Top 1200 Rap Song Quotes & Sayings - Page 16

It's just so obscure to take a folk song in a different language and be a pretty well-respected English-speaking rock band and totally take a song and twist it around and have fun with it.

It's so interesting how you can take a bad situation and make a great song out of it that somebody else can listen to and have a completely different perspective of the song and have their own meaning. That's what's great about it.

You have to connect with a song, and when you write it, that connection is already there. It's your baby; your passion is in that song.

Things that excite me are these four different bands: Wire, with a song called 'Champs,' Misfits, with a song called 'Hybrid Moments,' R. Stevie Moore, and Wipers 'Wait A Minute.'

The difference between me and other athletes is that I'm speaking on things that I go through that I know other people go through. I think a lot of times the mistake in music if you're broke, rap about being broke, if you're sensitive, rap about being sensitive, 'cause there are other sensitive people. If you're sensitive but you talk about being a tough person that doesn't care about anything, people will call your bluff.

There's two facets to writing a song. There's you sitting in your room writing the sentiments of the song; the lyrics, the melody and the changes, and then there's the part where you go into the studio and you put clothing on it.

If I can reach the guy in Alabama that hunts, and he hears that song, and he sees me - like, he's comfortable with me, my image as a person, as an artist - he's willing to sit down and give that song a chance.

I think that a good song is catchy, and a great song is not catchy - but it has a deeper meaning.

My song 'Nevermind' was named after Nirvana's album, so when I had to choose a cover for my Spotify Singles session, choosing 'Like A Stone' by Audioslave was the natural next choice, as I grew up constantly listening to the song.

Usually, I think of the song, and then the video plays out in my head as I'm writing the song. I started rapping to become a comedian, so I'm certainly thinking about the visual component of things beyond just the music most of the time.

Like, when I write a song, the song comes first before production. Everything is written on an acoustic guitar so you can strip away everything from it and have it be equally as entertaining and good without the bells and whistles.

To me, a song is a song when you can sit in a room and just sing it from end to end.

When I go to a gig and I hear a song that I really like, a song that hits home to me or hits an emotional nerve, if I could ever recreate that for someone, that would be the ultimate goal.

I want to be a rap icon.

When 'Quadrophenia' came out, I turned on to that because of the whole story with it, and there were just some really amazing songs on there. 'Love Reign' being the quintessential song on that record, I think. That was always one of the cornerstones of my temple, that song.

I think that all journalists, specifically print journalists, have a responsibility to educate the public. When you handle a culture's intellectual property, like journalists do, you have a responsibility not to tear it down, but to raise it up. The depiction of rap and of hip-hop culture in the media is one that needs more of a responsible approach from journalists. We need more 30-year-old journalists. We need more journalists who have children, who have families and wives or husbands, those kinds of journalists. And then you'll get a different depiction of hip-hop and rap music.

When I'm doing a session for another artist, it's a very scheduled thing, and it's kind of imperative that I write a song in that time. But if I'm trying to write a song for myself and I don't have an idea that day, I just can't force it.

For listeners, the song 'Kehne ko jashn-e-baharaa hai' looks a very easy number. In fact, it was a challenge to sing the song as I had to really suppress my voice and make it appear like a casual track.

I hate rap! Can I say that?

Wonderful Christmas Time' is a Christmas song but it was supposed to be an attempt at a traditional song.

Even if it was a difficult operation to copy a song, it only takes one person to do it. After that the spread of the song via the Internet or other means of propagation is only limited by the honesty of the users.

I believe in female rap.

The song that we hear with our ears is only the song that is sung in our hearts.

The reading of the song is vital. The written word is first always . . . first. Not belittling the music, but it really is a backdrop. To convey the meaning of a song you need to look at the lyric and understand it.

My brother had written 'Ocean Eyes,' and we recorded it, basing all of the production around contemporary and lyrical dance. I think of most songs that way - if you can't dance to a song, it's not a song.

The first time I ever had a song play on a legit radio station, I think I was about 13. It was a song of mine that I had written called 'Young Blood.'

Don't Let Me Be Misunderstood," a song that was written for Simone, she confronted the band's lead singer, Eric Burdon. "So you're the honky," she said, "who stole my song and got a hit out of it?

You must pass your days in song. Let your whole life be a song.

The song This Kiss was definitely my breakthrough song. After that, Breathe was my breakthrough album.

I love rap music.

