that he was expected at the beginning to cover close to forty-five miles - a good ride when one must average fifteen miles an hour.

I saw an Elvis Presley movie Jailhouse Rock, where he gets out of jail and makes his own records and takes them to the radio stations himself. And then, he puts records in the store. After seeing that, I made records an put them in stores.

The radio stations strayed away from the raw hip-hop that they were playing in the early 1990s. We were like, 'All this watered down stuff is dominating the airwaves. We should make a record to make fun of that' and Guru's like, 'Let's call it 'Mass Appeal.''

Radio stations provided a service. They weeded out the stuff that no one should ever have to even think about. Now, they made mistakes and they made mistakes with me even but, by and large, they provided a service. They were an editor.

The study of celestial phenomena at radio wavelengths, radio astronomy came into being after the accidental discovery of cosmic radiation by radio engineer, Karl Jansky in 1933.

Osama bin Laden's death has been in the news all day. Leftish stations are going, 'President Obama saves the world.' Stations on the right are going, 'Obama kills fellow Muslim.'

I myself grew up when radio was very important. I'd come home from school and turn on the radio. There were funny comedians and wonderful music, and there were plays. I used to pass time with radio.

Even in downtown office areas, people would probably beg for a shuttle bus service to ferry them swiftly to the railway stations and bus stations, instead of forcing them to travel squashed up in shared-taxis.

The best experience that we have on Earth is the fact that we have scientific stations, weathering over stations down in the Antarctic for almost the entire 20th century to learn how to exist in exceedingly hazardous conditions; and the Moon is far more hazardous than Antarctica. At least they have water there.

When the first record came out, I'd go down to radio stations pretty much every day to get the record played, and I would walk in and they'd tell us how much they loved the record, but they weren't sure how much they could play it because they were already playing a girl.

For years everyone looked toward the demise of radio when television came along. Before that, they thought talking movies might eliminate radio as well. But radio just keeps getting stronger.

I think you get in a situation where once you start hearing the boos and hearing the radio stations talk and people on the outside begin to bring your name up of being benched, then you begin to lose focus, and now your play begins to fall and you begin to focus on other things.

Prior to working for Fox, I worked for ABC and NBC, spent a lot of time at CNN, and almost ended up at CBS. I worked for a bunch of local stations in Los Angeles and had a talk-radio show at KABC for six years. In other words, I'm fortunate enough to have been around, and Fox News is the best place I've ever worked.

Voiceover work reminds me of old-time radio. When I was little I used to sneak and stay up at night and listen to Mystery Radio Theater - I loved all those old radio plays.

I've made my records and I've done all the interviews. I've done lots of long tours. I've made stupid videos. I've done all that stuff and learned all the lingo and gone to radio stations and shmoozed with DJs on the air and met retail people.

Apple has the radio stations, so I go R&B in the morning, and then I'll go with some hip-hop before the game. But after the game, it's more meditation music. It's not artists; it's more whatever is being played.

The great jazz radio stations have a duty to continue evolving their format just as audiences ask the musicians to evolve. How do you do that with a form of music that has 100 years of recorded history? How do you also keep it contemporary so you don't isolate your listeners? These are major questions.

Since the beginning of my recording career in 1975, I have had a little difficulty because the pop stations think I'm a jazzer who doesn't have a feeling for pop, so it's hard to get my records played. Similarly, black urban radio doesn't understand that with my R&B roots, I am more than a jazz singer. So I get pigeonholed.

I was really amazed when I started hearing 'Songbird' on the radio. I couldn't believe that the record company promotion department had actually convinced radio music directors to play it -because there wasn't anything like it on the radio at the time.

People often lump radio and television together because they are both broadcast mediums. But radio, anyway, and the radio I do for NPR, is much closer to writing than it is to television.

Writing is not work. In fact, theres nothing better. Writing is something that if the music business went completely away tomorrow - radio stations quit existing and music quit being popular and it was old hat - I would still write songs.

Before the show, there's about two or two and a half hours of meet and greets with radio stations, promoters, people who I need to see and thank and talk to to make sure they remember me. And then, I get - out of all that day of talking and smiling and shaking hands and getting photos, I get to sing for two hours.

You used to have to come to America for 18 months and drive around in a van, trying to get radio stations to play your song. But I remember One Direction's manager telling me that the first time they came to America, they hadn't released a song - they'd only been on 'The X Factor.' But there were 2,000 fans waiting at LAX airport.

What worries me are these so-called radio stations with program directors who don't play all the different flavors of hip-hop. They should play the old with the new, 24/7, 365 days a year. A lot of these program directors are just jiving around and not playing all the good music for the people.

The music I was always attracted to and the shows I was really into like, you know, those weekend Don Kirshner shows, "Midnight Special," those shows, I remember watching those and the music was just on; it was the greatest radio stations.

People don't like the music that's out now, that's on their radio stations, and they want to hear something different, but they're just the audience. You know, people will keep the TV on even if a show is on that they hate - because, unfortunately, they've been programmed to do that. [But] they are really looking for something that's gonna speak to the world that they're living in. That's what people are looking for, but they're not finding it.

Demagoguery sells. And therefore radio stations will put it on. But that doesn't mean that you can't do something else and also make it sell. You know, when I look at an Ann Coulter or I look at a Rush or I look at a Sean Hannity, I think to myself, 'What kind of self-image do you have?'

But you can make good radio, interesting radio, great radio even, without an urgent question, a burning issue at stake.

I think people who say radio is gone or radio is irrelevant are way off the mark. It's still by a huge degree the dominant medium. I know it's changing but radio is still incredibly important.

Every town in America had at least one, two, or maybe three radio stations that played rock 24 hours a day. In England, we had a rock specialist on for two hours a week.

I like radio better than television because if you make a mistake on radio, they don't know. You can make up anything on the radio.