Top 1200 Radio Stations Quotes & Sayings - Page 4

Because Chicago was to radio what Hollywood was to films and Broadway was to the theatre: it was the hub of radio.

I had the little Radio Shack crystal radio, and then my aunt Judy bought me a shortwave radio. It was amazing to me: like on these really clear nights - I lived in Ohio - I could get Texas or Florida. You felt like the world was a smaller place.

I wrote 'Turn Your Radio On' in 1937, and it was published in 1938. At this time radio was relatively new to the rural people, especially gospel music programs. I had become alert to the necessity of creating song titles, themes, and plots, and frequently people would call me and say, 'Turn your radio on, Albert, they're singing one of your songs on such-and-such a station.' It finally dawned on me to use their quote, 'Turn your radio on,' as a theme for a religious originated song, and this was the beginning of 'Turn Your Radio On' as we know it.

That's what I am, Frank thought, an ordinary genius. He had unlocked the secret of radio. The sport of the ordinary! Brillliant me like Reed Seymour couldn't figure this out for the life of them! Reed was ashamed of radio. ...radio was a cinch if you kept reaching down and grabbing up handfuls of the ordinary.

The power of a label and radio and a booking agency and all that - you never know until you experience it the first time, but being able to have a song on radio, but then go play a show for people that have heard the song on radio, and having it sung back to you, is - I don't know how to describe it.

The videos are sometimes the only way for people across the country and different places to see and hear the music. They may not get the same radio stations or they don't get the same TV channels, they don't have the same MTV that plays the same music. People will use to the Internet and that's why YouTube and stuff like that is so important.

To be honest, the search for a label was really weird, because some of the labels that you wouldn't expect to care about stuff like radio formats were the ones that did care. They were like, 'Yeah, we love this record, but what are we going to play on the radio?' And I was like, 'You don't have bands on the radio.'

For many people, Mrs. Brown has come from the middle of nowhere. But Mrs. Brown was first written for radio. I wrote it for a radio series in 1992. It was a five-minute piece for radio, and it's been absolutely astonishing.

My parents were entirely unpredictable and what they said very unreliable, which meant I became very attuned to the range of other signals human beings give out - body language or what Freud graphically called the "betrayal that oozes out of him at every pore," betrayal, that is, of what they really mean. I have that to this day, and it makes conversation exhausting because I'm listening not just to the words of the person in front of me but also to their body. It's as if there are two radio stations on at the same time.

We've concocted a system where local trips take an auto. That's our biggest tragedy. Streetcars, such as those used in Portland's Pearl District, and elevated people movers, like those in downtown Miami, are moving people from rail stations to their final destinations. But a new concept, PRT, may help revolutionize urban transportation, providing a cost-effective way to get people from train stations to where they need to go.

If 'Life in Marvelous Times' can't get on the radio, then I don't need to be on the radio.

You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.

I'm a radio nerd. I've loved radio since I was a kid. I'm a huge Howard Stern fan.

America is new to instrumental dance tracks on the radio, we were all so surprised "Animals" did so well on the radio.

People ask me what's like to hear our song on the radio. I don't know, I don't listen to the radio

Because of the control of the media by corporate wealth, the discovery of truth depends on an alternative media, such as small radio stations, networks, programs. Also, alternative newspapers, which exist all over the country. Also, cable TV programs, which are not dependent on commercial advertising. Also, the internet, which can reach millions of people by-passing the conventional media.

I look at radio as gone … Piracy is the new radio, that’s how music gets around.

Whatever had been on the radio in the '60s; I mean we were always listening to the radio.

On CBC Radio, the Canadian national radio, there's a show called 'WireTap.' The host is Jonathan Goldstein. It's amazing.

I prefer radio to television. Radio is a dialogue; television is a monologue. In radio, you have to interact - they put the words in your head; you build the pictures in your mind. To that extent, it is more engaging than television.

I rolled back onto the lawn and pressed my forehead to the ground again and made the noise that Father calls groaning. I make this noise when there is too much information coming into my head from the outside world. It is like when you are upset and you hold the radio against your ear and you tune it halfway between two stations so that all you get is white noise and then you turn the volume right up so that this is all can hear and then you know you are safe because you cannot hear anything else

I've always been fascinated with radio and broadcasting. I did fake radio shows as a kid, where I was a DJ and stuff like that.

As much as I enjoy TV, I've always loved radio. And I love doing the NFL games, the Monday night games, on radio. Because you are the game. I really enjoyed calling basketball and hockey on the radio, but the presentation is more specific - you're talking all the time.

I'll always be fascinated with radio. Radio allows you to have a one-to-one relationship with the person sharing the music with you. You can also do very many things if you're listening to the radio, things you can't so if you're watching TV or watching a phone.

Through radio I look forward to a United States of the World. Radio is standardizing the peoples of the Earth, English will become the universal language because it is predominantly the language of the ether. The most important aspect of radio is its sociological influence. (1926)

The absolute key difference between television and radio is the ability of radio to communicate. With television you can watch the screen and your mind can be anywhere. On radio it requires a certain amount of discipline from the listener to follow what's being said.