I was just fooling around with the piano and Todd [Phillips] was like, 'Hey there's a great spot in the movie [The Hangover] where we need a little bit of a breath in the narrative. You should write a song and stick it in there.' And I was like, 'Well, what should the song be about?' And he said, 'The tiger.' 'Oh, okay.' So I went off and I wrote this song. I came back and Todd and I tinkered with it a little more and then we shot it right then. It all happened in a day.

Whenever I'm feeling kind of down or something like that, or even good, the song 'Bohemian Rhapsody' by Queen is a go-to song of mine. It's like watching a movie, but with your ears.

'Tum Jo Mile' came as a surprise. Vivek and Kumaar sir, who has written the song, sent me the track just to listen. I was in London at the time for my world tour. I heard the song, and I fell in love with it instantly.

A song is such a short form ... that 'the slightest flaw seems like a mountain.' And so every song needs to be revised 'til it's close to perfection... But achieving perfection takes a lot of energy.

When I'm in the mode of feeling positive about love, I don't really feel the need to mark it down in song. In fact, I know what that song would sound like, and I would not subject anybody to that.

I've tried to rap, and I cannot do it.

The measure of success was writing a song, recording it and for it being in the hit parade in England. Success was about the postman walking up the garden whistling my song. I wasn't trying to conquer the world.

It takes me a lot of time, and it's almost frustrating for the guys sometimes because they're waiting for a new song. And I - it's just so important for me to get the perfect, exact, right song.

There are times when I want to be plainspoken about my feelings in a song. But there are other times when it's really good to try and get my head around different kinds of song structures, or maybe I might get turned on by trying to write a song that would fit in this one scene in a movie. And by the end of all this, you just end up with a bunch of different ideas. And songs are really just ideas.

Lyrically and thematically, the title 'Doctor Faith', that song is about therapy, psychotherapy, and that song is about emotions and personal insight. I think all the songs on the record sort of go along with that.

I like jamming to rap.

'Obsession' has a bad rap.

I gotta learn to rap.

When I first heard my song 'Georgia Peaches' on the radio, I opened up the car windows and started screaming to the other people on the road, 'My song's on the radio!' Of course, I wasn't driving.

And this shall be for music when no one else is near, The fine song for singing, the rare song to hear! That only I remember, that only you admire, Of the broad road that stretches and the roadside fire.

Jeff always had a huge part in making a song a record. You felt like you were capturing lightning in the studio. It was never boring. He always was there to serve the song.

I think a song that's got something to say. I'm not much on gimmicks. I never have been because they don't last. But I like a song that tells a story and has some meat to it, you know, that means something.

The song Dakota was first written in Paris. I was doing a promo trip. It was snowing and the hotel room was really cold and boring and for some reason I just had a go of the guitar and the song came pretty quick.

I don't like it when people ask me what my favourite Beatles song is. I always get that. First of all, I don't like having to pick a favourite thing anyway. You can't pick a favourite Beatles song! What about "Strawberry Fields"? What about "Lucy In The Sky With Diamonds"? What about "Tomorrow Never Knows"? Come on. That question is small minded to think you could even have a favourite Beatles song.

It is not enough to have a song on your lips. You must also have a song in your heart.

I'd spent five hours that morning trying to write a song that was meaningful and good, and I finally gave up and lay down. Then, "Nowhere Man" came, words and music, the whole damn thing, as I lay down...Song writing is about getting the demon out of me. It's like being possessed. You try to go to sleep, but the song won't let you. So you have to get up and make it into something, and then you're allowed sleep.

I think I was blessed with this talent for a reason. No one told me how to write a song, but I'm just good at it, you know. There are a lot of other things in my life that I'm not so good at, but writing a song is not one of them.

If I hear a really good song it's like, oh man, I want to write a song that good. But the urge to create mostly comes from nature, weather and I think it just effects me.

There's a little book I'm thinking of writing - "Swan Song" is what I shall call it. The song of the dying. And my book will be incense burnt at the deathbed of this society, damned with the damnation of its own impotence.

I don't just listen to rap.

I don't want an angry song with no silver lining ending up on my album. Then I'd have to play, or feel obliged to play, that song every night in repetition as a mantra of anger.

I can write a song about my hero Che Guevara and call it 'Song for Che.'

We're not into the rock/rap movement.

Anywhere in the world, in every oppressive country, time sooner or later comes and libertarian people sing the same song: Goodbye Mr Dictator! This is a universal law, this is a universal song.

I made my song a coat Covered with embroideries Out of old mythologies From heel to throat But the fools caught it, Wore it in the world's eyes As though they'd wrought it. Song, let them take it, For there's more enterprise In walking naked.