I start the day with either Radio 3 or Radio 4. I don't watch any daytime television at all.

People make a big deal about podcasts but it's basically an online radio show with the sound effects and sidekicks, but because you can curse it's more like satellite radio. Most of the podcasters were morning guys who were fired when Clear Channel decimated the radio landscape.

My father being a Caribbean minister, one day I stole the radio. The radio that I stole, I took it to school, showing off how big this boom box was and how bad I was at the time. Once my father figured out where I left the radio, he then got his belt and he walked me, he beat me all the way to where I had hid the radio, and with the boom box.

Radio continues to be the very best advertising music performers have. No one who ever grabbed a Grammy got there without radio.

When I was on the radio, I used to be able to go a lot farther than I can now. You don't really remember until you're on the radio again, sometimes in your old radio station and sitting with the guys you used to work with and you go, 'Oh yeah, I can't say these things anymore. I'm handcuffed.'

I'm not prepared to be governor of New York. I'm a radio guy; I do a radio show. A radio show is entertainment. You need to move it along. When does a politician move anything along?

At 14, I began working in radio. I ran the board at a little radio station in Dallas.

I've been in radio, God, twenty years. I started as a stand-up comedian. I wanted to be Carol Burnett when I was growing up. Radio was just kind of an accident. I did morning radio in my hometown of Buffalo, then went to Rochester, then Chicago, and then New York.

For it is no railways, roads, and power stations that give rise to industrial capitalism: it is the emergence of industrial capitalism that leads to the building of railways, to the construction of roads, and to the establishment of power stations.

As a black artist in America, you know, it is so segregated as far as the radio goes and how they position music on the radio.

Radio is not a high-paying job; I just enjoyed being on the radio.

The Federal Communications Commission licensed satellite radio to be a national-only radio service.

There is an element of mystique to radio, and I often listen to cricket commentary on radio, especially when one is stuck in a traffic jam.

Radio or no radio, I just like the way records sound when the drums and vocals are loud.

Ironically, the success I've experienced at country radio has left me ostracized from pop and other formats of radio.

Before that, they thought talking movies might eliminate radio as well. But radio just keeps getting stronger.

Ray and I both grew up with radio. Our whole hopes for the future were that we'd get into radio.

The notoriety you get from when your song is on the radio versus when your song is on a mixtape is two completely different things. And when you get a song get big enough to where it gets played on two stations at the same time in the same city, you're like, 'Damn!'

No, he probably wouldn't mention it - except to another flier. Then they will talk for hours. They will re-create all the things seen and felt in that wonderful world of air: the sense of remoteness from the busy world below, the feeling of intense brotherhood formed with those who man the radio ranges and control towers and weather stations that bring the pilot home, the clouds and the colors, the surge of the wind on their wings.

I just keep my ear to the street. I haven't read any music books recently, because I figure I read everything I need to know back when I was 12, 13 years old. I know pretty much everything about record publishing, radio stations. The only thing that's changed is you gotta keep up with social media. It's free promotion.

In the 1920s and 30s, when Radio Shack was young, a much earlier generation of nerds swarmed into these tiny shops to talk excitedly about building radios and other transmission devices. You might say that Radio Shack helped define gadget culture for four generations, from radio whizzes up to smartphone dorks.

Radio is the art form of sports casting. If you're any good, you can do a great job on radio.

My first-ever radio interview was with Annie Mac on Radio 1!

That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.

I don't make music for the radio. And when I was being played on the radio a lot, I didn't.

Whatever had been on the radio in the '60s; I mean we were always listening to the radio

Liberal talk on the radio doesn't perform well because it is not a sequestered to a niche - it's everywhere in the media universe. Conservative talk radio, on the other hand, performs well because the radio is the only place, besides Fox News, that people can go for right-sphere opinions.

'Boneless,' even though we were thinking about servicing it to radio, it made more sense putting a vocal on there. This was actually the first time that I really looked at doing a song for radio and kind of let go of some control and listened to a lot of different radio pluggers and had Ultra come in and help out with ideas.

From talk radio to insult radio wasn't really that much of a leap.

Radio in my beginning days was going into a room for four hours, playing a bunch of music, and screaming about the artists... radio now has come out of the radio, on to the net, and on to video and on stages; it's a multiplatform thing. It's nothing I expected ever to see.

I have said, and I believe, that potentially we have in this country a free enterprise system of radio and television which is superior to any other. But to achieve its promise, it must be both free and enterprising. There is no suggestion here that networks or individual stations should operate as philanthropies. But I can find nothing in the Bill of Rights or in the Communications Act which says that they must increase their net profits each year, lest the Republic collapse.

A big difference between podcasts and radio is the intimacy. Radio oftentimes feels big and loud. To me, podcasting is closest to that weird late night stuff, whether it's late night love song request lines, or it's some talk radio show where you feel like you're the only person listening to it.

I have the best people around me. None of them have ever been on the radio. They're all such great people, and I found that I was able to be a better person when I was doing the radio show. It kept me from being a radio person.

When I was 5 years old I would lie in bed, look at the radio, and I wanted to be on the radio. I don't know why.